this means that monetary policy must be tighter in order to return inflation to 4%, in the updated forecast we have raised the key rate trajectory, such a rate trajectory will allow inflation to return to the target by the end of next year. an important topic at the government meeting is assistance to large families in repaying mortgages; the state will allocate additional funds to support families in which the third and subsequent child was born after january 1 , 1919. another topic - rural farming. a record harvest is expected. mikhail mishustin also spoke about the results of the negotiations in kyrgyzstan. report by anastasia kobuzeva. mikhail mishustin begins the government meeting by summing up the results of the two-day negotiation marathon in kyrgyzstan. the heads of government of the shanghai cooperation organization discussed further economic integration. as a result, documents in the field of digital trade and transport were adopted. in the spotlight. across

the cis there was a digital transformation of industries in the fuel and energy complex. scheduled and vectors of interaction between the five countries within the eu. an important event was the signing of an agreement on a harmonized system for determining the origin of goods exported from the customs territory of the union. it will simplify market access for exporters in third countries. we also approved the rules for mutual trade in electricity within the framework of the eurasian economic union, and also agreed on the definition and distribution of interstate infrastructure capacity, this is necessary for the development of our common electricity market. all the ministers in charge of decisions taken in bishkek must carefully monitor them, mishustin emphasizes. now the most pressing issues on the domestic agenda are next, and the first topic is support for large families. one of these targeted effective support measures is for families who had a third or subsequent child after january 1, 1919. if

they decide to take out a mortgage loan, they can receive a payment of up to rub 450,000. and use it to repay loans. this year we have already allocated for these purposes about 76 billion rubles. and today the government has allocated an additional 17 billion rubles. these funds will help support about 38,000 more large families who have purchased a house, a plot for its construction or an apartment. in 9 months, let me remind you, almost 32 million km were introduced. but this is 5.5% more than in the same period last year. we increased the availability of new apartments and made relations with developers as transparent and safe as possible. and this practice needs to be extended to the construction of private houses. for this purpose, the government, on behalf of the president prepared a draft federal law on the use of so-called exrow accounts when making payments for services to create them. they are used for secure real estate transactions. another topic for the meeting.

harvesting, 140 million tons of grain were collected, of which 93 million are wheat, the second result in the history of the country, that is, it is enough to fully supply the domestic market, supply abroad, in the current agricultural season we are ready to export up to 65 million tons of grain, the harvests of other agricultural products will be higher, than the average for the last 5 years, the volume of oilseeds we forecast at 27 million tons, we will collect sugar beets. 50.5 million tons, the potato harvest in the organized sector will be about 8 million tons, vegetables - about 7.3 million tons. we talked about how to support our farmers; many measures have already proven their effectiveness; preferential lysine, for example, is today one of the most popular tools for updating the agricultural park. as of today, 12,400 units have already been delivered, this is 2,700 more cars than on the same date

a year ago, i will add that now preferential lysine works in new regions, more than 300 tractors, combines and other equipment have already gone into the fields, the prime minister also called for attention to the availability of mineral fertilizers for our farmers, here are what other measures need to be taken - mishustin believes, the president emphasized the importance of strengthening technological sovereignty in the agricultural industry, this is the increase in our domestic selection, genetics for needs... and also the development in our country of the production of veterinary vaccines. well , please take these issues under your personal control. everything should work to ensure that new harvests were no worse than the previous ones, there were high-quality and healthy products on the tables of russians, the prime minister emphasized. anastasia kobuzeva, olga gerosimenko, kiril loginov, channel one. at vdnhut, final preparations are underway for the opening of the impressive exhibition forum of russia. it will be like this. there are so many

interesting things that even now on the first excursions the scale of the event becomes clear: 42 pavilions will open their doors to visitors. specially trained guides know everything about the exhibits, and the scale of some pavilions is truly impressive, for example, ruscosmos has a whole universe, and rusatom is gigantic, and the floors go not only up, but down to accommodate all the most interesting things, in general, this is an exhibition of russia with an open heart, and our correspondent alexey kruchinin has already heard its rhythm. the opening of the russia forum exhibition is just over a week away, and it’s not hard to get lost at the vdh, but many new objects will be added here. therefore, a large team of guides is now preparing for the influx of tourists. and excursion routes will entangle the entire exhibition in a network, which is what the shining sun is made of the golden ear fountain, with which temple the cosmos pavilion was compared and where at vdnkh you can see mountain spirits , 2,000 guides prepared by the russian youth under the program more than travel, invite guests to the odyssey at the main exhibition of the country,

moscow schoolchildren were the first to be invited to trial excursions, for the first time it’s exciting, but since these are children, it’s doubly interesting, because they need to be presented with the material correctly and somehow be interested. therefore, we learn something new for ourselves, some facts, so that they can somehow motivate in the study of space and atom, energy, culture, creativity. the excursion map has 13 routes, six of them thematic - art, society, technology, energy, ecology and career. each one takes 3.5 hours, and this is just a drop in the ocean called vdnkh. do you remember how many hectares it takes? 325, oh, no, we won’t get through everything, that’s right, we’ll go little by little. there's really no need to rush. discoveries are made by those who know how to listen carefully. students and volunteers, professional guides and museum workers from different regions of russia. all of them, having passed the selection process, became not just guides, but, as they are called here, conductors of meaning. a tourist is interested not only in what, but also why. someone will go to find out how

oil is extracted here, how it is transported, and what the difficulties are in general. and someone will look into the modern space pavilion. someone will go to find out again about nuclear technology in the newly opened one. the ultra-modern rosato pavilion, here it is, the ispalian one stretches four floors up and three more underground. the scope is justified, atomic energy is the undeniable pride of soviet and russian industry. the pavilion is also a museum, a scientific center, and a lecture hall. from the first nuclear tests to the use of peaceful atoms in medicine with a foundation for the future. this is a great thing, if they work on this, they will save humanity from all sorts of diseases, it will be simply super. the exhibition has not yet started, but these foreigners already have a lot of impressions, or will be at the world youth festival, where they will bring their delegations at the end of february. in addition to the official festival program, schoolchildren and students from different countries will be able

to visit our republics, territories and regions ; they will be able to see all of russia, so to speak in miniature, here at vdnkh. 89 regional stands are almost ready. strokes remain. scale, i think that this exhibition will ensure that many tourists will come to see the regions of russia , the exhibition promises to be amazing, huge and bright, like russia itself, by the way, i am sure that european countries will inevitably cooperate with russia if look into history, such cooperation has always brought benefits to both countries, as soon as politicians recognize this, our relations will resume. already for everyone. excursions for guests of the russia forum exhibition, by the way, will be free, you just need to register in advance through the website or the official application. alexey kruchinin, sergey kuznetsov, kiril kushnev, artyom tikhonov, larisa nikitina, ekaterina ovsyanikova and sergey

komensky. channel one moscow. a new season of the super show fantastica starts today on channel one. avatars are back. i know you were we bored? of course, we were bored, confidently, a lot of surprises await us, our correspondent olga pautova has already visited the set , she was convinced that the encounter with virtual reality is fascinating, we got ready, everyone is back to basics, this is the light on her, this is the light on avatar, let's talk, 3 , 2, 1, flew. how else can we describe what is happening on this stage, in the new season the emotions are even more intense, the feelings are brighter, the level of performances

is higher, it’s not for nothing that the chubby dmitry krasilov asks to pinch him, because how can you believe that all this not a dream, right from the first issue, you just look, already... you completely forget that there are some living people next to you, you are immersed there with your head, everything, and you are in this fairy tale that is presented to you . new avatars begin the race for victory , the romantic, sweet-voiced anton will definitely break more than one girl’s heart, it specialist aitikhan will try to program his victory, and her majesty the queen is ready to put checkmate in the first issue. science fiction again erases the boundaries between worlds, because all the avatars are so alive, emotional, each with their own character, in general, everything is like people. frekken. you agree? yes, i agree, so maybe your laws of physics are different in your world?

i have one law, doll, physics, shmizika, show that you can, spin around yourself, you can, well, spin around yourself, come on, come on, good one, take off, i can’t take off, that’s because i need to eat more , moment, so. well, i definitely won’t be able to do this, it’s impossible to show it, there will be avatars in every issue, but of course, the main one their superpower is their voice, young, like last year, all the performers are divided into two teams - superstars and rising stars, maybe the new jury member will quickly figure out everyone, yuliana karaulova won the first season, so she knows the inside of the project, finally i’m here

, when i was a participant, this of course was not enough, because i really wanted to see the scale, to understand in general what emotions it all evokes, perhaps feelings of jealousy, yuliana’s avatar roza markovna klyak remained in the project, but she is now managed by another artist, can they make friends, well come on grandma, run, we came to see you for an hour, hello! no, did you think this season is the first time a whole group is participating, or is this just an excuse to confuse us? blondes are still like that, he’s the only one, and he’s natural, it seems to me that it’s a peplum, some tricks, i already understand as a jury member, that is , for example, i understand that if an artist barely sings, that means he’s probably a star , because well, it’s like he’s hiding something, but a lot of things are clear. in communication, for me the most interesting thing has always been in

program, this is communication, all the guys, yes, they are singers, yes, but they are not dramatic artists, this part, when we are talking, is absolute improvisation, it is very difficult, however, even experienced jury members should not relax, this time it will be even more difficult to recognize the owner of the avatar, technology is the very thing that does not stand still at all , not like days, but just hours and minutes, they found some new forms, how they can be changed... and avatars also have their own stylists , they shouldn’t wear the same thing in front of the whole country, it seems extreme sportswoman matilda came up with something daring, cyberpan, metal inserts, neon suits, ears, niches, like that, but at the same time the speakers, this is what the participants themselves look like, anito will spend the entire season in the same tight overalls, this is motion capture technology, we already. .. we’re used to it not in the cinema, but there computer characters come to life as a result of a long editing process, but here

all the fiction happens in real time in front of the jury. in fact, we completely reassembled the ready-made technology, made everything much more complicated, cooler, more interesting, the characters began to move very well, for us, they began to move much smoother, so get ready to be surprised every week we will go on a big journey and find ourselves in the wild west, we will end up at a fiery disco. and even the jury members will not sit still, and of course, the whole country will be wondering which of these fantastic creatures is the future winner. in general, what competition, i ’ll beat everyone here, my girl, yes, yes, yes, ulga pautova, ilya marin, pavel romanov, maria emelyanova and sergey deev, channel one.

hello, dear friends, now is just the very meeting that, as a rule, leaves no one indifferent, someone once took the melody to the company and published a record by hari prosad chaurasi. here. this was probably somehow connected with our friendship with mrs. di, but something else happened, we began to listen to ragu, we began to study this culture, and she was 6.00. in no way did any of us become hindus , you see, this is an orthodox cross, one does not interfere with the other, but this culture, we would love our generation with all our souls, and today we we have a special pleasure in welcoming these brilliant musicians to our studio, first of all you need to know pavel pravin, here he is, he is a leader, a tireless composer, and bansuri,

here she is, the same bansuri on which hari prosat chaurasi played, and you personally played him seen, yes, yes, i met. several times my teachers introduced me to him, they are relatives, wow, so he said: “you have an excellent teacher, you need to study with them, and you don’t need anything else, this is an unarrogant person, he is the most humble person, this is a person being the founder the whole manner of playing the bansura, he tells one story about him, when he’s in the hotel , his relatives are all sleeping, and he’s practicing on the bansura, he’s practicing quietly like that.” so as not to disturb his sleep, but who are your fellow players? , well, this is a huge honor for me, i don’t know how i’m so lucky in life that i can play with these people, but in my opinion he is, in my opinion, gennadi lavrenti, yes, yes, a fantastic multi-instrumentalist who plays ottoman music, and byzantine music, even

byzantine, yes there was, yes, had to, yes, yes, he plays with yanis, a greek, who sing traditional byzantine chants, and here is india, right there, as you see, metal gadgets, we know what these things are, they make the guitar roar, as you understand , you are blackmar, this is just a delei, that’s what we call it, the warmer, that is , directly, and of course, he plays the sitar, and this is an eternal conversation, ivan muralov, yes, it’s him, the sitarist, he’s a sitarist from varanasi, his tradition in varanasi, that is, it is a city, a portal, people come there, hundreds of thousands pilgrims come to say goodbye, to leave their path in life, having listened to wonderful sounds, including the sitara, then let’s not delay, let’s

carry out this procedure with our viewers right now.

if i say that we have just become acquainted with the work of pavel pravin’s project, i’m on the right track, that’s the name of the project, this project is called the light of night cancer, that is , there is such a concept that daylight, it closes, the light of the soul, namely at night, when... the sun lets go of the earth, we can to see the inner light, so this is the concept that night ragas, they open spiritual light, did you just play traditional melodies, or is this your work, these are traditional melodies in such a specific compilation, the genre of kavali, mast kalandar was played here, this such a wandering traveler, a dervish who is looking for new places, new music, new... knowledge , who set off with a caravan on the road, that is, roughly speaking, i will say that we actually played a very famous song sung by the kavali singers , so we played it

instrumentally, we have to ask you what you need to understand in a raga, but you need to understand and build a talom called a rhythmic-melodic pattern that you perform so many of them, rupoktal, lord, no one in the world from the russians. this is a rupok 1 2 3 4 5 6 7 1 2 3 seven-fourths wow what other tallies are there now we played in tintal this is such a tall yes one yes 1 2 3 4 5 6 7 8 9 10 11 12 13 14 5 16 how many it took you years to master the scoreboard? since '97, well, how many 25 years have passed, probably, how is it that they have have their own names, these two drums, yes, these are daya and baya, that is, this is your baya

, how is it that it plays bass, it’s designed like that, in fact, a rather mystically designed instrument, in general, a completely closed drum, in it there are no resonator holes , that is, the skin itself sounds here, as if, well , due to this black patch there is a lot, but if this black patch is removed, then it does not work at all. yes, if we start talking about sitar now, we won’t finish the program until the morning, because here, only i understand correctly, 8 resonator strings, 20 strings, sorry, please, i robbed, no , in fact, i removed a couple, so yes, that’s right, because there are different settings, there are three groups of strings, this is the main thing, two melodically, show me namih, please, the melody is played mainly on one string, the second one is like an additional one, here it is in the middle, and the rhythmic string, yes

, it turns out that when i use rhythmic strings, the sound turns out cleaner, that is, there are a lot of innovations thanks to ravi shankar, but you -ravi shankara is not you saw it happened that when i went to study, it was quite recently, that is, it was 2012 when i went to india to study , and i just ended up at his funeral, but i ended up in such a way that i ended up in his house, so i was there a concert where relatives and friends gathered, that is, i immediately found myself in this atmosphere, his spirit was with you, well , somehow, it happened by chance, and a chain of events, as a result, in varanas i entered the university and studied musical faculty of a sitar player, he twisted it like this, so that we must understand, well this is a rather complex instrument and it takes a long time to learn in order to produce sounds that attract attention.

this instrument, it, it generally fascinates many people with its sound, but it attracted me so much that i’m just doing this, dear friends, this is an anthropology podcast on the first and our guest is the project light of the night ragas. but look, bansuri - is this not the only one you have here? there are actually several wind instruments here, firstly this. this is this, this is bansuri, and this is duduk, armenian duduk, everyone civilizations there was such an instrument, and the main thing is that it has not changed, for 3-400 years, it has not changed in any way, we are talking about the fact that the sound is produced by the vibration of this very cane, yes reeds, yes reeds, yes, this is reeds, here it is from above, and this is an apricot, the base of a reed, yes, yes, this is an apricot tree, yes, but the armenians have their own way, the georgians have it, turak has it, it

’s called a balloon, but the armenians have their own way, when you start to dive into the history of mankind in all these cultural ones, it’s simply fascinating how much diversity there is, it’s probably like turdau in his time, so he went and proved that the oceans existed as a means of transportation , so through music, we can cross these internal oceans, well, let’s not stray too far from music, i ask you to lead us further on this journey, well, let’s play husaini, yes.

well, grandiosely, we can say that the wind instrument is interesting because breathing is essentially a leash for the spirit, it’s not for nothing that we talk about aspirated love and so on, then it turns out that not only in quantity holes, and well, many, many, musicians, mystics, they say that a wind instrument contains this primordial human cry, such a prayer, a prayer, at the same time there is also a breath embedded here, this breath, this the silent prayer that issych has is constantly internal.

this is where the power of these tools lies. playing turkic music, you find yourself sealed in a square, because it is a repeated phrase. is this still pentatonic? yes, but inside these pentatonic phrases there is a very a complex system, some tones in ottoman music are divided into nine parts, imagine what kind of space there is, of course, i can imagine, because in azerbaijan ashukks sings in such a way that it takes anyone’s breath away who loves vocal music, this is impossible, there are such melismas, well, probably, ney is able to convey these melismas. yes, well, but my interest in it arose precisely in connection with byzantine music, because it was in ottoman music that traces of byzantine music remained, so, well, our violin is idle, or you don’t intend to

play with it, the time will come, then do what you want, what just sounded, and this, this was ariyabakha and the prayer our father, in aramaic, in aramaic, this is the language in which the savior spoke, yes, yes, fantastic. bach's aria, bach's aria, bach couldn't sing? well, in fact, i took it from anna magdalene bach’s music book, that is, it’s basically a children ’s play, my son played it once, so,

when i heard it, i thought it would be good transfer it to this guitar, it’s just that this guitar, as you know, has the simplest chords are the most difficult to take, and that is, it can be compared to how to drive over rough terrain, something like this, okay, then here’s the question, these are not toys, wind instruments, the city is not suitable for rehearsing, but for something like this to play, you don’t have to... just rehearse on them, sleep with them. when uncle jivan became the first master varpet in the world, the mountains of armenia helped him so much, he went to the mountains and rehearsed there. uncle jivan was a skilled craftsman in making duduks, too, who thinks i will say syranopoh, since this is in armenian, but syranopoh, apricot stick, pipe, in the sense that duduk is a turkish word, then you will have to mean turkish melos, after all... armenian cyranop, although it’s kind of like

we were already saying the same thing, so he gave me a wonderful instrument made by his own hands, i tried for 2 weeks to blow at least one sound, and when it came out in the third week, i realized that it would be better if i didn’t blow it, so i have it the beauty is lying in a visible place where you are rehearsing with this, as if the neighbors haven’t kicked you out yet, somehow i started when i was doing all this, my neighbor on the left side, the clarinetist moved in. from above, that is, brass players began to appear, that is, when i lived in india, there were neighbors there, they basically went out at night and seemed to order ragu directly, asked for concerts, that is, as if people, they perceive, understand that this is a musician , and he needs to play, so they even brought gifts, i also had this, i sat and played on the scoreboard, studied somewhere in the sheds, a servant came to me, the owners, and began to explain to me with gestures like:

dear, you need to go to the mandir, to the mandir, that is, to the square, to the temple, go, play, what are you sitting here, yes, yes, yes, it was like that, even the drums can carry, and our friends, uh, when they went to bed to sleep, i lived there with friends like this - a swiss indian family , so - they asked me, play the violin, and we will go to bed, then you play here in this room, and we are there in another room, so called, yes, then there is, they liked, for example, this, on the sitar - this is their own, in general a person will take the sitar, he plays it himself, but me, i am very much in india actually supported me, that is, when i heard a knock on the door, when i started playing very early, i thought, well, now they will argue , so they say that you play so little, that you started so late, but you need more, why did you come here ? , let's get busy, let me remind you that this is an anthropology podcast: on the first, our guest is pavel praven with his

brilliant project, the light of night cancers, what you need to understand about it in this raga, it also has its own phases, there is a whole story, there dramaturgy, and well, first of all, of course, this is this a mode that has an upward movement and a downward movement, the interaction of these two movements creates a pattern, an ornament, and another very important point is rasa, rasa is a mood, there are a lot of them, maybe something like this... so to say the race of separation, the race of love, that is, they are very different, there are a lot of different these races and as if when you are immersed, here is a musician, he conveys this feeling of state, and, as it were, samora, it carries this state, but work together with the musician must the listener himself, yes, yes, it is a joint process, this is the magic, this is the magic of eastern listening, the viewer is not separated from the musician, the pain there can say, oh, play like this, play like this.

like this for me please, like this yes, then it goes down, yes, yes, yes, this is, for example , a performance by a tabla player, this is, in general , an interactive thing, because the tabla player comes out, he always has to say, i ’ll try to perform now such and such a composition, there is such and such a composition, there, which i composed, maybe there is my teacher’s teacher or there, which i composed myself, it also happens all sorts of things, and in fact, my first teacher, keshapchodri, he told me about this, and i kind of, well, in general, since i had never seen this, i didn’t understand what it was, and then i saw it in india, as indeed, i was present at the concert of srikishon maharaj, unfortunately, he passed away probably 5 years ago, but i was present at his concert then, and i saw how some grandfathers were sitting in front, they were doing something with him - then they started talking, my friend says to me, look, he orders him, he says play me something from the sixth stroke

this is what he tried and it didn’t work out for him at first, and then the second time he succeeded, can you imagine the feeling of music, let’s play something else then , i’d like to play one composition, it ’s called zavk idil, this is my composition of the words of bahaud nachband , this is uzbekistan, wow, this is bukhara, it was a sufi to whom timerlan came, dismounted and listened to him, we must explain who a sufi is, usually this is within islamic culture, this is... a wandering dervish who seeks the truth, and sufis on in the east they were part culture, they, for example, it is believed that avicena, a summer resident, he was a sufi, yes, and bukhara, this is the place where, where

bahauddin nachband is like, an amazing place from all over the middle east, people come there, and this song is several ... his main phrases, dil bayoruda, hands in labor, heart in god.