well, what can i say, dear friends, it’s better not to even say anything, keep an eye on the tour posters, now we have to again. actually, here’s pavel pravin, that’s what i need to say, to travel around the country or just in moscow, well, in general there are a lot of trips, well, with different, different projects, completely, and i recently came from krasnoyarsk to play with such an interesting, very interesting vocalist guruda, there is such a project, he is from sakhalin, he has such an interesting throat singing and so does my mother... oh, so we

we’re going, it’s a wonderful place, yuzhno-sakhalinsk, and all this stuff there, listen, whoever’s name is gurudeva, listen, it’s like ivan ivanov, please tell me, could you end this meeting of ours with something, hindu turak, well, there’s , we would like, probably, maybe the words, the immortal words of kabir, but he translates the meaning simple. no, whoever you are, christian, muslim or hindu, if the lord is the wind, then it equally fills the prorus of everyone coming to him, the main thing is to go above this it’s worth thinking about while you listen to this composition, we thank you for your attention, god grant you success in everything you do, and of course, the main thing is health, all the best, thank you.

hindu tuura kaate, hindutura galate, kinye horará.

wind, quietly with my song , tell your heart the secret of who is dearest to you, but neither grief nor care, you are my friend, do not multiply, give a motive, briefly, to those who go on a journey into the distance. i am rakhman, ja rahim, ja rakhman, ja rahim, asta,

hello, this is the podcast of mount fire and i, its host days sgorelov, with a story about the main trends in national cinema, from a digest of the most important national

film innovations of the last 30 years, about the extent to which this influences the current state and development of national cinema. the country is developing quite intensively, we live closely, since last year we have already begun, in my opinion, the third period of national development of a sovereign country, and the first took place in the nineties, it was a time of absolute anarchy with the complete absence of a state, such a process often happens when the socio-economic structure changed, something similar happened in the world during the great french revolution and here during the october revolution, the state is slowly dying out, a new one has not yet been born, so there are problems, and the main spokesman for this time, according to the general consensus turned out to be, alexey aktibrenie balabanov, with the film brother and all his other films, how much time

they spent in my apartment, you can’t imagine how much vodka they drank together, all the musicians hung out at my place, i was the only one my own apartment, but my own, all my musicians crowded into sterlovski, everyone fled there, somehow, when, well, when everyone left, it was in these conditions, in fact, that a new stage of balabanov’s cinema began, he once began with productions kavka and becket, i was very interested in siamese twins, i read books about them. there were also czech girls like that, that is, i was wondering about everything so ugly, i suddenly read about these, i didn’t know that people are masochists.

but in ninety-seven a brother came out with from that moment, his cinema began to talk about a man’s preservation of self-respect in the complete absence of a state apparatus. the word man is very important here because all the feminist heresies of that time still came from the post-industrial push-button economy, which, of course, equalizes men and women, in our situation, where there is still a strong share of physical labor and there is no absolute safety, therefore, when protecting others , sometimes it is also necessary to use physical

effort, a woman always loses under these conditions, simply because she is not created for any physical effort. atuyara, the pig-killer , was the main character of the film. died in georgia 200 he has extremely likeable characters from the south-east, in kochigar the main character and also in the failed film the river in which all the characters died in a car accident, and the current asia of the south-west and caucasus, he was quite ferocious, for which he was actively criticized and persecuted the domestic liberal intelligentsia, and the world community, the cinema simply didn’t take him... the pictures into the competition, there was even some paradox here, because not a single picture of the person who held the palm of the national film championship, within the country, participated in competitions at international festivals of class

a; in cannes, any next film by balabanov was sure to go in information shows, but he was never taken into a competition in his life , it’s just..." he filmed in all the places where i know something, an unusual, very such a character, and then we sat on the beach in a cafe, drank in my opinion beer, me i don’t remember, it was during the day, it was sunny, it was a day. i told him, let’s make a movie together, but there won’t be any money

, he somehow simply said, come on, that’s it, i didn’t take him as an artist, but as a person who, well, together with me, i’m not a director yet it was so big then, although i had already shot three films there before that. professional, i mean, but i didn’t feel like that, balaban , perhaps, didn’t give a damn about it, he stuck to his line, as they sang in the song in the film brother-2, and i suggest you watch a fragment from my brother, quite suitable for this line, come home with us, it’s good there, what am i going to do there? what are you doing here?

but i like it here, in america all the power of the world, what is the power, brother, that’s what , all the power is in money, brother, money rules the world and the one who has more of it is stronger, well, okay, that’s a lot, and what will you do, i will buy everyone, and me , a man who... actually made a goat's horn, his front-line past was openly discernible in him, every time he rented an apartment, he looked through and found out the ways exits, back doors and so on, having arrived in st. petersburg, he did not go to his brother right away and maybe he couldn’t even explain why, he spends the first night somewhere either in the attic, or in the basement, among garbage bags, but he comes to his brother already armed, which is also important, perhaps he wanted to feel the revolver in his pocket, this is very serious and says a lot about the person, while

they said about brother danil, everything was done well by a professional, deeply paradoxical , it is symptomatic that she wrote a wonderful biography of alexei ktebrinovich lady being the main lobbyist of domestic feminism, at least for critics, maria yuryevna kuvshinova, marusya thus stepped on the throat of her atlantic song, although she acted in a purely american style, she did not express her fabrications about certain paintings, but chose approximately 20 people , who knew balabanov best, among them were people from his environment, and people slightly from outside. able to appreciate it from some neighboring territories, it warms me that

i was included in this number, and maria herself for hours i interviewed these people with a voice recorder about alexei himself, about how he understood the life around him, the result was a rather voluminous picture, which, in general, was recognized by the entire russian public, the book went through several reprints, quite...' tasks, however, masha seems , felt that she was too led by the character, and began to publish her texts about the fact that, in particular, as it seems to her, the main character of the film brother is not the brother danil himself, but the german, as in general a person, a bearer of a moral imperative, pronouncing the most accurate and important maxim on this matter, to this i will say that with the same success we can say that the main character of the book about

lamb is a cricket, he is also the bearer of a moral imperative, he also says the absolutely correct things, but still directly let's say, the main character is the acting hero, the wooden man pinocchio, and the brother himself was in some way a wooden man, he could defend himself completely, but frankly speaking, only a single person, the people who are with him, are completely invulnerable fall into the same orbit, find themselves under threat, and as for... he calls him from her apartment, and thus sets her up, because brother vitya immediately writes down the number, then leads all the gang on him,

just as he also risks a lot on the thieves apartment, by chance the inexperienced director stepan wandered there, to whom danila says that of course i don’t really like directors, but you’re a normal guy, no one will touch you here, i promise you, after which he completely irresponsibly leaves to watch butusov, and if did not return and at least delayed minute, then of course, stepan was also threatened with immediate death, another thing is that all this was redeemed by the absolutely excellent charismatic... smile of sergei bodrov jr., everyone was in love with him, at that moment the gangster theme was absolutely dominant in cinema, all films, the best films about bandits were on b. brat, boomer and brigada. following the time without a state, the time has come for a relative order of stability and calm, a certain

abundance, unexpected for our population, accustomed to difficulties. ae and - the best the way this period was expressed, in my opinion, by zhora kryzhovnikov, here of course, uh, there is no consensus decision on this person, but i continue to insist that he is the best exponent of this period. as for the new times, ah, the director who will express it in the most accurate and beautiful way has not yet... come to the fore, what is it after all, let us clarify, director number one, the main director of national cinema, this is far from it's always the person who collects the biggest box office, it's almost never there is a person recognized by national intellectual circles, the main director, director number one - this is the person who

most accurately and vividly conveys the state of the national mentality in a given specific period of time. as for our national cinema, in the first 30 years of soviet power, the main director of the country was josepharenovich stalin, it is unlikely that there was anyone who was able to follow his line, or rather there was such a person, his name was sergei mikhailovich izenshtein, imagine, the fact is that esenstein considered himself a figure absolutely equal species. he felt incredible respect for people capable of turning the world upside down, he considered himself the same, he was not at all afraid of them, neither arrests, nor any stalinist influence, only with such a mentality was it possible to do what he ultimately did, that is, he reflected

some movement, some change , of mass expression of will on... which at first seemed spontaneous, but then acquired some, some organized features, in armored potemkin in the strike in october, the achilles heel of einstein creativity still had some archaism. sergei mikhailovich clearly understood that it was the nenematographer who achieved the greatest emotional effect, with his hyperbolism, with his... emphasis on the camera and some excessive acting, as soon as sound came to cinema, immediately all the emotionality went to waste, ezenstein tried, as could have extended the period of nim cinema in mexico, where talkies were of course bad due to technological backwardness,

and then he made a not very successful film alexander nevsky, full of something, finally, on ivan the terrible he understood how to return, not my cinema, he moved on to truly operatic aesthetics, majestic scenery, music of his constant companions the great sergei sergegevich prokofiev, constant or dancing in the frame, or negotiations, such a demonic harsh recitative in style. classical opera, they were able to renew spectacular emotionality, since isenstein, however, no one else could, when he died, instead of the main one..." the national director remained vacant for quite a long time, primarily because the country changed its system in some way, it moved from bolshevik absolutism with

stalin and khrushchev in the center, to the collegial brezhnev leadership, the system changed slightly, to express this people, not everyone was ready, there is a feeling that during the 11 years of khrushchev’s rule, no serious and accurate exponent of the surrounding life appeared, but he appeared the same after the borezhnevsky coup of sixty something year, in the sixty-fifth year, leonid gaidai’s film operation y and other adventures of shurik was released, the fact is that it was at that moment that the middle class began to take shape in soviet russia, with its very specific urban approach to the realities of life, to the needs of some. and so on, and the unconditional representatives of the middle class were shurik on the one hand and the successors of his work semyon semyonovich gorbunkov on the other shurik was the first

student on the big screen in many years nikita sergeevich hated students in 11 years not a single picture came out in which the student would be a positive character. shurik was actually the first, and he not only crammed lectures and answered sapromat, but behaved like a full-fledged romantic hero, uh, fought on balalaikas with punks, then fought with her on rapiers, then wrapped up in wallpaper, lumpina and carried out educational work with her, and this clearly made an indelible impression of the most beautiful girls in moscow and the moscow region and the near transcaucasia, this is still a podcast of woe by fire and i, its host, denis gorelov, with a story about the most the main events of national cinema of the past 30 years, about the leading trends, the development of national cinema and where it

will move in the very near future. as for the senior economist of geproryba, semyon semyonovich gorpaunkov, he was a bearer of deeply traditional values ​​and resisted in every possible way the various temptations that the foreign world offered him, where he traveled on a steamship. mikhail svetlov and the bearers of the ideology of this world, gesha and lyolik, and semyon semyonovich firmly stood, rejected both the gold and diamonds and the robe on mother-of-pearl buttons, and even in general, at critical moments he would tell me beer, if he went out drinking, he would always sing the russian national anthem, a song about hares, these were the main... of the emerging new world, another thing is that in the seventies, gaidai’s cinema really deteriorated, perhaps not through his fault

, the fact is that reality deteriorated, within the new middle class there appeared its own rather specific layer of swindlers, money-grubbers, and gaidai simply could not help but notice it, with one on the one hand, because he was quite a sensitive and understanding artist , on the other hand, because he himself loved money very much , he didn’t hide it, there are 12 chairs in the film, all the characters were swindlers, there can be no pozashchenko in the film, all the heroes were swindlers, and even in the film incognito from st. petersburg, according to the auditor, all the characters were also swindlers, even in ivan vasilyevich changes profession, the weight of the swindlers was such that it is quite difficult to say who in the film... is the main character, ivan vasilyevich appears quite rarely, but in

at the end he is taken away in a straitjacket, as for shurik, who appears there under the name of engineer timofeev and transports, ivan vasilyevich and the manager bunsh back and forth to the middle ages and back, he clearly loses the site, the surrounding baggage, and even his wife, the beautiful girl lida, leaves from him to yakin. therefore, the truly bright people there are zhulik miloslavsky, zhulik shpag, and the petty rogue director yakin, this is a rather frank and correct reflection of the surrounding reality, so it turned out that even in sportloto 82, the film that was gaidai’s last box office success, the swindlers played by pugovkin and kakshenova were fair... they outplayed the bright, beautiful positive hero played by algis orlauskas, not because arlauskos is a worse artist, because in life the crooks won,

that's all. speaking , soviet aesthetics and soviet life are covered. things got to the point that at the same time as balabanov, almost the same year as his brother, a wonderful picture by maxim pezhimsky came out, mother don’t cry, where he actually worked out the myth of such a bandit ridge. both corrupt policemen and bandits from different sides were looking for vulnerabilities. some mythical creature named sailor, every time they practically grabbed him by the tailbone, some kind of grace found them, they let him go, like a real, real christ, our jesus iosifovich, because they felt that he was walking on the right path , and even if he goes on a long journey, he always remembers that his homeland is waiting, in the whole world there is no place dearer to us than our native country, song

was performed just during the credits in reality, but somehow, only representatives of gangster groups could preserve their property and self-respect, many decent directors rose to the occasion on this, and moreover, around the time of the brother, a year after its release, the country experienced a default, and the ruble , of course, fell, television simply did not have... money to purchase foreign series, it was at this moment that the formation of the national series business began, producer kopitsa released the first season - streets of broken lamps, and the first season of a national security agent. unfortunately, then the series deteriorated, because some kind of law enforcement pathos began to be applied to it, and somewhere in

the fifth or sixth season... all this became completely impossible to watch, first the main directors fell away from the series, then he himself died kopits year in 2004, if my memory serves me correctly, then in the end, all the main characters began to drop out one by one, in general, by the sixth season there was practically nothing left from the streets of broken lamps, that what was in the first and it is quite difficult for today's viewers to explain what a sensation it created... this is still the podcast burn with fire and i, its host denis gorelov with a story about the most important events of national film production, national film distribution of the last 30 years, about the main trends in the development of national cinema about how it will develop in the very near future. the country has changed, some have already. did not

respond to balaban’s main message of resistance to the outside world. of course, he is still the inertia of the audience’s perception filmmakers’ understanding of the world around them is quite large. balabanov remained in charge until his death. my star is always with me, in 2013, in my opinion , but at that moment it was already quite obvious that a new time had come, a time of abundance that suddenly fell on one’s head, a time when there was quite predictable stability around, and td. and here

a new director was already needed, the first film by director andrei pershin, gorko, appeared in 2013, pershin’s name is absolutely unknown to anyone in the country, because he made all his films shot under the rollicking pseudonym zhoro kryzhovnikov, these were gorka, and gorka 2, and let 2, and the best day and the series call dicaprio, in times of stability, people most often... begin to engage in their personal lives, mostly - the pictures were concentrated specifically on personal internal relationships in families, and it is not at all surprising that in almost all of the listed films the wife played, kryzhovnikov’s then wife, yulia alexandrova, his then muse. the heroes of the pictures were, in general, quite strange, it cannot be said that in

film... there is at least one positive character , on the other hand, you can’t call them all at least unconditionally negative, these are people who can hit you on the head with a bottle, on the other hand , pull you out from under the fire and become your best friend, in general, surrounding our compatriots, a very accurate look, perhaps, with the most sympathy he treated the wife of the characters played by her, but when his wife in the film, the best day , took a crowbar and chopped up a police car, it became clear that this was of course genuine storm in the desert, well... keep a safe distance from her, as in general, with all of us, and , to be honest, all the problems that happen in the pictures are miraculously corrected,

and sometimes even according to real images magical, remember how in the film the irony of fate at one time everything developed for a moscow doctor and... a teacher, not quite in the right direction, when they already began to dance among themselves, things openly led to sex, and it was absolutely clear that if something happens between them, then no there will be no continuation for this couple, the whole thing was saved by a drunken ippolit , who kicked the door for a long time, shouting that he had been warmed up and robbed, and in the same way, in all kruzhovnikov’s paintings something always happens... unexpectedly beautiful, magical, which corrects everything misunderstandings, and returns all the heroes to the correct orbit, let’s kiss now and jump, no, well, this will be our ceremony,

come on, it’s bitter! come on jump, come on quentin, dear bro, idiots ruined everything again, come on, come on!

kryzhovnikov is a deeply uplifting author, and i think that is why such formal... knowledge by the film critical community did not happen to him. our intelligentsia loves to whine more than anything else in the world, if you look at the list of 50, chosen by critics , the most important films of the last twenty-five, you will understand that after each of these films you want to hang yourself, not a single film by kryzhovnikov is among them, another thing is that i already had opportunity to make sure that this person is the most accurate exponent of stable times, quite agree with me

many people, in yuzhasalinsk some spectators actually told me that krozhovnikov is not comparable to balabanov, but the times of abundance of money that fell on one’s head are also incomparable with the dashing nineties, in fact , the heroes of krozhovnikov are dunces, who, as a result of suddenly appearing prosperity, are tempted to become euro-boobies, but hold on their traditionalist view remain themselves, and now there is a new stage, the stage of unconditional and frank confrontation and the people who will best express this period are still... in the shadows, not i can say who it will be, at the moment there is a whole group of such new wild directors, this is kiril sokolov, who shot wonderful films dad, tear it off and

throw it away, about a real bloody civil war within families, which still ends well, this is petrev with starring, this is the romance of the zhigals with the film forest, this is roman mikhailov with the film a tale for old men, nikolai rybnikov's film chicago seems to be moving in the same direction, this is such a wild russia, solving its problems, sometimes even at the cost of prison and scrip, but doesn't matter not deviating from the set course, the fact that a new director will appear in this doubt is not present, perhaps not tomorrow or the day after tomorrow, sometimes inertia 3 will be somewhere around a wait of three in 4 years, but he will definitely

be, in due time valery todorovsky , when he had just turned 30, they asked why there were no new torkovskys in the country, he said, no, that means there is no need, as soon as there is a request for a new torkovsky, the new torkovsky will immediately appear in orbit, and in the same way there is a request for a new exponent in the country . for confrontational times there is, there is effective demand in theatrical cinema, which means this new director will definitely be there, we’ll talk in five years, it was a podcast called burn with fire and i, its host, denis gorelov, talked about the main current cinematic trends.

greetings, friends, this is a podcast chronicling the end of times, my name is evgeniy dodalev and today i will tell you about how, at my instigation, changes were made to the administrative code of the soviet union. it happened completely by accident, i i was unemployed for some period, but it was impossible to be unemployed in the soviet union; it existed. the norm in the criminal code, in my opinion, is article 209, according to which tunyatsev, that is, people who were not registered anywhere, did not work, could be imprisoned, and i am a mathematician by training, and my friend worked in the newspaper moscow komsomolets, was the host of the famous headings, soundtrack, and he told me, well, you’re generally worried about work, you’re writing something there anyway, and we all wrote poetry. there are some

pseudo-scenes and i got a job at a newspaper, received this moscow komsomolets certificate, and since i was not burdened, firstly with a specialized education, i repeat, i am a mathematician by education, and secondly, i was completely unaware of any existing taboos or prohibitions, then i became just like an okyn who sings about what he sees, i began to write about what was personally interesting to me, to me... no one set any tasks, uh, in fact, because there is only one thing, i don’t know how now, it was necessary to output a certain number of lines, but so, i’m done i kept surprising my colleague, i said, let’s interview galina breshneva, everything is so, wow, like galina leonidovna herself, the soviet princess, daughter of the former secretary general, i didn’t understand what the problem was, why we couldn’t try to interview her anyone.

and now, in fact, we are approaching that moment, which, well, in my journalistic biography has become to a certain extent a turning point for thousands of thousands of women employed in the body trade industry, especially since we are already talking about prostitutes, or rather about the now forgotten word putana, this word was used to call currency prostitutes, that is , those girls who worked... with foreigners, prostitution was not prohibited, because officially it simply did not exist, there was no such shameful phenomenon of a capitalist society in the country, because that the country was socialist, in moscow also, well, if we are talking about the disadvantages of the soviet system, the catering was very bad, it was pennies, very cheap, but let’s say, you could drink good italian coffee, well,

three or four... places in moscow, currency exchange, and uh, it just so happened that next to the editorial office of the moscow komsomolets on 1905 street, it is still there to this day next to the building in which it was in the mid -eighties, and we we are now talking about the year eighty-six, so, there was a so-called kontik, this is what is now called the international trade center, in my opinion, the hotel was international, then it was called the continenttal hotel, and there you could drink coffee, a real one, the entrance there was closed, to mere mortals, as in everything currency places, but not for journalists, i and my former classmate, also a mathematician, went there to drink uh, coffee, in this kind of atrium there existed in this kontik, at any time of the day, right from the morning until late in the evening, they sat there, uh, girls who couldn’t help but attract attention, well, because of the presentation, neckline, short skirts,

naturally, it would be simply insulting, it seems to me, towards girls in general, if they didn’t try to communicate with them and somehow get to know each other. they give us they quickly explained that if there is currency, no, no questions, straight, right there, in general, you can get to know each other, as closely as you like. the girls and i became friends, they turned out to be, in general, for the most part, of such a cheerful disposition, and since i will repeat myself, i usually wrote about what was interesting to me, but this phenomenon interested me, i decided to write very. i sketched it out, took it to the secretariat, well, i heard from the executive secretary there a question rhetorically, are you crazy, well, let’s say it sounded different, but the message was, uh, well, crazy, so crazy, in in general, i didn’t take the material, the paper

was official, i went to work there on something else, but some kind of thought... i fell into the secretariat and, uh, senior comrades, not so much senior in age, but in rank, the secretariat did something clever with this material, and uh, it came out, the material was called night hunters, although originally it was called night butterflies, and there was a huge code like that, that is, from the editors, this is where it starts, from the editors takes up, well , a quarter of the material there, and it’s so bad there material... uh, they said that such a word cannot be pronounced, and - there is something about such a shameful thing, then boom, there is just a letter combination prostitute, that is, the word cannot be pronounced, but they said it, because as i understand it, there are a huge number of people there , the rule is this material, that is, here it was in the position station, someone basically called

a spade a spade, this material came out , the next day, when i arrived at the editorial office, literally half an hour later, the editor-in-chief invited me, i came to to his office, to pasha, of course no one looked him in the eye called pasha, everyone was behind pavel nikolayevich, but behind his back they called him pasha, so there were two people sitting with pasha - people in civilian clothes, well, he got to the end of it, well, again, he didn’t quite say that, well, that was the meaning of such a question, but i’m portraying it like this like anger, severity and such uh. dissatisfaction, but from the uh, cheerful sparkles in my eyes, i realized that not everything was so bad, that no one would take me to the outback now, in general, these were two officers, a mayor and a colonel, as they introduced themselves, they said, what a very interesting article, but you are very correct,

however, there are nuances, the fact is that they did not care about the security officers at all, this whole moral side, and they were interested... very strictly in this utilitarian aspect, they were from the department that fought against the illegal circulation of currency, currency was not allowed neither store, nor have, nor use it, they said that they were completely fed up with the situation with the circulation of currency, that they were being asked to fight, there is a whole cohort of these prostitutes who take this currency, turn it around, and something we have to deal with it and say, that they will help, firstly, they will introduce me to girls who will tell me what i cannot hear from them while drinking coffee in the atrium, by the way, they knew that we sing there often,