it’s still inappropriate to repeat the series too often. we will start, of course, with the lada gold series, because where else to start. the picture about the all-gold bandit zhiguli, which are waiting in the wings for their lucky one in the outlying garages of the city of our automobile glory, talati, is similar in its madness to the story about the diamond hand, which is smuggled across our border in order to launder money for a quarter of the cost under the guise of treasure. and if you tell all this in a serious manner, all of this , of course, smacks of pure 999 idiocy, and of course, the authors need to warn in advance that everything they talk about is an utter blizzard, people who write annotations in this sense make a mistake, they do not warn about this, scaring away more or less serious viewers from the picture more or less imagine what the nineties looked like, and at the same time they do not have a greedy light in their eyes, because those who have... will accept any nonsense, and

the nineties have clearly already become the territory of fairy tales of a thousand and one nights, in which, with a certain tuning, still you can even believe that the times were crazy, and therefore the film represents stories flowing into each other, car mechanics, tire workers, parking lot security guards, some drinking aunts, the hero city of taglyatti, cities of course, heroes not of military glory. and the hero of gang wars, the division of gold assets, in general , our domestic klandike, which clearly corresponds with the title of the picture. according to the plot, the main bandit of the city, misha dasygin, is an important name because it is shortened to the bandit book midos, saying who i missed history lessons at school, we’ll tell him that king midos turned everything in the world into gold. dosygin must collect.

for a bribe to the central authorities in moscow, so that these authorities would finally remove the terminator cop vanka ogurtsov from the city, who is not taken by any weapons and can only be removed by promotion, however, nature takes its toll, midos melts down the entire common fund that he got in gold, builds an all -gold lada gold out of it, after which the heroic cop presses this lada gold, paints it in patrol colors and hides it somewhere on on the outskirts in some mossy distant garages of the city of togliati. when converting gold , the services of the criminal khan kasym from nearby kazakhstan and from the city of togliatti are 3 hours by car and 5 hours on horseback. accordingly, at some point on the same day, the main characters die; all the weight, all the golden, crazy weight, of the inheritance falls on their... senseless

grandchildren, who, like many young people today, dream of huge gold falling at them from the sky, their dreams come true, the grandson of the bandit arthur, in fulfillment romana ivdakimova, somewhere swollen in all sorts of resorts in the netherlands, but has absolutely no money, the cop’s grandson pasha, sits here, sells his grandfather’s awards and, in general, survives from bread to kvass, but really wants money, and at the same time, a gangster the mother was the daughter of mides, and the father, respectively, of the mentavi son was killed in kazakhstan, as for the police grandson, his mother once abandoned him to his grandfather, and the father of the police son was killed in kazakhstan, as the viewer will catch, the police son killed in kazakhstan was one and the same person, thus the two heroes are relatives to each other, even half -brothers, and must join forces in the pursuit of gold, which they are talking about until a couple of times.

they don’t know, but there are always grandmothers to tell , the cop grandmothers, as it happens, have merged into the fog, and the gangster grandmother occupies the post of head of the criminal police in the city of tagliati and in every possible way hides her long-standing relationship with the city’s chief thief, comrade midos, and also the resulting from this business a daughter, but what is important, producers, first of all, are fathers film company wednesday, and ivan samokhvalov, as well as the new troika of producers sokolovsky burets balashov who have joined them, understand perfectly well that you can’t stay with indian cinema for a long time, you can’t last eight episodes on this, we don’t have many fans of indian cinema in absolute terms, therefore, they begin to quote in their film all the trash cinema of the world, as does their great forerunner , the godfather quendin tarantino. accordingly, shootouts in the sands of kazakhstan with a view... on the alatau spur,

of course, go back to sergei’s spaghetti western leone, with shootouts in the canyon, a big dog, with views of the rocky mountains, black and white flashbacks to the youth of fathers, this very lada gold, are shrouded in such cigarette smoke and, of course, hint at a classic noir, and moreover, the eternal theme of noir is fatal a blonde who knocks down the trousers of a beautiful demobilization officer and forces him to do bad things, uh, in the role of the fatal blonde, she , in fact, is the grandmother of the main character , the head of the criminal police of the city and is played by linda lapensh, the most fatal of ours modern actresses, and, moreover, since she also wears colonel's shoulder straps, the charm of the fatal criminal blonde is especially beautiful.

well, finally, the main russian task is to take all the national wealth, melt them into something very shiny, very expensive, and then sell the money received to the west to use for national welfare and development, and not give it to any villains who would like to appropriate it . there was a film on this topic by the great russian director, oscar winner vladimir valentinovich minshov, shirley myrli, as everyone remembers, it revolved around a huge diamond the size of a horse's head, which was then used for national needs. and in exactly the same way , the great director and also oscar winner nikita sergeevich mikhalkov spoke on the same topic back in soviet times. we are talking about a film, one among strangers, a stranger among one’s own, where the whole plot revolves around a golden suitcase, which also had to be used for the needs of the nation, so vlad gold’s film very seriously goes back to national demand, for which we are all thanks to him the film is very good

rating, at the same time, since the main kazakh bandit kasym has a son, also, in general, the heir of everything, in his role oscar ilyasov, who thundered in the film , patient zero, also the daughter mentioned stasya miloslavskaya, and midos, in turn , has his heirs and henchmen bandits performed by the most important gangsters of our cinema, igor chernevich, danil vorabyov and roman polukhin, then you will have to figure out whose money is whose, who is whose grandchildren and who is related to each other in what way throughout the entire film, but you will never fully understand, as often happens in indian cinema, the centaurs of bandit-cops and bandit cops are always ready to remember the voice of the second blood and go over to the opposite side, which adds intrigue to the plot, and also love to start a relationship with someone else’s young lady, as long as it’s not his sister. a dozen screenwriters, which we usually have on a film, would not have pulled off

this picture at all, because they would have been categorically confused about the question of who is related to each other, so the script was written by one and only yegor chichkanov, known to everyone as the screenwriter and director of the hello again franchise, a very serious and wonderful film, and the director of the film was nikita vlasov , who filmed tv series in borinka, something is missing, also a very serious thing, and the producers, let me remind you, are the same tsicals and self-praises, who for a long time fed the most terrible horrors of our crime, and now with this picture they admit that everyone was deceived by four fists, all screwed up gangsters... they know the stories from the stories of car mechanics from some car washes in kazakhstan, where they washed their all-gold eared zaporozhets, received from the proceeds from the divorce of the same eared fraters, from the dirt. picture 10 out of 10 - absolutely wonderful evening. you are still

watching the burn with fire podcast, where i and host denis gorelov talk about the most current premieres of serial and theatrical productions of the current season. the next number in our program is the film centaur, this is a film about a taxi driver, directed by kiril kemnitz, which has a rather rare and memorable quality. surname, he clearly has a great future, but the producer of the film, ilyan aishuller, has an even rarer and even more memorable surname. of course, everyone who wrote about this picture remembered him, because today schuller is the only one. a director from russia who was successful in hollywood. konchalovsky doesn’t count; after all, he didn’t have any particular success there, more talk. nye schuller, in turn, due to the fact that he studied in an american school as a child and knows the language very well, released a film, of course, about russian

mafia, what else can a director from russia be given to make a movie about in hollywood, and this picture occupied the top spot at the american box office for several weeks. that is, the very top line, despite this, a man who had all the opportunities and full prospects in hollywood returned to russia to direct a movie here, that is , to produce, kemnitz directed it. and first of all, because our market is the most promising today, in fact, the return of naishuler is evidence of this, the money is here, solvent the demand is here, the lack of competition from hollywood is here and you need to stake out a platform for future possible successes as soon as possible, in my opinion, the first step has been taken, especially since hollywood, after all, is inclining russian directors, the naishulers, to work with the russian mafia , and here you can make a movie about

what your heart is in, and shullerd’s heart is in the following: and the crippled taxi driver yura borisov’s virtuosity only agrees to night shifts, because he doesn’t like people very much, there are quite a few of them at night, and he hangs out around the city , meets the bottom of the city, gives rides to various victims at night and reads them like an open book, it is clear that there is nothing special to read, at some point a doll sits down next to him... war paint in a wonderful performance by anastasia talyzina, he quite quickly understands her profession, yes, she doesn’t really hide it, but it’s clear that she has clients, he has clients, they understand each other , by and large, a little like this - the film tritopoli on the ivies is only at night, and of course, all film fans have already realized that the plot goes back to the great film martina scorsese, his best film taxi driver, nye schuller films taxi driver in russian with some deviations, and it is clear to everyone that

in russian it sounds, at least by ear, even better, to compare both taxi driver and taxi drive, there is even nothing to compare, it should, in turn, be noted that in 1977 , the most outstanding film by one of the very first american directors, scarcez, lost an oscar to the film rocky, a film based on a script by sylvester stallone and starring him, for such... a powerful psychopathological by and large, the thriller taxi driver lost to the first film in the category of sweaty meat, this is an epic failure of the american film academy comparable to the failure of the fifty-second year, when the main prize was won by the film a streetcar named desire, the prize for the leading female acting role was given to vivin lee for the film a streetcar named desire, prizes for supporting roles karl malden and kim hunter received for the film a streetcar of desire, the only person who did not receive for a streetcar... desire was nothing on the brondo, on which, in fact, the film a streetcar of desire was based.

such a comparable epic failure happened in 1977, it was a turning point year for american cinema and all world cinema, because - that year the film star wars was released, it was also nominated for an oscar only for special effects, and all producers, all film makers in the world felt completely it is clear that it is much more profitable to invest money in making films for stupid teenagers than for... intelligent adults, today films for stupid teenagers occupy approximately 95-97% of the world screen, so that apparently this situation is irreversible, the great russian philosopher sanyev, a month before his death in 2006, said that gadgetized humanity is irreversibly becoming stupid, scarcez would probably agree with this, in the nineties he made a documentary film traveling with martin from corseze through american cinema, therefore knows very well where american cinema began and where it has ended now. perhaps he

is still working in cinema until he is now eighty years old because there are no more adults left in americanography, except perhaps the ninety-three-year-old klintys is here, who also continues to work against the backdrop of the battle for the white house, between the eighty-year-old biden and the seventy-year-old trump, who, in turn, is carried to the top of his lungs by the hero of the film , a taxi driver, eighty-year-old robert deniro. such a senile landscape, in the film there is a play for two voices in one room in one taxi, of course, dialogues and some plot twists are of great importance, well, let’s assume in that twist of fate, also a picture for two voices, here the stage director has a huge responsibility mikhail zubko and he copes with her brilliantly, and despite the fact that in ordinary life he does not hesitate to work either with alexander... tsypkin, the director of a film about sex on the patriarch's ponds, or with anna

boginskaya with stories about how anna boginskaya achieved success in the city of moscow, such an indiscriminate all-rounder, but in the film centaur he shows everything he is capable of. after 20 minutes of talking and driving around the city, it suddenly turns out that some maniac is killing prostitutes in the city, and the main suspect is himself the main character of the picture. because he has already appeared more than once in the very places where murders took place, and at this moment serious people are leading him, and a girl from the escort appears. just a decoy, but not a police decoy, but a gangster decoy, pimps are also concerned about losses among prostitutes. it’s impossible to retell the events further, because it’s a spoiler, but i haven’t even retold half of it, there will be at least 100 more 180° turns, and as for the artist borisov, he’s ideal for the main

role, because he combines his radiant charm with the same very... dangerous protruding fangs, and everyone in the films clearly in real life is not entirely clear whether he is a maniac or not. once upon a time , the already mentioned marlon brondo acted and looked exactly the same, and even many years after his death, people do not understand whether he is crazy or not . i think that borisov will have the same wonderful fate. there is a concept, cultural cinema, which means not at all what a tv channel... it’s a cinematography in which the producers know their predecessors very well, very competently quote them very implicitly, complement them in some ways, a movie in which all the pauses are full, all the lines are in place, all the actors are doing their job, there are no random characters, perhaps there is only one

random one in the film, who turned up passenger, so that the viewer, having felt that all the guns are shooting, does not begin to calculate all the people who appear in the frame, what relation they have to further intrigue, but is very well calculated, targeting a variety of categories of viewers, while the picture is at first viewing, it looks like just a film about just a taxi driver who drives through moscow at night in a yellow premium car, as often happens in such cases, you even want to rewatch the film more than once in search of inconsistencies, some kind of seams. and so on, but - in general, you can rewatch it and not find these inconsistencies , simply because both the director and producer clearly watched this picture 20 times for the same purpose, and if there was anything, they still tweaked everything and brought it up in divine form, and there are six producers in the film, but nice schuller -

clearly the most serious figure, especially since, uh, the music for the film was written by his wife, daria cerrusha, and this clearly speaks of his... as a priority participation in the project, if we are already saddled with the automobile theme, then our next plot will be - absolutely the latest series alfa romeo, it really has nothing to do with cars, this is a great name, a series telling about an alpha male who falls in love with a feminist, she tames him, and accordingly they become romei with juliet from opposite clans, masculinists and feminists. the film belongs to the youth genre on the internet, it was immediately said that the youth genre means it completely sucks, in general you should listen to this, but the fact is that if today we try to entertain our youth, then they focus exclusively on the most feeble-minded; if they undertake to educate, then on the contrary, for the purpose tolerance depicts such a complex, so diverse, such

an incomprehensible world, which is completely impossible for even a nobel laureate to understand, and thus in the film as a sign of the diversity and diversity of the world there are even two titles at once, he has a good name alfa romeo and a good name tsitsgen, but the authors have not decided which of them is better, so the film goes under both at once. the resulting one, don’t push it, promotes such narratives as they say today. first, feminism is stupid by nature, full of all sorts of anglicisms, from abuse to body shaming, domestic violence cannot be done without feminists, you just need to tell them the magic word abuse, then the hair on the back of their necks stands on end and saliva begins to drip from their fangs. second, police dads who sit down on their children’s ears, they are, of course, terribly suffocating , but in cases where you need to get a child out of an article or give someone a hard time,

you can’t go anywhere without police dads, and they also send money, and if you collect all these diverse counter fell, then... the result will be the following: mixed style fighter anton - travels from the city of zhigulevsk to moscow to beat everyone and raise a little money from this. and the feminist dasha travels from the city of zhigulevsky to moscow in order to shame everyone, and attract a huge number of people to the blog on this raise some money. and they have a snack in their own reserved seat, after which anton beats everyone, and dasha beats him off on the pyron, but still they end up on... well, the same removable living area. dasha is a complete freak, but the playing actress kristina kucherenko looks like such a mature and experienced young lady that she has , for the sake of the whole thing... to dye her hair purple, but still nothing happens, because what she gets is a smart kristina in a stupid coloring, as for anton plays him

anton artemyev, he unravels all the dashins, jambs, but she doesn’t need any help from the alpha male, and she needs to make him look like an absolute macaque king kong on the blog, in order to, of course, attract millions of subscribers and set them all against bad, toxic and misogynistic men, i even learned the words. the territory with them is shared by the artist mark, performed by the eternal nerd of our youth cinema denis vlasenko and metrod telka. mark only draws naked men, but he’s not gay, but at the same time it’s no one’s business, although it’s very suspicious looks, especially for the pope, the police adviser to justice, who suspects something bad, for which we all unanimously and tolerantly condemn him. as for katya, she is of course not a whore, but if she is offered an open credit card with an unlimited account, then of course she will not refuse, but only for

ordinary traditional sex, which the owner of the credit card demands, these are not completely gay, not completely stupid and not completely women of low social responsibility, they begin to tell us how complex the world is, that we , in general, know without them, because we live world a little longer than their stuffy parents, it just so happens that i’m a little older than both the artist fyodor lavrov and the artist alexei makarov, who play stuffy police dads. all this together was organized by fifteen three exclamation points producers, i once thought that i would scratch the record for putting on a film of passion, where there were 10 producers, here there are 15, and you can imagine what they can produce if they all get together as a platoon and arrange the hubbub will begin to give mutually exclusive instructions to the one and only director, kurakhiv and to one single screenwriter, damir miftakhov, despite the fact that the director is the only screenwriter, the only one, it still seems that the resulting product is

such an old soviet game of nonsense, where 10 people take turns adding to the same text, as they said in the famous cartoon, the paws ache and the tail falls off, at first this picture is about how a fool re-educates a redneck, and the redneck in return shows her what the real world looks like, hee-hee, it all makes them terribly close, but because of their bad character they try to get closer to with all the other characters, and then they post it all online to get hype. towards the end, everyone unites against the sadist acting in the film in order to more clearly define its main moral, that feminism is good, but at the same time , the giggling movie turns into a political thriller with decapitated cats, a creepy moment, however, his camera they quickly remove it, in the middle some irrepressible joker comes into the picture on the darkest topics, who you want to give a shit about, but

nobody knows who, because there are 15 producers they are holding an all-round defense, the fact is that in our country there has been some completely inappropriate democratization of the concepts of lies, all the young donkeys have learned the words zashkvar, presenting, and being responsible for the bazaar, they pour it to the left, completely without delving into the meaning and believing that that they will never in their lives find themselves in places not so distant, where the meaning can be generally popularly explained to them, as a result, in the film at first, the alpha male hero has an open criminal sentence for serious bodily injury, for which else is a mixed fighter they can put a style in prison, they begin to convince him and tell him that cooney is not a bad guy, while such beliefs can, in places not so remote, lead straight to the bunk, which i wouldn’t wish on anyone, and as for the next episode, then again there is the same hero, they drug femme activists, throw them in

the area in women’s dresses and women’s makeup, for such things, in some places in our homeland they are required to put a fork in the eye, but you can’t wash it off anyway. as a result, the film turns out to be very funny, but on the other hand , mean-spirited in places, on the third hand fascinating, on the fourth hand, sometimes stupid, there is... three sexes and three drawings of nudity, but there is not a single naked body, because children are not allowed, there is a lot of swearing in the film, but everything beeps, because children are also not allowed , as a result, it turns out that you can study and discuss, because we have freedom, but at the same time nothing should be heard and nothing seen, because we have decency, as a result, one person online says that the film is absolutely wonderful, it’s all funny , a the other says that he turned it off on the fourth episode, both are right. ah, the producers who are responsible for this whole matter are the well-known ones, ilayan, shlipot, ratsuk, zhallinsky, but with the obligatory intervention of irina sosnova, but at the same time, sometimes reshok gets into the topic somewhere, and

somewhere producers bondreev and tkachenko, and i only mentioned this, only eight out of fifteen people, because the rest were executives, perhaps they did not interfere much, although this is not a fact. while watching the film, i was very tired of all of them, although i laughed twice. it's still the same podcast "mount by fire", where i and its host denis gorelov talk about the most current domestic, er, tv series and cinema premieres of the current season. next number. our program will be a film from 1993, a film by alexander veledinsky based on the novel by sergei shergunov. the film, of course, is about the most dramatic october events of 1993, complete, somewhat silly due to its abundance of symbolism. the fact is that the premiere of the film about the hot october took place at the oktyabr cinema, a five-minute walk from the epicenter events of the white house, and there was even

complete walking. not necessarily, because that night, and the whole next day, all over kalinevsky prospekt they were shooting just along the perimeter, starting from the novoarbatsk grocery store and ending with the globe on glussadovaya, and a little higher along the boulevard ring at midnight the military fought among themselves, also in general there was a lot of shooting near the station, although it was short, supplies were loaded up, but the metro was visible, the technical building was burning, on the one hand, on the creative side, a machine gunner was hitting thrusters... towards the raspberry grove, this it was at midnight, what happened there 3 hours before, it’s better just not to remember, although the film remembers exactly this, and if someone doesn’t get enough symbolism, then there was also such a novel, victor hugo , 1993, but it’s very consonant about how dark forces, and for some light, 4 years after the great french revolution , rebelled against the great french revolution, so that the devils would eat it, as others would say,

even more than 200 years later, shagunov, as a man in his early childhood events are untimely, but holding patriotic convictions, completely on the side of the rebels, like many of his peers, in particular zakhar prilepin , you know alshansky, about 10 years ago, then still very young sergei, asked me with other adult comrades how it was possible to be in this quarrel on yeltsin’s side, and their senior comrades wearily explained to them how they could be on the president’s side. sergei still stuck to his guns, but director veledinsky slightly changed the novel, made the hero more complex, more looking around and choosing a side, as, in fact, the majority of people living in russia at that time.

the hero of the film, former space engineer viktor bryantsev, who once left his traces on the dusty paths of distant planets by dipping his finger in red paint and pointing a dot at the word ussr on board the lunakhod flying straight there, carried out a downshift in the nineties, just like many in those years, and became a master of communications systems driving around the city in a yellow van with a red stripe, a yellow van with a red stripe 10 years later after ninety-three, he will become a symbol of the forces of good in the famous franchise. and timur bikmambev night watch and day watch, and what is very important. victor began to respond to the name vitek, to help his friends in solving difficult crossfords, his friends began to pour him drinks much more often, on the one hand for his cleverness, on the other hand, for the fact that such a serious person breaks in with us as hard workers, like everyone else. and evgeny tsyganov, who plays the main role , is ideal for the role, because of his

melancholy frostbite, sometimes. which bothered the audience in other roles, here fully corresponds to the character of the protagonist, and my friend, my colleague, mikhail drofimenkov, even said that this is tsyganov’s best role, just like the role of his wife, the best role of ekaterina velkova. and his wife lena works in the same service as a dispatcher , adheres to democratic views, and in her moods and views she most closely fits the definition of democrat, like many in those years, including me. daughter. they, like all children at this age, suffer from the fact that the family is poor and that they have never had who was not, so they love a bandit, a young fool like herself, who decided to die young, like many in those years, and victor travels by train home to the moscow region, smokes a lot in a jar, worries a lot about the world around him, and sometimes fights with the cops, sometimes something so

inarticulately separate torments you in the glasnost booth. there is complete bullshit going on all around , everyone remembers this, when in fact in our country at that time there was a big, great depression that happened. according to very many indicators, if - in the usa the drop in production was 45%, then ours is 54%, which means that more than half of the people were left without work, without any possibility of finding it, plus, money became candy wrappers from inflation, plus, unemployed young people went to bandits and gangster groups surrounded moscow in a complete military ring, which can also be seen in the film. alexander velyadinsky, the director of the film today... is perhaps the best screenwriter of russian prose, i say with all responsibility, not so long ago in the house rostov, where the writers' union headed by the same sergei shergunov lives, held a round table on film adaptations and after a long time finding out

who is really the most productive accurate film adaptation today, we suddenly really discovered that this person is alexander alekseevich veledinsky. he has already directed limonov’s film russian , alexei ivanov’s film the geographer globus drank away, zakhara prilepin’s series the abode, and now sergei shargunov, whose novel was very much re-written, it seems to me, for the better. valendinsky is a firmly family man, therefore, against the backdrop of popular thought, he promotes family thought with all his might. it has been noticed that people of libertarian beliefs always publicly swear... love for their wives, but at the same time actively cheat on them, there are simply no exceptions in my district, on the other hand, people of conservative views, on the contrary, believe that this is a wrong thing , not good, i must say that, well , in general, the question of loyalty to one’s faithful

also affects political views, just like in the movies, the girl of democratic beliefs, the wife of the protagonist lena. decides at some point to wag his liberal tail, but in the end he comes to the conclusion that this whole thing is useless, unnecessary, and victor, in turn, pretends that he didn’t even notice anything, thus peace in the family is restored and peace in the country, too, in some incomprehensible way , it is being restored, after 30 years, finally, as in general and always happens, the opposite sides are in some way ready to understand each other. and it’s good that it took only 30 years, and not 50 years, as with the previous civil war, after all, for the first time, the reds began to talk about the whites without gnashing their teeth, well, somewhere in the year sixty-eight or sixty-nine, 50 years

after the events, now everything, thank god, has changed, and many people from the opposite camps, now the closest friends, on the contrary, then like-minded people, enemies and agents, life goes on, ah, and, at the same time, very strongly, the final credits to all those who died in october, but it’s exactly right for the heart, because frankly speaking, i’m there too was there, teasing fate, it was running down my ears, not into my forehead anyhow, it was a podcast of woe by fire and i am its host denis gorelov with a story about the most current domestic premieres of serial and cinema production. yes.

hello, this is a podcast chronicling the end of times, my name is evgeniy dodolev and today i will tell you about one of the most demonized figures of soviet bohemia. we are talking about boris buryats. he said that he is. the son of a gypsy baron, but in general he was such a pantar, a lot of different crime stories were hung on him, there are publications, there are television series, there is a film incarnation, from which it follows that he is a villain, the lover of galina leonidovna brezhneva, a soviet princess, daughter of general secretary leonid ilevich obrezhnev. uh and supposedly boris - was responsible for the deaths of many actresses who collected diamonds, and he was a spotter and organizer of crimes, i very much doubt this, because

at one time i had the opportunity to familiarize myself with the materials of the criminal case, at the suggestion of telman kharenovichadlyan, with whom we worked, on books and publications about so called the uzbek case. he organized a meeting with boris for me, although, uh, according to the myth, by that time he was already... uh , dead, and his pursuers were the gypsy community of the soviet union, cursed, and there were rumors that all the troubles that happened with yuri mikhailovich churbanov, husband galina leonidovna brezhneva, and with many other characters, this was all a consequence of this gypsy curse, and the first time i saw boris was back in my student days - and this was in the oragve restaurant, he was

a bohemian star, as it turned out later, but i saw him in the company of some athletes , it was the national team of the soviet union, even now i can’t remember what sport, we had a student group there, and boris showed attention to one of the girls , who was in our company, there was some kind of conflict situation, we were forced... to leave, and boris then said that we would see each other again, she told me, i didn’t know who he was, after the fact, a waiter i knew, said that this is a very powerful man, lover of brezhneva, who got him a job at the bolshoi theater, and such a significant figure in the criminal world who could find someone there and somehow deal with it, i don’t believe it, i don’t believe in any of this, no, they were, of course

, are familiar with galina leonidovna, i don’t know how close they were, but he was such an interesting man, completely different from his television film incarnations, he gave the impression mainly of what is called presentation, that is, he dressed like in the soviet union didn't get dressed, that is some floor-length fur coats, uh, shirts, with these collars, hairy... a chest with a huge cross decorated with diamonds, that is, he attracted attention, and we finally saw him, many years later, in building of the general prosecutor's office of the soviet union, and his status - at the moment when we saw each other for the second and last time, was a prisoner, to be honest, i didn’t even recognize him, that is, telmanich warned me that there would be a meeting with boris buryatsov, because i was then working on a series of publications under the general name kremlingate about

brezhnev dynasty and simply asked to arrange this meeting with me, his term was already running out, but the fact is that he was in a camp, there he picked up some very exotic disease, something related to ticks that live in eyelashes, he lost his eyelashes, that is, his eyes looked very strange, without eyelashes at all, especially considering that his eyebrows remained the same, that is , such an appearance was very strange, and of course he evoked sympathy, he was completely depressed , there is a lot of it, i say that it was all sorts of crimes were hanged that he participated in the theft of uzoya fedorova’s diamonds, i remember that

the first issue, the cover was dedicated specifically to zoya fedorova , because it was a noisy case, and we, i mean when i say, we are a top secret team , because i was the first full-time employee of this publication, we worked on this case, there was not a word in the official documents about boris buryat, while there was rumor, and there were a lot of newspaper and magazine publications in the case materials, which in any case, they were provided to me for review by telman, the only thing that boris was charged with was article 154 of the criminal code of the russian federation, it’s simple.

there was speculation, it was large-scale, in my opinion, one of the episodes was about 11 yugoslav sheepskin coats , it was sold, but in principle, it was a prison sentence, but he was sentenced, he received 7 years, he received the sentence precisely for speculation, there were no no murders, no conspiracies of any kind, and for some reason it was believed that he should have gotten away with it, just like galina leonidovna. brezhnev, who was his or patroness or girlfriend, or i don’t know, he didn’t hold a candle to his mistress, for some reason he had to make excuses for him, as many said, and churbanov, the husband of galina leonidovna brezhneva, this is of course wildness, i naturally asked yuri mikhailovich about boris, he left this topic very irritably, that is, it is clear that he knew about his wife’s hobbies, but this was not, firstly

, galina leonidovna’s only hobby, and secondly, it was not a fact that she had any kind of romantic when i i say romantic, i mean bed character, maybe she just liked the company of interesting, undeniably interesting companions with a sense of humor with some common interests with yuri mikhailovich churbanov, i lived in the same house before he actually became that same churbanov’s husband brezhny , and i was actually a schoolboy, i lived in house number 23 on second novostankinskaya street, this is this house, this is a five-story building, what is called khrushchob, this is the second entrance where i lived, this is the entrance where i lived , yuri mikhailovich churbanov, why did i actually remember my neighbor, well, firstly, he lived in

the entrance where my friend, dima likhanov, lived , who later became a writer, at that moment he was also a schoolboy, and uh, the son of albert likhanov, writer, and uh, a friend of my father, who was also a soviet writer, but at this moment we are talking about, he was just a correspondent for the newspaper komsomolskaya pravda, it was called a komsomol village, because in these, in this house in the neighboring houses lived - people who somehow had relations with komsomol, my dad worked in komsomolskaya pravda, which was an organ of the central committee of young communists. and yuri mikhailovichnov, he worked at the central committee of the young communist league, head of some department there. and uh, the old women who were sitting there on these benches in this courtyard, they of course knew a lot, and about churbano, in particular, they knew that he was not entitled to the status of the black volga, which took him

every morning to work. no one knew that he was already there, he was admitted. family, the general secretary, in komsomol then they worked with the liver, they said that this meant that it was necessary was in order to make a career, it was necessary to drink very seriously, so yuri mikhailovich, this is not in any negative sense, i myself when i became a soviet journalist, i was in the komsovol publication, i went through this, that is, i i absolutely do not condemn a person who abused alcohol in the soviet union, because it was one of the main entertainments, let’s say so. yuri mikhailovich generally loved life, in this sense he was such a handsome man with a seaboard, and he probably also loved to work, since he made such a career, because

he made a career even before he met galina leonina brezhneva, by the way, again, when i was working on a book about the uzbek case, investigators from the ussr prosecutor general's office shared photographs with me and i used several of them in my book about churbanov about the brezhny dynasty, i put this one on the cover because well, here i just like him, i want to go there on this carpet in uzbekistan where there is fruit and everything is wonderful so we continue this podcast chronicle of the end times today we we are talking about people who were close to galina leonidovna brezhneva. now, of course, when i remember the circumstances, this matter of this case, and those episodes that were imputed to yuri churbanov, i understand that this is not the scale that can impress the current reader.