[000:00:00;00] which also continues to work against the backdrop of the battle for the white house between eighty-year-old biden and seventy-year-old trump, who in turn is carried to the top of his lungs by the hero of the film, taxi driver eighty-year-old robert denis, an absolutely senile landscape, in the film there is a play for two voices in one room in one taxi , of course, dialogues and some plot twists are of great importance, well... suppose in the same irony of fate there is also a picture with two voices, but here a huge responsibility lies screenwriter mikhail zubko, and he copes with it brilliantly, and despite the fact that in ordinary life he does not hesitate to work either with alexander tsypkin, with the director of a film about sex on the patriarch's ponds, or with anna boginskaya with stories about how anna boginskaya achieved success in the city of moscow, such an indiscriminate all-rounder, but in the film

the centaur... shows everything that he is capable of. after 20 minutes of talking and driving around the city, it suddenly turns out that some maniac is killing prostitutes in the city, and the main suspect is himself the main character of the film is performed by borisov, because he has already appeared more than once in precisely those places where murders took place, and at this moment he is being led by serious people, and the girl from the escort is just a decoy, but not a police decoy, but... a decoy , pimps are also concerned about losses among prostitutes, it’s impossible to retell the events further, because it’s a spoiler, but i haven’t even retold half of it, there will be at least 100 more 180° turns, and as for the artist borisov, he’s perfect suitable for the main role, because he combines his radiant charm with the same very dangerous protruding fangs

, everything... obviously in films in life it is not entirely clear whether he is a man or not, once upon a time it was exactly like that marlon brondo, who i already mentioned, acted and looked like, and even many years after his death people don’t understand whether he’s crazy or not, but i think that borisov will have the same wonderful fate, and there is a concept, cultural cinema, which means not at all that the tv channel is culture, but this is cinema, in which they know their predecessors very well, quote them very competently and very implicitly, complement them in some ways, a movie in which all the pauses are full, all the lines are in place, all the actors do their job and there are no random characters, perhaps there is only one random character in the film, a passenger who turned up, so that the viewer, having felt that all the guns were firing, would not begin

to calculate all the people who appeared in the frame, what relation they have to the further intrigue. very well designed, targeting a variety of audience categories, while upon initial viewing, the picture looks like just a film about a simple taxi driver driving around moscow at night in a yellow premium car. as often happens in such cases, you even want to rewatch the film more than once in search of inconsistencies, some kind of seam, and so on, but in general you can... look and not find these inconsistencies, simply because both the director and producer are completely clear we looked at this picture 20 times for the same purpose, and if anything happened, they still tweaked everything, brought it into divine shape, and there are six producers in the picture, but naishuler, clearly the most serious figure, especially since the music for the film was written by his wife, daria cerrusha, and this clearly speaks of his

priority participation in the project. if we are already saddled with the automotive theme, then our next plot will be the very recent series alfa romeo, it really has nothing to do with cars, this is a great name, a series telling about an alpha male who falls in love with a feminist, she steals him, and accordingly, they becomes romeo and juliet from opposing clans, masculinists and feminists. the film belongs to the youth genre, the network said. immediately the youth genre means complete crap, this in general should be listened to, but the fact is that if today we try to entertain young people, they focus exclusively on the most feeble-minded; if they undertake to educate, then on the contrary, for the sake of tolerance, they draw such a complex, such a diverse, such an incomprehensible world, which is completely impossible for even a nobel laureate to understand, and thus, in the film, as a sign

of the diversity and diversity of the world, there are even two names at once, it has has a good name alfa romeo and a good name zitsgen, but the authors have not decided which of them is better, so the film goes under both at once. the resulting one, don’t push it, promotes the kind of narratives they say today: first: feminism is stupid by nature, full of all sorts of anglicisms, from abuse to body shaming, but in cases of domestic violence you can’t do without feminists, you just need to tell them the magic word abuse, then their hair will stand up the back of the neck stands on end and saliva begins to drip from the fangs. second, police dads who they sit down on their children's ears, they are, of course, terrible smotherers, but in cases where you need to get a child out of an article or give someone a damn, you can't go anywhere without police dads, and they also send money, and if you collect all these

diverse counter fires, then the result will be the following: the mixed style fighter anton travels from the city of zhigulevsk to moscow to beat everyone and raise some money from this, and the feminist dasha travels from the city of zhigulevsk to moscow to shame everyone, attract a huge number of subscribers to the blog, not on this raise it a little money. and they have a bite to eat in their own reserved seat, after which anton beats everyone, and dasha beats him off on the pyron, but still they end up in the same rented accommodation area. and dasha is a real freak, but the playing actress kristina kucharenko looks like such a mature and experienced young lady that she has to, for the sake of general stupidity, dye her hair purple, but still nothing happens... it works, because it turns out to be a smart kristina in a stupid coloring book, and as for anton, plays him anton artemyev, he solves all of dasha’s problems, but she doesn’t need any help from the alpha male, and she needs

to make him out to be an absolute macaque king kong on the blog , and in order to, of course, lie down with millions of subscribers, set them all against bad toxic and mesogynistic men, i even say learned, the territory with them is shared by the artist mark, performed by the eternal nerd of our youth cinema denis vlasenko and mitordo tel katya. mark only draws naked men, but is not gay, but at the same time it’s no one’s business, although looks very suspicious, especially for the father of the police adviser to justice, who suspects something bad, for which we all unanimously and tolerantly condemn him. as for katya, of course she’s not a whore, but if they offer her an open credit card with an unlimited account, then she certainly won’t refuse, but only for ordinary traditional sex, which the owner of the credit card demands, these are not completely gay, not completely fools and not entirely

women of low social responsibility, they begin to tell us how complicated it is the world that we, in general, know without them, because we live in the world a little longer than their stuffy parents, it just so happens that i’m a little older than the artist fyodor lavrov and the artist alexey... who play stuffy police dads. all this together was organized by fifteen three exclamation points producers, i once thought that the record of putting on a film would be a passion for me, where there were 10 producers, here there are 15, and you can imagine what they can produce if they all get together as a platoon and arrange hubbub will begin to give mutually inclusive instructions to one and only director radik rakhimov and one and only screenwriter damir miftta. and despite the fact that there is only one director, and only one screenwriter, it still seems that the resulting product is an old soviet game of nonsense, where 10 people take turns adding to the same text, as they said in the famous cartoon

, the paws ache and the tail falls off, at first this picture is about how a fool rehabilitates a redneck, and the redneck in return shows her what the real world looks like, that's all hee hee, that's all brings them terribly close, but also because of their bad character, they try to get close to all the other characters, and then post it all on the network to get hype. towards the end, everyone unites against the sadist acting in the film in order to more clearly define its main moral, that feminism is good, but at the same time, the giggle movie turns into a political thriller with beheaded cats, a creepy moment, although his camera is fast... .are removed, in the middle of the picture some irrepressible joker comes into the picture on the darkest topics, to whom i want to give it to a pobalden, no one knows who, because there are 15 producers, all of them are holding

a perimeter defense. the fact is that in our country there has been some completely inappropriate democratization of the concepts of bullshit, all the young donkeys have learned the words zashkvar, presenting and answering for the bazaar, they sprinkle them from right to left, completely without delving into the meaning and believing that they have never lives will not end up in places not so distant, where the meaning can be generally popularly explained to them, as a result, in the film, first the hero is an alpha male who has... an open criminal sentence for serious bodily harm, for which else a mixed style fighter can be imprisoned, they begin to convince him and tell him that kuni is not a bad guy. at the same time, such beliefs can, in places not so remote, lead directly to the bunk, which i wouldn’t wish on anyone, and as for the next episode, there again the same hero is drugged by femme activists, abandoned in the area in a woman’s dress and in women’s makeup, for such... things in some places of our homeland it is necessary

to put a fork in the eye, you still can’t wash it off, as a result the film turns out to be very funny, but on the other hand it’s sneaky in places, on the third hand it’s fascinating, on the fourth side it’s sometimes stupid, there are three sex scenes and three drawings of nudity, but there isn’t a single naked body, because children aren’t allowed, there’s a lot of swearing in the film, but it all beeps , because children are also not allowed, as a result it turns out that it is possible to study and discuss, because we have freedom. yes, but at the same time nothing should be heard and nothing seen, because we have decency, as a result, one person on the network says that the film absolutely wonderful, all this is funny, and the other says that he turned it off on the fourth episode, both are right, and the producers are responsible for this whole matter, everyone knows, ilayan shlipot ratsuk, zhalinsky, but with the obligatory intervention of irina sosnova, but at the same time sometimes somewhere- then andrei tereshok gets into the topic, and somewhere producers bondreev and tkachenko and i only mentioned this to only eight people out of fifteen, because

the rest of the executives, perhaps they did not interfere much, although this is not a fact, for watching the film i from all of them very much i’m tired, although i laughed twice, this is still the same grief with fire podcast, where i and its host denis gorelov talk about the most relevant domestic, tv series and cinema premieres of the current season. the next number on our program will be the film 1993, a film by alexander veledinsky based on the novel by sergei shargunov. the film, of course about the most dramatic october events of 1993, is complete and somewhat silly due to its abundance of symbolism. the fact is that the premiere of a film about a hot october took place in the oktyabr cinema, a five-minute walk from the epicenter of events in the white house, why it was not even necessary to go, because that night, and the entire next day, they were shooting all over kalinevsky prospekt just along

the perimeter, starting from the novoarbatsky grocery store and ending with the globe on glussadovaya, and a little higher along the boulevard ring at midnight the military fought among themselves, in general there was also a lot of shooting near the station, albeit briefly, the supplies were stashed away, but you could see the dnh metro station. burnt the technical building, on the one hand, from the creative side, the machine gunner hit the tracers towards the malian grove, it was at midnight , something happened 3 hours before, it’s better just not to remember, although the film remembers exactly this, and if someone symbolizes lacks, there was also such a novel, victor hugo, 1993, very consonant, about how dark forces, and for some light, 4 years after the great french revolution, rebelled against the great french revolution so that the devils would eat it as they said

would be different, even more than 200 years later. shargunov, as a person who was too young to react to events, but who adheres to patriotic convictions, is completely on the side of the rebels, like many of his peers, in particular zakhar prilepin and mitya alshansky, about 10 years ago, then still very young sergei, questioned me with others adult comrades, how it was possible to be on yeltsin’s side in this quarrel, and their older comrades wearily explained to them how it was possible to be on the presidential side, remained with his own, but director veledinsky slightly altered the novel, made the hero more complex, more looking around and choosing a side , as, in fact, the majority of people living in russia at that time , the hero of the film is former space engineer viktor bryantsev, who once left his traces on the dusty paths of distant planets that he dipped his finger in red paint... and pointed a dot at the word ussr

on board the lunakhod flying straight there, in the nineties he carried out a downshift, like many in those years, and became a master of communication systems traveling around to the city on a yellow van with a red stripe, a yellow van with a red stripe, 10 years later, after ninety-three, will become a symbol of the forces of good in the famous franchise of sergei lukyanenko and timor bekmambetov, night watch and day watch. and what is very important. victor began to respond to the name vitek and help his friends solve difficult crossfords. his friends began to pour him drinks much more often, on the one hand, zaumishe, and on the other. for being such a serious person, he breaks in with us as hard workers, like everyone else. aa playing the main role evgeniy tsyganov he is perfect for the role because of his melancholic frostbite, which sometimes bothered audiences in other roles. this completely corresponds to the character of the main character, and

my friend and colleague, mikhail drofimenkov, even said that this is tsyganov’s best role, just like the role of his wife, the best role of ekaterina velkova. and the wife. works in the same service as a dispatcher, adheres to democratic views, and in his moods and views best fits the definition of a democrat, like many in those years, including me and my daughter sixteen-year-old, like all children at this age, suffers that the family is poor and that she has never been with anyone, so she loves a bandit who is as young as durolom, like herself, who decided to die young, like many in those days years, victor travels by train home to the moscow region, smokes a lot in a jar, worries a lot about the world around him, and sometimes fights with the cops, sometimes something inarticulately torments him in the glasnost booth, the most complete bullshit happens around him, everyone remembers this when in fact

at that time, our country experienced a great great depression, which surpassed the american one in many respects; if in the usa the decline in production was 45%, then in our country it was 54%. this means that more than half of the people were left without work, without any possibility of finding one. plus, money became candy wrappers from inflation, plus, unemployed young people became bandits and gangster groups surrounded moscow in a complete military ring, which can also be seen in the film. alexander veledinsky, the director of the film today is, perhaps the best. russian prose, i say with all responsibility, not so long ago in the house of rostov, where the writers ' union headed by the same sergei shergunov lives, we held a round table on film adaptations and spent a long time finding out who is really the most productive and

accurate film adaptation today, we suddenly they actually discovered that this person was alexander alekseevich velyadinsky, he had already directed limonov’s film russian. and alexei ivanov and the film geographer globus drank away, and zakhara prilepin’s tv series abode, now sergei shargunov, whose novel was very much rewritten, it seems to me for the better. valendinsky is a strong family man, therefore , against the backdrop of popular thought, he promotes family thought with all his might. and it has been noticed that people of libertarian beliefs always publicly swear their love for their wives, but at the same time actively cheat on them. in my district there are simply no exceptions, on the other hand, people of conservative views, on the contrary, believe that this matter is wrong, not good, i must say that, well, in general, the question of loyalty

to one’s faithful also affects political views, just like in the movies, a girl of democratic convictions, the wife of the main character lena, decides at some point to wave her liberal tail, in the end she comes to the conclusion that this whole thing is useless, unnecessary, and victor, in turn, pretends that didn’t even notice anything, thus, peace in the family is being restored, and peace in the country is also being restored in some incomprehensible way, after 30 years, finally, as in general and always happens, the opposite sides are in some way ready to understand each other friend, and it's good that it took only 30 years, and not... 50 years, as with the previous civil war , after all, for the first time, the reds began to talk about the whites without gnashing teeth somewhere in the year sixty-eight or sixty-nine, 50 years

after the events, now everything, thank you, god, has changed, and many people from the opposite camp are now the closest friends, on the contrary, like-minded people at that time, enemies, foreign agents, life goes on, and the final credit is very much to the heart of all those who died in october, because frankly, and i was there i teased fate, it flowed in my ears, it didn’t hit me in the forehead, it was a podcast of mount with fire and i am its host, denis gorelov, with a story about the most current domestic premieres of serial and cinema production. watch the podcast precious history, i am its host ekaterina varkan and today our guest is the people's artist of the russian federation, sergei petrovich

nikonenko, but besides the fact that our favorite actor is wonderful, he is also a big admirer of sergei aleksanrovich yeseninan, put great effort into preserving him memory, and i know sergei petrovich, you are a lot once we were in konstantinov and i was too, i remember how i was there as a little girl, i came there for the first time, my parents brought me, all the girls love yesenin, so i come out to this shore, beautiful, i see aku , i understand why he wrote such poetry, only there it was possible, strictly speaking, to write such poetry, this air, this is how hands are made, a very beautiful, magnificent place, you know, i first came to konstantinovo during the filming of a film about yeseniin, and when i arrived, i was so went out for a walk, went out for... and

there it’s just starting to meet me, a boy of about 10-11 years old rises up with a broken face bleeding, simply right there in front of my eyes i remember meeting a frightened mother, i muttered through a bloody mouth nothing, i tripped over a stone, everything will heal by tomorrow, i asked him, boy, are you why did you hit yourself like that and decide to ride your bike down this steep slope, but it’s simply impossible , it’s so cool there, this steep slope is so incredible, well, this is the first impression, and of course, this open space, which is probably right there and gave birth to lines from sergei alexandrovich, goy , my dear russia, huts in the robes of the image, no end in sight, only the blue sucks the eyes, well, there you go. we went there many times, once there was a wonderful incident, we went there with andrei geogrevich bitov, and he sat down near

the church, you are familiar with the pebble, he sits, meditates also, yes, 5 minutes pass 10, he still sits, 40 minutes pass , something happened, we come up, touch him so carefully, and he looks up and says: this is how you wake up as an elementary school teacher in konstantinov, he says, and then we. let's go have tea at the house of the landowner kashna, which has now become the anna snegina literary museum - this is one of the first museums of literary characters in russia and met the main curator of konstantinov, lidia alekseevna arkhipova, so we sat on the balcony in the museum, so, this is just the anna snegina museum, the former estate of kashina, so we sat and talked, and our friends, actors, were there too, and there weren’t enough

stools to read poetry, because everyone wanted to say so, to get into it and something like that about russia, having understood here , well, we’re having a conversation, it means we’re having a cup of tea, and lydia alekseevna suddenly says to us: do you remember this story, that there was some- that ring that the empress gave to sergei alexandrovich, we say, but we remember in our memories a ring with an emerald, which means, well, like, so what, no one saw it, no one heard it, she says, here it is, the legend becomes reality, there is a ring, we say how this can’t happen, in great amazement, well, actually the story is like this this ring, so to speak, let’s start with the first world war, but the first world war began in the fourteenth year, everyone began to be called up to the front in the sixteenth year yesenin was called up, but in this way, with the help of defenders, assistants and so on, he did not get to the front on the front line

, thanks to rasputin, well, thanks to various well -wishers, so to speak, mainly raspotin, he served as an orderly in the tsarsko-selo military sanitary train 143, her imperial majesty, empress, empress alexandra fedonna, in the same in the sixteenth year, it is known that he went to the marfmarinsky monastery, which was to visit elizabeth. feodorovna and there he also received expensive gifts from her, the gospel from the library, the icon of sergegi radnizhsky, who these memorials are now kept in the museum, we know, yes, and we saw them when we visited there, so to speak, this icon and this in the sixteenth year, on the name day of maria feodorovna of the dowager empress and grand duchess maria nikolaevna, a concert was organized in the town where the infirmary was located, at which there was such say, yesenin is credited, and yesenin was invited there, along with other famous

people, to perform at this concert. so he read poetry, read his russia, maybe some fragment, sergei petrovich, do you remember from the repertoire that sergei alexandrovich read then? well, he could have already read the same poems that he read to the block, let’s say, play the talyanochka, raspberry mikha, come out to meet the cokolitsa, the beauty of the groom, the heart glows with cornflowers, the turquoise burns in it, i play the talyanochka about the blue ones eyes, and this, or it smells like loose, masturbated food, there is kvass in the pot at the doorstep, two lines, and it’s already clear what wonderful food the peasants had, masturbation is very tasty food, i often visited

the village as a child, every morning, this lard, potatoes, onions. and many, many broken eggs, not eggs, but an omelet with milk, mixed eggs were poured in, this was masturbated, also with kvass, yes, what are you talking about, well, but sergei alexandrovich’s memories relate to the poem rus, and he noticed, that the empress, after reading these poems, told him that, sad poems very beautiful, but sad, i told her that our whole russia is like that. and for this performance, which made a strong impression, yesenin was granted a gold watch by the empress, alexandra fedorovna, but the gold watch did not reach him, according to the version, it remained in the pocket of a certain colonel loman, who was then the commandant of the infirmary in the fedorovsky town, but the ring with emerald , which was also awarded, still reached him, he

received it, it’s interesting that there was actually such a tradition, for some merit, a figure culture, namely persney, yes, for example, there, karamzin received a ring for the history of the russian state, gnedich for translating the iliad, which means zhukovsky, for all the merits and upbringing of the tsarevich, yes, these rings, by the way, they were entered into the official’s form and were considered a separate award , and empresses gave simpler rings. not with diamonds, but with simpler stones, a simple stone, yes, but in any case , so to speak, one way or another, yusei had a ring, but no one had ever seen him, and he somehow didn’t talk about it , maybe in soviet times there was no need to advertise, so to speak, imperial gifts, maybe so, but i have a feeling that he didn’t really like

jewelry, at least not in any of the photographs... no, rings, yes, he had a butterfly, a top hat , with a pipe he is, with a cigarette he is, and such things, they are usually, if you love, yes, then you are somehow trying to show, yes, here i should say a few words, on july 17 , 1916, when yesen was , served in the hospital as a nurse, this commandant loman called him and said: “come to us again the tsar's daughters, sisters of mercy, come to work, they should be greeted with welcoming verses, sit down, write. yessein wrote, in my opinion, these poems are simply prophetic and when they arrived on the twenty-second of july, note july 17 - this is a difficult

day, exactly 2 years later, day after day on the night of 17. they will not be brutally murdered in the basement of epatievsky houses in the city of yekaterinburg, here they arrived, four slender, thin in white clothes, well, birches, birches, and he greets with a welcoming poem, crimson in the glow, the sunset, whispering penin, white birches, burning in their crowns, my verse greets the meekness of young princesses, with youth in their tender hearts, where those not pale and sorrowful torments, and not to the one who went to suffer for us, are extended royal hands, blessing their future hour of life, on a white bed, in the bright glare of light, the one whose life they want to return is sobbing, the walls of the infirmary tremble, with

pity that their chest is tight. an irresistible hand pulls them closer and closer to where death puts its seal on the forehead. oh, pray, holy one. magdalene for their fate. you are watching a podcast precious stories. i am its host ekaterina varkan. people's artist sergei petrovich nikanenko supports me today. and we are talking about sergei senin and the interesting things that accompanied his life. we continue our conversation about the ring, here is ledia alekseevna. we are all sitting, drinking tea on the balcony, so she says, can you imagine, a few years ago, well , when this museum of anna snegina was already being organized, news suddenly appeared

that not far from konstantinov there was, so say, this is the ring, i brought this ring second cousin, maria konotopova, yesenin’s second cousin, and said that in the twenty-fourth year yesenin came to... went for a walk in the klepik, introduced himself, so to speak, in full glory and passed by the village of kobylinko, where maria lived, it turned out that maria was getting married, he didn’t have a gift, and he gave her this ring as a gift, he didn’t know how to be generous, but on the other hand, he could get rid of it, because it’s impossible to wear, impossible to show, you know, but with the royal right hand, yes, uh, we did photograph of this ring, that is, this is practically the first photograph, amateur, not very good quality, but it’s just on those pianos, and that means

an examination was carried out there, naturally, there is the coat of arms of the royal family, the crown, the royal, well, the imperial master, but unfortunately, the emerald turned out to be chrysoprase, but for us this is a ring, so to speak, well, okay, yes, well, no. such an expensive stone, yes, but for us this has absolutely no meaning, because what matters is the very fact of acquiring it with memorial thing, it was amazing in yesenin’s hands, yes, so maybe he carried it in his pocket along with a fig, you know, my god, my god, in fact, this cabochon cut, round, is usually not made very high-quality stones to hide the cracks, so maybe, so to speak, they immediately determined whether it was an emerald or chorisoprase, but the examination determined, everything was confirmed, so, in fact, maria ivanovna lived a long life, and in

ninety-three she came to the museum and offered this ring to the museum, and some collectors found out and offered money, but she said that she still wanted this thing to be in the museum, she sold it for some ridiculous money, as they told me then, two or three kilograms sterlidi price, well, even now sterlid is more expensive, but in principle it would be enough for you and me to dig into our pockets, but time has still preserved technical progress, preserved for us another such miracle, but besides, so to speak, some that are convenient for us - then those who dared made recordings of their voices at the beginning twentieth. century, who dared to take a photograph in the middle of the 19th century, yes , yes, that’s it, but in fact, yesenin still made several recordings, we know with you, yes, my

favorite recording is the monologue of the flapper from pugachev’s poem, and we are now we have the opportunity to listen to sergei alexandrovich’s replenishment, it makes a strong impression, i warn viewers who haven’t heard, yes. mad bloody, what are you, death or healing rings, lead me, lead me to him, i want to see this man, i have been for 3 days, out of three at night i was looking for your gun, the clouds of the north.

fell out in a pile of stones, thank him, he’s not even peter, the mob loves everything, rampage is prowess, i ’ve been for three days and three nights, wandered along the paths, clanced my luck with my eyes, now i’m grabbing my hair like straw , and i’ve even wrapped it in flails, that an embittered heart will never get lost, this head of neck is not easy to shake. orenburg halls, red -haired camels, enlightened ralyalos, not a mouthful of milk, cold, clumsy, with them through the darkness, i pressed them like bread with an exhausted eyelid, lead me, lead me to

him, i want to see this. it’s absolutely amazing, it’s so dissonant with his appearance, so angelic, yes, when i first heard his voice, i even had his voice, well, somehow i imagined it was a little different, yes, it’s an absolutely amazing impression, so i noticed about myself, maybe you will agree with me that when you meet the greats, yes, you somehow get closer to them, it’s very contagious, and you fall into some kind of addiction, then suddenly you... your idol, tirelessly and without you can stop, that's what i mean starred in the film, played yesenin, and after that, it means there was no end to your work , you decided to organize a museum, you did it, and you are still doing it all, tirelessly, that is, this is some kind of contagious

disease, tell us , that means on the old one. the museum is located in the house, in the apartment where he lived, with his first, actual civil , as we say, wife anna izryadnova, tell me a few words, the apartment where he lived in a communal apartment, house 44, according to this vrashka in apartment 14, the whole house was given employees of sytin's printing house, and there in all apartments. even in the twenty-first apartment, as i found out, there lived a friend of yesenin, to whom he came, i should say there, i was already familiar with these descendants, and when i arrived, he said, yes, here is the table at which yesenin sat with my dad , this table is with me today, you immediately took it under your arm, of course, how could i step away from this table, i have it... here it is in

anna roman’s room, this table is worth a fair amount, well, this is it, but i would maybe ekaterina yurievna did not take up the creation of the museum, therefore, i was inspired by another idea that alexander pushkin lived in this courtyard at different times, andrei bely was born there , came to moscow, stayed, lived for a long time, alexander blok barbat 51 house, uh, lived there in the same place: in the courtyard and vladimir solovyov was such a mystic poet, so i took it, although they warned me, they say you will lose your health, but nothing will work out, the means, i know, i didn’t lose everything, it worked out, in my opinion, i know that you brought us an interesting thing, an incredible precious relic, this a postcard, which is a copy, a photocopy from that postcard, because

a year ago i donated the original to the yesenensky nature reserve in the village of konstantinova, this is the fifteenth year and it was sent from the village of kuzminskoye, and kuzminskaya is simply a continuation of the village of konstantinova, this is what one long, large village, from there, here is the stamp, kuzminskaya, he sends it to the volunteer sasha, who worked in a magazine for everyone, it was called a magazine for everyone, that’s what it says here, it’s written here, dear sashka, i would flog you by your hair, yes, you won’t get it, why did you promise to write a letter, but you just hunkered down, it’s not good, brother, every day i go to meadows in the ravine, i play

livinka, the other day they beat me, it’s great. i almost broke my head, you know, i put an axal basque on the headman, and one of them sang and hummed it at night, the sotskys grabbed me and , well, drag me, i’ll get them all anyway, i ’ll catch them, they broke my shower, now hold on, there’s a recruit for me , and the men are afraid of us, dear sashka, write quickly, and bow to anna karlovna, anna karlovna was the editor this magazine is for everyone, take my detractors as an example, they won’t give us half a ruble for poetry, or if they didn’t, they didn’t go around and fight like chicks, this is very petty here, petty. finely attributed, of course, i valued this postcard very much, but i couldn’t keep it with me, because it still had to return to where it was sent from, so i not only don’t regret it, i’m very glad that

it will now be preserved there, sergei petrovich , well, after all, you also have family things there, as museum workers say, that is, things that belonged to the hero, so i know that there are razor, right? this is where it all started, this is the ninety-fifth, the photography is also amateurish, two small pencil cases for dangerous razors, there were this razor, but there was also a soap dish, there was also the same thing, there were several objects, i found out, it was ninety-five years that there was a yasenin razor in st. petersburg, i don’t know anything else, like... i haven’t heard, no one has heard, one artist says, you know, i think they showed it on tv, the circle is already narrowing, i’m on st. petersburg television, and they say, yes it was

this, they showed who it was, he says, boris nikifor kravchenko came and brought it, this one showed this shaving device on tv, they gave it to me. boris, he says, but he has already passed away, he is no longer there, whoever speaks, says, this is his son, stanislav borisovich , borievich, you kept the razor with which your dad appeared on television, he says, yes, well, let’s get acquainted, come, and i came with the performance, come to the performance, he watched the performance, the next day we met, and when i came to their house, to stanislav borisovich. even the people's artist of the ussr, with whom nikolai alekseevich klyuev was very well acquainted, and in general this living room reminded me of a room that

was dedicated to the poet klyuev, nikolai alekseevich, here he is depicted on the right with whom he became friends, one of the first, at first . there was a bloc, the bloc gave yeseinin to gorodetsky, and yesein, and gorodetsky had already met klyuev, him, they even performed together, but then their paths quickly diverged, although khlyuev believed that he raised yesenin, no, this is not true, yasen, his individual way, as with these, with the buddhists, like a rhinoceros, he went his own way, did not replace anyone, with him. if he needed to take something better, he, he took it and quite quickly, like a sponge, he absorbed it, from these same emojiists, who, in general, were not very good for him, a single geneis, a single glory, such individuality,

such, well it’s no coincidence that the block, when they say, today i have a guy from ryazan, the poems are fresh, vociferous, verbose, he put a full stop and wrote the most precious word for a poet: language, that’s it, the poet is accomplished, he has his own language, his own world, his own figurative structure , if you want, this is what sergei aleksandrovich yesenin was, well, in fact, as far as i understand, he gave this device to klyuevva, and even in the twenty -fourth year, when we met, to talk, what are you saying, you’re playing the fool, kolya, how... what a city of kitish, russia is bleeding, and you’re still looking for some, you know, you should have completely different tasks there, what are you writing about, give up your old believers, choose a beard, handed it to him, at the same time handed it to him , since this is written

in their newspaper, they also published what i i saw that in this family they respect the klyuevs very much, and even on the suitcase in which... they put this shaving device for me, yesenin klyuev, it is written on copper plates like these, not tablets, they are, of course, metal plates, and also a very beautiful crystal glass , it was a gift to me, a woman brought a crystal glass, she came to my museum, she looked, i gave a tour, showed her everything, so she says, but i didn’t come to you empty-handed, you know, to my father ilya ilyichneder... gave this glass from a cookie box - well, laid in the cloth, she brought this glass on the koto on the lid of this - a box from...' pasted on a sheet of paper and the hand of ilya ilvich schneider, the director of the school, asidora