[000:00:00;00] if a person understands what the doctor said, then it will be very difficult for him to continue to do this, therefore, the more clearly you told everything , the more conscious the person is, the greater the chance of getting rid of it forever, obesity can be treated quite successfully, now there are many medications that can not only to get rid of excess weight, but to get rid of the consequences of this excess weight, the whole question is how on time you contact the doctors and they will definitely help you! we continue the conversation about obesity in the podcast deception of substances, with you olesya nosova and zukhra pavlova. zukhra sharipovna, in fact, there is another very interesting topic, about sarcopenia. yes, my love. yes, this is when apparently thin people are diagnosed with obesity, well, as a rule, obesity of the first degree, there, well,

they don’t go beyond the first degree, in my opinion, no, not like that, yeah, these are the same skinnies fed, yes, in the west there is such a thin fat woman, and obesity of the first or second degree is determined by body mass index, and what is characteristic of sarcopia, that the body mass index of these people is absolutely normal, mildly speaking, it may even be in short supply, and another very important point , you can’t miss it, these people have an absolutely normal waist circumference, but our body mass index is not a very objective criterion, well , look, what is body mass index, this is the ratio of height and weight, and at certain values ​​we put underweight , normal body weight, overweight, from thirty units obesity begins and there it is divided every five units by degrees, if the body mass index is high, large, let's say 35, yes, 35.9, this is already the second degree

of obesity, but in front of you is a bodybuilder. he has no excess adipose tissue at all, that is, he has excess weight due to muscle tissue, not fat, so the body mass index can mislead us; circumference has become a more objective criterion, because this is precisely the most visceral obesity, it is very is clearly reflected in the size of the waist circumference and if we evaluate the waist circumference, then we say that for women it should be less than 80, for men less than 94 cm. we take slavs, europeans, because there are also ethnic characteristics, imagine a person with serkopinya , he has a body mass index of 21, that is, the absolute norm, waist circumference, if it is a young lady, maybe even 69 or less, a man there is 75, surrounded steel, that is, very good numbers, but if we do bioimpedance or densatometry, such studies of body composition, we will see that

these people have a lot of fat, but little muscle, this is a very tricky and complex phenomenon, because such people physically unstable, their muscle mass is weak, they their bones will begin to suffer faster, so to speak, they may develop those phenomena that are characteristic of obesity, they may have prediabetes and even diabetes, this is the so -called skinny phenotype and when you say that this person is obese, in the classic i mean, yes, that there is a body mass index of more than thirty, and we mean that the proportion of adipose tissue is more than expected, and there is not enough muscle, then many people look at you as not quite adequate, what kind of obesity? zukhra sharifna, yes, i remember myself 15 years ago, when i came to you i came, you measured me, and despite the fact that i was about the same, you told me

that it looked like you had a lot of fat and not enough muscle. we urgently need to change the situation, i had to change the situation, although i remember this, it was a real shock, because i couldn’t even imagine in a nightmare about myself as a person with obesity, yes, yes, yes, yes, that’s how it is, therefore, objective research methods are very helpful, and indeed, when you tell a person, you know, your body composition is disturbed, you have a lot of fatty tissue, man looks, well, with suspicion, and then, when you show these objective figures and explain what is happening, and also, you know, in order to gain a person’s trust, you tell him, most likely, you have this, this, you feel yourself like this, here like this, here a person understands, yes, you know exactly what is happening to him, and you can be trusted, then it begins, well, this is the beginning of changes, yeah, okay, there is such a belief that after a certain age, all

women begin to gain weight. and that's okay well, this is usually after 50 years, so what, what do you say to that? unfortunately, yes, i sometimes hear from colleagues, well, what do you want her to be 55 years old, should she have? necessary there, the required volume of adipose tissue, i believe that it should be so, yes, it should be so, yes, we have such a concept of physiology - this is normal, and pathophysiology, this is when it is not normal, it seems like with age we really should gain fat and lose muscle, but this is how nature intended and we must leave this stage, and for this to happen in the end, someday, yes, we so the composition of the body is changing, but you and i have slightly different tasks , we not only want to live long and we do everything for this, we also want to live a quality life, because why have a long life if a person is sick and not happy and it’s a burden for someone, so it shouldn’t be like this, if we want to live long

, then it’s important to maintain our body composition, so we need to eat enough protein; with age, the ability not only to chew it also goes away, for this, in fact, teeth are lost same. as it should, like you and i are getting teeth, enzymes can change, very often you can hear a person say, you know, i can’t eat meat, it’s very hard for me after that, it’s nature working against man, well, or man once i tried so hard that, well, let’s say, i gave my own gastrointestinal tract a boost, but in principle, the number of enzymes of certain substances that should digest proteins, like this one, i would say is one of the most important macronutrients, but it’s not for nothing that the greeks protein called protein, and protein is primary from greek, and i always give an explanation of what primary means, that fats are not important or carbohydrates are not important, everything is important, but if you

eat protein, then from this protein we can inside our own body, can form both fats and proteins, carbohydrates, and if you only ate fat, well, let’s say, i don’t know, what kind of lard is there? any kind of lard, goose, pork, any kind, then we will get only fats and carbohydrates, because from fats we can safely organize ourselves carbohydrates, and then the same thing with carbohydrates, if you and i ate an apple, we can only get carbohydrates and fats, and we get proteins only from protein, or, unfortunately, from our own muscles, but muscles cannot be wasted, and muscles are our wealth, this is youth, this is beauty, this is strength, so when they say that... after 50 , after menenza, to say for sure, it is normal to gain excess fat tissue, it is never normal, and there is a lot of evidence of this, look at what centenarians look like, yes

in any country, long-living people are people slim until the last day, and so lean, active, as a rule, they also maintain good brain activity, they never overeat, so only... adipose tissue is always superfluous, this is always the beginning of unpleasant events, and of course , when you and i are reproductive, this is the most active period of our lives, in both men and women, even with a slight excess of adipose tissue, nature still protects us, because we are able to reproduce, when we are not able to reproduce, this excess fat fabric is not will protect us in no way and will contribute to the development of... serious diseases, i’m not even afraid to mention them, because this awareness really helps not to strive to gain this weight, these are cardiovascular diseases, these are carbohydrate diseases,

especially diabetes, this is musculoskeletal disease , this is gout, this is copd, chronic obstructive pulmonary disease, this is a lot of all sorts of severe chronic diseases of the gastrointestinal tract and so on and so forth, yeah, good, but what to do with the fact that the metabolism is supposedly behind... men have women after a certain age or is this a myth? am i in favor of this being a myth? it’s not for nothing that we called our podcast substance deception, right? there is no such pronounced decrease in metabolism, it is approximately the same, so it is not very fair to attribute it to the fact that, oh, i have a special metabolism or that i am so old, that’s why i have such a metabolism, but this was the case until the end... which was destroyed, there is a lot of research on this matter, so it makes no sense to blame it, well , i must say and be honest, of course, we have everyone has genetic characteristics, yes, if on both

sides, in the family and on the father’s side on the mother’s side , everyone is very overweight, people have diabetes, of course, a person has a predisposition to all this, but this is not a death sentence, it becomes a death sentence when a person violates the principles of a healthy lifestyle, if they adhere to them, no genetics will affect them for a very, very long time, so do not spare effort and do not think that this is some kind of sentence. with you was the podcast deception of substances and the main one: editor of komsomolskaya pravda olesya nosova and doctor endocrinologist zuhra pavlova. hello, this is the burn with fire podcast and i am its host, denis gorelov, with a story about the latest news in domestic, cinema and tv series production.

current season, and as usual, sometimes i will call the series a film, because the long-running santa barbara is not in our honor, 200-300 episodes is not our format, and films of eight episodes and twelve episodes are still simply lengthy films , it’s still inappropriate to repeat the word series too often. let's start of course from the series lada gold, because where else to start, a picture about all-gold bandit ladas who are waiting in the wings, their lucky one in the outlying garages of the city of our automobile glory talya - in its madness it is similar to the story about the diamond hand that is smuggled smuggled across our border for the purpose of laundering money at a quarter of the cost under the guise of treasure. and if all this is told in a serious manner, it all smacks, of course, of pure 999 idiocy, and of course, the authors need to advance warn that everything they talk about is not a joke.

blizzard, people who write annotations in this sense make a mistake, they do not warn about it, scaring away more or less serious viewers from the picture, who more or less imagine what the nineties looked like, and at the same time they do not have a greedy light in their eyes, because those who have it will accept any nonsense. the nineties have clearly become the territory of fairy tales of the thousand and one nights, in which, with a certain amount of tuning , you can still believe that the times were crazy. uh, therefore, the film is, uh, the stories of car mechanics flowing into each other, uh, tire fitters, parking lot guards, some drinking aunts, uh, the city of the hero talyaty, the city, of course, the hero is not of military glory, but the hero of gang wars, a deal of gold assets, and in general, our domestic klandayk, which clearly corresponds with the title of the picture, and according to the plot, the main bandit of the city, misha dosygin, is an important name because it is shortened

to the gangster nickname midos, who says who missed history lessons at school, that let us tell you that king midos turned everything in the world into gold. dosygin must collect the thieves' common fund for a bribe to the central authorities in moscow, so that these authorities will finally remove the mentalist vanka ogurtsov from the city, who does not accept any weapons and can only be removed by promotion. however, nature takes its toll, midos melts down the entire common fund that he got into gold, builds a solid gold fret gold from it, after which the heroic cop squeezes out this fret gold, repaints it in patrol colors hides somewhere on the outskirts, in some mossy distant garages of the city of togliatti, when converting gold, the services of the criminal are used... kasym from nearby kazakhstan, to which from the city of tolyatti 3

hours by car and 5 hours on horseback, respectively, in which - that moment, on the same day, the main characters die , all the burden, all the golden, crazy weight , of the inheritance falls on their senseless grandchildren, who, like many young people today, dream of huge gold falling on them from the sky, these are their dreams are coming true, the grandson of the bandit arthur, played by roman ivdokimov, is somewhere swollen in all sorts of resorts in the netherlands, but has absolutely no money, the grandson of the cop pasha, sits here, sells his grandfather’s awards and, in general, survives from bread to kvass, but really wants money, and at the same time, the bandit’s mother was the daughter of mides, and the father, accordingly, the mentavi son was killed in kazakhstan, as for the police grandson, his mother once planted him with his grandfather. and the father of a policeman’s son

was killed in kazakhstan. as the viewer understands, the police son killed in kazakhstan was the same person. thus, the two heroes are related to each other, even half- brothers, and must join forces in the pursuit of gold. what they don’t know for the time being, but there are always grandmothers to tell. the cop grandmothers, as it happens, have merged into the fog, and the gangster grandmother occupies the post of chief of the criminal police in the city of taglyat and in every possible way. daughter from this business, but what is important, the producers, first of all, the fathers of the film company wednesday, alexander tsekal and ivan samokhvalov, and also, the new troika of producers sokolovsky burets balashov, who have joined them, understand perfectly well that you can’t stay with indian cinema for a long time , you can’t last eight episodes on this, we don’t have many fans of indian cinema in absolute terms, so they start

quoting everything in their film trash cinema in the world, as their great forerunner , the godfather quendin tarantino, does. respectively. shootouts in the sands of kazakhstan with a view of the alatau trough, of course, go back to the spaghetti western of sergio leone with shootouts in a big dog canyon with views of the rocky mountains. black and white flashbacks to the youth of their fathers, this very lada gold, are shrouded in such cigarette smoke, and of course, hint at a classic noir, and, moreover, the theme of noir is a fatal blonde who knocks down a beautiful demobilization and forces him to do bad things, in the role of the fatal blonde , who, in fact, is the grandmother of the main character, the head of the city’s criminal police, is played by linda lapensh, the most fatal of our modern

actresses, and moreover, since she is also wears colonel's shoulder straps, the charm of a fatal criminal blonde, wonderful, well, finally, the main russian task is to take all the national wealth, melt them into something very shiny, very expensive, and then sell the money received to the west to use for national welfare and development, and not give it to any villains who would like to appropriate it. there was a film on this topic by the great russian director and oscar winner vladimir valentinovich-myrli, as everyone remembers, it revolved around a huge... for the size of a horse's head, which then went to national needs. in exactly the same way, the great director and also oscar winner, nikita sergeevich mikhalkov, spoke on the same topic back in soviet times. we are talking about a film, a friend among strangers, a stranger among one’s own, where the whole plot revolved around a golden suitcase, which

also had to be used for the needs of the nation. so vlad gold’s film is very seriously meeting the national demand, for which we all give him... the film has a very good rating. at the same time, since the main kazakh the bandit kasym has a son, also, in general, the heir to everything, in his role, oscar ilyasov, the patient zero that thundered in the film, as well as the daughter mentioned stasya miloslavskaya, and midos, in turn, has his heirs and henchmen bandits played by the most important bandits of our cinema, chernevich, danil and roman polukhin, then you will have to figure out whose money is whose, who is whose grandchildren, who is related to each other in what way throughout the entire film, but you will never fully understand, as often happens in indian cinema, bandit centaurs -cops and cops bandits are always ready to remember the voice of second

blood and go over to the opposite side, which adds intrigue to the plot, and also love to start a relationship with someone else's young lady. as long as it's not my sister. a dozen screenwriters, which we usually have in a film, would not have pulled off this picture at all, because they would have been categorically confused about the question of who is related to each other, so the script was written by one and only yegor chichkanov, known to everyone as a screenwriter and director, hello again, franchise, very serious and a wonderful picture, and the film was also directed by nikita vlasov, who directed tv series in borenka, something is missing, also a very serious thing. and the producers, let me remind you, are the same cycals and self-praisers who for a long time fed the most terrible horrors of our crime, and now with this picture they admit that everyone was deceived by four fists of all the scribbled gangster stories known to them from the stories of car mechanics from

some car wash in kazakhstan, where they washed their solid gold long-eared zaporozhets, received from the proceeds from divorce of the same ears, picture 10 out of 10 is an absolutely wonderful thing, you are still watching the burn with fire podcast, where i and the host denis gorelov talk about the most current premieres of serial and theatrical production of the current season. the next number in our program is the film centaur, and this is a film about a taxi driver, director kiril kemnitz, has a rather rare and therefore memorable surname, he clearly has a great future, but the producer of the film has an even rarer and even more memorable surname ilyaler, of course, everyone remembered him. about this film, because today the director is the only director from russia who has had success in hollywood, konchalovsky

doesn’t count, after all, he didn’t have any particular success there, more talk. naishuller, in turn, due to the fact that he studied in an american school as a child and knows the language very well, released a film, of course, about the russian mafia, about what else can a director from russia be given to make a movie in hollywood and, and this picture. for several weeks ranked top in all-american box office, that is, the very top line, and despite this, a man who had all the opportunities and full prospects in hollywood returned to russia, to stage a film here, that is, to produce, kemnitz staged it, and primarily because the market we are the most promising today, in fact, returning to schuller, this is evidence of this, the money is here, effective demand is here, lack of competition. on the part of hollywood here and we need to stake out a platform for future ones as soon as possible

possible successes, in my opinion, the first step has been taken, especially since hollywood , after all, persuades russian directors to work with the russian mafia, and here you can make a movie about what your soul lies in, the soul of the scammer lies in the next one, the crippled taxi driver the virtuoso only agrees to nights... because he doesn’t like people very much, there are quite a few of them at night, he hangs out around the city, gets to know the city ’s underbelly, gives rides to various victims at night and reads them like an open book, it’s clear that there’s nothing special to read there, in which -the moment to a doll in war paint, wonderfully performed by anastasia talyzina, sits down with him, he quickly understands her profession, but she doesn’t really hide it, it’s clear that she has clients, he has clients, they understand each other a little bit like the film tritopoli on ivy only at night, of course, all movie fans already realized that

the plot goes back to the great film by martin scorsese, his best film taxi driver, nai schuller films taxi driver in russian with some deviations, and it is clear to everyone that in russian it sounds, at least the rumor is even better, compare a taxi driver and a taxi driver, there’s nothing even to compare, it should in turn be noted that in the seventy-seventh year, the most outstanding film of one of the very first american director scarcez, lost an oscar to the film rocky, a film based on the script by sylvester stalon, with him in the leading role, such a powerful, psychopathological, by and large thriller, the taxi driver lost to the first film in the sweaty meat category, this is an epic failure of the american film academy comparable to failure... of the second year, when - the main prize went to the film a streetcar named desire, the prize for the leading female acting role went to viven lee for the film a streetcar named desire, the awards for

supporting roles went to karl malden and kim hunter, for the film a streetcar named desire, the only person who did not receive anything for trams of desire, it was marlon brondo , on whom, in fact, the film a streetcar of desire rested, such a comparable ethical failure happened in the year seventy-seven, it was a turning point for american cinema throughout the world... cinema, because the film star wars was released this year, it was also nominated for an oscar only for special effects , it became absolutely clear to all producers, all film makers in the world that it is much more profitable to invest money in making films for stupid teenagers than for intelligent adults, today films are for stupid teenagers occupies approximately 95-97% of the world's screen, and so apparently this situation is irreversible, the great russian philosopher, zinoviev, a month before his death in 2006, said that gadgetized humanity is irreversibly becoming stupid. scarzesa,

he probably agreed with this, in the nineties he shot a documentary film on a journey with martin and corseze through american cinema, so he knows very well where american cinema began and where it has now ended. perhaps this is why he is still working in cinema until he is 80 years old because there are no more adults left in american cinema. except that the ninety-three-year-old clincher, who also continues to work against the backdrop of the battle for the white house, between the eighty-year-old biden and the seventy-year-old trump, who in his the queue is carried to the top by the hero of the film, a taxi driver, eighty-year-old robert deniro, absolutely, such an senile landscape , in the film there is a play for two voices in one room and in one taxi, of course, the dialogues and some plot points are of great importance, well, let's say, in the same irony of fate, also a film with two voices, here

the screenwriter mikhail zubko has a huge responsibility, and he copes with it brilliantly, why? despite the fact that in ordinary life one does not hesitate to work with alexander tsypkin, the director of the film about sex on patriarchal ponds, nor with anna boginskaya with stories about how anna boginskaya achieved success in the city of moscow, such an indiscriminate all-rounder, but in the film centaur he shows everything that he is capable of. after 20 minutes of talking and driving around the city, it suddenly turns out that some maniac is killing prostitutes in the city. moreover, the main suspect is the main character of the film himself, performed by borisov, because he has already appeared more than once in the very places where the murders took place, and he is in this moment is being led by serious people, and the girl from the escort is just a decoy, but not a police decoy, but a gangster decoy, the pimps are also concerned about losses among prostitutes,

it is impossible to retell the events further, because it’s a spoiler, but i haven’t even retold... half of it , there will be at least 100 more 180° turns, and as for the actor borisov, he is ideal for the main role, because he combines his radiant charm with the same very dangerous protruding fangs, it’s clear to everyone in the movies in real life whether he’s a maniac or not, at one time he acted exactly the same way and looked like i’ve already mentioned. and me marlon brondo, and even many years after his death , people don’t understand whether he’s crazy or not, but i think that borisov will have the same wonderful fate, and there is a concept, cultural cinema, which means something completely different from the tv channel culture is a cinema in which producers know their predecessors very well, quote them very competently and very implicitly,

complement them in some ways, a cinema in which everything... pauses are full, all the lines are in place, all the actors are doing their job, there are no random characters. perhaps, in the film there is only one random passenger who turns up, so that the viewer, having felt that all the guns are firing, does not begin to calculate all the people who appear in the frame, what relation they have to the further intrigue. ah, it’s very well designed, targeting a variety of categories of viewers, while at the first viewing the film looks like just a film about just a taxi driver driving around moscow at night in a yellow premium car. as often happens in such cases, you even want to rewatch the film more than once in search of inconsistencies, some seams, and so on, but - in general, you can rewatch it and not find these inconsistencies simply because both the director and producer clearly looked at it with

with the same goal, this picture 20 times, and if anything happened, then... they still tweaked everything, brought it into godlike form, and there are six producers in the picture, but nice schuller is clearly the most serious figure, especially since he wrote the music for the film wife daria cerrusha, and this clearly speaks of his priority participation in the project, if we are already saddled with the automotive theme, then our next plot will be the very fresh series alfa romeo, it really has nothing to do with cars, this is a great name, a series telling about an alpha male who falls in love with a feminist, she tames him, and accordingly, they become romeo and juliet from opposite clans, masculinists and feminists. the film belongs to the youth genre, the network said immediately the youth genre means complete crap, in general you should listen to this. the fact

is that if today we try to entertain young people, they will get their bearings. such a complex, so diverse, such an incomprehensible world, which is completely impossible for even a nobel laureate to understand. thus, in the film, as a sign of the diversity and diversity of the world, there are even two titles at once, it has a good name alfa romeo and a good name citsgender, but the authors never decided which one is better, so the film runs under two at once. the resulting lkay promotes such narratives as they say today. first, feminism is stupid by nature, full of all sorts of anglicisms, from abuse to body shaming, but in cases of domestic violence you cannot do without feminists, you just need to tell them the magic word abuse, then the back of their

necks stand on end and saliva begins to drip from their fangs. secondly, police dads who... get on their children’s ears, they are of course creepy and suffocating, but in cases where you need to get a child out of an article or give someone a hard time, you can’t go anywhere without police dads, and they also send money. and if you collect all these diverse counter-attacks, then the result will be the following: mixed style fighter anton - travels from the city of zhigulevsk to moscow to beat everyone and raise a little money from this. and the feminist dasha travels from the city of zhigulevsky to moscow to shame everyone, uh, to attract a huge number of subscribers to the blog and raise some money. and they have a snack already in their own reserved seat, after which anton beats everyone, and dasha repels him on the platform, but still they are in in the end they end up on the same rented living space. dasha is a complete freak, but the playing actress kristina kucherenko looks like such a mature and experienced young lady that

she has to, for the sake of general stupidity, dye her hair purple, but still nothing happens, because what she gets is smart kristina in a stupid coloring. as for anton, he is played by anton artemyev, he embroiders all the dashins. shoals, but she doesn’t need any help from the alpha male at all, but she needs to make him look absolute on the blog macaque king kong, and in order to, of course, lie down with millions of subscribers and set them all against bad, toxic and misogynistic men, i even learned the words, the territory with them, shares one apartment - the artist mark, performed by the eternal nerd of our youth cinema denis vlasenko, and mitordolka. mark only draws... naked men, but at the same time he is not gay, but at the same time it is no one’s business, although he looks very suspicious, especially for the father of the police adviser of justice, who

suspects something bad, for which we all him we unanimously and tolerantly condemn, and as for katya, she is of course not a whore, but if she is offered an open credit card with an unlimited account, then of course she will not refuse, but only for ordinary traditional sex, which... the owner of the credit card demands, these are not completely gay, not completely stupid and not completely women of low social responsibility, they begin to tell us how complex the world is, that we, in general, know without them, because we live in the world a little longer than their stuffy parents, it just so happens , i'm a little older and an artist fyodor lavrov and the artist alexei makarov, who play stuffy police dads, all this together is organized by fifteen or three exclamation marks producers, i once thought that the record would be set by the film passion i pochepayu, where there were 10 producers, here there are 15, and you can imagine what can they produce if they all get together as a platoon, create a hubbub, start giving mutually exclusive instructions to one

single director, radik rakhimov, and one single screenwriter, damir miftakhov, despite the fact that the director the only shinai is the only one , it still seems that the resulting product is such an old soviet game of nonsense. where 10 people take turns completing the same text, as they said in the famous cartoon, the paws ache and the tail falls off. at first, this picture is about how tura rehabilitates a redneck, and the redneck in return shows her what the real world looks like, and it’s all hee hee, it’s all terribly close, but because of their bad character, they try to get closer to all the other characters, and after why are they posting all this? to the network to get hype. towards the end, everyone unites against the sadist acting in the film in order to more clearly define its main moral, that feminism is good, but at the same time, the giggle movie

turns into a political thriller with decapitated cats, a creepy moment, although his camera is fast they remove it, in the middle some irrepressible joker comes into the picture on the darkest topics, who wants to give a shit, but no one knows who, because the producer... at 15, they all hold a perimeter defense. the fact is that - in our country there was some completely inappropriate democratization of vravsky concepts. all the young donkeys have learned the words zashkvar, presenting it, and answering for the market, they sprinkle it from right to left, completely without delving into the meaning and believing that they will never in their lives find themselves in places not so remote, where the meaning can be generally popularly explained to them , as a result, in the film, first... the alpha male hero, who has an unfinished criminal sentence for serious bodily injuries, for which else a mixed style fighter can be imprisoned, they begin to convince him and tell him that the kune is not a bad guy, with

in this case, such beliefs can in places not so remote lead directly to the bunk, which i would not wish on anyone, as for the next episode, then again the same hero is drugged by femme activists and thrown into the women's area... for such things in some places our homeland is supposed to put a fork in the eye, you can’t wash it off, as a result the film turns out to be very funny, but on the other hand, in places it’s mean , on the third hand... fascinating, on the fourth hand , sometimes stupid, there are three sexes and three drawings of nudes in it nature, but with there is not a single naked body in this film, because children are not allowed, there is a lot of swearing in the film, but everything is bleeped out, because children are not allowed either , as a result, it turns out that it is possible to study and discuss, because we have freedom, but at the same time there should be nothing you can hear and see nothing, because we have decency, as a result, one person online says that the film is absolutely wonderful, it’s all funny. and the other says that

he turned it off on the fourth episode, both are right, ah, the producers are responsible for this whole thing, the well-known ilayan shlipot ratsuk, zhalinsky, but with the obligatory intervention of irina sosnova, but sometimes andrei tereshok gets into the topic somewhere, and somewhere producers bondreev and tkachenko, and i only mentioned this to only eight people, out of fifteen, because the rest executives, perhaps they didn’t interfere much, although this is not a fact, for watching the film i... was very tired of them all, although i laughed as much as twice, this is still the same grief with fire podcast, where i am its host denis gorelov talks about the most current domestic, serial and cinema films premieres of the current season. the next number on our program will be the film 1993, a film by alexander veledinsky based on the novel by sergei shargunov. the film, of course, is about the most

dramatic october events of the nineteenth century. year, complete, somewhat stupid, due to its abundance of symbolism, the fact is that the premiere of the film about the hot october took place in the oktyabr cinema, a five-minute walk from the epicenter of events of the white house, and it was not even necessary to go, because in that night, and the whole next day along the entire kalinevsky prospekt they were shooting just along the perimeter, starting from the novoarbatske grocery store and ending with the globe on glussadovaya, and a little bit... higher along the boulevard ring at midnight the military fought among themselves, also, in general, there was a lot of shooting near the tas, although and briefly, the supplies were loaded up, but you could see meters in the dnh, uh, the technical building was burning on one side, on the creative side the machine gunner was hitting with thrusters in the direction of the malian grove, it was at midnight, what happened there 3 hours before, it’s better just not remember though the film remembers exactly this, and if some people are missing the symbolism, then there was

also this: victor hugo’s novel of 1993, very consonant, about how dark forces, and for some light ones, rose up 4 years after the great french revolution a rebellion against the great french revolution, so that the devils would eat it, as others would say, even more than 200 years later. shargunov, as a person who was too young to react to events, but who adheres to patriotic convictions, is completely on the side of the rebels, like many of his peers... in particular, zakhar prilepin and mitya alshansky, about 10 years ago, then still very young sergei, asked me with other adult comrades how it was possible to be on yeltsin’s side in this quarrel, and the older comrades wearily explained to them how it was possible to be on the presidential side. sergei still stuck to his guns, but director veledinsky slightly altered the novel, making the hero more complex and more nuanced.

around and choosing to the side, like, strictly speaking, the majority of people living in russia at that time. hero of the film, former spaceman engineer, viktor bryantsev, who once left his traces on the dusty paths of distant planets by dipping his finger in red paint and pointing a dot at the word ussr on board the lunakhod flying straight there, carried out a downshift in the nineties, like many in those years. and became a master of communication systems driving around the city in a yellow van with a red stripe, a yellow van with a red stripe 10 years after ninety-three will become a symbol of the forces of good in the famous franchise of sergei lukyanenko and timur bekmambev night watch and day watch and what is very important. victor began to respond to the name vitek to help his friends solve difficult crossfords. his friends

became much more frequent. on the one hand, for his cleverness, on the other hand, for the fact that such a serious person breaks in with us as hard workers, like everyone else , evgeniy tsyganov, who plays the main role, is ideal for the role, because his melancholy frostiness, which sometimes bothered the audience in other roles, is completely here corresponds to the character of the main character, and my friend, my colleague, mikhail drafimenkov even said that this is the best role tsyganova, just like the role of his wife, is the best role... lena works in the same service as a dispatcher, adheres to democratic views, and in her moods and views, best fits the definition. like many in those years, including me. and their sixteen-year-old daughter, like all children at this age, suffers from the fact that the family is poor and that she has never been with anyone, so she loves a bandit, a young fool like herself, who decided to die young, like and

many in those years. victor travels by train home in the moscow region, smokes a lot in a jar, worries a lot about the world around him, and sometimes fights... with the cops sometimes something so inarticulately tormenting in the glasnost booth and the most complete bullshit is happening around, everyone remembers this, when in fact we in the country at that time there was a big, great depression, which was american in many respects , if in the usa the drop in production was 45%, then in our country it was 54%, which means that more than half of the people were left without work, without any opportunity to find it, plus the money became candy wrappers from inflation, plus unemployed young people became bandits and gangster groups surrounded moscow simply in a complete military ring, which can also be seen in the film. alexander veledinsky, the director of the film today is

, perhaps, the best screenwriter of russian prose, i say with all responsibility, not so long ago in the house of rostov, where the writers' union headed by the same sergei shergun lives. went through a round table on film adaptations and spent a long time figuring out who today is truly the most productive and accurate film director, we suddenly really discovered that this person is alexander alekseevich veledinsky, he has already directed limonov, the film russian, alexei ivanov’s film the geographer globus drank away, zakhara prilepin’s series abode, and now sergei shargunov, whose the novel was very much rewritten, it seems to me for the better. valendinsky is a solid family man, therefore , against the backdrop of popular thoughts, he promotes family thought with all his might. it has been noticed that people of libertarian beliefs are always publicly swearing love for their wives, but at the same time

actively cheating on them. there are simply no exceptions in my district. on the other hand, people with conservative views, on the contrary, believe that this matter is wrong, not good, and... i must say that, in general, the question of loyalty to one’s faithful also affects political views, just like in the movies, a girl of democratic beliefs, a wife the main character, len, decides at some point to give up his liberal tail, but in the end he comes to the conclusion that this whole thing is in vain, unnecessary, and victor, in turn, pretends that he didn’t even notice anything, thus , peace in the family is restored... and peace in the country is also restored in some incomprehensible way, after 30 years, finally, in some way, we ready to understand each other, and it’s good that it took only 30 years, and not 50 years like the previous