[000:00:00;00] come to training, rush to training, so i lived in the nevsky district in st. petersburg at that time, and we all had skating rinks on the petrograd side, it was an hour by tram at that time, but if you go with a transfer, jump from one route to another, 50 minutes, well, here i am, if i had a good book, or rather a textbook, that i needed to learn, then i... now i was choosing a place on the tram, i knew one place on the tram where there was such a special stove, that’s what i was waiting for, when this place is free, he quickly jumped up, i sat in the warmth and read, this desire to get into this atmosphere, to feel not only, then these are open skating rinks, not only the frost on

your cheeks, but also the desire to get... this communication with the coach, with the guys, that ’s probably what invited for these trainings, and uh, there was a desire to continue to practice as much as possible , well, then i was cunning about how - to stay on the ice for 3 hours, you see, this is on an open skating rink, but not all the time i ran into the heated car, where there was a stove, but i’m telling you this now, such stories, where the stove, which was heated with wood, and we warmed ourselves up again, ran onto the ice, maybe, now i think that this atmosphere of goodwill, such a good mood, involvement in the game, in the activities, so it contributed to the fact that even now in my group, being already a coach, i try

to create such... a positive atmosphere for training, this is, well, how to say, what creates happiness, presence at work, this is exactly your path, yes and you're so delicious about it you tell me that i can just imagine how a young girl on a tram in winter st. petersburg is rushing to this open ice , you have to love your job so much that you can do all this, and you and alexei nikolaevich, when you skated together, you were friends, you could together spend time there after training, yes, yes, and then we had a lot , since there were few skating rinks in st. petersburg, we often went to training camps, we had some joint conversations, went to cinemas, then we lived , in st. petersburg quite close

to each other and... oleg and milai, we are going to them went to visit, well, of course, they were guests, of course, discussing programs , discussing skating, what kind of things we watched in the theater, went to ballet performances, it was some kind of friendlier activity, let’s say so, activity and communication were not only at the skating rink, and not only about figure skating, but about life as well, and mila and oleg were our friends, we had a good coach, we had a good team, a good coach, we had a brilliant coach , we had a good coach, and uh, so we decided, well, i mean, we rode, rode took such places as we were twice champions of the ussr in pair skating, in my opinion

, twice, second in europe, second in the world, and we finished skating only because then i was already about 28 years old, in our plan , in the family plan there was a continuation, the development of our family so that we could have children, and in the same way alexey, who is married , also had a continuation in his plans... so that at the university igor borievich moskvin would always welcome and support all the children so that they studied, went to well, went to school, to college, to college, so we have everyone was from education, everyone accepts simulators, and you are a simulator, i feel good, i don’t need anything, well, you

gave me clients, i fought for 6 hours, katyusha, do you think the heroic surgeon deserved a cup of coffee, he gave us there’s a new nurse in surgery, so he won’t miss his chance, his mood is zero, hello, strong alcohol. many nurses have passed through me, but i noticed, what else did you notice? there is fierce competition in medicine, get used to it, i brought a lot of women here, in batches, you like me, and you like me too, i don’t want to see you next to him anymore, it’s unpleasant for me to have contact with your lovers, i mean, some guy asked you what he looked like, why are you yelling at me? city nurse, tomorrow is the first one, why are you acting like a stupid nurse, i am acting in accordance with my position, yes, what

happened yesterday, where did you go? montechoca cognac, a product of the stellar group, is everything i have in my life. everything that is the joy of every day, everything that i have in my destiny is connected, connected, only with you, i love my country, premiere, on saturday on the first, you cannot love your homeland and not know the culture, geography, history, this is impossible. we continue our conversation with the honored coach of russia , the legendary tamara nikolaevna moskvyana. in your time, dancing was ahead of the rest, couples too, but singles skating

was somehow second tier, why was that? yes, some bright stars were lit, but in terms of results on the international stage, it was not so medal-intensive. and it's very simple. we didn’t have time in soviet times in the country there are many, or rather there were several, very few , one or two skating rinks with artificial ice, and for single skating more ice was needed, because then there were these mandatory exercises, and for difficult jumps good quality ice was needed, for 3 months or there were 4 months of the year, while there was ice, natural, it was impossible to teach these exercises, difficult jumps, but pair skating and ice dancing

were quite possible, because for pairs, couples and dancing you could do a lot - in the hall, come up with elements, learn elements, lifts, figures, dances, practice ballroom dancing in the hall and invent or compile programs; you could prepare all this outside the winter time and when you when the winter period began and the winter skating rinks were open, then this is all paired programs and dances could be prepared quickly, that’s when they appeared... in our country, well, now there are skating rinks in almost every city, we also have single skaters, well, everything has changed, because now dances need more ice, a little pairs need the least and the singles skater needs the least, my last question is about the past and let’s move on to your coaching

activities, and this is my personal one, i asked them a long time ago, because you once told me a story about how you came up with such an element, which is known throughout the world as 'from the soviet union. well, this is also already a well-known story, but my question is not about whether it’s true or not, i have a question about what it was called at the time moskvina invented it, zaklon, it was called it’s just an inclination, what is it, well, now in my opinion there are, there are inclinations, but. it was simply called the law for the leg, and since then it was not necessary for the judges to write the contents of the program in advance, but what the judge saw during the performance, during the competition, well,

the judge evaluated it, so we call it the law for the leg, where did this leg come from, i was a student at the institute of physical education, we didn’t just have to come to the teacher with the record book that they gave us, we had to go to all the classes, and it was just for me it’s just great for pair skating, because gymnastic exercises, acrobatic exercises, we did it all. i saw acrobats practicing in one of the halls, they were girls doing gymnasiums, in my opinion, they took , how to say, one leg with their hand, pulled them up and lifted them up, so i, so i ’ll try this with a skate too, i started this element to do, but what’s interesting is that back in 1960, i was at the first... europe, where tamara bratus went

as part of a team, i took there, well, twenty- first, second, third, fourth, some here is the place, but in the german newspaper, i have a clipping where, tamara baratus, it is written, and photographs of this, this rotation, but who pays attention to the figure skater taking twentieth place, no one, but the coach of this denis bielman, he then i saw this element, and when denis grew up, she became, she was also very flexible, because her mother was a gymnast, he said, i remember one russian girl who did such a bend, come on. and so, as she began

to do, she became the first champion, well of course, everyone paid attention to the european champion, and that’s how this element came to be called bielmann, i have no regrets, because you never know what elements we came up with, and let it be the property of the whole world, thank you for this element, in any case, i think that every single skater is now ready to thank you for this, we have restored justice. historical, historical, which was more difficult, skating yourself or being a coach, these are completely different things, absolutely, these are two different, two different actions when you if you skate yourself, then you collect from all sources everything that helps you skate, and when you become a coach

, you... need to go down and find out how to make out of the athlete standing in front of you, with all his pros, cons, talents, shortcomings, some circumstances that help, hinder, to make high-level athletes, when you and... coach, you are a leader, but you need to stand so low or so high to see what you need to do, somewhere to smile , somewhere to grin, somewhere, well, not to shout, and work, work, work to make this person great, but to step back to see everything that he does , what... good, what is bad, what is needed to

elevate this person and develop him, these are completely different specialty, i’m usually here on our show, i always advertise all my knowledge in pairs skating , so let’s try to have me name all your olympic champions, yes, this is valova vasiliev, 1984, yes, then artur dmitriev with oksan dmitriev with kutenok, arthur dmitriev with oksana kozakova, berezhnaya sikharuliza, and that’s probably all, and bronze medalists, mish nagalyamov, and mish nagalyamov team tournament, of course, only a team tournament, but i also had, i think this is also an achievement, when at the olympic games in 1992 in albertville, mishkutenok dmitriev won gold and bechka won silver.

petrova, then bish, i’m bragging now, of course , but uh, because it was an achievement, then kazakova dmitriev also had it and then, yes, the next one, the cossacks dmitriev and uh and cossacks dmitriev and berezhnai sikhuleriza in 1992, these are practically the two strongest couples in the world, the olympic games, if i look from the outside, i think so. these are the results, this is the first second , the strongest in the world at the olympics in two, and when i think to myself, it was i who trained these, well, this is... we went towards this, planned this and thought, this is this couple with such programs, and this one can win with these, this pair with these elements can win, and this pair with

such, these lack conditional endurance, and these lack composure, here’s how to prepare these like this, and prepare these like that at the same time on the same ice , in the same... they were born on the same ice, they participated, then there were competitions, practically they are on the same, here’s how to do it so, at the same time, for it to be friendly, for it to be convenient, it’s interesting for me to work, and for them to work, and also to beat the whole world, athletes , they each have other feelings, positive, negative, somewhere- then they should also be friends with each other as a couple, a couple with each other, partner with partner, that is, there is a lot of psychological work, and when you do this, preparing athletes for competitions, you no longer think about whether it’s significant or not, you do

ordinary work in all directions with each pair separately, but all the time thinking about how this pair can win against this pair, against my pair , which i coach, and how can this pair win against this pair, and this is in music, in elements, in programs, in behavior, in costumes, in warm-ups before competitions, on rest, on new elements. that is, in your in your head, in your head, there are two things, two goals relating to different people , so a coach like this needs to be able to distract himself when

you are preparing this pair, think only about how to make it strong, that pair is not there, jumped to another pair, you think, but how... should this pair be made so that it wins against those , that pair, those competitors, this is the most interesting game of the mind, honestly, each pair goes from zero to top spot, to a medal, and after that what? they go to other areas, and where the coach goes down, the work begins again. with new students, what programs, what elements, how to do it better, how to do it faster, how to bring it to the podium, they are at their best, performance indicators, tours, fame, television,

and the coach where, down again, again, well, not quite from scratch, but starts again new... origin, sometimes you get bored, you think, well, as long as you can, you seem to have already been at your best, but when you don’t have students, then the coach is just a coach, and if you have good students, then you are the coach of good students, so unfortunately , we are without students, no one, this is your philosophical stone, the secret of your such longevity, i love it when i somehow have several several options, what is one stone, and both this and that, if it doesn’t work out, you have to do it, if it’s this way and go, that is, to have a choice, you always have to look for it, look for different paths, because there is no one

way to the top, it’s always, even if you prepare students, they still take different paths. based on the circumstances, on their characters, on their preparedness, capabilities, different situations develop, so all this must be done with every generation, from generation to generation, the psychology and motivation of athletes somehow changed, in fact, to be honest, no, athletes don’t want to be better, they want, they strive to learn... to do something better than others, to be ahead , to improve, but what now motivates athletes, for whom their parents often make decisions? that you will be a figure skater and they take you to training sessions and sometimes force them

to train, but i don’t think that this wasn’t the case before, before, more people did what they loved anyway, no, before there were also, there were parents who wanted their children to study, and there were simply children who came by chance to, say, a skating rink or then there were selections for schools and so on. therefore, it is the same, just now due to the fact that in our country and all over the world , there are a lot of skating rinks, a lot of skating rinks, it is shown on television, it is a well-known sport, attractive, so more, more parents give their children to engage in a field other than study, but i’m wondering how you after all... after the end of your sports career with alexey nikolaevich, russian figure skating was cut off, why did alexey nikolaevich return to singles, and you began

to train pairs, it’s very simple and both achieved incredible results, very simple, alexey nikolaevich is a man, and he has a wife who cooks, who looks after the children, who runs the house, yeah, in our family with igor varivich and a man, and i’m too busy so that we can have children, a family, a dacha, friends, uh, trips to v theater and so on, so i chose pair skating, because at that time in single skating you also had to do these mandatory exercises, for which you had to go to the skating rink at 6 in the morning, that is, mandatory exercises. then in single skating there are 150 students, in pairs there will be, well, 2, 3, 4, 5

pairs, that’s it, there’s less work, that’s the trick , simple, pragmatism, not tricky, pragmatism, and that’s all, so further, but medals the same, by the way, about medals, there are many, many disputes about team and individual medals at the olympics, how do you feel about this? in general, a personal one is of course more expensive, but each medal is valuable, teams need to have a team in which each of the participants, each of the participants is strong, but in our country now team competitions are held between countries, which means that each country must have strong singles athletes, greenhouses

i think that this also means that organizations that , well, the figure skating federations of each country, work correctly so that they have all types developed, gold is gold, like your current champions, anastasia mishina , alexander galyamov, in general, they are going through this moment, that firstly, these gold medals were not awarded in the team tournament in beijing and in general this suspension, they are, well, the flagship in world pair skating, and cannot perform on the international stage, as you manage to motivate them, these are two questions, what do they feel, you need to ask them what they feel, but since we still have a single team, we don’t feel anything, we’re just waiting for this

situation to be resolved without spending nothing for that mental or psychological strength, the decision will be made, we will know the result, first, second, how we motivate, motivate the guys, in this situation, when they do not participate in international competitions, and we have the same motivation, and had it before, we need to prepare new elements, prepare new programs, train them so that they skate them without mistakes, try to have demonstration performances, and the fans enjoy the audience, so we make them stronger, more interesting, more complex, more varied, so that they perform well, perform at

international competitions, they must be prepared for us to be stronger. those competitors, thank you very much, tamara nikolaevna, thank you for coming , it was a wonderful, interesting conversation, we will meet now at competitions, compete, shake hands, a separate thank you from me for the careful kharulidze, because they wouldn’t have , if it weren’t for me, and there wouldn’t be our club, tamara moskvyana, yes, thank you very much, our guest was the honored coach of russia, the great, eternal tamara nikolaevna moskvina. hello, i am pilot cosmonaut anton shkablerov, this is a space stories podcast, today a wonderful person came to visit me, people’s artist of russia,

actor-producer, evgeny mironov. hello, evgeniy, here we are, uh, you and i have in common the fact that we both went into outer space, you, as an actor who starred in the film, uh, i, as a professional, went out for real, one of, i think, the best films that was recently filmed about space, based on real events from the first time, in which you played the main role, you were a producer this film, what prompted you to tell about this story about yulivich gagarin and in general about manned cosmonautics, and firstly, thank you very much for the high assessment from your lips, to hear an assessment of the film, this is very important, and what motivated me, you know, i i saw a documentary where it was said that after 50 years , information about the first spacewalk

by alexei arkhikhivich leonov was declassified, i thought, what are we doing? in hollywood they would not only make a film, they would make a remake of this film, how can we have a story that the screenwriter doesn’t need, there were so many dramatic collisions, this whole flight , even starting from the ground, that it’s just , you know, no screenwriter would write something like that, and then it began, began, began, the most important and important thing was alexey arkhimovich speaking, and i remember that i dialed him in a trembling voice, i had a number, i dialed his number and thought, lord, how can i explain who i am, what films, i’m dialing them , i just dialed the number and said, alexey ar, hello, this, this means, zhenya mironov, i’m an artist, zhenya, hello, and i didn’t even bother to explain what films i starred in, i say, alexey, quickly, he says, i really need to talk to you, he says, come, and i was late because of traffic jams , i was driving with the screenwriter, i was 4 hours late, driving up,

suddenly standing in shiny prada sneakers, training shoes. aleksey alexievich stands in a suit and says: “okay, come in!” and from there it kind of began, this is our journey. as you discussed the film, the script, so he read it for the first time, when we met him, there was no script yet, i came to the stage, no, there was an idea, just an idea, and he had to give the go-ahead, and that means i started asking him, there was lunch, we started writing the script, we had consultants and... you know, i couldn’t ask lyon about everything, because we were actually filming a feature film, uh, there needed to be some twists, how to say, in life, in the family, there had to be some dramatic ones, so that the viewer would be interested in watching, but you can’t lie, you know, because leonov is a living hero, and his wife, and daughter, and relatives, koroleva and belyaeva, firstly , he came to the film set, he really liked

it, it was very cool, this invented device, exactly what he said, climbed in, climbed out, everything was cool, tried it on himself, i tried everything, i, as a professional, understand how many emergency situations there were from the moment of start, then how alexey arkhikhivich returned, how he managed, i don’t know how, after releasing the pressure, turn around in this airlock chamber, thank god alive, uh, healthy, like would come back to the ground, but they flew far from where they were going, they landed where we needed them, and the automation also failed there, for the first time in history they were in manual mode. and after they were taken out of this frost for more than a day, yes, yes, yes, the cosmonauts, firstly, we now have, lower the minimum necessary amount of things into the apparatus so that in such conditions, that is, after landing in abnormal places, the crew could survive for three days, wait for the team, the rescuers, all the astronauts, and even the artists, pass through,

who flew with me, all took just a survival course here on earth, in case. that there would be an emergency landing, i know that he told me that he relied on the fishing rod, that if they splashed down, they would not be found yet, to catch a fish and in order not to die of hunger, he took it, threw it away, put the pistol and it was useful to him, because there are either wolves or bears, that is, they have already heard some kind of howl with belyaev together, well, in general, well, anyway, i think that the most important merit of alexei arkhipoch leonov is that he is the first among earthlings went into outer space, and his exit was only 12 minutes, in my opinion, uh-huh, so i have an exit at 8:12 minutes, it seems huge, the difference, yes, well, anyway, uh, this was the first exit when i asked leonov, it was important for me to understand how to play this moment, when the first person breaks away from the ship, and then no one knew at all, in principle

they knew, well, how would the calculations were, they knew, they could guess, they could guess, but still there spacesuits once, no one could fully, no one knew that either, no one knew, i i’m telling him, alexey arkhikhivich, tell me, how come you weren’t scared, he says , why, only fools aren’t afraid, i was very... scared, it was important to overcome it, at that moment when everything was inflated there, when he was in panic, of course, he says, i remembered about my daughter, who would take her to school, on september 1 she was at school, you see, daughter, and this thought forced him to work for survival, i want to ask you, anton, since you set record for the duration of a spacewalk, tell me, what are you talking about? you experience, i want to understand, there is this feeling, well, not even fear, but well, like this abyss above you, tell me this feeling? no, honestly, there was no fear, because everything was worked out, we didn’t have any emergency situations, even critical ones, well, those close to,

i don’t know, fatal ones, we didn’t have to open space, yes, we all understand that this is very hard work, you have to constantly move, fight with the spacesuit, because the spacesuit, in order for us to stay alive inside , has a certain pressure and every movement, for example, just squeezing the glove, this must be done by the resistance of the glove, so any movement, well, just grab the handrail, and another there, take some kind of tool and work, you understand, there is always tension in the hand, this is hard, painstaking work, i i remember the first time when there was a way out, i opened the hatch, and then they definitely wait until dawn begins, so that the cameras that are watching us will help us in our work, our instructors from the ground, from the tower - well, so that there is illumination good, and it was still dark, i was already starting to tear up, they told me, no, stop, you have to stand , now the dawn will begin there in a couple of minutes, that’s when the terminator came, well , that is, the strip dividing day and night, i saw

a beautiful planet , they told me, well, now you can go out, well, that’s when the work began, on the contrary, i tried to get out , well, it’s cool there, you are still connected anyway, with two halyards, and this is the rule, there should always be two points of fixation, in general... there were such situations, maybe not only ours, when they rescued someone who was disconnected and, no, this didn’t happen, our colleagues even have special, additional equipment , if suddenly god forbid he flies off, he can put it into action and fly up to the station, i’ll tell you honestly, i for i was making a discovery myself, i would go into space, despite the fact that since childhood i dreamed of being either an artist or an astronaut, i had such a choice, yes, i watched, well, the whole country watched, the flight of astronauts was broadcast, now it’s so to speak, i it’s a shame that this has become, well, habitual, so to speak, well, when you make a movie,

thanks to this informational occasion, the whole world was watching it again, and so it became work and i don’t understand, this is not work for me, you are heroes, were, are and will be heroes, so i have claustrophobia, i’m afraid of overwhelming space when and we filmed the device, it was exactly the same as the one that flew, it was a ball. this uh, where we whiten leonov, this is such a small ball, we climbed in there with kostya khabansky, then we inflated ours, we were already in the suit, we inflated it for this purpose, because all this is inflated there, then we are all on these hanging ropes , put on made in england this helmet was tightened, and i realized that i couldn’t open it myself, i wouldn’t be able to open it, and here the air, of course, was some kind of oxygen, but i realized that if i start, well, that’s the idea. she began to scare me, i even think, how are you, it was not easy for me to play an astronaut, also because we were trained for this, well, not as astronauts, but physically prepared, that is , this is a centrifuge, i went through there, uh, then

a lot, then this sun swing - it was a disaster for me, but in the film it really happened, you could really see it there, you can see it right there, because you can feel the overload, but here’s the most, well, interesting one, look. his way out. but i went. spring, king, i am a diamond, man went into outer space, man went into outer space, is in

free floating. today, march 18 , 1965 at 11:30 moscow time, during the flight of the voskhod-2 spacecraft , a man entered outer space for the first time. alexey arkhivevich advised how he moved, and he told it all in sufficient detail, then it was necessary to remove this, we are not in zero gravity, and for this there were whole engineers there, they just came up with a whole system, how the cranes led me there, then it was necessary to have this unwinding, which means this rope, a halyard, yes, halyard, excuse me, halyard, this one is needed, several people were holding it, it was all done by him, it was all practiced like ballet, it was very difficult, besides, then it began... the other part, which was not

shown, when it began to twist, when he spins and the halyard spins, it was like that to say, well, no, it’s not easy, but the worst thing was to show the whole picture, because i understood that if he didn’t like it, well, there wouldn’t be a film, but it took a lot of effort, money, talent, but one thing, one word from him decided the fate of this picture, and we showed it to him, his wife, his daughter came, it was before the showings, but of course, because well, you understood, yes, yes, no, no, and i stood there with sweat dripping from my nose , because he sat without blinking, without reacting, watched everything in the movie, the whole movie, and then i sit and say, it’s over, i say, don’t worry about it, shoot you, zhen, i say, it’s too bad.

no, no, you know, i only now realized, so to speak, what it was, suddenly the voice of his wife, and she ’s in the film too - she plays, and the ursulyak plays, beautiful, she speaks, but the only thing is i didn’t have such a dress, i think, thank god, the picture was accepted, that’s it, and we moved on, he accepted it, but it... it was very, it was a test, i’ll tell you, not easy, well here, well not reproach the film, of course, the astronauts, we see, of course, it’s clear that this was not filmed in real weightlessness, well, these are only astronauts, you see, i’m the ones who have been living in weightlessness for a long time, you understand that a person moves like that, and of course, even our instructors who have not been in space do this , they can't tell you that, but

the combined colors... there are some things that are not customary to look at, that are not customary to discuss, and my job is to force people to look at such things. advertising is only needed to make people think, understand, laugh, cried, united colors. end of the century according to godfrey regio. into something artificial, we need more crazy people who could reflect this more clearly, convincingly, clearly. motador, on friday, at first, means he was sent to us, the repair foremen,

how many locomotives do you have? that's it, stepan, give me a position, now i'm a proven person here, it will be like, look, you don't mean a date , what's your name, ignat, sofia, why do you need it, a trophy, don't give me the locomotive, i'll go further, there 's a dead man living there, on the island , kill him again, you got here, arbayta! where your ignat left and will come, why did he hide about the german woman? are there really german women like that? a german woman is not against you. listen to her heart. kiss me. a living person's heart must exist. vladimir moshkov, yulia peresilt.

you need to run. the edge, on saturday, on the first. darling. knocking. we continue our cosmic conversation with evgeny mironov about space, about cinema, and i, anton shkaplyarov, i want to congratulate you, firstly, on your premiere, this is your premiere, as an actor, as an actor, you have either already filmed, as in a feature film never i didn’t act in films, i never dreamed of it, by the way, it was somehow distant for me, firstly , you have abilities, i’m like an artistic friend of theater, i don’t have one like you, so i never tried myself on for the role. it was difficult, it’s a different profession, anyway, you must agree, it’s not that easy, yes, how did you feel? no, of course, it was difficult, at first i encountered this on earth, that is, after reading the script, we read the script on the weekends, well, even before the start, when the guys were already training, we gathered in the star

city and discussed the script, some passages, some scenes, yes, they were rehearsing, i was faced with the fact that i had to say what was written there. yeah, this is not a monologue that can be learned, this is a conversation, you need to make a live speech , it seemed to me, it seemed to me, i read the script, that it should be said exactly like this, with such and such intonation, with such and such speed, somewhere... then take a pause, well, i’m like, like, well, i’m not an actor, i go to the theater, yes, yes, yes, here klin, of course, is great, he saw it right away, he said, no, anton, you can do it simpler, like in life you hold it, and i know that in the beginning the script was, well, let's say, a lot. and closer to the start, lin realized that so many people would not be involved in filming in orbit, so it was as if three cosmonauts entered me at once, yeah, i had more lines, i had to talk there with

yulia and my colleagues, with petya and oleg, some of them are talking directly, and you want to say something of your own, you are sure to put something in, you will forget, and if you don’t look at the camera, damn it, i say, but you didn’t look at the camera, you i definitely looked at it, still with my eyes, even when it seems like i’m not i watched it, but it was professional, of course, it wasn’t easy to get used to it, we saw ourselves already, i saw it, i liked it, i didn’t even hear my voice, i saw it, only what we filmed in space, klim specifically showed it so that i could appreciate it, that what we did was not in vain, that these are gorgeous shots , these yulina’s flights, ours are just real weightlessness, it’s clear that in weightlessness, this light, the fill, he did everything so beautifully, well, with side, i wonder why i asked, because many artists who see themselves on the screen for the first time, are simply terrified of themselves and just, well, the way you see yourself from the outside is different,

i also want to ask you about the flight myself, i ’ll first tell you how it was with yuliy peresil, she is an actress of the theater of nations, and three times i saw approximately the same... yulia’s facial expression, the first time when she opened the office she told me: zhenya, i ’m pregnant, and i realized that this is a disaster, i need to change it in performances , introducing another actress, but this is happiness, on the one hand, on the other hand, this is a problem for me, second the time when she gave birth to her second daughter and the third time when she opened it, i said: yuri, stop it, i thought it was the third child, she said, no, i’m pregnant, but in space, i think, why, when suddenly i found out , what is really real, i... didn’t fully believe that she would fly, of course, i was terrified, we were all worried, the whole theater was worried about her, that’s all, and it was so, well, very touching, this one flight, this press conference of yours, everything, and the only thing was when i

looked at you, i realized that damn, well, for it’s like behind a stone wall, but according to the laws of dramaturgy, good dramaturgy, when we no longer watched the live broadcast, no, the automation failed, we were told, here i just... sat at that moment, like the rest of us, and then you’re in manually attached the ship, then yulia, when she arrived, and we met, naturally, everything was together, she told everything, i understood that this happened for this, this is zen, that is, no matter how we prepared, when suddenly, this word was said, refused, he and klim looked at each other in a bad way in my opinion, this was a normal situation, we have two circuits, there is a main automation system and a backup one, yeah. the main one refused, but we practiced this a thousand times on simulators, so i checked everything, we switched to the second circuit , everything works fine , the station, let’s say, was captured, here is the stacking unit, we continue about that, well, i sit further and

i think, well, now we’ll dock, there’s already less than 50 m left, suddenly the flight director, solovyov, goes on air , he never goes on air when the process itself is going on, he only goes on air as the boss, after we drain, he comes out with a congratulatory speech, well done guys, well done, congratulations, and then he suddenly goes on the air, anton, if the second circuit fails now, and the spare one, we’re just going off the air now, yeah, you’re on your own ... you make a decision, we give you the go-ahead, and take it, switch to manual and dock, as soon as he finished this speech, he passed out, oh well, the second circuit immediately failed, that’s when this second circuit, the spare one, failed, then we have this red light in the middle lights up, there it is just as it should, it flashes, yes, all the information starts popping up on the screen, but i understand what she’s talking about, it’s all flashing there, too, and the most important thing. there's a siren going on, in the headphones, so that the cosmonauts don't fall asleep there, i don't know, they cheer up, that is, it goes on until

you beat it off, the sound goes off, it's there, just sound, then everything blinks, that is, it's all serious, that's where it started , which is supposed to be, but since the go-ahead was given, uh-huh, everything switched to manual mode, and then, as taught, thank god they fought like the guys led, yulia and klim, how quickly they adapted to such circumstances, quite quickly, quickly and even - there weren’t even passing artists, and i’ll tell you a secret that klim for the main role, well, the actress, he had completely different candidates, he i actually recognized her, she had a lot, yes, when she was taken away, when our doctors and psychologists decided that she could freeze, he only met him then, after the ignition.

let's go, well, this is an act, just desperate, well, our russian act, as always, you know, here we are first on the first, uh, americans should have flown, coward tom cruise should, he agreed on a mask, hide and seek, that’s it, sink you very much, no, he didn’t fly, now he has a new, new feature now, they want to create a studio right in orita, so that any company can fly to make films in space, i don’t know, some kind, in my opinion this is already unrealistic, something like this, i don’t know, maybe in the future it will be like this, maybe it will be like this, but in the future, they ask what was the most difficult thing to film, in space, of course, flyby, yes, it’s difficult there was, we couldn’t figure out how to do it, it’s beautiful, because it turns out that yul is flying, he has to look at her with his back while walking, i’m pulling him through the station using special harnesses,

but i understand, i can move backwards, i’m already on it i lived there for more than a year and a half, this is my second home, i understand where everything is, he doesn’t understand anything about the climate, he just holds on to this red camera, they made a special device for him so that he could hold it with one hand in zero gravity and see what he’s filming , but he doesn't see how he moves, he’s just relying on me, he’s trying to group him together, he’s 90 meters tall , practically, he’s himself... the tallest cosmonaut in history, and about the hatch light we have there , 900 mm, yeah, it was necessary to stretch it there, i understand even on the ground , that he will move anyway, it’s clear, like all even young cosmonauts, well, at the beginning somehow, well, probably, i’m moving in the same way, awkwardly, push off hard, then don’t