unfailing sense of humor brazilians like to quote charles dgaulle, who said brazil is not a serious country. indeed, only here was such a long-term collective madness possible, the name of which was the brazilian carnivalopeans, africans and indians, therefore, it probably represents a model for brazil as a whole. in it, as if in a prism, national specificity was concentrated. literally permeated through and through with the festive element, the life of brazil is devoid of half-tones, everything exists in abundance,

incredible natural abundance and endless droughts, enormous vital energy , passivity in the face of the impossibility of solving numerous problems. brazilians do not know how to indulge in pessimism for long, because in their country there is a carnival, in which brazil is renewed, drawing strength for a new annual cycle. carnival is a holiday that is always mentioned when talking about brazil. they say that brazil is football and carnival. these two points that characterize brazil are very important to us. in fact, a native brazilian sport, just like carnival was originally was not a brazilian holiday, but both became part of our culture in a very organic and natural way. we can say that football has turned into a special kind of national sport, the same thing, to an even greater extent.

literally everything, so, for example, it is no coincidence that the president of the republic, finding himself at a carnival, gets into a scandalous story, because it is a carnival.

special optimism, thus, for brazil , carnival is more than a holiday, it is part of its essence. there are many versions explaining why carnival is so popular in brazil , on the one hand, brazilians like to extend the holidays as much as possible, and the real carnival holiday is only one day, but brazilians

start having fun already in the previous week and cannot stop. indeed, it is difficult to imagine that people at this time could be forced to work, but the point is not only that, during the times of the empire, as well as the republic and dictatorship, there was a strong state in brazil, this is the time when laws and prohibitions are abolished, and anarchy sets in and nothing prevents brazilians from freeing themselves from everything that has been suppressed throughout the year, this is the main success of our carnival.

até as margens do sena mojar a dança solene as maravilhas já renascendo como uma festa brasileira que zoeira hoje tem batungue na cor de noite noite inteira novo mundo mostrar sem brincadeira que tueira e na corte de noite inteira novo mundo mostrar para o mundo inteiro o carnaval brasileiro como na cose dos engaranado esse cena outra vez que assim

assim oh e assim festa continua tão minha quanto tua nesse delírio tropical o desse branco é razão da minha vida nessa mulher eu vou eu vou vou embalar eu com todos sab pois ou embalar vou embala eu embala eu que nesta festa eu também vou eu vou eu vou embala eu com todos os samuris e agoou é uma festa para carnival is the biggest folk festival in the world, everyone gives themselves over to the carnival fun, there are no social differences in the carnival. i love the carnival in rio. carnival is a holiday of fun. people live in anticipation of the carnival for a whole year. he forgets about everyone

problems. yes, that’s right, it’s an explosion of joy when all the negative energy is thrown out. i love carnival, people have fun, it’s amazing, amazing, historians are still arguing about the time of the appearance of carnival in a new world, but it is reliably known. by the way, there is still no single version that explains the origin of the word

carnival itself, whether it has its origins from the latin carus navales, literally chariot ship, or related to the latin livara leave meat, the beginning of modern carnival took shape only in the twenties of our century, it was then that the first carnival associations appeared, which later became known as sanda schools. for a long time, it never occurred to anyone that the carnival could be turned into a profitable one. idea of ​​selling a carnival. the carnival that you now see in rio no longer has that original purity and simplicity that is characteristic of genuine folk

art. carnival today is turning into a huge enterprise, when millions and millions, tens of millions, thus from true carnival remains. the rest turns into a huge performance, accompanied by a real advertising war; beer magnates and television are fighting for advertising and the opportunity to make a profit; this has led to a noticeable standardization of samba schools. or, more precisely, a competitive school parade. because samba schools are not just always in the courtyards, a living constant. so much money that it tends to level out the samba schools, and although the results won't show it, in reality, the difference between schools is so

is small, which makes it very difficult to determine the best; they have no less rights to it than the winner. ultimately, a carnival is a competition, or more precisely, a carnival parade of samba schools is.

is also a way to create a special excitement: competition generates enthusiasm, so schools invest enormous energy, strength, enthusiasm, the desire to win, get top points, for the best costume, for the best plot development, to become better in every criterion. schools are judged on ten criteria: ceremony, standard bearer, orchestra, plot, samba, plot development, harmony, ensemble, costumes, allegorical chariot decorations, individual points are given for all these criteria and then added up to determine the best school. so. exists, they dance samba because they want to win, get the crown, first place,

the highest title, get on the podium. salgueiro, contagiando sacudindo essa cidade , embora salgueiro, balança, lança, chegou a hora do salgueiro sacudir, sacudir, deixar essa cidade louca, com água na boca, na sapuca e vai, balança, oi, balança, chegou a hora do salgueiro sacudir, deixar essa cidade louca, com água na boca, na sapuca aí , oh meu rio, meu rio que é um rio de alegria oi, transborda de felicidade e vem mostrar, vem mostrar as tradições, o jeitinho dessa gente

da coroa real, sua beleza, seus pestejos e encantos, germinou nos quatro cantos, sementes de amor oba, de lá para cá, o rio se glorificou, virou mar de poesia, bate forte coração, sou carioca salgueire, rio cidade maravilhosa, já cantava em verso prosa, cartão postal no meu brasil, rio da mulata e do pagode, futebol esamba forte, como explode o coração, tá na boca do fofão , num abraço te envolver, ri és razão do meu viver, oi balança, balança, oi balança, chegou a hora dos salgueiro, saco de balança, foi balan ça

, chegou a hora do solgueiro, carnaval, he becomes a prince, he stands on top of a carnival car in a stunning suit , hundreds of thousands of eyes are directed at him, a successful bank employee gets out of a classic suit, and together with him sheds the stresses and complexes that torment him. this utopia continues for several days, but they are waiting for her. the power of the king of carnival is the happiest in the world, because you don’t buy

this happiness, you can share it with other people , happy is the king who sees his subjects as cheerful as during the carnival in rio denero, carnival is a contradictory phenomenon, because life is so complicated , we have no reason to celebrate at all, but suddenly carnival comes, it has such power that people forget all theories, samba, i agree with those who say that carnival is opium. fine, that we have such a beautiful thing, it’s not drugs, not alcohol, but opium that gives joy, allowing you to forget all the troubles for a few days, carnival is joy, i really like dressing up in a woman’s dress, it’s been 5 or 6 years since i

i take part in the carnival in this costume, i take a fan, put on this huge one... by the way, it is made from my wife’s natural hair, i ’m not a homosexual, am i?

carnival in riozhen these days the city lives to its rhythm, they dance samba from samba , the groups participating in the carnival call themselves, but do not recognize strict restrictions, giving freedom of improvisation, samba is an ideal means of self-defeat for blacks and whites, mulattoes and mestizos, in other words, for brazilians. african in origin, the word samba means a special body movement, touching each other’s bellies. similar bodily rituals symbolized fertility, but slaves were brought to brazil. began to use these movements in ordinary dances. this caused the indignation of catholic priests who fought for the morality of the inhabitants of the colony. accusing samba of being barbaric indecency, they achieved its official prohibition. samba was revived only at the beginning of the 20th century, becoming the most popular genre of brazilian folk music. this song is from

african culture. samba has inherited sensuality and a frantic rhythm, sometimes leading to a state. que sedução que sedução o que que tem? voltandou a minha casa encantadada.

european and old world pagan features. the african influence that is at the core of brazilian culture imbued the celebration with a liberated sensuality. ferria of flesh. that's probably the best way to convey it. which arises from the spectacle of thousands of half-naked bodies surrendering to the power of negrete music.

when you go out sambodrema is madness, it's real madness, carnival for me is an opportunity to relax, when people get rid of stress, get

energized from sadness and live, this is life, i adore it, it's so wonderful, live the carnival in rio, i'm a queen , everyone goes out into the streets, has fun playing, participates in this parade at sambodrama, i am the queen of the biggest and most beautiful brazilian holiday, isto sim é a tradição, vamos chegando, vamos chegando, o céu no prendir, azul do mar o popuar. alias a delta o céu no meu filho de janeiro voar terza reflendi no espelho azul do

mar desde os tempos eu começar dos tempos porque estava observando a pacaral eu voar revoar e tive um sonho tão bonito e além do infinito as estrelas de carave todos dia e meus sonhos, meus sonhos, não tenho quem, sou bicho homem parear, passarinho, passarola, quero perdoar, eu quero, quero perdoar, oi, com sua perda, com sua perda. profetizava o

espírito, revolucionava, com seus projetos o printor, oh será verdade, será verdade, oh será, será, ficar no mar como averá vai viaj será, será a verdade, oh será, será, ficar uma comadeira, vai viajando, viajando para o sol, lá composa ceira incrível fantástico com meus valor paris deixando o mundo deslumbrado vola o minha tarde eu vi que dela é azul ou es a lua hoje com a tradição do coração voando para qualquer lugar eu vou.

samba owes its origin to the poorest segment of the population, predominantly blacks those living on the hills in the favelas seem to speak russian from the favelas too. but as the carnival gradually loses its spontaneity, samba also becomes less pure, less connected to its roots, this began to happen as soon as it was discovered that by exploiting this type of creativity it was possible to generate income.

carnival is born in the poorest areas of riodeiro, in the favelas. in favelas there is no running water, sewerage, or hospitals, however, in each favela there is a school, but not an ordinary one, where one learns to read and write, but a samba school, where childhood. until old age they learn the basics of carnival art. it is the residents of favel who form the core of each sanda school; for them, the carnival really is

the meaning of life. soon after the next carnival, they are already starting to learn new sambas. around august , the best samba is selected, which will become the basis of a new carnival performance. at the same time, many favela residents have the only opportunity to get a job. the production of allegorical chariots, carnival costumes and various kinds begins accessories. they are created according to the sketches of a specially invited professional, carnavalesque. he is the author, director and set designer of the competition. for the samba schools, the money for the creation of all this magnificent splendor of the school is given by the so -called bicheiras, the owners of the underground lottery, very popular among the people. as we get closer to the carnival, the rehearsals become more and more crowded, and representatives of the middle class begin to participate in them, who in normal times are afraid to even approach the favelas. we managed to remove the climax of preparations for the carnival performance of the samba school of mangueira. sonho meu, atrás da

verde rosa, só não vai quem já morreu, me levar que eu vou, sonho meu, atrás da verde rosa, só não vai que já morrer, a rev. da bangueira que eu vou de olho meu atrás só não vai quem já morreu oi amor sonho meu atrás da bem rosa falar um bai quem já morreu pais de poeta ao luar visticismos de um poco salve todos oriscais quem me mandou estrelas de lá

foi seu salvador . na noite brilha mangueira jogando flores pela chegandou vamos aqui mal cançar com caporeiravel de uma voz uma canção no dia continuão está de coração domingo no parque amor alegria alegria eou marcou na testa.

no interior, seu nome legal, aplausos, alcance robeiro, é carnaval ferio de janeiro, me lembra que eu vou, sonho meu a bra de roda só não vai quem já morreu, me lembra que eu vou, sonho no meu, atrás a terri rosa, só não vai quem já morreu aí, chei a luz de poeta luar, fixindo de um pouco, salve todos orixais, quem me mandou estrelas de lá, foi são salvador da noite brilha, jogando os goles pelo mar, se ainda maria, uma material françar o campoira.

for the inhabitants of favel, the bicheiras represent primarily a parallel power. the inhabitants of favel, if asked, very often cannot name the names of their elected political figures. sometimes they don't even know who the president of the republic is, the governor of a state, or the prefect of a city. but they can say for sure who their bishera is, the representative of the parallel power of the favelas. bisheres do not create the style of the school, they simply give money and therefore allow the schools to express themselves creatively. bicheira is behind boundaries of the legal world, but the samba school also exists outside of normal society.

in the person of all their original representatives, in no way... do they belong either to the middle class, much less to the privileged class, these people do not have any benefits, none, ela não tem os carnival knows no boundaries, these days it

spontaneously arises in in different parts of rio daneiro, it is impossible to resist the temptation of samba rhythms, both those who specially came to the carnival and just random passers-by surrender to it. da banqueira me lembra que eu vou, sonho meu atrasa tem que faz só não vai quem já morreu o rosa só não vai quem já morreu pai é luz que não é para alular fiz sentido de um poco salve todos oriscais quem me mandou estrela e lá pois são sal vador da

noite brilhar mas queira played an important role in the carnival because it updated the form of the street carnival in rio deneiro, the middle class had prejudices about participating in the carnival on the street, began to perform songs that the middle class could sing. the gang differs from the samba school in that it does not accept anything in advance from rehearsed. you will now see that there is everyone here who wants is free to join the gang, whoever wants to sing , whoever doesn’t want to, no, now we are starting at general azorio square, there are about a thousand people here now, soon there will be 10,000, season premiere , what kind of katran did you do there? kovalev, viktor sergeevich, mayor, i hope to be useful to you, there were definitely two of them, yes, two glasses, two cutlery, what is this, we’ve seen something like this before,

so i decided to take up amateur activities before retirement, robert, i’ll tell you again i repeat, hands behind my back, i was not aware that the house was under surveillance, ionova, an opera singer, and in her apartment she had the same sign as our alcoholic. maniac, you think, it is not forbidden to use this word. you will not be saved, great, comrade, there was a maniac, and now a whole sect of maniacs. mosgaz, cherkasov’s latest case. well, boss, let's go. from monday, after the program , time is first. veda vodka, a product of the stellar group. vou cantando, vou cantando, os meus

encaronos vou mostrar, muito prazer, eu sou m te levar vou cantando vou cantando os seus encantos vou mostrar, muito prazer, sua luz a sua fonte, deixa-me isso que antes dois habitada pelos índios, e os jesuítas subiguam acana no meu chão, era fazenda dos macacos, a preferida o imperador dessa nação, também fui do progresso com o progresso de dromor da agricultura requite a francesai no bulévar a

confiar os seis amigos cantados ainda com... confiar os seus amigos cantados por noelabel blocos portos blocos cortos. a legria dos meus carnamais em balê em balêi nas namorados gramatia do amor por meio da atrás eh noites de festas serestas violantes sanaráis virei até direta dos diamantes e poetas gravados nas calçadas funicais desperta seus chivas acorda noel para ver nossa escola dessesão.

do céu eo josé ferreira saltando a multidão pode me chamar de vila que o orgulho é meu bração quem foi não tira nessa ceia popular todo movo à nobreza entre quem quiser amar, quem pois não tira nessa ceia popular todo povo uma nobreza e de quem quiser amarrou cantando vou cantando os meus encantos vou mostrar. da sua fonte, deixa meu feiço se levar, vou cantando, cantando os meus encantos eu vou mostrar, muito prazer, sua luz à sua fonte, deixa meu pediço se levar, já especializada pelos cincos e jesus, a cara no meu chão, é badeira dos macacos.

foi a preferida do imperador dessa nação também o progressora e requeente a francesa peguei o forte oh passei no por levar a confiança é trose cortar os seus dapítos pensados ​​por noel ainda for me the carnival is very important, this is madness, this is happiness, this is everything, i i love carnival carnival is an amazing thing for me, i love it very much, that's why i'm so upset

, a huge kiss to everyone in russia from the heart of the brazilians, amor ano sevilha é uma dica da cidade, amor, que maravilha, aínda no banho de felicidade, amor, amor, amor, minha! amas encanta da cidade, amor e maravilha, aí lembrando do banho de felicidade, eu vou zoar nessa avenida, meu sa da cartola vai rolar, vem na luz estrelatinha, vem alegria vem nas zonda desse mar, desse mar desse mar, meu fogo veio de acender, pé no chão pegar mais

do mundo, mas do mundo e vem direto sem parar é é é vida trop é vida de baianação é vida da que esse fogo tem cheira meu sonho, meu sonho em flexe em verso obra do universo. que deus abrirá meu amanhã é faz de amor e nova era que virá, eu sou um sonhador, sou ilusão que tá dentro do teu coração, amor, amor, amor a noite brilha a magica da cidade, amor, que maravilha, ainda no banho de felicidade, adorador.

the carnival is over, tomorrow life will return to normal, but these 5 days of joy and fun will allow brazilians to live those 360 which separate them from the next carnival, as inevitable here as the sunrise.

someone is no longer waiting for someone, someone has forgotten someone, someone is crying, someone is singing, someone is just a moron, someone is asking himself a question, someone is hanging in the ashes, someone... some don’t smoke, some don’t drink, some are at the very bottom, some are fluffy clouds, some are a thousand years old, some kiss someone’s hickey, some kiss a trail, some scream in fear in a dream, some are now family, some are working, some are in love, which one of

them is me? i won't be long, just a couple of weeks, but what are we going to build? we will build a cowshed, for the farmer alone, of course, last time it was like a workshop for the first time, or something, then it was not far, work, calmly, treat your sick, call your mobile, when you get bored, let's go.

yes, hello, has he left? yes, everything is as usual, no problems.

today i turn 40 years old, we can sum up the preliminary results, well, how is life, dear yura, okay, work, wife, son, katya, everything is fine, life is absolutely happy, no problems, even strange. friends, our anniversary, hello! today we

gathered here to celebrate the anniversary of our dear yuri vladimirovich platonov, an outstanding poet and founder of the largest publishing house put, thank you, thank you , yuri vladimirovich literally just flew in from san francisco, where he took part in the international symposium of poets-publishers, held under the auspices of the united nations, this is the level, gentlemen. today our dear yuri turns 40 years old, as you know, celebrating his fortieth birthday is a bad omen, but our hero of the day is a non-superstitious person, happy holiday yuri vladimirovich, here the people closest to our hero of the day are present, let us greet them, beloved and loving wife marina. this is how their love began. father vladimir nikolaevich platonov, a famous

businessman. son grandson alexander, sasha. hope is the family's support for the future. lena, sasha's friend, is just a friend, at least for now. and finally, faithful and devoted friends of the platonov family, commercial director of the publishing house, oleg krovtsov, with his wife veronica, their friendship began more than 20 years ago, and the famous director lev rodshtein with his wife polida, unfortunately, yuri’s mother left from life when the boy was only 3 years old. i grieve, be quiet,

blessed memory. so, here's to your loved ones. the movie continues, here you go, bro, and why is he sitting, for the forging, speculating on jeans, this is the only thing they know how to clean up ordinary people.

why are you beating him, he’s a jew, a jew, yes, yes, that’s enough, you’ll kill him, he’s new, brother , well, with the arrival of the boy, now we ’ll serve you too, okay, guys, what are you doing, everything ’s fine, okay? well, why are you so serious, why are you, well, i said, stop beating him, and if i said something, then so need to do, uh, wait, wait. what are you doing? vova? vova, vova, does everyone understand?

yes, it’s okay, it will live, it’s checked. security, security, someone stabbed himself to death here, we’re waiting. security, i stabbed myself, i say, hey, whoever i’m telling, let’s lie down, carefully.