to do this you need resources, and you burn them in dissatisfaction with yourself or in a feeling of guilt before your husband or in fear that this will happen. i have a question for mikhail: if anna works on this supercontrol in other areas of her life, can this have a beneficial effect on this fear? you see, this fear is closely connected with such a deep value as life and death, this is involved there, so if we talk about... the therapy of such cases, then at some stage of therapy the readiness for death, and with death in our life, today, yes, in today’s, that is, prosperous society, people really don’t like and are afraid to face it, 50 years ago, for example, a woman could give birth to seven children there, half of whom simply did not lived to adulthood, and this was the rule, people were ready for such...

an abundance of death, and now, this abundance of our panic, these worries, stress and so on, it’s all because we live very happily and we are not deeply prepared for death as a normal part life, death is a normal part of life, secondly, we are not even ready for pain, because pain as a consequence leads to death, and hence this unpreparedness for pain, and then unpreparedness and even some kind of discomfort leads to that the nation is degenerating, because why give birth to children? if it’s discomfort, we’ve already dug deep for something, we’ve gone deep, sometimes it’s deep, and not at the top, so here ’s the story: preparedness for death is an important part of life, tell me, let’s talk about it now , what does it mean readiness for death, how not to be ready, or maybe sasha has such ideas, by the way, it’s very called.

what mikhail is saying now, i really believe that the moment of the sea is such a rule for all centuries for all life, for our civilization this is for sure, but remember about death, very deeply, in fact, that’s the problem you have, as we found out , its roots have already sprouted quite deeply, it ’s deep, you can even tell another example about it, last year we vacationed at the seaside and there was such an effect after the curtain, when the waves were big, which were great for everyone to ride there, there were adult children there, it was cool, there were also children, small ones, who had a great time in this situation, for those who were not afraid, it’s definitely important, you know exactly who had a great time, i had a great time, that’s it, so you say to yourself, yes, this is necessary about everyone , okay, take me in company, i would have had a great time too, well, i’m a boy there, well, not a small one, i can swim there, i always knew how to swim there, and i went to swim in these waves there not far from the shore, i know that i won’t be dragged away there, there i obviously won’t choke or drown.

she called me to the shore, where it’s safe, sasha, come here, i say, come to me, here the water is waist-deep, now let’s move further away, where it’s chest-deep, there are no waves there, come to me, you ’re healthy, yes, no, i say, it’s not scary, yes, yes, yes, you say, it’s not scary, you deny her fear, fear is not an external state, it’s internal. already enter the reality in which you live, while you deny that feature, and anya herself denies it, i’m most likely sure of this, so you can’t do anything about it you can, she couldn’t help but be afraid. yes.

and the psychologists who say that if you have some kind of phobia, you need to go look your fear in the eye and do just that , take the snake in your hands, these psychologists, i’m honestly ready to criticize mikhail khors, let’s leave him, here such is the story, so if a person. colleagues, he will do it without you, but if he came to you, this is already a fact that he cannot do it. this is a psychic podcast, where i am journalist natalya loiva, and mikhail khors, looking for ways out of the most difficult situations, today’s request came from a husband who says that his wife is afraid of public transport, but the formula works: don’t be afraid, i’m with you. he squeezed his hand

very tightly, tightly, straight. i’ve never felt such a hug from her, you see, everything is profit, then it’s like, we passed this barrier, there, yes, it’s acceptable that she’s holding her hand, everything’s fine there, about that incident on the plane that she told me that during the first situation, during the first braking, she and her friend were flying, she she calmed her friend down herself, as she said, like, yes, everything’s fine , there the friend was more worried, and after the second or third approach, he had this flash, well, we see, so what. there is a resource, there is a groundwork for working with this, another question is, it is important not to demand from yourself that it goes like this, since everything, everything, if you have been collecting it in your head for years, give it years to work through it, she used to jump there with a bridge and a relative there at the age of nine, well, in short, little

a child, a drowning person there, who was drowning, was rescued from the water at depth, well, that’s by the way, i would have taken it there in a series of these cases, there was still fear, when you i would have gone there, that too, but she encountered it turns out that you are facing potential death, well, yes, i had no choice but to decide for myself, which is why, firstly, it is also important to remember that you are solving these problems, just not as efficiently as you would like, you are still driving in a car , you’re still there somehow, if you’re on the train, you’re traveling, your situation is not that bad, i worked with cases when people on the subway can’t even get down, but you can, well, yes, you know, it’s just progressing with her. progresses again, because there is self-criticism of this, this story, because instead of treating this situation, as you have now taken the first step towards this healing, you tried to devalue it a little, like, well, now we’ll talk, we now we’ll agree on everything, everything will bark, as it was, everything will be fine

, no, it won’t, yes, because it’s a virus, i don’t know, there’s a bacteria, yes, whatever, that’s it there is, it is necessary, yes, it is, it needs to be corrected, but friends, what i see in this story is very interesting and vital, important, i see that you are a team, and that anechka has a caring person nearby, perhaps sasha was mistaken , and did something wrong, but sasha is interested, in any case , you are no longer alone, yes, you already have such a powerful partner, a friend who will be a support, and all that remains is to find a specialist, it’s unknown, by the way, i don’t.. .. in the sense, again, to offend someone, but this is the story when you helped another a girl in a traumatic situation, yes, she is very remarkable, maybe on the contrary, sasha is overly neuroticizing herself, and anna is also being neuroticized, that a good specialist will say this and maybe really don’t be

surprised if he advises you that sasha should step away from this for a while problems, so once again, you ask how, yes, well, about this, how to work with this first level and books, there is this, well, a little bit, just approach it without fanaticism and give yourself time to work it out, various specialists, hypnosis, not hypnosis, cpt, not cpt, pick up the keys to this door, but in order to pick up the keys to it, you must first move aside the closet that is blocking this door, and this closet is called i am normal, i have no problems, or my wife is normal, she has no problems, she’s just fooling around, and as soon as this closet moves towards this keyhole, you have the opportunity to select different... keys, giving yourself time for this, and maybe, maybe, sash, you should accept this hypothesis, that by taking a step back and saying to anya something like: “i’m with you,

when you need me, but please contact me, i won’t get involved in your problem anymore for now, if you need me, please tell me, yes, so that you don’t feel loneliness and constantly don’t feeling your tension and maybe, anh, how do you like this position, i don’t know, you need to try everything, try it on, yes, i very much agree with this phrase that it’s better to try and see what happens, and maybe this now your tension will not make anya additionally neurotic. dear friends, it is important to draw some conclusions at the end of each psychological consultation. so let's start with anna, please tell me what was valuable , interesting, important for you, if... try this , maybe even say it out loud before each trip, then excuse me, i ’m going to scream, get nervous, yes, cry, class, yes, that is, try this option

, pronounce it, keep it out of yourself, so what, now there may be some situations, i will be nervous, we will try not to do this to do, but somehow in jest. this is at the beginning of the trip, it can be a joke, or it can be not a joke, yes, it is important to remember that what is happening to you is not bad, just say it out loud, my outbursts of panic are not bad, my outbursts and panics are not eating is bad. yes, i ’m not bad because of them, i’m not bad because of them, i ’m just sick, i’m just sick, how do you say this, how does it feel? usually, normal, good, this is a comfortable state, but for a normal person, alexander, did you take anything important for yourself? i was convinced of the fact that my wife is special is super, and the fact that i probably need to step away somehow, i still don’t understand how to do this so that she can find it herself.

yes, that is, you are also nearby, you all interact, just once again , we are less nervous when we don’t think that what is happening is a disaster, but because a disaster is such, you know, an absolute assessment, that’s it, the end light, bad, trouble, horror, these assessments are incorrect, we rely on reality when we compare events between...' each other, it's not as good as i would like, but it can be worse, yes, and when we remind ourselves of this that this can be, and does happen, in general it can be worse, yes, it can be better, and we’ll go there, that’s it, but it’s just like this now, we have a lot more resources , because the nervous system is not stressed, we have more resources to do something about the situation that ’s happening to us now, yeah, thank you , and thank you, dear friends, for coming, once again, those who want to... become stronger, well done, friends, this was a psychic podcast in which we traditionally looked

for these very keys to cabinets, drawers and chests of drawers, in which our souls, our problems lie, sometimes you just need to really move the furniture a little to see the secret ones exit doors, he will definitely be found, in any case, clinical psychologist, candidate of psychological sciences, mikhail khors, believes in this and suggests the right direction, what and what to look for, friends, you can watch all episodes of the podcast lab project on the website first channel 1tv.ru. hello, dear friends, the melody of my life podcast is on air, today i have a wonderful guest, theater and film artist, people's artist of russia, alexander sergeevich

poshutin, hello, alexander sergeevich, sergei asokin is with us today and we will talk about you , about your life, but so that the conversation turns out to be easy and relaxed through music, because music best preserves our memories, when you hear this or that melody, the whole picture with small details is immediately remembered, moskvich were born in moscow during the war in 1943 and naturally i have a simple question, the melody of childhood, how would you characterize your childhood, the melody of childhood, well, in the yard there were ropes stretched and sheets hanging, so i was giving a concert, i just didn’t move out and said, hello, sasha poshutin is speaking, and my little children were sitting, like this... he was speaking, and then my mother, it was, in my opinion, i was in the first or second grade, took me to the moscow city house

of pioneers, this is pirulyk stopani building 6, excellent i know, yes, in the kirov ensemble, of course, vladimir sergegevich loktev, a great teacher, he took me to this choir, to the ensemble, there was a singing choir, and they sang, and there was an orchestra, and there was a dance group, here i am in this... ensemble it was 4 years that we drank, firstly, the venues, what they were, the column hall of the house of the unions, the conservatory, the tchaikovsky hall, and the bolshoi theater union of the ussr, i sang on the stage of the bolshoi theater, here, but come on let’s remember how it was almost 80 years ago, why not, yes, that means they were drinking about the party, he was still alive, that means, stalin, parties, deer, for example, there was one song, when the ensemble was standing , seven boys came out on one side,

on the other side seven boys came out in front of the orchestra and sang about the party, so, glory to the fighters, now just a second, let's see , glory to the gentlemen, that they stood up for the truth, carried the banner of freedom high, they created our party, they led us to the cherished goal, to the cherished goal. this is vano moradeli, the poems in my opinion, if i’m not mistaken by mikhalkov, i don’t remember, honestly, probably, well, probably, yes, yes, they sang such songs, in general, the time was, on the one hand , difficult, post-war, on the other hand, this was such a bright piece in my life, here was an ensemble,

moscow, there was even one song where i was a soloist in one song. i sang young moskvich, you and i live next to the kremlin stars. the first time it was shown on shablovka, we came to television, we didn’t have a tv, my mother came to visit somewhere, they showed it, when the long shot, mom says, here’s my, there’s my, here’s my lop-ears, and what do i have? my ears are like that, that means i was standing in the choir and sang, it was at shabolovka, the first performance on television , in my opinion it was... it was the year fifty-two, fifty- three, like that, then alexander sergeevich grew up, the student youth festival, and remember the main song there was, but before the festival, vasily paloch from solovyov sedov and let’s go back a little, at the svorov school i knew that i sang in

the choir, i was a lead singer, i was a drummer and sang, walked in the village. our company was walking near the village , i’ll lead you, i’ll lead you past the siege of the garden, past girls in the garden, and past the girls in the garden, this is what we sang, then there was a festival, i remember very well, 1957, i think, and they sang a great song, which became almost our anthem in general, well, in the songs abroad, moscow evenings. well, this is vasily pavlovichivoy on matusovsky's poems by mikhail, i want to tell you that this is a magnificent example of our truly true melody, yes, how it touched the whole world, the whole world sang the song to the muscovites, let's remember how beautiful it was, a duet not heard in the garden even the rustling sounds, everything here is frozen. morning,

if you knew how dear the evenings near moscow are to me, if you knew how dear the evenings near moscow are to me, here’s a verse that many people discussed, because it contains such words, let’s skip one about the river, here’s the next one, remember, why are you, dear , you look askance, askance , bowed your head low, it’s difficult to say, or not to say,

that’s how pleasant it was to deal with a sleeping person, yes, what songs, yes! give him a brief description, professional qualities, such a good reaction, brilliant command of german, i was born in the urals village, i’m from a christian family, i’m arrogant, i killed the colonel and the mayor, now

i’ll kill a colonel every day, it seems to me that my character is rather weak. i really want to add, eliminating kokh is of great political importance, is it worth risking such valuable agents for the sake of eliminating kokh, based on real events, a real intelligence officer must be ready for anything. serial film, soon , on the first one, he is the enemy, and you fell in love with him like a cat, you get pleasure, you are watching on the podcast, the melody of my life, visiting today i, the host of this podcast, valery syutkin, have people’s artist of russia, alexander poshutin.

alexander sergeevich, well, let’s continue with what influenced your choice of profession , how you decided to throw in your lot with the acting profession, well, i told this more than once, we had a voice mutation, 12, then we sang, we sang in the cold, let’s go, it’s cold, cons, we had to sing and... i became a little bit there, we had a theater club where there were senior students and there was this kapitalina maksimovna, i have a bad memory, this is what i remember, she she led the circle, she was an actress at the koltsov drama theater, and i liked it so much, i came, she accepted me into this circle, i played some kind of janitor, there were two phrases, but i liked it, the beard, the mustache, the atmosphere, the theater, that’s it she... she injected me with this vaccine, i had already been disabled for 5 years , i knew that in moscow there was a studio at

the stanislavsky theater, where they take people after the eighth grade, i wrote a letter, i received a letter, and from the theater, dear friend, sasha, come, we will listen to you, if you come to us, we we’ll take you, i, here i am leaving the suvarov school, having studied... i’ve been entering this studio at the stanislavsky theater for 5 years, where inna chyurikova, nikita mikhalkov, zhenya steblov studied at that time, what wonderful artists, in short, and then everything started spinning, they took me and i connected my life with the theater , and what was the primary theater or cinema in your beginning, you know, of course, there was the theater, but any actor always wanted, wanted to act in films, so why sin? we all want to be known, to be popular, so that they would greet us , smile at us, well, in general, then this is cinema, this is magic cinema, so at the same time i

worked in the theater, i started making films, theater, what kind of theater was it? gogal theater, gogal theater, i once called you as an artist of the most council, yes, then there was the ermola theater at fokin’s, then the mossovet theater, 15 years old, and debut in cinema, there was such a picture by peter... dororovsky, an urban romance, yeah, this was the first such role, he invited me to play the role, and it was funny, i was in the crowd, and zhenya kindinov played the main role, and i was already an actor, and my wife and i were talking during a break , and i was telling, i had these mittens with an elastic band, an adult, mittens with an elastic band, we all had mittens with elastic bands , those who born, and in short, and todorovsky asked zhenya , listen, zhenik, what is this, he says: “an actor, a good actor, a good actor,” said zhenya, thank him very much and todorovsky invited me to play this role, dr. creech , then there was a film award for mikalyan, that’s where

one of the central roles really was, leonov, dzhegarkhan, samoilov, there was a big role, and then, as they say on the train , then with all the stops, i really love one of these last works of grymov, three sisters, i love this movie, it’s just one of my favorites. blada, war films, well, in general, i should anger god, look, suvorov’s bearing for life, yes , remains in a person, a truly masculine attitude towards life, if you ask the melody of love, the melody of love of alexander pashutin, what is it, if you say about love, an amazing song, on poems good morals tenderness, remember?

oh, well, of course, i, as a boy born in the late fifties, first remembered it like that, in the performance of tatyana doronina in the film lioznova, there about the eyes of efremov, how they played, olek nikolaevich, in general the film is great, a great film, yes, but the song , nikolaevna and nikolai nikolaevich are kind, in this song, by the way, it should be noted that sergei grebennikov, also uncle kolya’s constant co-author, took part and i was absolutely shocked by their story about how tenderness created, because nikolai nikolaevich wrote the poem at the beginning, there is no rhyme in it, it is a kind of cry from the soul, and for... in the presentation , because many said, nikolai nikolaevich, what are you talking about, we have our own heroes,

there, he says, it’s important for me. this is a pilot, an aviator, a poet, he first looked through the eyes of a poet from the sky and continues to look there, therefore, if there is no exeperi, there will be no song, imagine how nikolai nikolaevich, kindness showed, and alexandra nikolaevna wrote a melody, and may kristallinskaya began to perform it, and you know, everyone then noted, it’s hard for me to judge, i’m only based on the stories that the song didn’t produce... a crore at the beginning, it was kind of complicated, but after the film everything coincided, and maya vladimirovna kristolinskaya continued, because she understood the genius of the impact of this song, this was yuri gagarin’s favorite song, then, because well, let’s sing that we, this is of course, after maya vladimirovna kristolinskaya, sing according to how in

performance we are not with... the earth has sat down without you, how can i live for a few hours, the same way falls in leaves, gardens, and somewhere else... walking taxi, only empty on the earth, alone without yourself, and you, you fly and you, the stars give their tenderness, it was just as empty on the earth, and

when exupery flew, they also served two in the gardens, and the earth could not figure out how for her to live without him, while he flew and flew, the stars gave him their tenderness, well , it’s amazing, look how you can easily understand when this song was written, and you know, as in the second line, the earth was empty without you, like me live for a few hours, then they flew for several hours, now they fly,

how many? for six months, for six months, for six months, you know, relatively connecting the name of our program, the melody of my life and space, i can tell you that this is how humanity works, they remember, pioneers, ask anyone, a schoolchild today, name the astronauts, they will name it, it’s clear, lionov, tireshkova, komarov egorov and i knew boris egorov because he was natasha’s husband, yes, we were filming with her and i was in their house, that’s a whole story, he gave me his photograph, sasha, thank you, there at home i have egorova, yes boris, yes, a great team, and i was lucky enough to be more

familiar with alexey than lionov, in general, he told me about this spacewalk, the first, what level the feats were, because no one didn’t know how it was, he said that the spacesuit, the spacesuit, when he went into outer space, the first man on the globe, he says, he did it, fluff, and he says, i’m so fluffy enough, and in simple terms, such instant epilation of the whole body, such pain and it’s shocking and incomprehensible in general that pressure, he... well, there were such people, we need a wonderful actress in the country now, yulia peresil, yes, yes, well done, 10 days in general is a feat, it’s like going through such training there, in general, no, well this is crazy, together with the director, well, the director , after all, is a woman in space, by the way, tenderness is cemented there, what magnitude are the melodies of ulexander pakhmantava, what are the poems from

nikolai. and i also adore her belovezhskaya pushcha, it was aleksanna nikolaevna who wrote our people, their folk songs, she after all. permanent collaborator with uncle kolya, they are husband and wife, but she had them as girls, you remember, the old maple, the old maple, the old maple, the glass is knocking, inviting us for a walk, and what, and what, and what, the accordion is light , from the fact that you are walking along the alley. and why, and what, and why does the accordion sing, because someone loves harmonies, you understand,

these are great composers for me who could write a melody, because today these melodies, how you came, i came , you and i are two. this is rap - it's not for me, this is not for me, but we won’t ask you something that is unpleasant, but still, we remembered this bright feeling of love thanks to this song, and when alexander sergeevich is sad, we’ll joke that i’m never sad, well, that’s wonderful, but still, when there is sadness, well, sometimes, there is a bright sadness, there was such a song, now ... at night outside the window, silence, remember, well, this is the old school, victor arlov, eduard kolmanovsky, seryozha, such, no, not difficult, at night outside the window, blizzard, blizzard, white,

restless snow, you live, you live wipe out the lands, you don’t remember, i realize you won’t even send letters, the memory is no longer needed by the nightly nightly city will bring silence, let’s repeat the chorus , i don’t even know the letters... the memory is no longer needed by the city that is no longer needed , silence wanders, and how we parted ways, we’re good,

in my opinion, yes, school loksev, but i didn’t have one like that, i just sang a lot, a lot from... soviet films, naturally, my memory reproduces everything at once, so i still had a picture of this song, from a completely different angle, so humorously sarcastic, this there was a cartoon, the story of a crime, remember , black and white, a person was not allowed to sleep there, all the time, the faucet was dripping, and there a large company entered the elevator, went up the elevator and out the door, to this song at night... in the city rushes, so they pretend to be people having fun, silence, and the door slams, and he jumps again, why was the cartoon called the story of a crime, because at the end he still hit some neighbor there with a frying pan because

he was sleeping no, alexander sergeevich, that’s what you sing at home, with your beloved, at home, well, if to be honest, i have a concert program, 20 different songs, i rehearse once, i love oleg mityaev very much, i love him very much, yes, i sing him, he allowed me a song, i say, oleg, he says, sing, alexander sergeevich, oleg, thank you very much, i sing, and he, you know, makes humor at me too, he has a song there, friendship is 24/7, and he says that valer, it was you who helped me, friendship is 24/7, that’s how we are we are also very close friends with him and but regarding friendship around the clock, you know who said that, right? he said this when svetlov called his friend at night, uh-huh, he said, listen, what wonderful poems i wrote, he says,

well, mish, why are you calling, well, we are friends, why are you calling, 4: 00 am, he says, sorry, old man, for me friendship is a 24-hour concept, mikhail svetlov said it, he even has it in his book... it’s written, well, just in case, well, of course, alexander sergeevich, by the way, i know your , half, with lyuba, she brought me a lot of work as an administrator. for that thank you very much, lyuba, by the way, she said hello to you, thank you, mutual greetings too, that’s when you and lyuba feel good, and you want to enjoy life, it sounds like, well, it’s actually a carnival night, i love this film, i saw this film in 1956 , of course, everyone was in love with lyusya gurchenko, young, beautiful, talented, and did i think that years would pass and he and i would act in the same film, the second attempt... viktor krokhin at sheshukov’s lenfilm, at

her a colossal sense of humor, yes, she is like that, i’m not talking about energy at all, i’m just so occasionally, you know, somewhere, someone bumped into her, someone gave her a strong russian swearing expression, and then again: oh, excuse me, lyudimira, she says that you, that you, i come to life at this word, so so so, immediate lightness, and for me, too , this picture, well, firstly, this is eldar riyanov. yes, and eldar aleksandrovich, my favorite, like this, after all, gaidai’s humor is in no way a criticism, i, too , of course, adore everything that leonid gaidai did, but it’s more a comedy of such trick positions, and aldasanovich’s he has everything films, well, here’s my favorite zigzag of luck, i ’m generally full of it there, it seems to be made on some very delicate charm.

his humor is eldar ryazanov, it’s just that they remembered the carnival night, of course, better than lyudmila markovna, no one sings this, but you and i have a good duet , by the way, we can get organized today, we can perform a concert program together, lyuba, in general, there is something to work on, let's remember how i'll sing you a song about 5 minutes, i sing this song of mine, let it fly around the world, i give you a song, this song about 5 minutes, 5 minutes, 5 minutes, 5 minutes, 5 minutes to be heard soon, 5 minutes, 5 minutes , 5 minutes, 5 minutes, grab those who are soon, 5 minutes, 5 minutes to figure it out,

the author of this song is anatoly lepin, he is anastas lepins, he is latvian , he wrote the anthem for the latvian republic, the ussr, then the latvian ussr was, well, the author of the text, vladimir, is here. but i really liked the story that when this song was brought to eldarunov on the set, the young pianist of the eddie rosner orchestra, led by the pianist yuri saulsky, yuri sergeevich, the same one who the black cat was immortalized by the tweet, so he was categorically indignant, he said: “we are jazz musicians, that’s what youth means, you always want something fashionable, but they brought this”

they expected from the young lepin was not 50 years old even then he was so young then here and the song happened, of course, thanks to the performance, but it’s all together, it’s a big job, like films. this is a collective great work again , hello, you are watching the podcast melody of my life, i am its host valery syutkin and today we are talking about the main melodies of life alexandra poshutina. alexander sergeevich, i can’t ask about the children and grandchildren, because they have to continue what their grandfather started. well, two daughters, seven grandchildren, three grandchildren and

four granddaughters, some are already at the institute, some are at school, and one is my beloved nastya andropova, she is in graduate school at the diplomatic academy, studying, so i am very proud of her all, but especially for her, so, in the acting profession , no, no, no, no, no, it’s only when, like you, as you said, the virus is viral. no, you're rotten, everything's fine, tell me, and naturally, there is work, there is work, there are filming, performances , we are preparing a play, olya annokhina is staging a play, fragments of show business, an enterprise, babkina invited

her to her quiet don to play a role, so i’m preparing there, well, it’s difficult sholokhov, everyone there is like that words, such as for... no, there is work, there is work, this is important, i always, when i met my creative teacher, mikhail mikhailovich zhivanevsky, on his birthday, i always dialed the number on march 6, and he said, valer, yes don't wish me health well, that’s what health is, wish for work, there will be work, i will be healthy, to some extent, there is a lot in his words. well, i always said you are our lighthouse zeldin vladimir mikhailovich, who played until he was 101 years old, he danced for 100 years, yes, yes, performing , yes, he was an amazing actor , he was an amazing person, the kindest,

he just had such an amazing human field, here so work, work, well, our generation is like that. but you know, i’ll tell you too, at the end of the program, as a compliment, uh, this is for our tv viewers, here’s alexander sergeevich joke, over 80, what a form and what a readiness to enjoy life and be useful, and life is measured not by the number of sighs and exhalations, but by the number of moments that take your breath away, so good spirits to all of us, thank you, but we will meet again on stage we will definitely sing together, we will definitely sing together with our viewers, because as long as a person sings, he is strong, i am absolutely sure of this, thank you, see you again, this was a podcast of the melody of my

life. hello, this is the witness podcast from einstein and its leading film historians natalya ryabchikova and stanislav dedinsky, we talk about who and how created watched cult , famous, little-known, forgotten soviet films, this is a school of moviegoers, where we reveal the secrets of film archives and tell why watch soviet cinema now, like his better understand how to find new meanings in it and get maximum pleasure from it, and today we will talk about films that were created and watched during the great patriotic war. stanislav, where did it all begin, how are we entering this

topic, how do we enter into this concept of war cinema? well, i must say that as soon as the country learned that the great patriotic war had begun. a mass initiative begins from below, including among filmmakers, and the idea arises of creating, well, in general, an economically feasible film product that can be made in the current conditions, which are developing quickly, yes, because after all, filming a film, as we know, is usually very long processes, especially for a feature film, you need to approve the script, you need casting the actors, building the sets, and so on, in general it can take six months or a year. and even more, and the filmmakers, after thinking, decide that they need to shoot short films as quickly as possible and release them on the screen as soon as possible, so that, in addition to the newsreels that went on so endlessly, about how preparations are going on for the front, and today we will talk about this, also separately about front-line cameramen.