[000:00:00;00] museum, you did it, and you are still doing all this, tirelessly, that is, this is some kind of contagious disease, sergevich, tell me, so, on the old arbat , the museum is located in the house, in the apartment where he lived, with your first, actual civilian, as we say, wife anna izryadnova, tell me a few words, uh, the apartment where you lived in a communal apartment, 44 pa simovrashku in apartment 14, the whole house was given to the employees of sytin’s printing house and there in all the apartments and even in twenty-first apartment, as i found out, there lived a friend of yesenin, whom he came to, i should say there, i was already familiar with these descendants, and when i came he said, yes, this is the table at which yesenin sat with my dad, this is the table

with me today. step away from this table, i have it here, in roman’s room there is a fair amount of this table, well, this is it, but i might not have taken on ekaterina yuryevna to create a museum, but i was spurred on by another idea, that alexander lived in this courtyard at different times pushkin, andrei bely. was born, came to moscow, stayed on duty alexander blok barbat lived in the 51st house, vladimir solovyov, a mystic, he was such a poet, also lived there in this courtyard, so i took it, although they warned me, they say you will lose your health, but nothing will work out, the means, i

know, i didn’t lose everything worked out, in my opinion, i know that you brought us an interesting thing, an incredible precious relic, this is a postcard, which is a copy, a photocopy of that postcard, because a year ago i donated the document to the yeseninsky nature reserve in the village of konstantinovo, this is the fifteenth year and it was sent from the village of kuzminskoye, and kuzminskoye is just a continuation of the village of konstantinov, it’s like... one long, big village, from there, here’s a stamp, kuzminskaya, he sends it to the volunteer sasha, who worked in a magazine for everyone, it was called a magazine for everyone, that’s what it says here , it says here, volunteer , dear sashka, i would flog you by your hair, but you won’t get me, why did you promise to write

a letter, but yourself...’ he was taunting, it’s not good, brother! every day i go to luga yar, play livinka, the other day they beat me, it was great, they almost broke my head, i put it together, you know, on the headman, the bastard, and one of them sang and hummed at night, sotssky grabbed me, and drag me, anyway, i’ll get them all, i’ll catch them, they broke my shower. well, now hold on, there is a recruit for me, and the men are afraid of us, dear sashka, write quickly, say hello to anna karlovna, anna karlovna was the editor of this magazine for everyone, reconcile my detractors, they won’t give us half a ruble for poetry, or not they walked around and didn’t fight like chicks, this is very small here, small, small,

assigned, of course, i value it very much. this postcard, but i couldn't leave it with myself, because she still has to return to where she was sent from, so i not only don’t regret it, i’m very glad that she will now be kept there, sergei before, well , after all, you also have family things there , as museum workers say, that is, things that belonged to the hero, so i know that there is a razor, yes, yes, that’s where it all started, that’s where it all started, that’s the ninety-fifth, the photography is also amateurish, you see, that’s it. this razor, but there was also a soap dish, there was also the same thing, there were several items there, i found out it was 1995, that in st. petersburg there is a yasenin razor, i don’t know anything else, how to find it, st. petersburg is not a small city, i ask the artists, he says, he heard, he didn’t

hear, no one heard. one artist says: you know, i think they showed it on tv, the circle is already narrowing, i’m on st. petersburg television, and they say, yes, it happened, they showed who he is? and he brought this one and showed this shaving device on tv, they gave me a phone number, i called boris, he says, but he has already passed away, no longer, who speaks, he says, it’s his son, stanislav borisovich, borisovich, you kept the razor in which your dad performed on television, he says, yes, well, let ’s get acquainted, come, and i came with... come to the performance, he watched the performance, the next day we met, and when i came to their house already to stanislav borisovich yar-kravchenko, i found out that , firstly, anatoly yar-kravchenko,

people’s artist of the ussr, was there, even with whom nikolai alekseevich klyuev was very well acquainted, and in general with them this living room reminded me of a room that... dedicated to the poet klyuevva nikolai alekseevich, here he is depicted on the right with whom he became friends with one of the first, at first there was a block, the block was handed over to gorodetsky by yesseinin, and yessein, and gorodetsky had already introduced him to klyuev, him, they even performed together, but then their paths quickly diverged , although klyuev believed that he raised yesenin, no, this is not true. on his own individual path, like these, among the buddhists, like a rhinoceros, he walked his own path , did not replace anyone, from him, he, if you need to take something better, he, he took it and quite

quickly, like a sponge absorbed, from these same imagists, who, in general, were not very good for him, a single genius, a single glory, such individuality, such, well, it’s no coincidence that the block, when he speaks, today i have... a ryazan guy, the poems are fresh, vociferous, verbose, i put a full stop and wrote the most precious word for a poet: language, everything, the poet consisted of everyone, he has his own language, his own world, his own figurative system, if you want, that’s what sergei aleksandrovich yesenin was, well , in fact, as far as i understand, he gave this device to klyuevva, and even at already in the twenty-fourth year, when we met, talked, he said something, you’re playing the fool, kolya, what a city of kitish, russia is bleeding, and you’re still looking for some, you

understand, there you should have completely different tasks, what about write, give up your old believers, invented a beard, handed it to him, and at the same time handed it to him , since they printed this in their newspaper and what i saw was that in this family they very much respect the klyuevs and even on the suitcase that they packed for me this shaving device, yesenin klyuev, is written on these copper plates, not tablets, they are , of course, metal plates, and also a very beautiful glass, crystal, it was a gift to me, a woman brought a crystal glass. she came to my museum, she looked, i gave a tour, showed her everything , so she says, but i didn’t come to you empty-handed, you know, ilya ilychneder gave my father this glass, such

a box from cookies, well, laid in a cloth, she brought this glass, on which on the lid of this cookie box there was a sheet of paper pasted and the hand of ilya ilvich schneider, director of the asidor school. duncan, from the twenty-first, he writes there in his forties, i think that the school existed for 28 years and even during the war, can you imagine, duncan drank from these glasses, no, he says, he writes there, he just describes, he says, i brought this crystal glass from home to be cleaned up, it stood in a glass cabinet in asidora duncan’s room, he says: “i loved this glass and always drank from it, and even for years and years.” and that he was, and i knew him, ilya ilyich, schneider, he was already, this was the tenth year, he passed away in the seventy-eighth, so he gave this glass then to his friend, and his friend’s daughter

brought it to me, with this description, and such a primitive question, and the amount of liquid there, how much it holds glass, it looks very respectable, it’s like this, but i, it wouldn’t have been me who wasn’t a museum worker in 50. all about modestly, you could have straight vodka from this glass, i’ll tell you even longer seryozha without hands when he was about to play already on the eve of playing yesenin in a movie, i came to petrovich, he says, let me drink from this glass, everyone would ask, yes he asked, from a museum one, and he drank , took communion, that’s what i like to do in the museum, not in the sense of drinking, touching some things, wonderful , and there are also wonderful, remarkable things you have that i would like to talk about, and we will show it, this is a spoon, right? the silver spoon

that idilia zinovievna gave to me, she was the widow of the great-grandson of lev nikolaevich tolstoy, her nephew, her husband was the nephew of sofia andreevna, tolstoy’s granddaughter, so who told her nephew, her nephew passed away, she got to know and saw zinovina, she called me and told me, she found everything. me herself, i to her, then she came to the museum to see me, looked at it, then decided to give this silver spoon, this silverware from the clear glade, nikolaevich tolstova sofya andreevna, who had already become a widow, gave it to her grandchildren, among the grandchildren of her granddaughters, sofya andreevna was granddaughter, she was the daughter of andrei lvovich, there was this spoon that fell, she could feed. ilva

nikolaevich and sergeyas. we continue conversation about sergei yeseninin. our guests today are people's artist sergei petrovich nikonenko and i am presenter ekaterina varkan. we move on to the next page of our story, sofya andreevna is the last wife, the official wife of sergei alexandrovich. she tells this story. well, not their acquaintances, but their so to speak, some kind of developing relationship, this story, as far as i understand , she handed over to the literary museum, along with a certain thing that we will now talk about, she says that in june of the twenty-fifth year they walked with yesenin around moscow, who forgot, then in moscow there were a lot of wandering musicians, puppeteers, organ grinders, fortune tellers, well, sofya andreevna says that some... fortune teller

came up to them, a parrot for uh yesenin pulled out of hats ring bronze small ring and that means this ring was given to sergei alexandrovich and it’s like such a sign that two young people are walking , that means a man pulls out a parrot ring, we have this ring in the photo and that’s it she told everyone about this, when she was already passing this ring on in the literature about this, as you just called sharmanka, i remembered this poem, yes, yes, yes, and on september 18, yesenin married sofya tolstoy, maybe we’ll listen to the poem about reading it , of course, because sergei aleksanovich dedicated a poem to this plot, in fact, i immediately remembered this poem when you said the word sharmanka. yes, there is a link

just to yes - yes, apparently it’s like that forever, by the age of thirty, you get more and more angry burnt ruts with life we ​​keep in touch. darling, i will soon turn 30, and the earth becomes dearer to me every day, that’s why my heart began to dream that i was burning with a pink fire, since i’m burning... i’m burning while burning and it’s not for nothing that flowers get stuck, i took out the ring from the parrot, a sign of that, that we should burn together, the gypsy put the ring on me, took it off my hand, i gave it to you, and now, when the barrel organ is sad, i can’t help but think, not slave, there’s a swampy feeling in my head, there’s exhaustion in my heart... and darkness,

maybe you'll give it to someone else she gave you a laugh, maybe kissing until dawn, he questions you himself, like a funny, stupid poet, you brought him to sensual poems, well, well, this too will pass early, it’s only bitter to see the edge of life, for the first time such a hooligan was deceived by the damned parrot, thank you, well, this is a description of that moment... he already felt that he had experienced so much, how many roads had been traveled, how many mistakes had been made, these are lines from his

already, so he already felt age, he is already wise was, beyond my years, well, you know what i feel, i remember all the time: that balcony from which we started, and there they showed a lot of photographs of local residents, children, local village children, relatives , well, the people with whom he lived, spent his childhood, yesenin, i had a feeling that he was some kind of alien that is, he seemed to have been thrown there from somewhere, because he was different from them in everything, they are good, they are good, but he is completely different, you keep confirming to me... otasinka will still give birth to oranges, yes, sometimes, you know, the priest of sela konstantinova noticed this, the rector of the church, the kazan icon of the mother of god, father ivan, who told yesenin’s mother tatyana fedorovna, take care of the boy , and when he said, when yesenin was 5 years old,

he says, what is father ivan, he says, you know, here i have four villages in a row, they come to confession, i can’t compare your... chick with anyone, he is absolutely amazing, in confession, from here it seems to me that poetry is also incredibly confessional, he does not embellish himself, nor events, nor no conflicts, no joyful days of his life, he has everything you see, it’s incredibly true, an alien, again there’s another saying, like an apple from an apple, i have a feeling that some kind of apple, from this apple tree, flew somewhere into space, and then fell, god knows where? it’s this apple that hooligans write about in their confessions, not everyone can sing, not everyone can fall like an apple at someone else’s feet, not at their own family, but it has already gone somewhere into world

literature, yes, actually, it turns out, look how picture, but he is a peasant, a peasant, yes, he married a countess. received the ring of the empress, but died in december of the twenty-fifth year as a russian poet , you watched the podcast precious stories, i am the host ekaterina varkan visiting me , people's artist of the rssr sergei petrovich nikanenko, together with sergei alexandrovich yesenin, a russian poet. thank you. hello, dear tv viewers, on channel one, the podcast melodies of my life, i am its host, valery syutkin, and today

a theater and film artist with his velvet voice, dmitry dyuzhev, came to visit me. hello dmitry. hello, valerochka, dear, thank you for the invitation, good night, dear tv viewers, today sergei osokin is with us on the cardon, together with seryozhai we play in the light jazz project, this podcast is the melody of my life, it allows you to learn more about our guests through music, because music is the best keeper of memory, we will remember the melodies that accompanied you in your life , they will give you the opportunity, based on them, to remember some small things that do not come to us without music, and of course, we always start with melodies of childhood, here dmitry dyuzhev the light appeared, by the way, where did this happen, it happened in the city of astrakhan, my mother was nine months pregnant, they also lived in almaat, my father worked at

the lermontov russian drama theater, and on july 9 in the morning my mother cried, i want to go to my mother, i want dad, in some incredible way, buys two plane tickets for almaty astrakhan, they arrive, mom goes into labor , they arrive, an ambulance, my pregnant mother is taken to the maternity hospital, the maternity hospital in astrakhan is located on the seventeenth pier, where the second sunday in july is seventy the eighth year, the day of the fisherman, the caspian fleet and ships come, loaded with them, and at 9:15 pm my mother is taken to the maternity hospital, taken to the operating room, and as soon as it all begins, fireworks begin to roar. boom, people are screaming, hurray, mom remembers, you say, you were born, and the obstetricians, he says, are running, lord

, who was this born, he was born into a fisherman, he will become a fisherman, he will become a fisherman, dear friends, just now on your eyes and i, i have such an impression, i have never heard a more artistic story about the birth of a child in my life, that’s what it means a dramatic actor has come, i just saw this movie, you know, a barge with watermelons, dmitry dyuzhiv is visiting us , dim, after all, that’s it, astrakhn, dad was an actor, you inherited a remarkable talent from dad, really, that’s it and, dad loved music, we had records, and of course, we had records and soyuz-cartoon and little red riding hood separately and the bremen town musicians had a record separately, which. i want to tell you, after all, music is the password of a generation, so you are not the first person who

comes to visit me, in childhood, and for i, too, are the bremen town musicians, this is kind of straight forward, fortunately for our children this music continues, gennady golotkov’s poems by yuri entin sound, tell me, do you have experience in voicing cartoons in your career , of course, i have several cartoons , whom i voiced, made different... voice colors, expressed the psychological portrait of the character, tell me, when you didn’t know such clever words yet, but you were smart, dima dyuzhev, astrakhan guy, he grows up, in his youth, well, it’s clear that with your dad's profession was already, so to speak, to some extent, directed , well, here is youth, the melodies of youth that you listened to as a teenager, moments

of spring, this is a film, i have it in pictures, this youth flies, this is like a melody, but like a song, you know, i was an absolute fan of our soviet film the three musketeers, i dreamed... of being one of them, i dreamed of taking a sword, in fact we ran out into the yard, took branches, we performed all this, this is, of course, our domestic film , where is mikhail sergevich boyarsky, where is smekhov, where is smernitsky, valentin georgievich, yes, valentin georgievich and i are still playing the play free love together for 20 years, when you began to know for sure that the acting profession is your life path, that’s when you made this decision, i dreamed of going to

seafaring, in astrakhan, this is valor and honor itself, these chenilles, these belts with a badge, and the badge is heavy, it’s so convenient to fight with them, in general, this is such an honor and dignity of astrakhan, of course, i wanted to be like them, but in what way - the moment father, when we watched the theater with him skit boy, he saw that i began to laugh, began to ask who it is, why they are doing this, this is not kvn, it seems like no other programs, these are just students of the theater institute, and then he said, dimochka, you dream of becoming a sailor, but if you go to a theater institute , you can be a sailor, a rescuer, and, uh , a hero, and anyone else, in one of your lives you can try... you can be in different professions, in different characters of people. convinced you, dad? convinced me so much that i went to

theater institute entered mark anatolvich zakharov. to mark anatolvich? right from the first time you did it, and even then there was such a popular melody, everyone sang it, my first love there happened in the shadows, a siren. london, goodbye, second, second, second, second, this is the carmen band, however, i don’t remember the word, but it doesn’t matter, we’ll just remind you, self-sounding, there, seryozha, there you remember, there, oh, london intro, then there was some kind of brutal male chant,

after that, i don’t remember the words either, but i remember, no, there, no, seryozh, seryozh, there you remember, yes, and then they prepared the prep, remember , home, london, london, it's time to go home, london goodbye, okay, goodbye, parades, funny, london, goodbye, here's goodbye , tell me, this means dancing, everything, studying, studying, and your first film role, that’s interesting, my first film role was an extra, it’s like an actor in crowd scenes, i lived in a hostel on trifonovskaya, where to me at night, after 12, a friend from another course knocked and said, listen, he says, bob zemeckis is making

a movie there, castaway, this is an outcast with tom hanks, they we need extras, is there something like that for you, yes, okay, it’s such a level right away, i just came running at night, we came to the mosfilm pavilion and i really saw me live, there you can still even see me at the beginning of the film and even hear me, they kept the sound, where i am something like that, for some, the debut of actor dmitry dyuzhev took place in a film where tom hanks plays the main role of an outcast, yes, for sure, a zamekes, then i had a second one. scoop, this is the film k-19, ford played, so i played some kind of submariner, but also like actor of crowd scenes, and the first episode in the cinema before the brigade i had with alexander otatan for 24 hours, it was just a small phrase, in general i thank atanisyan, who then

said, well, boy, i saw something in you in the cinema, maybe it’s something it will work out, go ahead. try again, hello, dear tv viewers, the melody of my life podcast is on the air, i am its host, valery syutkin, today dmitry dyuzhev is with us. you already said a little that during the period when you studied with mark zakharov, under his leadership, the melody love, here of course, moscow life got in the way, of course, uh, what kind of music is this, tell me, well, uh, of course, all the works that mark anatolyevich staged were favorites and we all, of course , learned them and sang them , and we were always ready to perform, we were like universal soldiers, zakharov called us that, that no one knows at what moment you will be asked, and you must be 100% ready whenever you are called, and this happened in rehearsals , and

often everyone was on their toes, waiting for me, when i, when i, give me, give me, give. and of course, this is a song that did not leave anyone indifferent, alexandra sirova, when i met my future wife, tanechka, i also asked what your favorite song was, and what would you like me to perform for you, something like that, she said: siroova, i love you to tears, dear tanya, first of all for you, for since we have absolute improvisation in the choice of songs, the song, i love you to tears, music by igor krutov, words attention to igor nikolaev, many people don’t know, it was igor nikolaev who wrote the words of this song, dmitry dyuzhev, sergey osokin accordion from

the air. raise your eyes to the christmas sky, think of everything you dream of in life before you, i was so happy for you, i was not alone, here in this place we are cooking, these white flowers, i love. you are brought to tears, every breath is like the first time, instead of lies, beautiful phrases,