from external and internal enemies, as i say, often, under its cover, i hope our lives will pass peacefully and prosperously. most holy theotokos, protect us, the russian land, our church, our people, from every enemy and adversary. amen. pavel, natalya labanova, kiril danilov, channel one. let us turn to our defenders on the military specialization fronts. five attacks by enemy assault groups were repulsed in the zaporozhye direction, at the bleak point of rabotina. we have broadcast battles in this area more than once. attempts were also reflected five times breakthrough of our positions in the kupinsky direction. in donetsk, a leopard tank, an american counter-battery station , a multiple rocket launcher, and a hurricane were destroyed. the enemy is taking out his anger on civilians. in chiplinka, kherson region, american missiles on friday. got into the building of the social fund and

the employment center, nine people, according to the latest data, were killed, the same number were injured, the time was chosen specifically, office hours, many people before the weekend. middle east, a video of the consequences of an israeli attack on a mosque in gas, there is only one dome left, the city is surrounded and is under attack by the israeli army, which in turn accused the hamas movement of attacking its military, the head of the us state department blinken, he is now in the region again speaking out against the ceasefire in gaza under the pretext that this will give hamas the opportunity to repeat the attack on israel that took place on october 7. today turkey spoke sharply; president erdogan said that israeli prime minister netanyahu is no longer his interlocutor. ankara recalled its ambassador to tel aviv for consultations, there they responded in a mirror way.

well, now again about the main event of the day, autumn, year, not only the outgoing one, but also the coming one, an exhibition about our country, this is such a grandiose gift to us all for the day of national unity, let's look again at the footage that we receive from vdnkh in in real time, these views from the ferris wheel of the moscow sun, by the way, its height is 140 m. the exhibition of achievements of the national economy is, of course, the center of attraction. and on the first day of work there are thousands of guests, and then more, come with your family, loved ones, this a great reason to spend a day off in an interesting and useful way, and most importantly, learn more about your home country. russia is strength, beauty, dignity, and of course, scale. here's navdh, everything with soul and scope.

the discovery area is 90,000 km, over 70 objects, 129 expositions, 15 new pavilions, this has never happened here, not just an exposition , a kaleidoscope of achievements , all 89 regions of ours are represented, all ministries and departments, the largest companies and corporations, in general, all the best at once, it’s not for nothing that the exhibition’s motto is, we are proud, we together, we are moving forward, and to go around the entire exhibition it takes more than one day, and not even one week, there is time right up to the day of cosmonautics, vdh is the universe of the future, but what kind of future is there without knowledge, of course, that which is needed in modern life, fast, technologically advanced, konstantin panyushkin assessed what it’s like in the world of robotics, drones, and more? ekaterina, this is not just like that, we decided to demonstrate to you, this is a real aerotechnical class, which already exists in russian schools, and there will be more and more of them. more, this is an exhibition of the ministry

enlightenment to find it 10-15 minutes in a straight line from the main entrance of vdnk just short of the vostok launch vehicle on the right hand is the russia pavilion my history, here is all the most technologically advanced that is included in the national education project, for example the var school, all the same the very lessons that are ordinary, but only like this in the format of virtual reality, or robotics in all its manifestations, and accordingly here at the exhibition it is very popular among children, on the right hand, stuffed with the most modern technology, classes, this is an it cube, a quantorium, there are already 200 such classes throughout the country , by the end of 2024 there will already be 340 of these classes of additional school education, and finally the presentation area of ​​all-russian children's centers, artek, eaglet, ocean, ali and porus's change , well, actually, the guys from these very centers are reaped, but the most important thing is that these are, of course, not flash mobs, here they can tell you how to get to these same children’s centers, in summer, winter, at any time of the year for vacation, and that’s it. ..

the last thing we have time to show you is corner of the mvp of initial military training, there is the shooting range, where girls and boys enjoy shooting from air rifles today, they are very popular among young people, and only here in the area of ​​​​education responsibility can you spend the whole day, in fact, this is how it happens guys, then in this space, then to the neighboring one, where today on november 4th the next marathon of the russian knowledge society started, which is being followed by my colleague anna kurbatova, we are from the vladimir region, the city of alexandrov, we are from the lpr, lugansk region, stakhanov, we came from the amur region, it’s a great joy that we were able to get here, the thirst for knowledge is obvious, 1500 people, according to our calculations so far, according to the tickets that we distributed over these 3 days, we brought a lot of guys from regions, from all over the country, at the sites of the educational marathon these days, schoolchildren and students who cannot be torn away from lectures, this is an open

lesson from the presidential press secretary, dmitry peskov begins it like this, if you get bored, whistle, if you like it, clap. yes and how you get bored here when you can not only listen, but ask, and you can ask absolutely any question, how did we allow nato to expand to the east, look, this is the right question, by the way, we had a period of such romanticism, it seemed to us that everyone wants to be friends with us, and the americans want, and the europeans, and the british , that they will be friends with us, and even when they are here, you probably don’t understand what military infrastructure is, but these are guns, tanks and missiles, it seemed to us that when their guns with tanks and missiles move closer to us, then this is also only because of their passionate desire to be friends with us, we were so wrong, now we have clearly stated our position, and now everyone understands that when something threatens us, we

will fight it. one of the lecturers today and secretary of the security council nikolai patrushev, he spoke about his work in the difficult years of the late nineties and early 2000. imagine being the director of the fsb. i was forced to sign an order that the academy employees should under no circumstances serve in uniform, but only in civilian clothes, just because these young guys appeared in metro uniforms, there were two cases when they were thrown under a train, this was the attitude towards people in uniform. the results of a decade of recklessness. liberal reforms saw russia slide down to the level of underdeveloped countries, almost with the complete loss of its political and economic sovereignty. foreign advisers who flooded russia encouraged separatism,

imposed debt bonds and enslaving international obligations. the west was betting on stimulating chaos. and the introduction of external control of the country. at this time in in another room, presidential aide maxim oreshkin spoke about the economy, including what successes our country has achieved in recent years? if in final consumption and investment in 2000 every third product or service was imported, now this is every fifth product or service, we have dropped from 30% to 21%. therefore, it is very important to understand that this period is quite. rapid economic growth, expansion of consumer and investment demand, thus, as demand expanded, the share of imports decreased, this means that practically most of the economic growth is associated

with the growth of domestic domestic production, immediately after morat khusnulin spoke here, talking with schoolchildren about records in the construction industry, 103 million km of housing were built last year alone, every fifth house in the country. .. will be new, each family will have a new room , because we want to build there, well, about 20 more square meters of additional space per person, we are working well in the twenty- third year, and by the way, i want to say that in terms of housing construction per capita, we build more than china. the knowledge marathon is the largest educational project in history, lectures are given by russian politicians, heads of state corporations, ministers, immediately after the opening of the our culture pavilion, olga lyubimova came to give a lecture to the youth. if we talk to. let's talk about the theater, we will see how the number of tours is increasing, how different these productions are, but if we are talking about cinema, here you can see for yourself what incredible breakthroughs, from space flight to a huge number of children's films, and most importantly - the

huge number of spectators in our cinemas, of all ages. questions could also be asked of those who star in these very films, who do you like most in the profession, and i like it in the profession when... everything is over and you can relax, i really like this, i’m a normal living person, another thing is that some force makes me stick out my nose and climb into... the first option and fantasize something and go out on stage, i don’t know what kind of force it is, just during the federal educational marathon of knowledge, more than 170 speeches are planned, each lecture hall here has its own name: homeland, society, strength, sovereignty, innovation, another lecture hall is called i, they talk here , among other things, about how each of us can leave a cultural mark in our history countries, only six educational platforms in the first letters of the names, which symbolically read the word... russia, anna kurbatova, vladimirev, alexey labushkin, guram razilov,

veronika ilvuchenova, channel one. holiday today, throughout the country, russia celebrates it with concerts, flash mobs, and historical reconstructions. festive atmosphere on city streets, folk festivals. in vladivostok , flags were raised on ships of the coastal flotilla. in the central square, residents unfurled a giant tricolor. nizhny novgorod, where the people's militia gathered. into the atmosphere of the 18th century. in the cities of the lugansk people's republic, youth planted hundreds of trees. a commemorative event took place at the hero of defense memorial. and in cheboksary , flash mob participants lined up the word russia. there are a lot of us nationalities and we live on the same land. a great holiday showing that when a nation is united, it is invincible. the holiday of unity unites all the nationalities of our country. more friendly. we will live more fun, joyfully, we are proud that we have a multinational country and we are very friendly

, if this holiday did not exist, there would not be such happiness, on national day, but we continue to leaf through the video pages of our guide to the russia exhibition, the team of the first tried, together we won't miss anything. konstantin panyushkin today i ran a real marathon around the territory and made a stop at the stables. ekaterina, allow me to introduce arholyk, a russian riding black horse. and we here at the stables have already been taught how to familiarize ourselves with it correctly. you need to put your hand up like this, he will smell it, and then as he goes, if he sniffs it and accepts it, he will allow himself to be stroked. but i’ll say right away that here in the stables we were also warned that anyone who comes here on an excursion to do something like that is completely prohibited, due to safety precautions. we are now in the stables, center national equestrian traditions have gone quite far from the main entrance of the bdd. about 20 minutes to the cosmos pavilion, here in the stalls there are about thirty horses of the kremlin riding school, but only

now, within the framework of the russia forum, visiting is absolutely free for everyone over the next almost six months, in this regard, of course, the number of people who want to see these beauties live is huge , always wherever there are horses, there i am, i rode them, and so you know how to behave, yes, yes, they don’t love me, and you’re not afraid of them, no, no, they’re not afraid of me either, well, by the way, in the end it comes not only to... to see these tall handsome men, well, this very small one, his name is sheldon , god forbid, call him a pony, in fact, this is a real horse, just a very small one, at this point we say goodbye to the stables, leave pavilion number 42 and go out into the street in order to better see the road, from here outside the door there is a view of the dome of the cosmos pavilion , so it’s clear how to get there, well pavilion number 48 is also clearly visible from here; it is also of great importance for the exhibition , a wine fair was opened there as part of the russian forum, and here it is important... here’s what to keep in mind: you need to visit in exactly this order, first the stables and only then there, because

that horses are afraid of the smell of alcohol, so we move on to the wine pavilion, but my colleague olga pautova has already been there today, all guests of the bdnh are greeted by a living map of russia installation, this is a multimedia copy of the map, which was hand -embroidered by craftswomen from chuvaashiy, here for everyone a region has its own national pattern and its own embroidery, but now we’ll try to draw up another map, a gastronomic one: how long until dumplings with elk meat? i roll ural shangis. chefs from all over the country will make sure that no one leaves hungry; all that remains is to choose the far eastern fern salad with beef, buryat khushura pies or the freshest fish of the peoples of the north. but the most important thing, of course, is here , look, indigirka, the yakut business card is, of course, straganina from chir, a must, and sugudai from muksun, if i want something more familiar, karelian dumplings are for you, but they can also surprise you here. here.

we present stewed elk meat, which we serve with fried onions and soaked lingonberries on rye-wheat bread, garnished with herbs , reflecting, in fact, through elk meat and through lingonberries, our karelian decoros were inspired by something similar and now you want to repeat it at home, then welcome to the regional fair products, try the delicious cheese cheese, this is a little thing, perhaps there are the most cheese counters here, of all vologda belgorod, made by kurgan monks, according to experts, about 9,000 types of cheese are produced in our country, only the best were brought to vdnkh. this is cheese from the old age. pozhitnik is a family of legumes, it is a kind of herb. which our shepherds found, it gives a nutty-caramel taste in the aftertaste, and its uniqueness is that it ripens in honey. here you can find fish delicacies from astrakhan and sausages from kostroma. but what does this mean? this is with nimber. parmesan and shrimp flavored sweets or vegetables that are actually cakes. we wanted to somehow surprise people, make the vinaigrette set sweeter.

delicate, delicate mineralization on the palate. would you like to try it? how can you say no to the russian winemaking pavilion? not only will they let you taste their products, but they will also tell you interesting facts : for example, you knew where the tradition of clinking glasses came from ancient rome, so they checked whether the drink was poisoned, because the drink and not the wine was poured into the next cup, and of course, here they will help you choose a bottle for any occasion, this one is worth taking if you want tell your loved ones about the engagement? our wine is definitely french in style, it is subtle, elegant , you know, i like to compare, probably with two actresses who were popular at the same time, one of them was marlin monroe, very bright , maybe a little provocative, the second was audrey hebborn, our wine is always audrey hebborn , today was a discovery for me, sparkling wine, and a romantic evening, and to greet guests with this, well, it won’t be a shame, this is wheat, you can also come closer, see how everything looks, bye

parents chose what to put on the holiday table, children studied how and what food is made from, and then walked through a wheat field, this grew up in the pavilion of the ministry of agriculture, i... really love buckwheat tea and i was wondering how it looks. but you can learn how to stock up wisely at the rosrezerv stand; almost all of the activities of this agency are classified as secret. at the exhibition, the veil of secrecy will be lifted almost for the first time and they will tell what is stored in the underground storage of state reserves. soviet the union was one of the first to abolish food cards after the war, precisely because there were reserves, and these reserves were used for the population. don't get lost. vdnkh employees will even tell you how to find an entire farm without leaving the exhibition area. here you can not only feed the kosher and reindeer, but also learn how to make cheese. the main thing, by the end of this gastronomic journey, is not to reproach yourself for the couple of kilograms you have gained. olga pautova, ilya marin, victor overin, ekaterina ovsyanikova and sergey deev, channel one.

hello, friends, this is the podcast life of the remarkable, with you i am its host, writer, alexey varlamov, my guest is a wonderful director, evgeny borisovich kamenkovich. hello, evgeny borisovich, hello, professor, thank you. found the time to come to our studio, i would like us to remember a little the man whose name is named after the theater that you head, the workshop of pyotr fomenko, this is what kind of person pyotr naumovich fomenko was, why he has a theater, and it’s just a workshop petra

fomenko, tell me a little about him, it’s very easy to talk about pyotr naumovich, because if you somehow try to classify him into components, then for me it’s a very big question, what comes first, is he as an artist, great, or what? man, very often, when you meet people who knew fomenko personally, they first remember some meetings with him in life, and then they remember his performance, it happens , of course, the other way around, but for you, for me, everything is mixed up, and in general it seems to me that this is the happy occasion when... that's how the man lived, he also created. with pyotr naumovich, it seems to me that a priori it could not be boring, it was simply excluded, yes , he had long, difficult rehearsals, sometimes he rehearsed for years, but it was always very interesting, everything he did, and

that’s where it begins , as it seems to me, the profession of a director, he always suffered. what he was doing, if he suddenly didn’t understand, well , some period or some part of the performance, he could just get sick, disappear there for 2 weeks, but when he came, but that’s already probably a commonplace in theater circles, but everyone knows that if some, not the best student asked him to help analyze a play, then pyotr naumovich would open the list of characters and ask the student the question, well, who loves whom? that's my understanding. in general, flamenka and love are some kind of synonyms, and love, well, not so, say, romantic or some kind of mundane, but some kind of love... like this in full, so how to explain it, that’s very often sometimes goes to the theater, i think that’s why young people don’t always go to the theater,

because for young people, the tempo of the theater, such unhurriedness, detail, it can sometimes be boring, but pyotr naumovich, he always brought the detail of existence to some unimaginable limits, he could rehearse... some way out, like everyone else some of his great predecessors, that is, the detail of human behavior, it was understood down to the micron, but is it possible to say that this is how stanislavsky’s system was, this is how fomenko’s system was, i won’t undertake this, although i am sure that it existed, because that i'm here i came up with my own definition about petranach, so it seems to me that fomenko is such, well, today he is the last poet. in the directing profession, i don’t know a person who could read poetry better than him, the answer is very simple, it seems to me that

firenka had only one god, pushkin, so he knew evgeniy negin by heart, just by rote and could read any chapter there, i have a feeling that if he had called his theater not fomenko’s workshop, but pushkin’s theater, well, there’s simply already a pushkin’s theater in moscow, then it would be so. at the first opportunity he did pushkin, and i don’t know if all tv viewers know, but we recently celebrated the nineth birthday of pyotr naumch, and zhenya tsyganov gave, it seems to me, to the audience, to the theater, this is a gift to me personally, that he took and staged boris godunov , and there is such a prehistory, it means that the last work that was supposed to be pyotr naumnich , he rehearsed boris godunov for a year, and, as always, all pushkin’s widows visited us, this is already... i performed it for the third or fourth time, yes, there was such a big sheet hanging in the theater, and everyone, even the smallest roles, were noted there, since we still have 60

artists, and there are more references to boris gadanov, which means all the costume designers, all the make-up artists were busy, then for some reason pyotr rnomich stopped work, maybe because that he felt bad, but i suspect that something with something, the main thing with the current time , did not agree with him, it was 2012, i don’t know the reason, suddenly, when he turned ninety, and zhenya tsyganov put together a team and did an amazing in my opinion, the performance, firstly, he did everything to make it a comedy, and the most important thing is that on the screen there is an hour and a half of recordings of how fomenko rehearsed, and pyotr naumovich participates in this performance from the screen, maybe i’m the only one who adore this performance, because i i wasn’t at the rehearsals, i very often like to drop in and watch, so he makes a remark, and the current... artists , young ones who haven’t worked with him, whether they do it or not, this is some kind of amazing new genre, it seems to me, thanks to tsyganov invented our theater, and it seems to me that this

it’s very cool that this exists, we are often reproached that we, how can i say this, are either hiding behind fomenko’s shadow, or something , this doesn’t bother me at all, because our literary part, after the departure of pyotr naumovich, means it brought it to me, i i can’t call it a spiritual... testament, she brought me a list of works that he was thinking about, well , i think my life and this generation will not be enough, firstly there, which is very cool, there is some name there, lady with camellias, it is written in brackets who should play it, that is, it is clear that he i thought about every actor, so i periodically look at that list once a week, sometimes something comes out of this... list , so pyotr naumovich loved to stage prose, he adored it, i’m not even talking about war and peace and family

happiness, but in my opinion, the main theatrical statement in the theater is one absolutely happy village , a play that has been going on for more than 20 years, uh, and the actors who play in it tease me all the time, maybe we’re already old, i i say no, you will never grow old, since the play is on... on the old stage in our very small hall, there are 78 spectators in total, we could play it much more often, but we play it there specifically once a month, well, because it has been going on for a very long time, but i every time i watch it there once every 2 years, my eyes are wet, it seems to me that petruch didn’t care what was staged, what was drama and what was prose, but he always didn’t lead the prose into a play, but i did it as prose, these are some kind of technological things. but it seems to me that this is very important, and in general, when the director chooses, here is a play for a future performance, chooses a performance, well, let’s talk about you, this is what you are guided by,

these are your ideas about what you want, in general your statement, what is it, it seems to me that it should be it’s clear why i’m doing this, let’s talk about your ulysses, for example, there’s some kind of madness there, yes, this complex, huge novel, stream of consciousness, it was easy to show everyone, this can also be staged, like a telephone directory mirolt wanted to put it on, or what? no no, no, no, but it’s just obvious that the circumstances in my life were such that this twenty-four-hour journey of the main character, a stranger in this state and the irish, it obviously lay down on some events that happened to me personally, and then to lis - this is some kind of bottomless barrel, everything is there, all genres on earth are there, in my opinion, all languages, all movements in art, everything is there, but it happened, i usually

read any book there in the evening. i fought with ulysses for a week, so i thought, i pretended that i wrote a dramatization, brought together the demon of pyotr naumovich, our entire then not very large theater, it was 1998, and the theater appeared in what year, theater worker in 1993, then we were without premises, without anything, and i read it, which means it lasted hours 9, we broke there for lunch, dinner, re-enactment, yes, it was some kind of selection of material, everyone looked at me like that and said, maybe you will work again, very much, they somehow treat me delicately, i older, it died down for 10 years, then when we in 2008 the theater has already been built beautifully and very beautifully on the river, they have now specially built a pier for us so that people can come to us, and what’s very nice, suddenly in the morning pyotr naumovich called, he liked to call at 7 o’clock,

and he says one word: it’s time. and i realized that it was time, so i brought the staging to fruition, and then, then it was just pure pleasure, there were a lot of problems, but since the whole gang that worked with me was also, well, very determined to do this, well, we achieved something, then 10 years passed, but i for some reason it seemed then that this ulis was about us, there was some kind of bang we did 2 years ago, doctor zhivaga, well, doctor, by the way , he’s also terribly interesting. doctor zhivvaga is actually some kind of song, because i had such wonderful co-authors, and above all, vanya vakulenko, who played doctor zhivvag and olya bodrova, for whom this was her debut in our theater, i have the feeling that if i had gotten sick, nothing would have changed, they would have carried it through, they are both super-professionals, they are very sharp they feel that it was necessary to make a play about how a man, despite everything

around him, did not change himself, he remained himself, he remained an excellent doctor, he remained a citizen of the country, and after he left, it turned out that he is also an amazing poet, well, somehow, after ulysses, we did a lot of prose, somehow, well, not that it was easy, but it was clear when we, where we were striving, there was one big problem, this there was a pandemic, at times out of the 15 people who perform this play, there were four of me at the rehearsal, we... didn’t have money for the set then and we somehow built it ourselves, but the viewer, thank god, doesn’t notice, we had money for costumes, we made the costumes, but nevertheless less, i don’t want theaters to be deprived of funding, but it seems to me that if people are involved in theater, they will build a theater anywhere and from anything, lope has this aphorism, theater is three boards, two people,

one feeling, well this is for me... this is the formula, so, in general, it seems to me that if the topic of our podcast lab is really, that means theater and prose, it seems to me that it has been in the modern theater for a long time, and it is not necessary to stage a play, although i personally really love plays, because you don’t waste time on adaptation, on translating prose into language in the theater, it cuts the time in half rehearsals, and this somehow, well, half frees your head, it just seems to me that modern playwrights, i think it’s very difficult for them, because here is all the wonderful modern, russian modern drama, which i really follow, i’m there i don't know, i'm a fan witchcraft, very big, because i don’t understand how a person has been nurturing one theater for 30 years, while still managing

to produce amazing people every 4 years... the only thing i have, well, not exactly a complaint, i have a question modern drama is all so cool, it’s about pain and so on, but for some reason it’s all almost... in basements, this seems to me not very right, i’m still waiting for it to come out on the main stages of the country, it’s generally interesting , that partly the same can be said about modern prose, it is also about pain, about trauma and, in a sense, it also remains in the basements, although there are some very large, bright events, of course, come on, i don’t know whether you boasted about it or not, but i saw a performance in the youth theater based on your prose, and to be honest, i was amazed at the number of people and it seemed to me that the auditorium was actively breathing, there were a lot of young people watching that evening, no, for me, of course, this is also one of the most joyful events in my life, happy when you wrote a novel, you come to the theater,

and it so happened that i did not take part in the preparation of this performance, the staging was done by the wonderful young playwright polina babushkina, and i was only invited to this performance for mothers and fathers, that is, it was already some kind of general run-through, it was an absolute miracle , to see your heroes on stage, what they are like, how they play, i’m very glad that the play is on, it’s going on with success, it’s really all very cool, the premiere of the season, re-sing the star, november 6, on the first, this is the podcast life of the wonderful, with i am its leading writer alexey varlamov, my guest is the director , can you tell me anything about the golden mask? what do you think? oh, you know, i don’t fully know what all the fuss is about, i know that this is a useful phenomenon in our lives, i don’t really understand why some category of

modern dance or modern drama should be removed, how is this possible put away? in my opinion, in my opinion, this is nonsense, i want it to exist, so i was somehow very proud of the theater community, that’s when there were new ones there times, there were filmmakers divided, there were writers, i don’t know how many unions, so i was somehow very proud that we were united, and now there are some protest letters, this honestly upsets me very much, but i know that the golden mask brought enormous benefit to the province, in general i have a theory that if there is any next breakthrough in our theater, it will definitely be in the province, because i don’t know, in some lisossibirsk... there is one amazing theater, or i, for example, i’m proud of my king lear, but i delighted with the decision of king lehr, who made it in izhevsk, for example, i saw it on the golden mask, and to me the golden mask is a chance for provincial theaters,

well, well, not only for us , we have such a big country that you there’s no time, you drive all the time, but you still somehow planned it, probably, it can be improved, well, god willing, so that it exists, i... i’m afraid, because i don’t know very well, well, the main thing is that it exists, and that no nominations are removed, it seems to me that this would be right, i in general, it’s interesting, this is how it turns out, how many years does a performance live, what does it depend on, what influences it, a very easy answer, but here we wouldn’t film any performances at all, we have 60 people in the body, now i’m already off 47, 48, 49 performances in the repertoire, we have nowhere to store the scenery, but okay, this is somehow a solvable problem, and sobyanin built such a huge storage facility for all the theaters, this means it helped a little, not completely, thank you very much, but all the horror is that with

so many names, although we have four scenes, we are generally in chocolate, yes, our premiere is played four times, everything else is played once, and this is not, of course, this is wrong. i always give the example of kostya raikin, who has, i don’t remember, seven or eight titles on the big stage, and when a new performance arises, he always removes one performance, but with us, every time the removal of the glass is a tragedy, because all the performances are in saku, even those who are very many years old, well, yes, there is war and peace, firemen and family happiness, but i don’t understand how this is, yes, let them live forever, but in in general, but still, well, well, after all, somehow we shoot something, i like to shoot time, new ideas and new people, so well , my own performances, because i’m the boss and i have to set an example, but this is a very big

a problem, a very big one, a problem of all theaters, i don’t know about others, but i know about us, that i know that it’s not good that we have many long-lived performances, but if they are good, then what can be done, here in the world, after all, you probably follow the european theater there, the world theater, as far as everything... that’s why no, it’s completely different there system. it seems to me that there is some kind of more or less reasonable system in germany, because there is complete decentralization, and there, after all , well, they somehow exist in blocks, but to be honest, even in our country, if i were the most big boss, i would make sure that half of the theaters are repertory theaters, because this is really our achievement, but half should be free venues , because after all, we have a lot of almshouses, and i’m not sure that this is right, i don’t understand who should decide and regulate this, but i

i know for sure that we have a huge shortage of free venues where life would be more active than in repertory theaters, but if we talk about the economic component, in general the theater is unprofitable or can it make a profit, how does this all happen, no, only enterprise theater makes a profit, but that doesn’t happen, because let’s say literature in this sense lives on... as if it were more honest in its relations with the state, of course, we get some money there for festivals, for some... then, but overall the book, here you are how much you sell, how much you will receive royalty, royalties and so on , yes, that is, no such injections, especially if this book is not commissioned, but most books are still written simply because they are written, that is, in this sense, theaters and cinema is probably structured differently, the bolsheviks preserved the big theater, although there was no money then, they preserved, like so no, the theater,

well, this is a cultural phenomenon that, it seems to me, requires support, well, at least some, yes , if the theater is supported, it seems to me that this is speaks about the level of this state, it seems to me, despite all the shortcomings and horrors, and many say that there are many theaters in moscow and no one knows the number until now, but it seems to me that it’s great that you can go to moscow to the theater, and when you get on the metro there at 10:00 pm, a lot of people are coming with programs, well, that ’s great, very great, no, it seems to me that no matter how technology develops, it seems to me that any meeting with a living person a person, and not dating in search of a bride on the internet, it seems to me that the glastinki failed to disappear, they first disappeared, and then everything came back, there are such crazy people who spin them.

books, that's how many, it seems, yes, you can see it better on a computer, really, nothing , i think, as one writer said, you can put a kettle on a book, well, yes, probably, well, okay, thank you very much, evgeniy boritoch for this conversation, once again my best wishes to your wonderful theater, we’ll wait for the divine comedy, that’s it, i ’ll tell everyone everything, thank you, this was a life podcast wonderful, it was conducted by me, the writer alexey varlamov, and my guest was a wonderful theater director, evgeny borisovich komenkovich. watch all episodes of the podcast lab project on the website of the first channel 1tv.ruru.

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