is the situation called the fallacy of the representativeness heuristic or simply the representativeness heuristic? i specifically cited this example because it very clearly shows how our cognitive schemes contradict, well , more or less objective laws of statistics. yes, yes, yes, yes, yes, yes, and it strongly contradicts, so i talked about this a week ago at a lecture and people who have a decent technical education simply argued with me, foaming at the mouth, proving that no, that the statistics say otherwise, it was a lot of fun. well, since we already need to finish, let’s finally make some wishes to our viewers and listeners, naturally on the topic of cognitive distortions, cognitive errors, how to live, what do you recommend? come on egor, first you, well, i would advise you to avoid such hasty judgments, and try to look at familiar, seemingly obvious things from new points of view. thank you, vladimir,

i would put the same thing into just different words: simplicity, as you know, is worse than theft, so the more complex you are, the more different points of view you have you can accumulate, the more different approaches to some complex phenomenon you can name and use, the better, generally speaking, the more interesting your life will be. this was the podcast schrödinger's cat, i am its host grigory taraseevich, editor-in-chief of a popular science magazine, also schödinger's cat. and our wonderful guests today are the artist egor plotnikov, psychologist, professor, head of the ranhix laboratory for cognitive research, vladimir speredinov: dialogue with the whole country, dialogue with everyone. results of the year with vladimir putin on december 14 in 12:00 moscow time.

hello everyone, this is a podcast of memories 20 years later, in which i, the host, konstantin mikhailov, and my celebrity guests, will discuss 2005 this time, what songs were at the peak of the charts, what television project started on channel one, today in visiting... i have yulia savicheva, a beautiful girl, a talented singer, participant in the tv project star factory and the eurovision song contest 2004, well, plus in 2005 there was a series featuring her song, don't be born beautiful, yes, i called it don't be born godzilla, whatever they called me, to be honest, whoever called me, and konstantin burdaev, aka kostya make-up, hello kostyanovich, the lead singer of the group, and the lead singer of the group.

grim, i remember in 2005, you took part in the maxidrom 2005, i took part in the maxidrom, we took part in the film , as a matter of fact, too, we had everything in common then, but what were you doing in that film? and in this film we sang the heart song in one of the series, but i didn’t know, yes, i was sitting on the piano, i was so young, hairy also, the soulful one played and sang this song, that was the case, yes, listen, the serial story is very, very profitable... we recently met with jenya ficlist, the end of the film, how his team sang it after he sang the song for the series soldiers , television is a great power, great power , especially when this song for the series and yulia’s song, i myself remember, i was drawn to it, well , thank you, but on the one hand, the series, yes, it’s clear every day, and it eats into head, but the song itself still matters, what it is, yeah. still on her

they make all sorts of remakes, remixes , young people are infatuated with it, which is surprising, i didn’t think there would be such a continuation, a banquet on a song, if love lives in the heart, and it has become my calling card, what other one, well, there is another song high, of course, with which i began my long journey, it is also one of my main songs, but if love is something... practical, it is some kind of separate planet, which it seems to me will outlive all of us , tell me, you shot a video for the song “wind” on khramokey, because you are standing there against the backdrop of a theatre, or a big one, but high, high, interesting, no one has called her that before, why didn’t i think about the wind, this is a mistake according to freud, because we recently spoke with manaki, with the singer momi, we were just remembering that moment at the factory when you sang with her, call me, call me, sun, or

just call me, peter, yeah, we remember that it was, well, almost like that, still you such a complete, complete girl, even compared to a child, a child, well, you’re great, in your voice, but in terms of freedom of communication, maybe maybe with the public mona, of course, was already more experienced, well, of course , how did you feel, you had, somehow oh, i actually remember that period at the factory, and for me it is on the one hand difficult, even extreme, on the other on the other hand, it was so interesting and there my growing up happened, my growing up in front of everyone, in front of the whole country, saved maybe... maybe my youth was just like that , even childishness and rose-colored glasses in my eyes, that helped, for me you immediately when showed up, i was like, oh, avril lavigne, you know ?