sheen's father, his real father, martin sheen. michael douglas, who played one of the main roles in the film, won an oscar for it. in radio conversations, stone comes from the actor. this is an adaptation of a one-man show written and performed by eric bogasyan, who performs in the spoken genre. the action of the one-act play is expanded due to the documentary narrative, talked to death, the life and murder of allan berg. the story of a radio commentator who built a program on dialogue with listeners live on air, who was killed after numerous threats to the american neo-fascists in 1984. stone moved the action from denver to dallas, this is the first look at okennedy's future film. radio conversations are the director's most radical film experiment. for me, it was a test of mastery of the profession, exercises to develop the director's muscles, the opportunity to try new ways of filming, working with

a very small troupe, strict discipline, six actors, a narrow set, almost like a film about a submarine or an elevator cabin, it was challenge for me, before i always preferred large canvases, now it was necessary to make a miniature, born on the 4th of july - a new rise in stone’s career, a rare second oscar for best director and eight nominations, including the most prestigious ones, for best... film, best role and best screenplay. stone based it on the autobiographical book of paralyzed vietnam veteran ron kovic, immediately following the platoon script. it seemed that the born was lucky. in the seventy-seventh year , the film was put into production, alpachina was invited to play the role of kovik, directed by the fashionable then directed by william friedkin. but 4 days before the start of filming, the project was stopped.

kovic recalled: it was a blow (as if i had been shot again . then oliver promised me that if i ever got the chance, i would break through and become a director, i would come back to you, ronnie. when stone returned 12 years later, he had the whole the power of hollywood. the film had 170 roles with text, the action covering a thirty-year period required a large-scale and expensive reconstruction, where the utmost accuracy of historical details was observed. after the victory. on the occasion of the 4th of july, stone had carte blanche for any painting. stone directed the forty-camera blockbuster group dors doors. this project has been in development in hollywood for a decade. among the possible directors of the film, the names of frances kopala, martin scarceza, and brian de palma were mentioned. tom cruise, christopher lambert and the lead singers of the youtube group were considered for the role of the leader of the dors rockidol group jim morison.

bona. having received the production, stone cast little-known actor val kilmer in the lead role. it was not only his appearance that struck him similarity with morrison, but also vocal. because the original dors recordings were used in the film, the director insisted that kilmer's vocals be overdubbed over morison's. according to his idea, an actor should be free from the need to get into someone else's soundtrack. titanic efforts were made to recreate it in the smallest detail. right down to the names and addresses on phone bills, even if they are not visible on the screen. but the picture was received with caution. part of the audience accused stone of insulting morison, and over the years, more and more acquiring in america the features of a national symbol. more categorical than the others was the second person in the dors group, keyboardist ray manzarek, who did not soften even after his role in the quartine was played by the common favorite kyle mclahon, agent cooper, who hated the

youth culture of the sixties. oliver was in vietnam, while here at home, hippies smoked weed and made free love. he envied them and the dors group became his target. the release of gfk was accompanied by an avalanche of nominations. eight, among them again the main ones for best film, best director and best scenario. and a storm of indignation in the media. stone was accused of deception. audience, the film was called a grandiose falsification of national history, in response to the shots fired in dallas , the director 30 years later brought down on the viewer a barrage of fire, rapid editing in the style of rock videos, brilliant acting, a whole host of stars scattered around the ass and the irresistible all-american kevin costner in the leading role, they gave at least the controversial version of the assassination of president kennedy, the strength of the persuasiveness of a historical document, in

in the case of gfk, the situation is completely special. the film came after 30 years of government propaganda insisting on the single killer theory. we had the oren commission, the findings of which were considered satisfactory by the media, there were many television programs, many newspaper articles that supported the commission. my film came about as a backlash over the years. of course, i attacked them with all the force and fury that i could muster, because considering the commission's statements to be nonsense, there was no room in this film for official positions, it already runs 3:8 minutes, besides,

i believe that the official position is already well known, they had a lot of television time, prestigious time, to express their views. in fact, i was attacked by establishment-oriented criticism for the fact that i did not show their position in the film, here is my answer: they had 30 years to boil down their crap, which is why they stared like never before. in my opinion, cinema is, first of all, a direct, immediate experience, and it must be made so convincingly, so powerfully, so captivating as can be. if you 're making a love story, then make a love story, you want the audience... to like your characters, so that they care about them. and when you make a political film like gfk, again you want the audience to care, this is not a documentary, this is not a television debate where you have to calmly weigh the arguments of each side. i believe that not one of those who goes to the cinema

will think later that everything he saw is the pure truth, and if it is, then it should be see what's going on with his head. the picture had a direct impact on politics. under the influence of the film, congress passed a special legislative act that declassified a number of documents related to the assassination of president kennedy. the only reason the film had an impact is because the people who had been lying to the american people for so many years began to realize that their arguments were so weak and unconvincing that they immediately needed to be backed up with something. as soon as the picture appeared on the screen, it was attacked by flurry of attacks. and then, suddenly, unexpectedly, they released new information that supported their theory of a single killer. i think that 's the only reason they declassified the materials. suddenly, after so many years of inaction and indifference to the kennedy case, congress decided to open

the so-called archives on the case to the american public. but they didn't. what they did was accept. but let's say this is the fact of recognizing the right of the american people to history, to their own history, although 30 years later, they recognized this right, they passed a legislative act, but they did not declassify all the documents, they simply squeeze them out drop by drop, today, when almost 2 years have passed, they have released only a few pages, i think 10 or 5% of that classified archive, but at least this is an admission, but to be fair, in russia and say in eastern germany, romania and other eastern european countries, there is the possibility of much greater

access to government archives than we have in america, the kind of openness that mr. stone envies today existed in us not always, for example, he first appeared on the soviet screen under the heading of an american dissident. the progressive cinema of america stood up in defense of the national liberation struggle, protesting against us expansion on the burning continent. it was not by chance that expansionism was remembered. a friendly salvo from the guns of counter-propaganda was prepared as a cover for the ussr’s own activity in latin american countries ; shells with ideological filling, according to the old tradition of hitting the enemy. weapons were purchased from the united states itself. goskino took out from america everything that was listed progressive on the topic of us intervention in latin american internal affairs. there weren't many american films in our box office back then. and this group clearly walked in a group

that was noticeable immediately and from afar. probably, stone was luckier than anyone else, who was enthusiastically described as not just ideologically close, but downright a communist. leningradsky newspaper. the image of an american film bolshevik. oliver stone once admitted that carter’s defeat, scandal and events in iran forced him to sharply change his views, and if earlier he thought about world in the categories of the fifties, now he is characterized as a leftist, and moreover, as a communist. as for my political development, it would be correct to say that i grew up with a solid worldview , which came to me from my father, from my upbringing, it was a solid ideology, something

i received in a ready-made form, and did not come with experience, for the most part here the cold war took its toll, i grew up in america in the fifties, and my father, with the best intentions, taught me to fear the russians and their nuclear war. i grew up hating communism and state control of society, and this was partly my motivation for volunteering in vietnam, but as i discovered the world, gained impressions, met people, moved from country to country, i became more tolerant, experience communication with the world made me less and i always considered the greatest ideologists in history the most dangerous people

, because they do not live in the real world, be it hitler closed in his claustrophobic thinking, or stalin or khomeini in iran, or mr. reagan in his california, people who tend to be ideological can be very dangerous, while those who go out into the world to meet others. tend to be free-thinking and tolerant, so i believe that politically i move not so much from right to left, but from ideology to participation, involvement in the world, and if you are involved in the world, you have to be forgiving, not only to others, but to yourself , season premiere, binge: star, on sunday on the first.

montechoca cognac, a product of the stellar group. the sixties were difficult for me, i twice visited vietnam, i then rebelled against the whole world, at the age of 19 i wrote a book , a long autobiographical novel about my first trip to asia, it was a huge book with a thousand pages, it was of course crazy, but i considered myself terribly talented. they didn't publish it, and i took it too personally, and

went to vietnam a second time. they almost killed me there, i returned home in 1969 and plunged into a turbulent existence. i used drugs, dated random people. i lived in new york, i had many adventures, but in the end i. it was the film department at new york university, where my interests gradually began to focus, and not just in writing. i enjoyed it again, but i didn't want to write any more novels. then it seemed that the time for romance had passed. i believed that cinema was a more suitable activity for my generation.

what's next? let's ask the director what he thinks? i went to new york university in what was called the wind support program. where the windows were broken, snow in winter flew out the window and lay in a heap on the floor, at first i was very skeptical about it. but i must say that new york university had a great film school, it was imbued with a sense of energy and meaning, there were many wonderful teachers there, one of them was very young, a little older than us, his name was martis corseza, i remember that he had long hair to his shoulders, he had

a frantic temperament, energy, like rasputin. and he tried to instill in us that cinema should be taken seriously, as a work of art, he knew very well cinema, especially old american cinema, at that time there was no video recording, or rather home video recorders, like today, so when old films were shown in new york on television, and this usually happened at 2.5 or 4:00 and so in the morning he came to the audience completely exhausted with a white face, because he never went to bed at night so as not to miss the old film, he could describe in detail every scene, how it was shot, he taught us a lot about working

with the camera, how to do cinema, i left in my first year of school in films, the scripts i wrote at the beginning of my career were directed by others. i must say that my arguments are my scenario ones. ideas were always either changed, or lost, or somehow adapted to the individual vision of each of the directors , their arguments often did not coincide with mine, allan parker did a great job on midnight express, but i imagined this film completely differently, looking back on midnight

express, i still believe that the turkish system. clearly uncontrollable, they are being taken out there senseless, random verdicts, which opens the way to monstrous corruption, but we must not forget that human rights are violated all over the world, i did not intend to present turkey as the only country in the world where human rights are not respected, but i was struck by the scale of lawlessness. the very idea that the hero of the film could get 30 years for the charges that were brought against him seems crazy, but my script, which, unfortunately, was never successfully transferred to the screen, made it clear that turkish justice had its own special

sense of humor, this left the picture, i think it was allan’s fault, he promoted the savagery and ruthlessness of this order, on the one hand, strengthening the picture, but on the other, weakening it with a complete lack of humor, which is so characteristic of the turks, the turks are a very cheerful people, in the film doesn’t have this, for conon the barbarian, i wrote an absolutely crazy first version of the script, its production would have cost i loved robert howard’s books about conon, in the place of the hero i imagined tarzan rather than bodybuilder arnold schwarzenegger, script seriously reworked by director john milius, partly this was due to the need to meet the budget , one way or another, this is not the film as i wrote it,

but it turned out to be a good opportunity to introduce schwarzenegger to a world audience, it’s a pity that the italian one just prevailed .. .scarface seemed to me to be a more realistic picture than brian de palma made it, a kind of street opera, but his visual nature is different from mine, he made the film a little less realistic, a little more theatrical, he adapted the script to my needs, i 'm not going to say that it... we worked wonderfully together with michael jimin on the film year of the dragon. our film was based on a book with a distinct genre formula, i never liked it. the reason i agreed to work with

him was because michael encouraged me to make a platoon. it was a deal of sorts. i will write the year of the dragon, and he, in turn , will become the producer of the platoon. as you can imagine, his ideas were again much different from those in my script. american criticism often calls my films too noisy, of course, not in the literal sense, but i can’t make films for critics, i make them for myself, this is mine, this is my style, there probably exists a certain law of attraction that unites everything my. in my opinion, they are all about a hero, a hero who seeks to find his soul, his

soul is either threatened by something, or lost, or captured, and he needs to find his consciousness, become whole, bringing together his scattered inner self, i think that's true. if you remember the doors, there jim morison, refusing to recognize any limits, is looking for something that will give meaning to his life, some kind of purpose, if you take mr. garrison from gfk, who is trying to be honest, no matter what it doesn’t do to him standing in a world that seems to him corrupted to the point of losing common sense, or charlie sheen in a platoon, where in the jungle what he knew and believed in has lost its meaning, and he is trying to find the tar again. himself or tom cruise born on the 4th of july who doesn't understand why it was taken away from him

body and wants to restore its integrity, regain its soul, or in wall street, charlie sheen again loses himself in powerlessness before choosing between the values ​​of michael douglas and the ideals of his father. my new film, heaven and earth, which is in russia. have not yet seen, this is the story of a woman who experiences enormous suffering, gradually she comes to understand why she suffers, what is the meaning of her life, she seeks the answer to this question in the film. i think this is what all my paintings have in common.

you asked to name the film which... more everything looks like me, and my answer will be this: i changed with each of my films, the me who shot salvador in 1985 is very little like me today, but i grew up with each of my films, they expanded my horizons in the most unexpected ways thus, for example, when i made a platoon in the eighty-sixth, i had to re -figure myself out. experience of an american soldier, recently in ninety-three i shot a picture of heaven and earth, which i

like, it’s a film about a vietnamese peasant woman, probably today this is my most mature work, and this woman, who at first glance does not look like me at all, actually has a lot in common with me. oliver stone, who directed platoon and was born on the 4th of july, presents the third film in his outstanding trilogy, heaven and earth, based on true facts, a story about a woman's journey on the road to freedom, my family lived in a small... village, in the shadow of a mountain, in those times when there was no war. i remember that working next to my mother in the field, i knew that not a single grain of rice - a symbol of life -

should be lost. then the soldiers came, i fought to stay together, my village and my family, we are soldiers of the liberation army, help us win this war and you will keep your property everything you love, in the face of fear, in the fog of betrayal, i wanted to remain strong, before my eyes the village has changed forever, i remembered the words of consolation that my father told me, goodness is what is not... respect for ancestors, love for family. evil is what comes between you and what you love. i met a man and his kindness made me me to forget about the past. these are my mother's eight dogs, the eight ugliest dogs in all the states. he wanted me to become his wife, he took me with him to america.

had to fight again, you said after 2 years, after 2 years, no, no, no, to build a house for my children, to help my husband find peace, the strength to do this, i found in the wisdom of my father, no hold on to the past and say goodbye, keep your love at all costs, and don’t give your freedom to anyone. this is the war i had to fight to fight is a victory won by me, gian chen, tommy lee jones, oscar winner hekengor, for the first time on screen thile, in the role of lelai. peace is not the end of the war, between man and woman, between heaven and earth.

i want to say that i would never have made heaven and earth in 1985 , i was a different person then, i would not have been able to come up with such a movie then, but today it has become a part of my life, because i have changed and the films i made have entered into me, or to put it another way, they grew inside me, so i became a part of them. i don't believe that hatred is precious. you can come to success, the path of hatred and revenge is the path of death. the only road open to people is the path of forgiveness. we must accept the world as it is. we must admit that pain and suffering are inevitable in this world. it is easy to look for enemies; this is an integral part of nationalism. an outdated idea, which unfortunately is still in

use. which. the problems of the state - the central role that it assigns to itself in our life, continue to remain the main and in the west and in the east, we are fighting, people are fighting for the dignity of the individual, pitting individual responsibility against state control, this is true for both your country and my country, the state strives for more and more power over our lives in order to make its life is whatever you want, therefore hatred of the enemy, fear, fear, all this is garbage, only garbage that prevents us from living, they are destructive, they do not exist as something independent, separate, these are just shadows, unfortunately, this

there is only one way to deal with this world, we must overcome it, and i think, with the ghost, we need to turn within ourselves, i try to do this with the help of my films, but it is also possible through reflection or knowledge, then we will defeat this ghost, this is a special machine that can print with living cells to restore the function of lost organ tissue, you can take... skin cells, fibroblasts, place them in collagen and print something that promotes skin regeneration, then it is replaced by real our living skin. the face recognition system searches for a frame, while searching for a frame we try to determine if there is a face in this frame? have i already been added to the database? yes, why doesn’t he recognize me? this is how our system works, it can only recognize your living face. what are we going to do?

now we will mix the mask for... and we will additionally color it with various pigments, we do not test cosmetics on animals, we only test on people, when you are at the address, a big premiere, our everything, tomorrow, on the first. veda vodka, a product of the stellar group. when you want, you can. who approved chips? as you can see, our family is all so plump. i say, starting from monday, we’ll all go to school. you understand that you must have a conscience, a sense of self-preservation in general, that the master is in front of you. i start cooking, eating, he comes, sits with me, and at the same time he can stand up for himself, and eat anything , you saw the video, watch with us, the premiere, on sunday on the first, nothing in

your life may be more important than today's decision, it all depends on you. performance that for an artist stone is too much of a dogmatist and moralist, they disappear at the first glance at his career. there are not only significant differences between the film about konon and the film about kennedy, there is an abyss between them. over her, like over the black chasm of a huge cinema hall, a thin projection beam is thrown, in this beam the will of the director is focused, equating the experience of cinema with the experience of a real, truly lived life.

probably everything you shoot, everything you write, in a certain sense, is connected with biography. it's a kind of autobiography it is always about you, even when you try to get rid of yourself in order to convey the experience of others. the guises are different, but the suffering is the same, suffering, hope, these feelings, these states of the soul are not emotions, they are just a state of the soul, they are universal. they belong to the realm of what jung called the collective unconscious. there is a relationship between all things in the world. when you address yourself, i hope you are addressing all of

humanity. if you are at peace with yourself, then you are not at odds with the world. if you can accept to love yourself, you will accept you will love the rest of the world. this is true. and that means a step inside into the depths of oneself is the first real step into the world. to this world with thrown, like dog without a bone and hactor out alone, riders on the storm, there's a killer on the road, his

brain is squirming like toad, take a long holiday, let your children play. united colors by olivier toscani, there are some things that are not commonly seen, that are not discussed, and my job is to make people look at those things. advertising is needed only for a person to think, understand, laugh, cry, united colors. the end of the century according to gotfrey reggio. metaphysically, we are from different worlds, but

we feel much the same. i mean, our world is turning into one big disneyland, into something artificial, we need more crazy people who could reflect this, more clearly, matador next friday on the first.

what a beauty, there is snow on the right, snow on the left, everything is covered in snow, here a man lives, wants something, does something, writes, but 100-200 years will pass, and nothing will be covered with snow, like do you think? oh, if i could hate you, but we should not part, when will we see each other, i don’t know, someday, but tomorrow , where, here, good, good, very good, hey everyone, vadimin is with you, no i need you to take me off, please, i’ll throw the shot.

and if he kills you, if you shoot first, he asked for it ten steps away, why don’t you understand , this story must end once and for all, or he or i, well, okay, okay, you’ll kill him, sir, don’t have mercy on you, what’s siberia? dishonor is worse, but siberia, well, there a wonderful company of ants has gathered, the apostle, volkonsky, kuchelbeken, you can write everywhere, and if not, it’s also not a problem, now we have a bulgarian in high esteem, a bulgarian, a bulgarian in 200 years, no one will remember, far away in a month, in 20 years won’t remember, but you will, who knows what it is?

this is pushkin's watch, they say it stopped when pushkin died, my grandfather told me, i borrowed it from him, for a while, tell me honestly, well, what do you have there, fedey, but nothing, they remembered how we were bombed yesterday by pushkin , so share with us your memories of what you prepared there, but i don’t enjoy your pushkin, but i always get excited about it, it has more drive, more life, you can glue fins together from pushkin, that’s all, guys, now there’s going to be a show, even though the burden is heavy at times, the cart moves easily, the driver is dashing, gray time is lucky and will not get off the ray, in the morning we sit in the cart, we want to break our heads, and despising the lei, we shout: stop, that’s it, stop, break.

everything is a break, this is not a topic of reason now, so stop this disgrace, we have pushkin a lyceum, not a circus school, let us have it in the evening. it will pass, perfect, uh-huh, gray-haired, well, as long as possible, well, let’s agree , today there’s no earphones, what did i do, report the guns, guys, where, guys, hello, okay, that’s enough, give it back, guys,

damn.

it’s real, it’s a fool, you yourself are a fool, touch it, but this is not a museum, the snow is real, this is not teleportation. this is time travel, we are in the past, we need to get out of here, i will do something, what i will do , i don’t know, but this is a clock, what a clock, this is a clock, here, here, yes, what are you doing, where am i,

well, i heard a shot, what a strange dying vision this is, that azure, you just don’t keep quiet, we ’ll explain everything to you now, so gentlemen, disperse, i’m armed, what kind of one do you have, are you a fool, who is it? kakushkin, we see that nel, it was you who prepared a trick for the olympics, distracted attention for hours and bam, a living cannon right out of thin air, well done, well, well, i’m alive, and all this is not imagining it to me... i’m alive, only moved a little, yeah, 180 years ago, and you’re from the theater, or from your parents, forgive me, but listen, what tricks did you see like me and yegorom jumped for the clock, yeah, we caught it, which means bam we moved into the past, and time still stood still on the black river , well, yes, of course, we could have come up with something funnier, you’re a fool, look, our shoes

are wet , there’s his wife, alexander segevich, this is your watch, yes mine, hello, guys, this is of course all very witty, but we’re preparing about it, we need to continue watching the numbers, so you don’t understand me, you need to rehearse, please, guys, to the literature room, now i’ll explain everything to you, where i am i’m here, that’s all, that’s all, that’s all, the next one, hey everyone, vadim krasavin is with you and you’re watching my video blog, you won’t believe it, but we have a real pushkin on our face right now. this little fisherman, come on in, alexander sergeevich, well, what can we do here, can you imagine, what if he writes about 200 more poems, teach us, maybe let’s go back right, it’s a pity, the classics after all, let them stay intact, and if history

changes, google it just in case, but everything doesn’t seem to be fine, the door. black river, mortal wound, which means a bullet will hit him then, when he gets back, fix the story, pushkin is fussing, he needs a rescuer, oh god, dad, what year is it now? 2017, i urgently demand that i be returned back, the duel is not over yet, alexander sergevich, we understand everything, just what needs to be done to return? you need to throw them at the portrait to catch them when they bounce,

but what are you doing here? we are trying to bring pushkin back, so this is the real alexander sergeevich, this... and you want him back under the bullet? alexander sergeevich, you know that they are beating you there. so what now, change history? are you idiots or something, forget about history, it’s important to save alexander sergeevich now , especially since we have such an opportunity, he ’s a genius, dantes will kill me, no, uh, wound me, mortally, you can’t go there, real. you appeared riley, just bam and moved in time, if you want to see him in my video blog, then put your fingers up and subscribe to the channel, here they are here, please, oh, and i’m first under... he’s pranking me, they say, pushkin showed up for us, let me introduce myself, boris nikolaevich, director of this pushkinsky, by the way in

lyceum, very nice, alexander sergeevichkin, poet, i understand, this is really the real pushkin, alexander sergeevich, well, real, not real, winding is coming to us, why, live examination, what kind of examination, genetic, get ready. am i with you? gentlemen, i can’t stay here for long, i definitely really need to return, if you understand what honor is, you must help me, then i need to bring you back before the television arrives, but it doesn’t work out, but we need to return to where it happened v assembly hall for the portrait. thank you, dealer, spend it. me, well, in 2 minutes, a live broadcast of the best show, we have a person who

claims that he is a living pushkin, good afternoon, hello, we are in the name of alexander sergeevich pushkin, our best show comes out in a very amazing format, pushkin, who, as we know, is our everything, jumped over 200 years, and, as many say, ended up in this moscow face, but we don’t believe in it, we want to check, you like, we check, dear ladies and gentlemen, i... invite everyone to take part in this funny experiment, and maybe then we will all find out together why in the duel with kuchelbecker there were cranberries instead of cartridges, don’t switch, curse, and what to do now? hello, i am very pleased to see you. within the walls of our wonderful lyceum, let me introduce myself, yes, yes, i understand, quickly assemble the student hall, we need at least

the first release, heard, instantly, instantly, i ask you, your grandfather should know how to use the clock, where did he get this collection from? , he probably always goes into the past, well, yes, and steals old things, well, no need, well, he’s small, excuse me, but can i see your grandfather? of course, he will be very happy with you, he is our main pushkin scholar. when will they show it? right now, where is our hero? good afternoon, he's there. alexander serikevich, please, please,

good boy, traitor, what else. hey, we’re not playing with debt, we played, now he’s running away from us, it’s okay, we ’ll meet him again, we’ll plow right away, yes, alexander sergeevich, why are you all hiding from us, scared? you are a nobleman, i would challenge you to a duet, for what? the nobleman was frightened, this is impossible.