[000:00:00;00] let’s just say, that is, by the way, it’s interesting, it seems to me that now it’s in the style of absolutely modern weddings, but why the red belt, it symbolizes something, it’s more like a peplum, that is, in fact, in our case, it performs more of a decorative function, and the red color, of course, is probably the most favorite color in general in the tradition, that is, wherever we go, almost everywhere it is the main color, and there is the same zaitsev, our legendary designer, he was a red dior for a reason, in general, we have, in principle, within the framework of our history states, the color red, it manifests itself in different ways, the color red, yes, it is used in national motifs, but specifically in wedding dresses, what colors were used, we have, for example, a denim dress, for example, that is, we generally tried to experiment with textures, with shades, in some places we really take the white color as a basis, as is most commonly perceived in any modern wedding, and in others we emphasized the traditional color of the area, in others we

emphasized the traditional shape, but themselves with in the color we wanted, that is, in this sense we have some freedom, and we just try to do something balanced, this red headdress - as i understand it, like in the photo the bride has it, in fact it’s just a scarf , this is a temporary scarf, but because we filmed part of the plot in the temple, and it was important to cover the head, according to tradition, then this pearl shawl remains, and there is also a certain symbolism there, and not only in this province we encountered the what a... it's important to show different hats or, for example, in the presence of its absence and what this is connected with is precisely this, a big tradition in general in russia is the change of the bride’s headdress, as if throughout the wedding, throughout the wedding, the outfit changed, the outfit did not, and most often this concerns the headdress, for example, the ability to close hair or remove hair, and braid or undo a braid, that is, this is a very large ritual in which women, girlfriends, yes, brides, some

adult women, such... for example, in the case of arkhangelsk, if i’m correct i remember, in general, in the north, when a girl gets married, she literally dies for the family, that is, they literally mourn her and see her off from the family forever, that is, that’s it, she dies and is reborn as a wife, but tell us about the jewelry, these ones that were on her head, as i understand it, and they also added something else, well, i can, for example, tell you about the laceration on the neck, the necklace, yes, that is , in fact, it’s a choker, it’s a necklace, yes, it ’s called, yes, there is even one. a very interesting brand of the coast, which also appears in this issue, the girl is a designer, she works with these jewelry, that too an old northern tradition, the way she weaves them, in fact it’s very sophisticated, it looks modern, we have some members of the film crew, they bought these jewelry from her to wear in their gray life there with the same denim or something, i don’t know with mike the alcoholic, with something, with something very simple, participants regularly buy something, yes, well, in general, it inspires many, and it’s really wearable, which

is important, and this is how it can be integrated so very natively traditions into your wardrobe. did you attract craftsmen there? were they local or did they bring them from moscow? no, local, we generally always try to attract local craftsmen, and those who make jewelry, those who make, i don’t know, some kind of pottery. bourbon beersman, a product of the stellar group. this is not a piece of cake, and today we, together with the decorator alisa skalskaya and the stylist valeria nikolskaya, are traveling through the wedding traditions of different regions of our country, and what happened, what did they do that was so special besides, yes, besides the dress, the groom and the brides, we baked there, fish , pie, fishmonger, what is surprising is the fish that it’s cooked in dough with bones, it doesn’t sound very good, yes, it doesn’t have bones, well, it doesn’t free it, it doesn’t

separate, yes, and it’s also served at weddings , this is also an important tradition of theirs, but does anyone eat it or is it just standing there for beauty? well, we had a lot of jokes around this, but it’s very risky, at such a wedding you can’t even relax and drink, our host, egor, baked it, we just laughed at him all the time, what he brought was a pie that looked like coal, because he burned it, that is, while you were laughing at him, everyone forgot about him, and he was burnt, that is, not only is he with bones, but he also looks terrible, so i see you returned as culinary specialists, yes, yes, we, we, were inspired, but it’s interesting, where did you get the dishes for the wedding ? who was the owner of one of these houses, she told us, i ’ll give you the service now, she brought us the service, he

i've been waiting for you for 200 years, well, something, something like that. she didn’t indicate exactly how long he was waiting for us, and so the dishes were from completely different places, from different houses, we also brought cut glasses with us to support this , it seems to me, a little yes... soviet style, where is the newspaper, the fish, the burnt glass, we also had red napkins, we had red liqueurs, and red because the north, berries, all these, berry and liqueurs, berry liqueurs, in general you’re really talking about berries mentioned, in prints it is also very often berry motifs were used, including on a festive scarf, or some detail that could have been tangled could also be... something of plant origin, because i constantly wonder what this ornament means, and what does this ornament mean, and ethnologists always tell me, girls, that it’s nothing, just some kind person was walking, looked down, saw some beautiful leaf, some beautiful

flower, yes, but indeed, the peasants were especially inspired by nature and just somehow interpreted these motives in their own way and they used them, well, of course, this can be interpreted in the same way as about fertility, about some kind of satiety, i don’t know. a rich house and all that, but in reality it’s not, that is, it ’s more likely just some kind of visual code that was familiar to the peasant, traditionally, after all, what colors were used in the bride and groom’s outfits? well, in general, as i understand it, even based on the material the designer works with, who nevertheless creates there in that area and reveals the cultural code of this region, these are some kind of muted ones, these are some kind of ocher, these are coral some muted shades, this is burnt linen, that is, something lighter, the groom had a rather light blouse, on which the initials of the bride and groom were embroidered, in general, this also belonged to the tradition of the local region, although we can to know that this was generally practiced all over the world, in royal families and so on, in fact, it

is also very touching, it seems to me, and something that can be passed on from generation to generation and in general all this hand embroidery, it is not just we'll see more in future issues differently, differently presented, and also... a big discovery for us, what materials were used, and well, for example, the peplum, this one, which fits our dress, it was made of hemp, this is such a rough material, which by the way now, yes, there is a lot of it now, even in the mass market, in modern brands, and russian foreign ones, yes, it’s something like that, in general it seems to me that it’s environmentally friendly, as if it’s environmentally friendly, but that’s exactly what i wanted to mention, alice was literally ahead of me, which seemed to me designers generally have a very modern approach to some trends. and current ones, including environmental friendliness, because the way she interprets, how she mixes materials, what colors she selects, what shape it chooses, this is also about what really is about trends that you can in some

a store with everything for the home, a civilian one, in some cool place, i don’t know if you’ll see a market, it’s expensive, very, in general, it’s very fashionable, it somehow seems to me now, even some chinese on aliexpress, they’re trying to duplicate these trends and reproduce them, and all the more valuable is to find it in the past and understand that it actually happened and it applies to us, and it’s fashionable, it’s interesting, it just looks visually relevant, but in principle, all this aesthetics is somehow that moment migrated to the catwalks, many designers, russian and international, were inspired by this russian style, here you have ler, there was something, one of the designers who you were directly inspired by when you came up with images for the program, for me, for example, there is the same alya rus style, yes, which seems to be united under these... one name, it is also very different and different designers interpreted it in different ways, and they showed it and that is, what was conventionally shown there, gatier or san laran there in the late eighties or late nineties, this is a slightly different things, that is, it doesn’t surprise me at all that they were inspired there by our country and

the dyagel seasons, there they also left their mark in the twenties, it’s all clear what happened, we very much respect and value it as history , but now it seems to me like i am i perceive the russian style, it’s a little different, that’s what it really is, even what we see in the same case with the russian seasons has little to do with sanaran, we have the opportunity to somehow pull out some new codes from the russian style and present they are more modern, more convenient, more accessible, that is, are we inspired by some kind of world craze? of course, yes, that is, i don’t know , ours too, there, for example, the same ulyana sergegienko, who also seems to me, made a huge contribution to the promotion in general , these are our basques just from ulyana sergeenko there were yes, yes, yes, but in fact it ’s surprising that when we came up with this peplum, we actually... thought about another mess, which one? well, in general, about balencia, in fact, we looked at the silhouettes a little bit, here’s something like this for us, in general , there’s such a reference, that’s the element we took, but in fact, it turns out collectively unconsciously that ulyana sergegienko she involuntarily, well, also like you can find these

intersections, but in fact the outfit is quite simple, that is, it is not couture and can generally be associated, it seems to me, even with japanese aesthetics, that is, there is something in it like reiko waku, things are a little sweeping there, well, in general, it’s great that we have the opportunity to sort of choose what we like, what seems more suitable to us to modern times and due to some accessories, some solutions, and present it in a new way, but by the way, it is still necessary. by the way, chanel, by the way, yes, yes, yes, i remember this, it looks very powerful, this is really such a runway story, by the way, we will have it - in one region too such a very active headdress, with a rather minimalistic, sixties style, a little bit of audrey hebburn, bottom, and i think we also have gaultier, and this , by the way, is recent so far, yes, this is the show of the twenty- third year, which natalia vodianova opened , just the same alyarus style, he used, there really are some references, but it seems to me, because the designer himself was really inspired simply to throughout his entire career one way or another

in russia, he couldn’t seem to me to completely ignore it, that is, that’s why -that we reviewed his previous collection, took some elements , this headdress, in fact, it is also similar to the headdress that we had, here is the bride in arkhanelsk, which is a shawl in terms of location, it seems, i will not say that this is really what we took as a basis, and we see a lot of metallic elements, but by the way, i must say that in this collection there are a lot of very, very feminine images. that is, this is the first one, yes, it set the mood, and as for the preparation of our suits, the bride's groom, we actually have such complete feminism, because we pay much more attention to the bride in general and women's suits than men's, but simply because somehow it was set that way from the beginning, that is, this is the meaning, it is - in general, it’s downplayed, some work is also going on with the men’s suit, but of course , just strangely enough, well, in general, it’s probably logical, everything is much simpler there, so... we really look from region to region, what kind of some details are added, but

globally, of course, and the bride is the center attracting attention at the celebration, but i think that in many ways this is also in the modern world , because anyway the image of the groom, it is much more predictable in form than the image of the bride, well, that is, we can say that the image of the groom will be from the region to the region similar in the same style, i don’t think that it’s exactly in the same style, because firstly , we have very different personalities of the grooms themselves and we also tried from this... who , for example, is a rocker, that is, it was such that he one of the suitors looked and said, well, i not like this, but many in general, the first feeling was that they are like this simply because they love their wife and fiancée, they are like okay, okay, just don’t take pictures of me, but we tried again not to exaggerate, because i don’t really like in general , when a man somehow caricatures this in general as in one context or another, so that it is somehow natural, so that he feels relaxed, and we try, so somehow, so that it is

balanced, so that he feels comfortable in front of relatives, in front of friends, so that there was no such thing that he felt uncomfortable, but because this is very important, since in general it must be admitted that this is, well, stressful for the couple, since we are really playing a wedding, all this is tied to filming, there are a lot of new people, new sensations, new emotions, of course, i would also like the suit to be comfortable, for example, let’s go back to shoes, and we are trying to find something more modern to balance the image, to make it somehow more unique, and well, for example , in the same arkhanelsk the bride could not put on her shoes, although they had small heels, marie jane, patent leather shoes, and we decided to leave her in the loda, because there, yes, there is such a terrain that it is impossible even in such shoes to be uncomfortable, this is not sewn with bast and today we are talking about weddings with a russian soul, ancient traditions, cultural code, you will see all this in the program: let's play a wedding, don't miss it. alice, but the alyarus style in decor, where

it was used, may not be used by some designers, this is some kind of folk story, this can only be raised by traditions, that is, this is only possible, well, how does this happen in our process, our presenters, two girls, nadya and gala, they are ethnographers, they study all this, when they are preparing an expedition for us, when they are preparing our release to a specific region, i with them i get involved in their process and try to extract something from it, because as such there are not very many traditions, features around the table, well, yes, no, there is no ready-made guide, but it seems to me that this and beauty, because you can really take as a basis and some colors, natural, weather conditions, materials, it turns out that this is some kind of creative process and it seems to me that, for example, if some young guys themselves follow this path, they will

prepare their wedding in tradition or with elements of tradition, firstly, you yourself regulate the amount of this tradition, that is, so that there is no overkill, so that it is appropriate there, maybe you like one element, and you can present it in your own way , and it will always be unique and to me, what is important, this is from the point from the point of view of social networks and photographs in general, it works very well, and i think it’s also important to mention in the modern world that this is not just some kind of subcultural story, where something someone... brought strange objects and laid them out in some strange order , it just looks very aesthetically pleasing, well, that is, it’s just a good ready-made solution for basically any event, well, you now have enormous experience in preparing this... you can now share with our viewers, if somebody really wants to organize a wedding or some kind of event in the russian style, how to really make it stylish, beautiful, with good taste, without any frills, it’s difficult to describe in a few words, but it seems to me that it’s important

to rely on your own authenticity, on the history of your family, on the history of the place in which you live, on some traditions of this place, you need to... just pick them up and look at them from different angles and try to integrate this at the table into costumes in some traditions of the game, i don’t know about competitions , what happens at weddings, well, for example, for table decoration, what elements can be used, what should you start from, go out into the field, see what berries are growing, i’m always in favor of going out and looking around what we have and we can always make it beautiful. it seems to me, as a layman in terms of decor, i can say that it seems easier to start with materials, for example, well, that is, with location and materials and color, yes, well, that is, for example, yes, i, well, for example, in our project i always rely on, looking at the space in which we will do this, and then i really look around

, that is, my assistant always arrives in advance to shop at local markets, go to local forests, where i don’t know, collect moss. yes, this is all the time in our general chats, when there is just some important dialogue going on, then alice throws off pumpkins and writes to everyone, guys, look at how beautiful the pumpkins are, here’s how you used moss in the decor, and it’s understandable there will be a spoiler now, yes, okay, we'll see then, we could they used it right on the table, i was in some bar, also by the way, it was a northern style, and it was right there in the decor of the table where the glasses were. yeah, yes, there’s something else there, you liked it, it’s very beautiful, when they removed it, they changed it, they periodically change the decorations there, when i arrived, there were already some flowers there, i said, why did you remove it? it was so beautiful, unusual, and that’s why, of course , it’s important for me to use those, well, those gifts that i have, that’s why i always

have mushrooms and moss on the table, and i’m at home, at home too, at home too there are a lot of interesting things, i just remembered about the decor - also an interesting story , which is not very relevant to our project, there is simply also a russian brand that also works a little with russian aesthetics, but they only work with knitted knitwear , i believe they are like - once there was such a seeding, they once sent out another stump, birch stumps, before the collaboration, that is, literally the courier rings your doorbell, you open it and he is holding the stump in avoisk, and it was actually very nice, because they came up with such an idea that you should do this, these carts made it, they did it, well, that is, it turns out that in the oat cart there is only a stump, and also in a separate bag you are given some kind of gingerbread thing, according to their idea, you have to sit on a stump, put on the thing in this things to eat a pie and i thought the photo was just super from the point of view of marketing strategy, because i remember, i went on some expedition, i come back, and this stump bloomed, that is, i started sprouting and that’s how it was touchingly, that is, these emotions, they

somehow lasted for a long time, so i think jealously, you even know that we sent wreaths, yes, i know, we send them too, winks, where did you send them? no, not funerals, no, we sent wine projects to friendly guests, and yes, before the launch of the arkhanel issue, yes , but tell us, by the way, about this wedding that we just watched, in your first issue, what kind of wedding invitations were , but we don’t have invitations, we have a video business card that we film from young people, that is, some kind of fancy words they say and they invite their friends, most often, as far as i understand. and what did it look like, that is, were they somehow already in wedding suits or not, since we, since we still support the tradition, some regions have their own tradition of inviting guests, that is , somewhere, for example, the groom is coming people are shouting around the village like, hey, come there, conditionally, it’s me, i won’t tell it correctly, so that

it would be interesting to watch the episodes, somewhere it’s different, somewhere there’s a couple somehow, well, that is, everyone has their own traditions , we must admit that we are not only trees. it’s you who don’t visit villages, yes, i’m just a city dweller, although you too, but i’m more lucky, well, less from the point of view of new information, more from the point of view of comfort, probably from time to time, but i ’m only in some big city , often the local designer’s workshop is also there, and we shoot the story there, that is, it happens that during the celebration itself and in general i don’t find myself around it, but i’m just the opposite, i don’t go to cities, but i go to villages , therefore, there is such a thing that you just need something... bring something with you, well, i brought it with me, for example, from tatarstan, there is simply a wonderful tanya chernoguzova, a designer who, she has a brand. very conceptual, modern, in general, the way she also rethinks tatarstan and tatar culture in general, and she makes things, the main

dresses, they embroider these buteykas and make jewelry, i brought huge earrings of this size, which are repeated on tatar bones, they are like that generally flat, like with medals, large, very avant-garde metal-looking things like these, which also seem to be filled with gasoline, as if, that is, they shimmer, in general they look gloomy and... she thinks through the packaging in such a way, that is, they can be placed on a stand as an object, they can be worn, can be worn as a single earring, i was amazed by her approach, in general, and i could not remain indifferent and return empty-handed, on the bride and groom she used something like this, we made complete bride and groom costumes with her, that is, there will also be very unique ones details are shown too her author’s approach is also one of those cases when the designer almost completely offers his vision, some options, and you just want to highlight it, as it were. and what would you, for example, recommend using for a traditional wedding from what you saw, because, for example, moss

is a very interesting idea, few people use it, specifically for some kind of wedding decor, and what else do you remember? what can be used for decoration, in modern wedding dresses, earrings, so i also understood very well, decoration, yes this is such a first thing, what comes to mind, in fact, well, these are some local... designers, brands , firstly, yes, that is, in general, it seems to me that it is not super common to collaborate with local designers, but this is actually in fact, it’s not prohibitively expensive, that is, for example, to buy just some ordinary dress in a wedding salon, i’m sure that it will most likely be more expensive, well , it’s clear that these dresses are different, the salons are different, but globally this is how it is in a once in a lifetime event, but i really liked your idea where the white a dress with a red peplum, it seems to me that this is absolutely acceptable, not even... especially since we are trying to show with the example of this dress that it can be worn later, that is , it looks so that it does not look overdressed, but it is

we have some elegant options that you can really save and i don’t know, pass on too, or just your family’s fund, well, in general , it’s very cool when we all love things that have some kind of history, when they ask you and you say that these are earrings, that’s how i found them from you, i found them in tatarstan, they are placed on a stand, or we filmed this there from... from a local craftsman i bought this jewelry or some kind of outfit, and when was this outfit still with such a story as a wedding, that is, it’s very cool, if this is a dress, you can wear it at a wedding for the first time, and then you can wear it in life, everyone will say what interesting things, you will answer, and this is my wedding dress, and what’s more, it exists in a single copy in the world, this is also an important point, because it seems to me that this is generally a very, well, separate process before the wedding there, when the bride , for example, in general, we just consider such a situation, develops, somehow invests herself, comes up with these details of this dress herself, and if there is some other tradition involved in this and there

, i don’t know, she brings you closer to her family, she asks some questions, that is, it seems to me that this is generally the process itself, it can be no less memorable than the your celebration, it seems to me, well, by the way, this one moment in wedding fashion, in wedding fashion, in the traditions of wedding fashion, i really don’t like the fact that this is a dress that we wear once, yes, then we sell it, and maybe in the near future we will still come to the conclusion that wedding outfits, they will still become more everyday, they can then be worn again somewhere else, or at least some details of a wedding outfit, even if it ’s not a dress, but maybe it could be some kind of cape and what - i don’t know, some additional parts or accessories, yes the same basque, for example, well, that is, this is what it really is. can be used again, or a dress, for example, as a designer, that is, each item can be worn separately together, this is really some kind of elegant

wedding suit, and separately these parts can be worn with jeans, we already think, well, we ourselves in fact, in general, of course, we are experimenting, quite a lot, and this, to be honest, is even dangerous, perhaps for the audience’s perception of our ideas, because not only is it a transformer, it’s very yes it’s just that we still work with color in a rather unusual way, but in general with textures, with color, that is , yes, it seems to me that we are generally giving out business ideas now, just look, write down and launch a business, well, i think that this will be something like this for a long time - stories are not for everyone , but it seems to me that there are a lot of these kind of intimate, interesting, curious things, they still end up turning into something more, well, it’s just very xo i want you to tell such interesting things, i want these people who live in these settlements, so that as

many people as possible learn about their work, so that it really turns into some kind of profession. for example, well, yes, and for example, i am inspired by the fact that in addition to the fact that this is their creativity , which they are engaged in, they are also really very well versed in tradition, that is, that is why we often do not need additional research or on additional trips somewhere, because local designers, they are already the bearer of knowledge that they pass on, they live, yes through this and this, a lot of new information is obtained, which through this form they present to the world, well, it’s very cool that you discover such people, such designers. it’s very interesting people, in fact, and it’s always very touching to meet them in person, not everyone gets a personal dialogue, quickly based on the filming process, but we communicate with everyone in one way or another as we make these costumes, and people very somehow , first of all, they grasp the lita, somehow react quickly, are ready for experiments, ready to make some compromises, it’s very interesting that they are ready for teamwork, but at the same time they generously, generously share their

knowledge, and despite the fact that these are people of completely different ages. and they may even have some other additional work and something else, well, that is, these are very different stories, which is also quite interesting, some sew at home, some have their own studio, some , some have a large team , some are almost alone, in general , in different ways, well, it’s very cool that you also have such a second story in program, you discover new talents, show them, and perhaps these people will then really develop some kind of, some new round of their creativity. at a minimum, we want to arouse interest in this, at a minimum they will know about it, you have already told so many interesting things about future programs and i think that i and many of our viewers are looking forward to and will be inspired by new images when it comes to fashion , when it comes to home decor and holiday decor, thank you

very much, thank you, keep your eyes peeled and the podcast lab. all episodes are on the first website, and to study wedding traditions, see the new family project: we're having a wedding. hello, i’m larisa kuzeeva, this is a podcast of letters, there will be no letters today, my guest is gennady khazanov, i’m so happy. you came, i didn’t sleep the night, i was so crazy, i ruined all my nails, everything , i called all the time, wrote to the editor, i say , i’m afraid, the first person who, because you know, there is such immeasurable love, here from the first, i swear to you, as soon as i take you i saw, and such respect, and such adoration, and this has passed through my whole life , i have never heard a single bad gossip about you, i have never seen a single

person who would twist the face of a parishioner, but on the contrary, that’s how you are, you, in general, have come a long way by today’s standards, and not among the most beautiful people, not among the most honest, not the most sincere, uh , what does it say, envious, evil, who are ready to sit on and ready to destroy, like you saved yourself, in general, who helped you, now, first of all, thank you, you are for such words, me too today, and it’s not, no, for the sake of a symmetrical answer , for some reason i’ve been on my feet today since 3:00 am, i won’t lie, uh, i haven’t thought since 3:00 am, oh

what we will have to talk about with you, larisa. but i think that this is without any pretentiousness , i say, there is no masochism in what i’m going to say, i got my own channel 3 years ago, and well, i’m still satisfied that after 3 years the figure has exceeded 44 million views, it inspires in this sense, it gives a reason to take what you do seriously, but that’s not what the stories are about, the story is that i read the comments all the time that are placed in

these publications. if you don’t mind 15-20 minutes one day and look, you will see how many nasty, monstrous words there are. i have to read to myself, they can tell me why you are reading this, i will say, a person should not live from my point of view in a greenhouse with the idea that you live wrapped in some kind of velvet blanket, should not, should not, but read abominations from people who... themselves are abominations are normal won’t write, it doesn’t prolong your life, it doesn’t make you brighter, freer, more talented, it doesn’t open your eyes to

something new, it doesn’t shape you just because you changed your role, it doesn’t make your range a ball, this destroys you, it destroys me, i cry, and my daughter says to me: mom, you’re a masochist, why are you... a normal person wouldn’t dream of discussing my appearance, my weight, my age, and so on, so i i just beg you, please don’t read, better, better, let’s remember those who adored you, i will definitely talk about this, but i must tell you that those to whom i owe what i managed to achieve at this age level, among them were people who did not always pat you on the head, well, who, for example, who

i shaped you like this, for example, i had an unforgettable favorite teacher, how to say teacher, larisa, this is a very crude definition, all my attempts to get into a theater school suffered very serious... failures, that’s it, i graduated from school , and it was so funny so that sooner to become an artist, i dropped out of high school, because high school was transferred to an eleven-year education, i said, how is this another year, i have to endure, well, i ’ll endure it, but what about humanity? will do without this gift, in short, i quit school, and i go to an evening school for working youth, and there

was a year, and there was 10, yes, they were not transferred to 11 years, but for this i had to work, i went to the factory with lesar, 20 days after i turned 16, i went to the factory every day since i was a child i grew up in zamoskvorechye, and every remaining house there is a witness to my lived life, i drove to the paveleletsk market along bakhrushin street, past the bakhrushin theater museum, there was my own factory, they didn’t accept me anywhere after i graduated from this evening school working as a youth , and i was given quite serious diagnoses, professional ones, well, for example, i went for

a consultation at the shchukin school, the person who conducted the consultation is no longer alive, so i will allow myself not to mention his name, especially since it has no no meaning, he looked at me... i was imagining something there, something, reading, something , uh-huh, they called me to the table and said, boy, you never need to do this, you have no humor and temperament , and, after many years, i thought, it’s not good to arrogantly tell what they told you, that’s why, maybe? it really seemed like that, that there was a feeling that you had neither one nor the other, a young man shouldn’t, but tamara fedorovna makarova told me, a seventeen-year-old girl, she

said, you have no charm, you don’t need this profession, yes, yes, i’m not ashamed of it, but thomas fetrov told me, in short , it’s impossible, no one took me, then i found out, because i’m a very superstitious person in this sense. very much, but i have a serious reason for this to be opinionated, i realized that life was holding me back until the moment when i meet... this woman. this woman didn’t even take a course at the variety and circus school. she worked as the leading artist of the satire theater until the end of the fifties. then she quarreled with the chief director of the satire theater valentin nikolaevich pluchik left the theater. and subsequently olga aleksanevna

roseva, who is my nadezhda ivanovna. slonovo took care of me and told me a story, it means that she came from leningrad to the satire theater and nadezhda ivanovna took care of her as a young artist, she really liked her, she had a character, she was cool, she was a fiery horse according to the eastern calendar , and the lion, wow, she was, in short, she calls... young rossiva to her home, set the table, she lived in a tiny two-room apartment, not far from the belorussian station, and rusov says: i came, there in a black hyper dress, and she was from such a family, in abundance, she was born in russia, she is the golden girl of moscow, well, in any case

, she is like that, yes, well-fed consciousness. well, it was like that, yes, she was like that, so she comes to nadezhda ivanna, and nadezhda ivanna says, olya, sit down, i want to make a spiritual will, and olga sanna, she was so bad, she generally loved, that’s it, she loved life , she knew how, she knew how to live, she, in general , she was very much alive. well, in short, she told me: i she got so tense, sat down on a chair, and nadezhda ivanovna said: “ol, i know , i have oncology,” which means they really did operate on her, she left in the late fifties, after the oncological operation she left the theater, she said, i know , that my end is near, by the way, she died at

... at the age of 96, she, that’s what she said, ollya, remember, if a little light comes to my coffin, god forbid, she starts to say something, ollya, you you know me, i’ll get up and leave, this woman, she played a very big role in my development serious role. she wasn’t very generous with her compliments, throughout my entire education, she once gave me an “a” at graduation, once, well, i gave it and good, thank god, then in the mid- seventies success fell on me, that’s all, and it seemed to me

, that i was already somewhere at the top, it was so, well, yes, but in 1978 at the variety theater i began to play my first solo pop performance, well, she came, she smoked all her life, well, a good woman, the first part ended she goes down the forest to have a smoke, and i go with her. looked at me like that and ran her finger across my cheek like that and said genya, and by that time i was collecting stadiums in the sports palace, brezhnev loved you, she ran her finger like that and said: “genya, i congratulate you, you’re starting ". become

an artist. i perceive these words absolutely adequately and i answer this at such a long time and in detail, i remind myself of boris nikolaych livanov, whom an artist in an art theater asked about his well-being. livana grabbed him by the neck and said: look, you asked me, that’s why listen in detail. i really need these reviews, that’s why, if not for these reviews, if not for my reactions to this, and keep the training. gift, maybe what happened to me in my life would not have happened to me when i changed the record in my professional life, nadezhda ivanovna always told me, genius, remember what i tell you, mix up the cards,

confuse, don’t let them get used to you , you should change all the time, listen, but no, read the reviews, don’t understand how evil they are in general... i’m the offensive part i attribute it to the form of these people, god bless them, i’m not talking about that, i want to say that i ’m asking a question, but well, maybe there ’s some kind of rational grain there, and then there’s one more thing, this is alexander already once- he said that long before us, and don’t dispute it. yes, khrushchov and kennedy found the strength to show responsibility and wisdom. the deployment of american jupiter missiles in turkey radically changed the entire balance of power. this is what served as the beginning of the caribbean crisis, in

contrast to western historiography, which they are trying to present as the root problems of placing our missiles in cuba. in cuba we were responding to what the united states had already done near the soviet union. the united states posed a military threat to the security of the ussr. many were horrified, realizing how much the world was hanging in the balance. they understood that before the war, not even one step, but half a step. and now we are talking about creating direct threats to our security, right on our borders. world on the brink, lessons from the cuban missile crisis, tomorrow first. do you generally take a hit? it gets better over the years, although

it hurts a lot. billy, very much, and billy, the most it’s offensive, my colleagues beat me the most, and although they explained it to me, why are you surprised, well , what do you want, and what was the most offensive thing from them, to hear or learn, well, you can tell a lot, especially since we can forget together about this podcast of paws and tell each other, about the bags, everything that turned out to be behind our backs, god bless them, but i remember the most terrible thing when... my friends, well, colleagues, because i can’t call them friends, 19 years ago they began to take away the theater, and when on june 12, 2004 i

was supposed to have a run-through of the play, which everything was called like the people, with what wording they tried to take it away, but they had the same wording, they didn’t want it. for me to be in this theater, that’s all, nothing more, in short, a man came to me who at that moment was the boss, but then it was called the department of culture, then these departments were still immature, i said: on lushkov’s table , which at that time was the former moscow, there is a document about your withdrawal, if you have time to do something, try, it was a national holiday, it was russia day, june 12, i had an invitation to the kremlin for a reception and instead of an invitation, i went to the run-through of the play, we had a run-through scheduled

, i asked for time off from trushkin, from letch, yes, i said, i’m lazy, you can move it. he asked what happened, i said , later, i don’t want to now, i went, i resolved this issue, but this scar on my heart remained with me for the rest of my life, i continue to communicate with these people, what a horror, i understand you , i know, i never. i don’t remind them of this out loud, they can’t help but understand that i remember this, but it’s uncomfortable for you, you even feel sorry for them. yes, well maybe, maybe

maybe i’m sorry, because when i asked, i said, guys, you wanted to take it away, and what did you want to do there, they told me quite sincerely, we wanted to remove all the rows in the hall, put tables and do it's like a corporate event. man, he is not jealous because you have something and he doesn’t, he could have 100 times more, so that you don’t exist. born, i have a dash on my birth certificate , yes, yes, my mother left, and now i

can talk about it, and all my life i envied and made up my mind, but about my father history, and i, well, he’s still alive, and i always wanted him to bite off his legs , it’s just that he did n’t raise a girl like me, his wife didn’t allow him there, you know, and i wanted, and i wanted to be better, more beautiful, and for everyone to say, everyone too, this is also the same, my teachers also said everything, and he knows, and this is the teacher’s whole life, i don’t have to shake myself up for a long time , i have everything here, like this, like this here, well, this is with you, well, this has been with you for a very long time because i am because i am like one

the man said, i’ve been living for a long time, i had reason to observe the entire period of your appearance and your heyday and the constant hours about illegality, which means the biggest shock i had was when at the beginning of the 21st century i found out that from 1975 to the end of 1982. i lived in in the same house with my father, i didn’t know this naturally, but he knew, but of course, he knew, but of course, then one day he was no longer alive, i knew that he was gone, i was already at the variety theater , and the secretary tells me, you know how much this woman really wanted to be with you talk, she said that she was friends with your father, here is her phone number, maybe you call her, honestly, i began to think , i probably need to ask for something, there will be something,

so she didn’t want to call me, then i think, okay , i’ll call so that later i won’t not scold myself, suddenly it’s a woman telling me, you’ll forgive me for disturbing you, the fact is that i’m many years old, i’ll die soon, i have to tell you something, i was very friends with your father, me and my husband, we were your father's closest friends, okay, so, he loved you very much, i'm listening, i think so loved that he had never found me in his life, you didn’t know yet that you were living, no, it was all before she said, and your mother, excuse me, knew that he was living, your mother didn’t know and never with never met him, never, never, she came to me, she didn’t, but if she knew, she would have said, or it was a taboo topic, she didn’t say it, it was