that maybe it’s you, but his friends are different, the directors say: my film has stopped, no, as if there is no subsidization, with someone he says, i couldn’t stand it if the film had stopped, it’s necessary, it’s necessary then maybe it was purely cinematography, after all, he had a theater, then to shoot for 20 years like a german, he wouldn’t have made one film, as happened with i think he couldn’t, it’s still such a feat, it’s courage.

christ the savior, he restored the temple in putenki, the church, which is next to the theater, when, passing by, he looked out the window, and there they were holding horses and it shocked him, he said that this temple should be handed over to the church, that it was worthless, and this happened, that is, while he was going through all these nomenklatura circles, this whole spiral m... the backyards were organized, also such a phenomenon, free, free, all his films are about freedom, about learning to think and be a free person, as you remember, in the dragon, why do i need freedom, i’m married, that's exactly why we review these films, i think we will review them again for a very, very long time, because they continue to really give us this, not even a sip, i think, but... quite

a breath of freedom, thank you very much, alexandra, thank you very much, i am very grateful to you for inviting me, and i am very grateful to you for remembering my father, because what mark anatolich did in his life, and he taught at the gitez, raised several generations, and what he did in general, it seems to me that no one has succeeded to the director, thank you for not even remembering, but that he is still in... in this life, and his films continue to live, thank you, thank you, this was a podcast of esenstein's witnesses and his leading film historians, natalya ryabchikova and stanislav dyadinsky. today we had a special program dedicated to the ninetieth birthday of mark antolyevich zakharov , our guest was alexandra zakharova.

hello, my name is dmitry bak and i invite you to a literary podcast, let them not talk, let them read. today we have an amazing program, because it is dedicated to space, we read in space, we we’re talking exactly about this, what space is for modern civilization, for modern culture, we understand, but we... remember what space is for russia, what april 12 is for our country, and i’m preparing for this program, i even thought , that our studio is similar to the iss, there are no portholes in it, i learned before the program that the portholes look at the ground, we will talk about this today, i even think that if we all concentrate, then weightlessness will come, but at least from our conversations, this flight must come, especially with such...

wonderful guests who are with me in the studio today are oleg viktorovich novitsky, russian pilot-cosmonaut, deputy commander of the cosmonaut corps, who visited space three times. this is vyacheslav lvovich klimentov, chief curator, deputy director of the museum of cosmonautics. and this is vasily andreevich, vladimirsky, book reviewer, science fiction connoisseur, co-founder of the award for the best science fiction work. the award is called new horizons. hello. most importantly, it seems to me that space is there is something decorated, the root after all. the same as that of cosmetics, we forget this, but it is so, despite the seemingly superficial meaning of this word, cosmetics are a means of decoration, among the greeks chaos was undecorated space, disordered, dark and incomprehensible, space was what is decorated .