to give birth in creative throes to a hit that will be sung by millions, it sounded very good from you right now, this is a simple song, in what agony was it born? let's change the melody, because there is a mood, a mood, there was a slightly different vibe, we arrived in st. petersburg, and we understand that we have no prospects, no chances, in general we don’t even have a guitar, because lenya didn’t take guitar, he simply didn’t have it, so we came to st. petersburg, our money was stolen, and we decided to stay anyway. and everything, and we wrote this song in this, in this mood. we are not owed anything, we do not owe anything to anyone, we just do it for fun. let's go, like this , we lived, we were on the edge, it was warm june with us, the steering wheel was broken from an a, we played with you in life, which we will live with us.

the last carriage, i'm losing everything, you're a dream, remember while i'm a bull, you're in your dad's tights, how far is it, this song insisted that it melt every time , so that they play, top guys on the guitar, this song is simple, so that every time melted cool, tos, please tell me, have you had any concerts that were difficult, morally or physically, or just some kind of burnout during this period of your time, which you immediately appeared. have you encountered

this everywhere before or not? well, i had such uh this summer, and we calculated it like this, we had about 60 performances, and uh, a lot of performances fell in a row, they could be in different cities, that is, no matter how you sleep properly, you don’t have time to recover, not breathe out anything, and you’re like this you constantly inhale, but you can’t exhale and relax, so - over the summer, there were probably three or four such mini-nervous breakdowns, when i just had any little thing, it could hurt me so much and you already begin to defend yourself from everything, even from some close people, somehow it’s not inappropriate to react and just become hysterical, someone got hurt, and i got hurt, yes, seriously, that is , to this extent, yes, i’m also starting to somehow reproach myself for the fact that because of my emotional state , those around me begin to suffer, pear, you come and all

your stress right there, well, that is, it really relieves psychologically, but here you need to know how it’s done, so there are, yes, there are special trained people, you say, a candidate for master of sports in thai boxing, so for her it’s a bag - how to go out, so to speak, say hello to the sun, let’s discuss your pseudonyms, because they are special and with very interesting stories, that is, i want to start with you, i’m antonina according to my passport, and what about tea? i don’t know, me, i’m from st. petersburg, in st. petersburg there are a lot of seagulls flying around, and i had a piano on a seagull, and there was also a guy from college , his name was sasha chaika, and i was like, damn, how everything fits together, and i was inspired by my friends, they called you a seagull, no , what a beautiful seagull, no, at first i was tasiliya, and i was on vkontakte, i had a page tasiliya cloudy, because i had a group, katya, please tell me,

we know that you also got a pseudonym for a reason, at first it was it was , you know, how super corny, i recorded my first songs at a guy’s house, at his place came to mogilev, belarus, we mostly played rock, that is, other music. there were no more directions, well, that is, we had garages and we, well, poured straight meat, straight metal, and i came to his studio, recorded my songs, a team came, they were called triton, they say what’s your name, i say, katya, well, no, you're iowa, like an album came out, like that, an album came out, yes, yes, you, go , yes, an album came out, slimnot, iowa was recognized,

then our friends called me, she was in america, she i guess i can't talk it takes a long time to talk, but there is such an idiom here, it means you can’t hide the truth, but if you quote it verbatim, like this, then idiots go around in circles, i’m like wow, this is my topic, we repeat the same mistakes all the time, have you ever played some of your songs in mitoli or not? yes, of course, we started with this, and, by the way, smile sounded very harsh. how tough is it, please show me, yes?

wow, i mean, has it ever happened that you write a song and then give it to some other artist, in general, the muse often comes to you, well, i’m not writing a song according to a schedule, because it’s pointless , i can’t sit down and it means that i’m about to write a song in the pop-rock style, but i don’t know, that is, it’s always a white canvas and it’s not clear what will become of you, but i can name, for example, one artist who helped me move to moscow, because i wrote a song for him with this money, i moved to moscow, this is dima bilan, but what kind of song can i say or not? of course you can,

but the song is called free, this song is on the album second life at number two, here dima and i met in '19. completely by accident and somehow we were inspired by each other and started communicating, i somehow thought i wrote a song about him, katyusha, i know that you wrote the same thing in literally half an hour, well, as the internet says, please tell me, is this true? yes, that’s what i’m thinking myself, how please , can i do it again so that the song comes, you don’t decide, laziness was just playing in circles in a rented apartment, i need... i need to play along with something, and i didn’t say a single thing uh notes without publishing a single one sound, uh, wrote, think about it, from the first verse to the last, it’s amazing how it goes , that is, i didn’t change places, and this

has never happened to me again, but i hope that it will happen, so be it, on the first channel, let it be produced, let it come, so that, look, what is this, what is this, is this? i give it to you, we need such little things, we need such signs so that, to believe and for it to come, let each of you receive your long-awaited, right today, well, maybe tomorrow, like dolphins, we go swimming. looking for the second half, looking for a stable , strong back, i’m waiting again, when we’re not like them, we pretend to be strong, or be afraid of being

ugly, it’s the same thing, we like the same thing. look out the window, look for people similar, the same thing, we like the same thing, the same thing, look out the window, look for people, look for, look for people, look for, look for, look for them all the time, look for them, look for, always look, look, look, look for your people, look, look for your people, doll?

girls, what a good show, katyusha, i know that your outfits are absolutely amazing, where do these unreal images come from, can you imagine, i now had a period, before this, when it began, actually this period, and somewhere in the nineteenth year, before that i didn’t let anyone into my territory at all, it seemed to me , that the stage and, in principle, around me, in the style, there should be a lot of me, mine, and then i realized that we need to let in new creative people, and this concerns

music, this concerns style, this concerns scenery, vision, so and as soon as i realized this, cool people appeared in my life, who are helping me now, then, please tell me about your style, you are always dressed very cool, you have a complex, multi-layered image. i would even say, you have unusual shoes, always, so what, i like to dress like a homeless person, uh, i really love everything wide, come on, so intelligent, it ’s called an intelligent homeless person, there’s even such a style, well, on social networks, yeah so i call it, like a fashionable homeless person and you’re all sorts of interesting things, we’ve been preaching this to guys for a long time, it seems to me that i even have my own music, it doesn’t lend itself to some kind of sexualization. that is, i don't think i look super wow, so i try not to open up or sexualize mine.

like a model, just like a model, these white eyebrows , behind the scenes, in the toilet i’ll show you myself in my underpants, and you’ll kind of, well, say it back a little, this is just an amazing woman who hasn’t given birth yet, just girls , i know. dear ladies, in some other case we would offer our regular column cooking hit a ready- made product, but since we have absolutely two - two female energy flows that create without ceasing, and this process of creation happens permanently, i suggest that we really jam now and give birth to beautiful music, we have arkady at our service, yes, or... we delete anton and

anton, sorry, come on, of course, that no, yes, it’s possible, of course, it’s necessary, but what will we do, we’ll do whatever we want, we want , you know, something about joy, i declared this year the year of joy, look for it everywhere, but something like that, i... in the water and my head in clouds and i think, i want to feel joy, but for now i feel fear , well, i’m standing up to my knees in the water and thinking how well, how well birds fly, they don’t owe anyone anything, we’re going in a circle, our music sounds like you, i want to stay, but it’s impossible, we go in a circle, our music... sounds like me , i want to stay, but it’s impossible, we go in

a circle, my music sounds in me, i want to stay, i ’ll stay, i feel joy, they join me people, we sing together, in a circle my music sounds in me, i want i like to stay here, because these are my people, all around, my music sounds in me, they are the most talented, creativity is more and more, in a circle, in a circle, in a circle, in me,

in a circle, in a circle, the best music it plays in me in circles, in circles, in circles , in circles, in circles, we can’t stop,

uh-huh, today is the best day not to mate. we danced in the dark, we forget about our bed, revealing each other, who we have become, we don’t know anything, we modestly kissed, the molten roof below us the sun hits my face and i fall asleep. tram no one is watching us i feel i need more i need more i need more

and i need more. not needed, what else is needed. today is the best day to sleep with you. oh, it’s not scary, in the dark, without you in it, i could drown, for the first time i turn off the light in my bedroom, now we will find out everything, immodestly united inside, our

dagino sounded so loud, i bite my shoulder, you kissed my freckles. i was getting ready to go as i tell you i need more i need more i need more more and more i need and more and further. i still need you, i still need you, i need more, more, more, i need more, more, more, more, i need more, more.

hello, this is the burn with fire podcast and i am its host denis gorelov with a story about the most current new products in domestic cinema and tv series production of the current season. and as usual, sometimes i will call the series a film, because the long-running santa barbara is not in our honor. 200-300 episodes is not our format, and films of eight episodes and twelve episodes are still simply lengthy films, in the word series too often it is still inappropriate to repeat. we’ll start , of course, with the lda gold series, because where else to start.

the picture about solid gold gangster zhiguli, which are waiting in the wings for their lucky one in the outskirts of the garages of the city of our automobile glory talya, is similar in its madness to the story about the brilliant hand, which is smuggled across our border in order to launder money for a quarter of the cost under the guise of treasure . and if you tell all this in a serious manner, it all smacks, of course, of the purest 999 samples of idiocy, and of course, the authors need to warn in advance that everything they talk about is an utter blizzard, people who write annotations in this sense make a mistake, they do not warn about this, scaring away from the picture: more or less serious viewers who more or less imagine what the nineties looked like, and at the same time they do not have a greedy light in their eyes, because those who have them will accept any nonsense, and the nineties... clearly we have already become the territory of fairy tales of 100 one nights, in which, under a certain

tuning is still even believable, the times were crazy, and therefore the film represents - bikes flowing into each other, car mechanics, tire workers, parking lot security guards, some drinking aunts, the city of the hero talati, the city of course, the hero of non-military glory, and the hero of gang wars, dealing in gold assets. but in general, our domestic klandaik , which clearly corresponds with the title of the picture, and according to the plot, the main bandit of the city, misha dasygin, is an important name, because it is shortened to the gangster nickname midos, the speaker who missed history lessons at school, we will tell him that king midos turned everything in the world into gold. and dasygin must collect the thieves' common fund for bribes to the central authorities in moscow. so that these bodies finally remove the terminator vanka ogurtsov from the city of the cop, who is not taken by any weapon and can only be removed by promotion, however, nature takes its toll, midos

melts down the entire common fund that he got into gold, builds an all-gold fret from it gold, after which heroic menta gold squeezes it out, repaints it in patrol colors, hides it somewhere on the outskirts in some mossy distant garages of the city of togliatti, when converting gold, the services of the criminal khan kassym from nearby kazakhstan are used, which is 3 hours from the city of tolyatti by car and 5 hours on horseback . accordingly, at some point, on the same day, the main characters die, all the burden, all the golden, crazy weight, the inheritance falls on their senseless grandchildren, who, like many... young people today dream of huge gold falling

at them from the sky, their dreams are coming true, the grandson of the bandit arthur, played by roman ivdakimov, is swollen somewhere in all sorts of resorts in the netherlands, but has absolutely no money, the grandson of the cop pasha, sits here, sells his grandfather’s awards and, in general, also gets by from bread to kvass, but really wants money, and at the same time, the bandit’s mother was the daughter of mides, and the father, accordingly, the mentavi son was killed in kazakhstan. as for the police grandson, his mother once abandoned him to his grandfather, and the police son’s father was killed in kazakhstan. as he understands the viewer, the police son killed in kazakhstan was one and the same person, so the two heroes are each other’s siblings, even half-brothers, and must join forces in the pursuit of gold, which they don’t know about until the time comes, but there is always grandmothers to tell. the cop grandmothers, as it happens, have merged into the fog, and the gangster grandmother occupies the post of head of the criminal police in the city of talati, and in every possible way hides her long-standing relationship with

the city’s chief thief, comrade midos, and also the resulting daughter from this business, but what is important is the producers, first of all, the fathers of the film company wednesday, alexander tsekal and ivan samokhvalov, as well as the new troika of producers who joined them. sokolovsky burets balashov, they understand perfectly well that you can’t stay on indian cinema for a long time, you can’t last eight episodes on this, we don’t have many fans of indian cinema in absolute terms, so they begin to quote in their film all the trash cinema in the world, as they do their great forerunner and godfather is quendin tarantino. accordingly, the shootouts in the sands of kazakhstan with a view of the troge alatau, of course, go back to the shootouts in the big dog canyon with views of the rocky mountains, black and white flashbacks to the youth of the fathers of this very lada

gold, shrouded in such cigarette smoke and of course hinting at a classic noir and moreover the eternal theme of noir is the fatal blonde who knocks down the sleepy-haired woman of a beautiful demobilization officer and forces him to do bad things in... the fatal blonde, she is, in fact, the grandmother of the main character, the head of the city’s criminal police, played by linda lapinsh, the most fatal of our modern actresses, and, moreover, since she also wears colonel's shoulder straps, the charm of the fatal criminal blonde is especially beautiful, and finally, the main russian task is to take all the national wealth, melt them into something... something... be very shiny, very expensive, and then sell the money received to the west and use it for national welfare and development, and not give it to any villains who would like to

appropriate it. there was a great film on this topic russian director and oscar winner vladimir valentinovich menshov shirley myrli, as everyone remembers, he revolved around a huge diamond the size of a horse's head, which then went to national needs. and the great director and also oscar winner, nikita sergeevich mikhalkov, spoke on the same topic back in soviet times. we are talking about the film, a friend among strangers , a stranger among one's own, where the whole plot revolved around a golden suitcase, and which also had to... be used for the needs of the nation, and so vlad gold’s film is very seriously in national demand, for which we are all grateful to him for the film’s very good rating. at the same time, since the main kazakh bandit kasym, has a son, uh, also, in general, the heir to everything, in his role, oscar ilyasov, patient zero, who thundered in the film, as well as the daughter mentioned stasya

miloslavskaya, and also midos in his turn there are his heirs and henchmen bandits performed by the most important bandits of our cinema igor chernevich danil vorabyov and roman polukhin then figure out whose money it is who is whose grandchildren and who is related to each other throughout the whole picture, but you still can’t figure it out completely, as often happens in indian cinema, centaurs of bandit-cops and cops of bandits are always ready to remember second blood and go over to the opposite side, which adds intrigue plot, and also love to start a relationship with someone else’s young lady, as long as it’s not his sister. a dozen screenwriters, who we usually have in a film, would not pull off this picture at all, because they would be completely confused about the question of who what kind of relationship are they with each other, so the script was written by the one and only yegor chichkanov, known to everyone as the screenwriter and director of the hello again franchise, very

serious. and wonderful pictures, the film was also directed by nikita vlasov, who directed tv series about something not, also a very serious thing, and the producers, let me remind you, are the same cycals and self-praises who for a long time fed the most terrible horrors of our crime, and now this with the picture they admit that everyone was deceived by four fists, all of them were bitten by gangsters stories, they know from the stories of car mechanics from some car wash in kazakhstan, where they washed the dirt from their solid-gold eared zaporozhets, received from the proceeds of the divorce of the same eared fries. picture 10 out of 10 - absolutely beautiful thing. you are still watching the burn with fire podcast, where i and host denis gorelov talk about the most current premieres of tv series and cinema productions

of the current season. next number. our program is the film centaur, this is a film about a taxi driver, directed by kirill kemnitz, has a rather rare and therefore memorable surname, he clearly has a great future, but the producer of the film ilyanler has an even rarer and even more memorable surname, and of course he was remembered by everyone who wrote about this film, because today schuller is the only director from russia, which was a success in hollywood. konchalovsky doesn’t count; after all, he didn’t have any particular success there, more talk. naishuler, in turn, due to the fact that he studied in an american school as a child, knows the language very well well, he released a film, of course, about

the russian mafia, what else can a director from russia be given to make in hollywood? all the possibilities and full prospects in hollywood, he returned to russia, to stage a film here, that is, to produce , it was directed by kemnitz, and above all because our market today is the most promising, in fact, a return to schuller, this is evidence of this , the money is here, the effective demand is here, the lack of competition from hollywood is here and you need to stake out a platform for future possible successes as soon as possible, in my opinion, the first... step has been taken, especially since hollywood, after all, is inclining russian directors to working with the russian mafia, and here you can make a movie about what your soul lies in, and nashullerov’s soul lies in the following: and the crippled taxi driver virtuos, played by yura borisov, agrees only to night shifts, because he doesn’t really like people, at night they

quite a bit, hangs around the city, gets acquainted with the city's underbelly, under various victims in the night and reads them like an open book, it is clear that there is nothing special to read, at some point a doll in war paint in a wonderful performance by anastasia tolyzina sits down with him he quickly understands her profession, but she doesn’t really hide it, but it’s clear that she has clients, he has clients, they understand each other, by and large it’s a little bit like that, the film teritopoli on flattening, only at night, but of course, that’s all film buffs have already realized that the plot goes back to the great film by martin scarcez, the best film taxi driver, nye schuller films with some deviations taxi driver in russian, and... it is clear to everyone that it sounds in russian, at least rumor, even better, compare taxi driver and taxi drive, there’s nothing even to compare, it should in turn be noted that in 1977, the most outstanding film by one of the very first

american directors, scarcez, lost the oscar to the film rocky, a film written by sylvester stalon and starring him, such a powerful, psychopathological, basically thriller, the taxi driver lost to the first film in the sweaty meat category. this is an epic failure of the american film academy , comparable to the failure of 1952, when the main prize was won by the film a streetcar named desire, and the prize for the leading female actor was won by vyvyan leigh for the film a streetcar named desire. the supporting role award went to karl malden and kim hunter for the film a streetcar named desire, the only person who didn't get anything for grass and desire was marlon brondo, who actually held. the film a streetcar named desire, such a comparable epic failure happened in 1977, it was a turning point year for american cinema and all world cinema, because that year the film star wars was released, it was also nominated

for an oscar only for special effects, all producers, all film makers in the world became it is absolutely clear that it is much more profitable to invest money in making films for stupid teenagers than for intelligent adults; today cinema for stupid teenagers occupies... approximately 95-97% of the world screen, so that apparently this situation is irreversible, the great russian philosopher sanyev, a month before his death in 2006, said that gadgetized humanity is irreversibly becoming stupid, scars would probably agree with this, in the nineties he made a documentary film, a journey with martin scarceza through american cinema, so it’s very knows well where american cinema began and what it is now. perhaps he is still working in cinema until he is 80 years old because there are no more adults left in the american cinema industry, except perhaps the ninety-three-year-old klintystvut, who also continues to work against the backdrop of the battle

for the white house between the eighty-year-old biden and the seventy-seven-year-old trump, who in turn is carried to the top of his lungs by the hero of the film , the taxi driver eighty-year-old robert deniro, is absolutely such a senile landscape. in the picture. plays for two voices take place in one room in one taxi, of course, dialogues and some plot twists are of great importance, well, let’s assume in the same irony of fate, also a picture for two voices, here, a huge responsibility falls on screenwriter mikhail zubko, and he copes with it brilliantly, despite the fact that in ordinary life he does not shy away from working with alexander tsypkin, the director of a film about sex on patriarchal ponds. nis anna boginskaya with stories about how anna boginskaya achieved success in the city of moscow, such an indiscriminate all-rounder, but in the film centaur he shows everything that he is capable of. after 20 minutes of talking and

driving around the city, it suddenly turns out that some maniac is killing prostitutes in the city, moreover, the main suspect is the main character of the film himself, performed by borisov, because he has already appeared more than once in... places where murders took place, and at this moment he is being led by serious people, and the girl from the escort is just a decoy, but not a policewoman a decoy, and a bandit decoy, pimps are also concerned about losses among prostitutes, it is impossible to retell the events further, because it’s a spoiler, but i haven’t even retold half of it, there will be at least 100 more 180° turns, but what as for the artist borisov, he is ideal for the main role, because he combines his radiant charm with the same very dangerous protruding fangs, everyone clearly in the films, in life it is not entirely clear whether they are a maniac or not.

once upon a time, the already mentioned marlon brondo acted and looked exactly the same , and even many years after his death, people do not understand whether he is crazy or not, but i think that borisova... is going the same way wonderful destiny, there is a concept, cultural cinema, which means something completely different from the culture tv channel, it is a cinema in which the producers: know their predecessors very well, quote them very competently and very implicitly, complement them in some ways, a film in which all the pauses are full, all the lines are in place, all the actors do their there are no random characters , perhaps, in the film there is only one random passenger who turned up, so that the viewer, having felt that all the guns were shooting, did not begin to count all the people who appeared in the frame, what attitude. they have to further intrigue. very well calculated

targeting a variety of categories of viewers, while the film at the initial viewing looks like just a film about a simple taxi driver who cuts through moscow at night in a yellow premium car. as often happens in such cases, you even want to rewatch the film more than once in search of inconsistencies , some kind of seams, and so on, but in general you can rewatch it and not... find these inconsistencies, simply because both the director and producer are completely clear looked at this picture 20 times for the same purpose, and if anything happened, that’s it they also took care of everything and brought it into divine shape. and there are six producers in the film, but naishuler is clearly the most serious figure, especially since his wife, daria cerrusha, wrote the music for the film, and this clearly speaks of his priority participation in the project, if... we are saddled with an automobile theme,

then our next plot will be the very recent series alfa romeo, it really has nothing to do with cars, this is a great name, a series telling about an alpha male who falls in love with a feminist, she steals him, and accordingly, they become romeo and juliet from opposite clans, masculinists and feminists, the film belongs to the youth genre, the network immediately said... it completely sucks, this in general should be listened to, the fact is that if today we take young people to entertain, then they focus exclusively on the most weak -minded; if they undertake to educate, then on the contrary , for the sake of tolerance, they draw such a complex, so diverse, such an incomprehensible world, which is completely impossible for even a nobel laureate to understand. thus, in film as a sign of diversity and diversity. there are even two names in the world, it

has a good name alfa romeo and a good name zitsgen, but the authors have not decided which of them is better, so the film goes under both at once. the resulting lkay promotes such narratives as they say today. first, ah, feminism is kind of stupid, full of all sorts of anglicisms from abuse to body shaming, but in cases of domestic violence you can’t do without feminists , they just need to... say the magic word abuse, then their hair will stand up the scruff of the neck stands on end and saliva begins to drip from the fangs. secondly, police dads who sit down on their children’s ears, they are of course creepy and suffocating, but in cases where you need to get a child out of an article or give someone a hard time, and without police dads you can’t go anywhere, and they also send money, and if collect all these diverse counter fires, then the result will be the following: the mixed style fighter anton travels from the city of zhigulevsk to moscow

to beat everyone and raise some money from this, and the feminist dasha travels from the city of zhigulevsk to moscow to shame everyone, attract a huge number of subscribers to the blog and raise a little money, and they have a snack in their own reserved seat, after which anton beats everyone, and dasha kicks him off, but still they end up in the same rented space . dasha is a complete freak. but the playing actress kristina kucherenko looks like such a mature and experienced young lady that she has to, for the sake of general stupidity, dye her hair purple, but still nothing happens, because she turns out to be smart christina is in a stupid coloring, and as for anton, he is played by anton artemyev, he fixes all of dasha’s mistakes, but she doesn’t need any help from the alpha male, but needs to make him look like an absolute macaque king kong on the blog. and in order to, of course , attract millions of subscribers and set them all

against bad, toxic and misogynistic men, i even learned the words. the territory with them is shared by the artist mark, played by the eternal nerd of our youth cinema denis vlasenko, and mitor do telka. mark draws only naked men, but at the same time not gay, but at the same time this is no one’s business , although it looks very suspicious, especially for the papal adviser to justice, who suspects something bad, for which we all unanimously and tolerantly condemn him, and as for katya, then of course she’s not a whore, but if she...’ is offered an open credit card with a zero-credit account, then of course she won’t refuse, but only for ordinary traditional sex, which the owner of the credit card demands, these are not completely gay, not entirely fools and not completely women of low social responsibility, they begin to tell us how complex the world is, that we, in general

, know without them, because we live in the world a little longer than their stuffy parents, it just so happens that i am a little older than the artist fyodor lavrov and the artist alexei makarov, play stuffy police dads, all this together is organized by fifteen three exclamation marks producers, i once thought that i would set a record for a film of passion, where there were 10 producers, here there are 15 of them, and you can all imagine what they can produce if they will all gather together as a platoon, create a hubbub and begin giving mutually inclusive instructions to one single director, radik rakhimov, and one single screenwriter , damir miftov. ah, despite the fact that there is only one director, and only one scriptwriter, it still seems that the resulting product is an old soviet game of nonsense, where 10 people take turns adding the same text, as they said in the famous cartoon, their paws ache and the tail falls off, first this picture is about how a fool re-educates

a redneck, and the redneck in return shows her what the real world looks like, everything hee hee, it all brings everything terribly closer, but because of the bad. they try to get close to all the other characters, and then post it all online to get hype. towards the end, everyone unites against the sadist acting in the film in order to better define its main moral, that feminism is good, but at the same time, the giggling movie turns into some kind of political thriller with beheaded cats, a creepy moment, although his camera is quickly removed . in the middle some irrepressible joker comes into the picture on the darkest topics, who wants to give a damn to, who knows, because there are 15 producers, they are all holding a perimeter defense, the fact is that in our country there has been some, completely inappropriate democratization of blasphemous concepts, everything

young donkeys have learned the words zashkvar beforehand, and in charge of the market they sprinkle them from right to left, without delving into the meaning at all and believing that they will never live in places not so remote, where the meaning can be generally popularly explained to them, as a result, in film, first, the hero alpha sontz, who has an open criminal sentence for serious bodily injuries, for which a mixed-style fighter can be imprisoned, begins to convince him and tell him that kuni is not a scumbag, while such convictions can, in places not so remote, lead directly to the bunk, which i won’t wish it on anyone, but as for the next episode, there again the same hero is drugged by femme activists and thrown into the area in a woman’s dress and in women’s makeup, for such things in some places in our homeland you get a fork in the eye plant it all you can't wash yourself off.

as a result, the film turns out to be very funny, but on the other hand it’s mean-spirited in places, on the third hand it’s fascinating , on the fourth side it’s sometimes stupid, there are three sex scenes and three drawings of nudes... nature, but there is not a single naked body, because children are not allowed, there is a lot of swearing in the film, but everything is bleeped because children are not allowed either, as a result it turns out that you can study and discuss, because we have freedom, but at the same time nothing should be heard and nothing can be seen, because we have decency, eventually on the net, one person says that the film is absolutely wonderful, all this is funny, and the other says that he turned it off in the fourth episode, and both are right, and the producers who are responsible for this whole matter are the well-known ilayan shlipot ratsuk zhallinsky, but with the obligatory intervention of irina sosnova, but at the same time, sometimes andrei tereshok gets into those topics, and somewhere producers bonddarev and tkachenko, and i only mentioned this to only eight people out of fifteen, because the rest of the executives, perhaps they did not interfere much, although this is not a fact . per view

i'm very tired of all of them, although there are two of them.