[000:00:00;00] to analyze it into components and classify it, then for me it’s a very big question, what comes first, he as an artist, a great one, or as a person, very often, when you meet people who knew fomenko personally, they first remember some meetings with him in life, and then they remember his performance, it happens, of course, the other way around, but for you , for me, everything is mixed up, and in general it seems to me that this is that... happy occasion when the way a person lived, he created the same way, with pyotr naumovich, it seems to me that a priori it could not being boring, that was simply out of the question, yes , he had long, hard rehearsals, sometimes he rehearsed for years, but it was always very interesting, everything he did, and this is where, it seems to me, the profession

of a director begins, he always but he was tormented about what he was doing, but if he suddenly didn’t understand, well, for some period or some part of the performance he could simply get sick, disappear there for 2 weeks, but when he came, but this is probably a common place in theatrical circles, but everyone knows that if there is any not the best student asked for help in analyzing the play, then pyotr naumovich opened the list of characters and asked the student a question: so what? who he loves, in my understanding, in general, firewoman and love are some kind of synonyms, and love, well, not so, say, romantic or some kind of mundane, but some kind of love in full, that’s how it is to explain , it happens very often in the theater, i think that young people don’t always go to the theater, because for young people the tempo of the theater,

such unhurriedness, detail, it happens sometimes it’s boring, but pyotr naumovich, he always brought the detail of existence to some unimaginable limits, he could rehearse some kind of exit, like all his great predecessors, that is, the detail of human behavior, it was understood down to the micron , is it possible to say that this is how the system was, this is how fomenko’s system was, i won’t take it up, although i’m sure that it was, because i came up with my own definition about pyotr naumovich, so it seems to me that fomenko is like that, well on today, such a last poet in the directing profession, i don’t know a person who could read poetry better than him, the answer is very simple, but it seems to me that famenka had only one god, pushkin, so he knew

evgeniy. negin by heart, simply, just by heart, and could read any chapter there, i have a feeling that if he had named his theater, not fomenko’s workshop, but the pushkin theater, well, there’s simply already a pushkin theater in moscow, then it would have been so , at the first opportunity he did pushkin, and i don’t know if all tv viewers know, but we celebrated pyotr naumovich recently celebrated his ninetieth birthday, and zhenya tsyganov, it seems to me, gave the theater audience this gift to me personally. that he took and staged boris godunov, and there is such a backstory, which means that the last work , which was supposed to be pyotr naumovich, he rehearsed boris godunov for a year, and, as always, all the pushkins visited us, it was he who staged it for the third or fourth time , yes, there was such a big sheet hanging in the theater, and even the smallest roles were marked there, since we still have 60 artists

man, and there are more references to boris godunov, which means it’s all about... all the make-up artists were busy, then for some reason pyotr daich stopped work, maybe because he didn’t feel well, but i suspect something was wrong, the main thing was that he didn’t fit in with the current times, it was 2012, i don’t know the reason, suddenly, when he turned ninety, zhenya tsyganov assembled a team and made an amazing performance in my opinion, firstly, he did everything to ensure that it was a comedy, and most importantly, what is on the screen... from the recordings, how fomenko rehearsed, and pyotr naumovich participates in this performance from the screen, maybe i’m the only one who adore this performance, because i wasn’t at the rehearsals, i very often like to drop in to watch, so he makes a remark, and the current artists young people who didn’t work with him, whether they do it or not, this is some amazing new genre, it seems to me that thanks to tsyganov our theater was invented, so i think it’s very

cool that it exists, we are now... reproached , that we, how to put it, are either hiding behind fomenko’s shadow, or what, me this doesn’t bother me at all, because our literary unit, after the departure of pyotr naumovich, means... brought it to me, i can’t call it a spiritual testament, it brought me a list of works that he was thinking about, well, i think, my life and this a generation is not enough, firstly, there, which is very cool, there is some name there, ah, lady with camellias, it is written in parentheses who should play it, that is, it is clear there what he thought about each actor, so i periodically look at that list once a week, sometimes something comes out of to put on this list, pyotr naumovich loved to put on prose, he adored it, i’m not even talking about war and peace and family happiness, but in my opinion, the main theatrical