[000:00:00;00] he gave meat meat in the form of a piece of such a village guy and i remember that yes , zhana prokharenko was there, yes, yes, a beauty, and i remember that in the final, when you were hit once, you fell, hit the second time, fell, yes, the third time, and you get up, you’re bleeding so much, and you get up, and now tell me, i’ll kill you, and now i’ll kill you, well, let’s agree, we’ll agree on the blow, it was such a good one, it was, of course, it was happiness, valera, there was an amazing episode, we didn’t get some scene, with the father, there is a dialogue with father, uh-huh, conversation , and the scene didn’t work out, i was nervous, and valera, for some reason, was walking around in the pavilion, he was nervous, and i sat, hid in a nook, and began to sing to myself the century-old lipva song, just for myself, here nervous, sometimes i

still have this habit, i know very well. there are a lot of folk songs like these russian ones, so i started drinking, suddenly, valerko jumps up like a kite, here, here is the solution, here is the solution, scenes, here it is, i say, what is this song needed, it should unite you, this is it artist, he milkweed, the man had artistic talent, and it started with me and my dad quietly singing an age-old song, this is a lipavek one , standing outside the window, a daring song sounds over the river, then he says, well, just like you say there, yes, dad, i fell in love, but it’s clear that it’s not in vain, i see that you fell, he says , she took the bait, well , it’s good, he says, she’s good, she’s, come on, some kind, she gave birth to this one, an accident, this accident gave birth, this song gave birth,

it’s clear that it always happens. the audience identifies actor with his role and everyone thinks that i just remember when my dad played pavel zubov in the movie guys, they started to inundate us with letters, yes, they were bags of letters , they came, and they were real, not any emails, because there weren’t any then, they started coming , this is the eighties, letters began to arrive asking for adoption, because the hero pavel zubov, he adopted three children, and then some kind of global problem broke out, children wrote, children wrote, children, i remember a girl wrote to me, well she probably didn’t go to school yet, she scribbled like this in letters, uncle pasha, not uncle sasha, but uncle pasha, based on the film pavel zubov, uncle pasha, thanks for the movie guys, my dad

looked at your picture yesterday and bought it for me. tent hurray this is this hurray i have a spazz as i read such letters there were a lot or a married couple writes there, we say we separated, well , life happened, it’s not easy and we watched the movie guys in different cinemas at different times, and then we met by chance in the park, there was such a pause, we hugged each other , now we live happily, thank you for the picture guys, how cool, yes amazing, a lot of family... it’s amazing, that’s probably the great mission of real art, probably to influence fate , to help people, and now i understand what you ’re talking about, that maybe right now , by and large, there’s just such a lack of warmth, cordiality soul, soul is missing, yes, a film that would heal the souls of people, would make them better, i haven’t seen this for a long time, and the men were directed by iskra babich,

iskra babich, and it’s also not easy. i refused twice, you refused , refused, and i’m thinking of something, invented, it’s just a fake story, a plot, etc., and then he introduces me to the author , boom, the author, he wrote his own destiny, that’s how gurkin wrote about his, that means, love and naked about his adno villagers, uh-huh, so, that’s what this plot was written by, and it’s true, he was very nervous when the premiere was, he says, why are they disgracing me so much, i say, what’s wrong, he says , i didn’t take the dog to murmansk. and he was worried about this, i said, well, this is a movie, there was something there, some kind of atmospheric thing that was added there, and he so lovingly of course he treated this picture, well, in general, he was very anxious, everyone was nervous, and gurkin wasn’t worried that some new jokes had appeared, no, he just enjoyed it with pleasure, even he didn’t get something right with volodya. some kind of scene,

they called gurkin. volodya has arrived, gurkin, he is so unique, he is subtle, but also so nervous, attentive to everything, very bashful, very bashful, kind of shy and not very like that. he’s very active, he’s cutting and he keeps saying: no, that’s how it’s supposed to be, that’s how it’s done and do, do, i don’t know what to write, i wrote everything, that’s what you want, what to do, i say, okay, we continue with the people’s artist of the rssr with my father, alexander mikhailov, they ask me often, but how to be the son of a famous actor, and i don’t know what to answer, because if i lived two lives, somewhere in a parallel reality, i would not be the son of a famous actor, i would say, well, yes, this is probably better, but i don’t know which one, because i lived one life, and the fact

that my father acted and was in the theater is it’s a given, you often took me on set, i remember, for the first time i was on the set of some kind of film about pilots, yes, yes, yes, they are waiting for me on the ground, they are waiting for me on the ground, yes, yes, yes, and you told me, the cameraman is the most respected... profession on a film set, even better than the director, and even more respected is the man who drove the cart, well, you somehow remembered it interestingly, your words were, yes he says, here he is knows from what moment to what moment it is necessary to lead and where to stop, and how to lead, and the most independent person is the cameraman is still on today’s set, because he generally doesn’t care, well, the director, yes, he has his own vision, but the cameraman is an artist, he himself and the father told me, son, be a cameraman, in no case an actor, because the actor depends from yes, i didn’t want you to be an actor, you were an actor, by the way, you acted without, even i didn’t know about it, how i acted with tabakov, i accidentally, accidentally, accidentally, and

why, it’s interesting, how by chance, you i studied with no arms, yes seryozha, with dasha yurskaya, i studied with mariyushka scholz, by chance, i i remembered something that our mutual friend with you, yes, yes, yes, said that, even more likely, his wife, tatyana bronzova, said that on june 25, the first round at the studimhat school, for the tobakov course, yeah, i remembered, because june 24th is my birthday, yes, yes, yes, i remembered , it somehow fell into place, and on june 24th i had a good rest, with my friends who came from riga, i even forgot that it was my birthday, i woke up on a friend’s apartment, our friend’s there, everything, that means, steps over bodies. got to the kitchen, saw the rest there white liquid, i planted half a glass, here my sharpness, which means it improved, colors

appeared, somehow my hearing became clearer, and my brain, which remembered that today was a set, and not to come to me, amazing, i went, prominent, me, i had some kind of high black boots, pants, a black shirt and a partupe, for some reason, they asked me to dance, i danced, which i danced then, yes, but you were, the world champion, russia, russia, the champion of russia , yes, russian champion, yes, you had the top break, yes, the top break, there's a style, electric boogie, dad, there's a robot, a brilliant robot, i remember this, this is it, this is the fixation, it was still there, of course, but you made yourself, you did it, i remember i kept performing in front of the mirror, what a mirror, i didn’t have a mirror, chef , chef, well varnished, i was in front of a transparent door, vk was irradiated, and you said, well, stop

doing bullshit, son, learn, by the way, you even had a moment when you said that it was nothing except for the break, for today, i want to leave school, i remember this very well, i tell you i’ll persuade you to continue finishing 10th grade, then no, dad, it’s a matter of principle for me, i say, bone, the time will come, and then you’ll tell me that this is not the most important thing, well, where’s the scolding today, just like that between yes, no, well, i thought that this was my future profession, i then began to earn money while studying at school already as blake, and you said so, son, finish school, you were certainly right, that you need to finish school, with your twentieth side - this is a great parental lie, when they tell you: quit this, finish school later, that’s the most important thing, do what you want, why lie , because you... finish school, then they start telling you this, then go to college, and then do what you want, you go to college, and then you get the following

instructions: finish college, then do it, whatever you want, so this is a great parental lie, because you graduate from college and you don’t do what you want, that’s it, childhood is over, you’re already going to work somewhere, and then you don’t do what you want, but you do what the boss wants, by the way, thank you, this is... the program, i already have something i’m starting to make it clear to myself, so many years have passed, but i still have a lot of mysteries, you had a lot of mysteries , as i remember, you ran away from home, all of this, you had some of your own, small children’s protests, that’s something i don’t remember for a long time, i was looking for everything for you, two of them, in my opinion, i misrepresented it. on the third day, my mother and i are driving in a car, suddenly my son is walking with some guy in the middle of the road along the dividing strip who, in such despair, ran away from the house hurray freedom freedom and what next- then yes what next next izze sorry but i think

hit someone, but not you? who had nothing to do with it at all, who was just hanging out with us from there, and you probably wanted to punch me, but you took it out, changed your mind, kolyan , please forgive me, why are you still friends ? no, we talked on the phone once, and somehow it didn’t work out to meet, but i think we’ll cross paths again somehow, you know, i also want to apologize to you here that i didn’t even lay a finger on you, and i didn’t... help you when you studied at the institute, unlike seryozha bezrukova, i remember that vitali bezrukov, he spent his days there started, he trained his son and of course , you helped me a lot when i asked you, you didn’t help when i didn’t ask you, i did everything on my own, but it was when there was a show of independent works, and yes, vitaly bezrukov helped the earring a lot , and maybe that's why. seryoga was so successful because

, in addition to all the teachers who taught us the acting profession, he also had olek pavlovich tabakov, this was alexey sandovich silverstov, this is, of course, mikhail androvich labanov, our literally dad, and seryoga had another teacher, this is his dad, dad, yes, yes, yes, yes, yes, yes, yes, but when i asked you, i remember that one of your most successful stage performances was in the role of radion. romanovich yeah, it was back in my student days, well, this was my first job in the drama theater after graduation, i was taken to the drama theater in vladivostok, and the first role was, i thought you were immediately assigned to saratov, no, no, no, i worked there, for a year and a half, i worked in vladivostok, and then i was invited to replace oleg yankovsky, of course, but who was hired moscow, no, who was taken, we worked with oleg ivanovich for 9 years.

for 9 years we played five roles, he acted a lot then, shield and sword, i’m francis corina, two comrades served and he needed a replacement, they couldn’t get it from moscow, well, they don’t go to the province, but from the province, izladivostok, they invited me to saratov , then natanichin was the artistic director, artistic director, of the saratov noramtheate and he knew me, i said: i have this guy, let’s invite him, they invited him, then well, i left a little. but not in talent, in height was oleg a little higher, and we became friends with oleg and, well, i went through a very powerful provincial school , worked for 10 years in saratov, and we lived in his apartment, yes, they gave us oleg ivanovich, oleg ivanovich an apartment, and they moved to the center, closer to the cent, and not closer to the center, well , i asked my father to help me work on the role of raskolnikov, and it seems to me that it helped me a lot. but it doesn’t seem like it definitely helped

, that’s the nerve i took from my father, i remember that when i even went out, i needed to somehow catch this state in order to get out from a state of rest, i went downstairs , it was winter, i just dipped my head in the snow, powdered myself a little more, and so, in such a snowy rush, i entered olesya patashinskaya’s frame. stage, she was a sleepyhead, yes, yes, yes, yes, and you studied there, how long you studied there, 2 years, 2 years, 2 years, i have a feeling, maybe i’m wrong, i have a feeling that when i found out oleg, yes, oleg pavlovich, i found out that your son, some things started, i didn’t know that you were a little in conflict with him, well, that in conflict, somehow we didn’t have much contact, yes, in general, one of those cases when kinship with the people’s artist of the russian soviet federative socialist republic played a sad role

, a sad role, well, probably everything turned out the way it did, because i didn’t lose another 2 years, i went to study at higher directing courses , by the way, i’ll never forget, stashenko, yes, in my opinion, yes, oksana stashenko was a hero, yes, but she was the first to star with me, and tumaneshvili taught with you and yes, he’s a very amazing person. and i remember some kind of work you did at the dacha very i remember well and you were filming, it means you pressed it , you pressed it, it means some kind of lighting button or equipment. i mean, i directed it myself, i kept losing it, it was so interesting, i watched how interesting it was, and i thought that this was your future, director, director, i’ll shoot my own, listen, i was just sucked into radio, somehow television too , so i think i’ll direct something else, but yes, working as a director was incredibly interesting and

i think this thesis turned out very well, you wrote the script yourself, i wrote the script myself based on rey bradberry's story about the smell of sarsapara. yes, i brought it to our time, i did it all kind of at the dacha, there was oksana stashenko, the main role, igor kitaev, her husband at that time, my cameraman was the magnificent sasha ilkhovsky, that’s cool, and the producer is dad, yes, well producer, how i was just a participant in these things, you sponsored us a little , but what did you sponsor, well, money, we had to eat at the dacha, so, yes, yes, yes, we gave us money for food, and i i thought that you would go into directing, well here you go these were financial problems at that time, there were ears of some kind, all the perestroika affairs began, everything was a twist, a twist, some very bad cinema was ours at that time, yes, yes, the cinema was some very not funny comedies, until now this movie has not come out of this routine for some reason, i

don’t like today’s cinema, this is my opinion, where there is a city of corpses and a sea of ​​​​blood, now a good movie came out, it saved me, right? you know, now good cinema has begun, including thanks to the first channel, for example, the film challenge with yulia peresilt, cinema, here i recommend it, a very good movie, which was filmed in orbit in space, klim shipenko and yulia peresirtoy, the two of them flew together with anton shkaplerov, who by the way hosts our space podcast and he helped the guys there in orbit, told them how to do everything, and it's crazy. it’s interesting, because yes, this is the first film that was shot in space, a feature film, well, yes, yes, and there are no corpses, no crime, everything is very good there, and there is humor, and you can laugh and cry, i’ll watch it , i'll take a look just look, and you know, i watch similar films, and i understand that

we have a future, it’s interesting, your point of view is very dear, yes, this is the man who buried russian cinema, at that time, exactly there 20 years ago . just, i think, well, that’s it, we won’t get to this level, but i remember that there were times when hollywood was jealous of us, hollywood learned to do special effects on us, it’s amazing to realize this now, this is a podcast 20 years later and we continue conversation with my father, people's artist of the russian socialist republic alexander mikhailov. what is your favorite soviet film? i recently looked at it. 9 days of one year, i’m shocked, how many years have passed since this picture already , i’m not even talking about the amazing cast there: kentya mikhailov maktunovsky, batalov, alexey vladimerovich lavava, amazing, you know, i’m somehow one of my favorite actors

, jean gabin, in my opinion, said such a phrase, when he was asked what the basis of a kinetograf is, he said three factors, firstly the script, secondly the script, thirdly the script. including operators and in general employee staff to spoil this is good good material, which doesn’t happen very often, but it does happen, what’s your favorite role , i’ve now made my favorite one, the enchanted wanderer, and that’s what i thought, liskov, the wanderer, i’m not talking about quality now and how i played, but to touch the real material, for ivan flyagin, this is something , it was such happiness, although there were so many problems there, so many, my legs were frostbitten, and i fell from a four-meter height, i broke my arm, then

we there was a terrible tragedy, there was a horse, there was a beautiful horse in this film, and he, my hero, sings a song: if only i had golden mountains , rivers full of wine, all the love for affectionate glances, only you were with me, and this beautiful horse was amazing, they gave us this horse to film , all 18,000 dollars were paid for the process, just for this, and one of the assistants, the director, screwed her up and stuck her in the stake from another horse. she breaks her leg and shoots her, there was a whole story, that’s how it was, she’s a beauty, so they took her there, well, there’s a lot there there were very dramatic moments, you can’t turn your back like anastasia, he’s throwing out all these candles there and putting out the devils, you’re

the devils there, he was indignant, the parishioners were indignant, i had a hard time persuading them, there has to be something on the floor for this to happen, and colostasis, it was obvious, s, to blow out these candles, there was also a lot of stuff, i repeat again, i’m not talking about the quality of the picture, but the fact that i had this film in my life is... not very expensive , very dear, i remember many more wonderful films with you, well, alyokhin, of course, just alyokhin, the white snow of russia, chess player, very handsome, smart, yes, my homeland forgave me, yes, my homeland forgave me, no, there is a good phrase, man, a man without a homeland is always alone, alone in happiness and alone in slaughter, i still remember and you will find it in battle, i i remember the kidnapping of an owl, where you played the racer swede, yes the swede, darstenson, yeah. but there was also my picture, this is a special forces detachment, i touched the role of nikolaych kuznetsov, our intelligence officer, this is

a unique phenomenon, as if i always remember it with pain, the lonely are given hostel, with natalya gondareva, this is also the image of such a pirate sashra is so evil, a sailor, a pirate, you took it from the sea, yes, probably some kind of boatswain, well , first of all, i really liked samsonov, amazing, then he directed... an optimistic tragedy, a completely unique director, and suggested, in my opinion, samsonovich samsonova, innin, arkady inin, who wrote the script, and he suggested me for this role, and i was practically approved immediately without a screen test, and to work with natasha gundareva , of course, was a great happiness, great happiness, such pleasure, and natasha and i had two pictures, the first was a picture, it was a series... as a result , experts are coming, the fourteenth episode, i played a bandit like that, well, it’s like a bandit, she’s a bandit,

they sang romances, and then this baby talk, what is happening, has happened and is still happening, as he says, why does he say, you committed this crime, what a crime, he began to paint something like this - save and paint the matter there, and he says , when i saw these tweezers on my wife while she was washing clothes, i gave i promise myself that i’ll make sure that her hands are beautiful hands, that here she is, so he stole little by little, well, such a childish leped, risk is a noble cause, one of my favorite films, where you played a stuntman, ursanov, to my, ursanov, yes, this is yaksan segel, segel, segel, yes, amazing regi , i did some stunts myself, not all, but half of the stunts were mine, there was one stunt that was very strong, when there are two cars, and i have to cross to full. from a car

to a truck, go, it's all filmed, all of it it happened, then my back burned, they set my back on fire, yes, and then i lost my temper for a week, everything was burned, it was soaked in there , burning, as the koskhodirs say, is one of the most difficult tricks, more difficult than having to run against a flood , against the wind, but here the wind is in the other direction, there’s no way to do it... i still had to pause, it’s burning, but the engine is holding on, i had to wait for the command to jump into another episode and run, it’s burning, i feel it’s burning, tell the director, i can bear it, i can bear it, come on, let's go, let's go, i'll go, and i was amazed by this all over my back, at what moment did you feel that they began to recognize you on the street, after what movie did you come, and after come, after arrive, yes, yes, after arrive, how old were you? i don’t remember, i don’t remember by age, you know, i was not 16, of course, but older, but

i was also a decent age, well , i graduated from college when i was already 23, 10 years old, in general, well, somewhere... then over 30, under 40, how do you generally feel about this people’s love, about fame, calmly, calmly, i myself am very friendly towards people, this fanabery i have a lot of awards, i try to take off my shoulder straps, put the awards in my locker and not show them off, i try something like this, you ’re a people’s person, i try, he says guys, there is no title, he says there is, i’m just an actor, the greatest title , this is an actor who is respected, who didn’t let you down, yeah, who doesn’t star in commercials, they never star in commercials, so i don’t judge my colleagues, i know that there are a lot of scripts... you turn it around and don’t star in what you got my left hand is very sensitive, i suddenly read

i'm getting goosebumps, wow, this is mine, this is mine, it's there, it's gone, it's gone, and so you read , with a cold nose they just sent it, here's a good script, but it doesn't touch me, nothing, why, yeah, we have a podcast 20 years later, if you had the opportunity to return to 2000, where would you return, maybe you would change something, i returned to my 18-17 years, i would go to sea, you would choose the sea, yes, that something extraordinary, one can even imagine, so i believe that at any age one must take some kind of extreme situation, where you need to test yourself, to experience, and i, since from childhood after the painting on ivazovsky, i fell in love with the sea, i was still a boy, in the fourth grade, yeah, i ran to the khimovsky school twice, it’s a long story, and then they caught my mother spanked me with a wet towel, she always discouraged me from

these trips with biscuits, she also said that i was an orphan, i say which one, i ’ll show you an orphan, there she gave me such a spanking, i stood in the corner all night, and then after the seventh grade i i finally persuaded him, i say, mom, after all, i can’t live without the sea, let's go, well, let's go, pack a suitcase with these metal corners, the whole bag, let's go, i couldn't go to marikhodny , because a year was not enough, i entered a temporary school, because in this school, instead of soldier's t-shirts, they gave vests, so i entered the thin ones , but this is buhtamite, this is the open gate at the golden horn bay, all the time i had free time i ran to the shore and admired this seaweed, this sea, the smell of the sea, after all, after graduating from college, i came to the ship, and i have never forgotten, i tied myself when ball four five there, there was a storm, i tied myself with ropes, i had a specially designed train, the saler stood like this on the bow, and when the ship sank,

it was overwhelmed by the wave, it washed all over me, there above me he says, well, our guy is ours. our young man says and i screamed again these songs from behind the island on strezhen this is the wide sea spread out i adored these things i screamed i just loved these things i understood where i got it from and when we went on a cruise on a turbo ship leonid sobinov i was in a storm the same i did the best thing, yes you don’t know what you are i didn’t tie myself down, but i, too , stood on the bow of the ship, clinging to it and also to the bolthole. during my childhood i loved not just the rain, but the downpour, i adored the downpour, how the real downpour would jump out into the street to the point of my panties, rain, let it rain, we’ll go into the bushes, pray to god, bow to the king, and i got such pleasure from the thunderstorm, this one all the elements, i just adore these things, i just adore them, listen, let’s put an end to this, in the next episode we’ll talk about

your most famous film, love and doves. hello, this is the podcast burn with fire and i will presenter denis gorelov with a story about the most current new products in domestic, cinema and tv series production of the current season. and as usual, sometimes i will call the series a film, because the long-running santa barbara is not part of our unit, 200-300 episodes is not our format, and films of eight episodes and twelve episodes are still just films extended in time, in the word series it is still inappropriate to repeat too often. we will start , of course, with the series lada gold, because where else to start, the picture is about

all-gold bandit zhiguli, which are waiting in the wings for their lucky one in the outlying garages of the city of our automobile glory, talati, in their madness is similar to the story about the diamond arm, which is smuggled across our border in order to launder money for a quarter of the cost under the guise of treasure, and if to tell all this in a serious manner, all this, of course, smacks of the purest 999th grade of idiocy, and of course, the authors need to be warned in advance that everything they talk about is utter nonsense blizzard, people who write annotations in this sense make a mistake, they do not warn about it, scaring away more or less serious viewers from the picture, who more or less imagine what the nineties looked like, and at the same time they do not have a greedy light in their eyes, because those who have it will accept any nonsense, and the nineties have clearly already become the territory of fairy tales of 100 one nights, in which, with a certain amount of tuning, you can still believe that the times were

crazy, and therefore the film is - stories flowing into each other, car mechanics, tire workers, security guards... parking lots of some drinking aunts, the city of the hero talya, the city, of course, a hero not of military glory, but a hero of gang wars, a deal of gold assets, but in general ours... domestic klandike, which clearly corresponds with the title of the picture. according to the plot, the main bandit of the city, misha dasygin, is an important name because it is shortened to the gangster nickname midos, saying to those who missed history lessons at school, we will tell them that king midos is everything in the world turned into gold. dosygin must collect the thieves' common fund for a bribe to the central authorities in moscow, so that these authorities will... finally remove the terminator cop vanka ogurtsov from the city, who cannot be taken by any weapons and can only be removed by promotion.

however, uh, nature takes its toll, midos melts down all the common stock that he got into gold, builds an all -gold lada gold out of it, after which the heroic cop squeezes out this lada gold, repaints it in patrol colors and hides it somewhere on the outskirts in some - it's mossy. distant garages city ​​of tolyati. when converting gold , the services of criminal khan kasym from nearby kazakhstan are used, which is 3 hours from the city of togliatti by car and 5 hours on horseback. accordingly, at some point, on the same day, the main characters die, the whole burden, the whole golden, crazy burden of the inheritance falls on their senseless grandchildren, who, like many young people today, dream... about huge gold falling on them from the sky, their dreams are coming true, the bandit’s grandson arthur, performed by

roman ivdakimov, swells somewhere on all sorts of resorts in the netherlands, but has absolutely no money, the cop’s grandson pasha, sits here, sells his grandfather’s awards, and also generally survives on bread and kvass, but really wants money, while the gangster’s mother was the daughter of mides, and the dad: accordingly, the cop’s son killed in kazakhstan. as for the police grandson, his mother once abandoned him to his grandfather, and the police son’s father was killed in kazakhstan. as the viewer understands, the police son killed in kazakhstan was the same person, thus the two heroes are relatives to each other, although stepbrothers and must join forces in pursuit of gold, which they do not know about until the time comes, but there are always grandmothers to tell. cop grandmothers, and it just so happened that in the fog, and the gangster grandmother occupies the post of chief of the criminal police in the city of taglyat and in every possible way hides her long-standing relationship with the city’s chief thief, comrade midos, and also

the daughter she received from this case, but what is important, the producers, first of all, the fathers of the film company wednesday, alexander tsekal and ivan samokhvalov, as well as the new one who joined them three producers, sokolovsky burets balashov. they understand very well that you can’t go on with indian cinema for a long time, you can’t last eight episodes on this , we don’t have many fans of indian cinema in absolute terms, so they begin to quote in their film all the trash cinema in the world, as does their great predecessor and godfather quendin tarantino. accordingly, shootouts in the sands of kazakhstan with views on the alatau spur, of course, go back to the spaghetti western of serge leone. with shootouts in the canyon, a big dog, with views of the rocky mountains. black and white flashbacks to his youth - his fathers, this very lada gold, are shrouded in such cigarette smoke

, and of course, hint at a classic noir, and what’s more, the eternal theme of noir is a fatal blonde who knocks down the sleepy pants of a beautiful demobilization officer and forces him to do bad things, uh , in the role of the blonde handmaid, she is... in fact, the grandmother of the main character, the head of the city’s criminal police, played by linda lapensh - the most fatal of our modern actresses, and moreover, since she also wears a colonel’s uniform shoulder straps, the charm of the fatal criminal blonde, are especially beautiful. well, finally, the main russian task is to take all the national wealth, melt them into something very shiny, very expensive, and then sell the money received to the west and use it for national welfare for development, and not give it to any villains who would like to appropriate it . there was a film on this topic by the great russian director and oscar

winner vladimir valentinovich shirley myrli, as everyone remembers, it revolved around a huge diamond the size of a horse head, which later went to national needs. and exactly the same topic was spoken about back in soviet times by the great... director and also an oscar winner, nikita sergeevich mikhalkov, we are talking about a film, one among strangers, a stranger among one's own, where the whole plot revolved around a golden suitcase, which was also needed be used for the needs of the nation. and so vlad gold’s film very seriously rises to national demand, for which we are all grateful to him for the film’s very good rating. moreover, since the main kazakh bandit kasym has a son, also, in general, the heir to everything, in his role, oscar ilyasov, the famous patient zero in the film, as well as the daughter mentioned stasya miloslavskaya, and midos, in turn, also

has. his heirs and henchmen bandits performed by the most important bandits of our cinema, igor chernevich, danil varabyov and roman polukhin, then you will have to figure out whose money, who is whose grandchildren who are related to each other in what way, throughout the entire film, but so on until the end not to understand, as often happens in indian cinema, centaurs bandit-cops and cop-bandits, are always ready to remember the voice of the second blood and go over to... the opposite side , which adds intrigue to the plot, and also love to start a relationship with someone else’s young lady, as long as it’s not his sister. the dozen screenwriters that we usually have on a film would not have pulled off this picture at all, because they would have been categorically confused about the question of who is related to each other, so the script was written by one and only yegor chichkanov, known to everyone as a screenwriter and director deductibles hello again, very serious and

beautiful paintings. and also the director of the film was nikita vlasov, who filmed tv series in borenki, something is not there, also a very serious thing, and the producers, let me remind you, are the same cicals and self-praises who for a long time fed the most terrible horrors of our crime, and now this picture is recognized , that everyone was fooled by four fists of all the scribbled gangster stories they knew from the stories of car mechanics from some car wash in kazakhstan. where they washed their all-gold eared zaporozhets, received from the proceeds of a divorce from the same long-eared fivers, picture 10 out of 10 - an absolutely wonderful thing, you are still watching the burn with fire podcast, where i and the host denis gorelov talk about the most current premieres of serial and theatrical production of the current season. the next issue of our program is the film... tavr, and this is a film about

a taxi driver, directed by kirill kemnitz, has a rather rare and memorable surname, he clearly has a great future, but even more rare and even more memorable the surname belongs to the producer of the film, ilyan alshuller, and of course he was remembered by everyone who wrote about this film, because today alshuller is the only director from russia who was successful in hollywood, konchalovsky doesn’t count after all... he had no particular success there there was no more talking. naishuler, in turn, due to the fact that he studied in an american school as a child and knows the language very well, released a film, of course, about the russian mafia, what else can a director from russia be given to make a movie about in hollywood, and this for several weeks the picture occupied the top spot in the all-american box office, that is, the very top line, and despite this, a man who had every possible...

full perspective in hollywood returned to russia to direct a film here, that is, to produce, directed it kemnets, first of all, because our market is the most promising today, in fact , the return of naishuller is evidence of this, the money is here, effective demand is here, the lack of competition from hollywood is here and we need as much as possible rather, to stake out a platform for future possible successes, in my opinion, the first step has been taken, and especially since hollywood, after all, is inclining russian directors, the naishulers, to work with the russian mafia, and here you can make a movie about what your heart lies in , and the soul of the journalist lies in the following: and the crippled taxi driver virtuoso, played by yura borisov, agrees only to night shifts , because he doesn’t really like people , there are quite a few of them at night, hangs out around the city, gets acquainted with the city’s underbelly, gives rides to various victims at

night, reads them like an open book, of course, what’s so special to read, at some point a doll in war paint, wonderfully performed by anastasia talyzina, sits down with him, he quickly understands her profession, but she doesn’t really hide it, but it’s clear that she has clients, he has clients, they understand each other, by and large, a little bit like that, the film tritopoli on the ivy only at night, of course, all film fans already understood that the plot... sounds, at least rumor, even better, compare taxi driver and taxi-drive, there’s even nothing to compare , we must in turn note that in the seventy-seventh year, the most outstanding film

of one of the very first american directors, scarcez, lost an oscar to the film rocky, a film written by sylvester staloni and starring him, such a powerful psychopathological, by and large thriller taxi driver, lost to the first film of category of sweaty meat, this is an epic failure of the american film academy comparable to the failure of 1952, when the main prize was won by the film a streetcar named desire, the prize for the leading female acting role went to vivin lee for the film a streetcar named desire, karl malden and kim hunter received awards for supporting roles; for the film a streetcar named desire, the only person who did not receive anything for a streetcar named desire was marlon brondo, on whom, in fact, the film a streetcar named desire was based. a comparable ethical failure occurred in 1977, it was a turning point for american cinema and all world cinema, because that year the film star wars was released, it was also nominated for an oscar only

for special effects, to all producers, to all it has become absolutely clear to the world's filmmakers that it is much more profitable to invest money in making films for stupid teenagers than for intelligent adults; today, films for stupid teenagers occupy approximately 95-97 of the world's screens, and so, apparently, this situation is irreversible, the great russian philosopher sanyev, for a month before his death in 2006, he said that gadgetized humanity is irreversibly becoming stupid, scars would probably agree with this, in the nineties he made a documentary film journey with martin from punishment cell to american cinema, therefore he knows very well where american cinema began and where it has now ended, perhaps he... is why he works in cinema until today, 80 years old, because there are no more adults left in american cinema, except perhaps ninety-three-year-old clients, who also continues to work against the backdrop of the battle for the white house between eighty-year-old biden and seventy-year-old trump, who in

turn is carried to the top of his lungs by the hero of the film , a taxi driver, eighty-year-old robert deniro, absolutely - such an senile landscape. in in the picture there is a play for two voices. in one room in one taxi, of course, dialogues and some plot twists are of great importance, well, suppose in the same irony of fate, also a film with two voices, here a huge responsibility falls on screenwriter mikhail zubko and he copes with it brilliantly, and despite the fact that in ordinary life one does not hesitate to work either with alexander tsypkin, the director of a film about sex on the patriarch’s ponds, or with anna with stories about how anna boginskaya achieved success in the city of moscow, such an indiscriminate all-rounder, but in the film centaur he shows everything he is capable of. after 20 minutes of talking and driving around the city, it suddenly turns out that some

maniac is killing prostitutes in the city, and the main suspect is the main character of the film himself, performed by borisov, because he has already appeared more than once in the very places where the murders took place , and at this moment he is being led by serious people, and the girl from the escort is just a decoy, but not a police decoy, but a gangster decoy, pimps are also concerned about losses among prostitutes, it is impossible to retell the event further, because it’s a spoiler, but i haven’t even retold half of it, there will be at least 100 more 180° turns, as for the actor borisov, he is suitable for the main role , because he combines his radiant charm with the same very dangerous protruding fangs, everyone clearly in the films in life is not entirely clear whether he is a maniac or not, once upon a time