love has no past tense, i know this in myself, we will celebrate the new year in the amazing company of nikolai tsiskaridze’s guests, then we will join in, the social gatherings will congratulate the virtuoso on his anniversary , you could have been like barishnikov and like nureyev a long time ago, but you stayed, an hour before midnight immediately after the president's address and the chimes .

more than seventy hits of the last musical decade, for a wide variety of tastes, fantastically beautiful numbers, we sing, dance, worry and have fun all this night.

riding each other for a long time is amazing, brilliant, the best day, i went yesterday , it doesn’t hurt anymore, however, why not start the fun in advance, today at midnight, and then on the night of january 2, everyone comes to us for an incendiary club party, the most current names and tracks of the outgoing year, no more . why any other parties when we have ours, the very first new year, stylishly fresh? we come to visit, every home, every family, i really want those people who come to each family to be welcome guests, they are all new, young, bright, interesting guys we discovered this year, but so what? already on the first day of the new

year, all the best is on the first day again, what do you mean? i demand the continuation of the banquet, i need to have a snack, is it me with you or you with me? what difference does it make to us now? that's the whole point, the big difference is that the funniest parody show is back on the air. i went out for 20 minutes to eat and my role is already being played by some idiot? no, nothing, i’m not a fool, i’m an artist, oleg yesenin, oleg, let’s say, more sincerely, one of the parodies of the film is an office romance, as if everything was there in style... the romantic mood of the first evening of the year will be supported by dmitry nagiyev and irina pegova, will they find new year's adventures for their hotheads, we'll wait and see, no one wants me, why no one wants you. therapists want,

in general, it is absolutely obvious that in order to spend the whole next year in a great mood , you need to meet it with the first channel, and we will show you everything we are capable of. hello, dear friends, today we have very dear guests, you saw what is here as part of the anthropology podcast on channel one we played instruments with the most exotic names

, we played electric instruments, we played drums, acoustic ones, please tell me, why didn’t we invite our dear little one to meet you, and we did it? yes, well, as always, with some catch, this brilliant ensemble of a duet doesn’t even have a name yet. please present it as expected. my name is stepan kornoyenko, string project. this is belarus, from belarus, the city of svetlogorsk. very nice. my name is evgeniy, dark soul, but this name has long been invented, and together we produce tracks with balalaika, that is, in different genres. our guests are now before your eyes.

well, i’ll tell you this very much. i graduated in belarus, too, in balalaika , in balalaika, everything in the class in moscow was already at the highest level, when your mother took you to this school, the guys didn’t laugh in class, ha-ha-ha, i got likes, and i went myself, oh well , and this is for grandfathers, only there is no balalaika, felt boots, balalaika bast shoes, i went to

the guitar right away, and then it so happened that why were you so attracted to this laika, wonderful russian instrument with a unique timbre. how is it built memillav, two strings in unison in a fourth, is this a native tuning, or is it an academic tuning, yes, this is a tremulo, and how is it that your toenails don’t break during such a tremulus, you must always keep in shape, we play not with nails, but as a pad, are you a go-getter or an amateur? well, actually now yes, for now it’s just for amateurs, because we don’t have a concert director or management, that is, in principle, we have a ready-made multi-genre project, even now we have a cover program, we have done it separately, we are also doing a new project with electric ballaika,

that is, this is a house project, more commercial music, we mean house - this is when you can dance, but that means we will hope that our musicians will curb it. an invisible instrument, to confirm these words, i ask you to play something else.

yes, well, you know, you have more complex compositions, of course, so you make this balalaika think, and not just make funny sounds. solo sound - it will be here, yes, so we understand, a little later, you’re great,

by the way, we worked out this sound , balalaesh, yes, we did it somehow , that is, your bololaika also goes through the effects, yes, yes, we have a processor, yes effects, everything is already processed here, all the effects, all the compression , equalization and so on, that is, in fact, we have a sound check, that is, we come to the site, turn on the remote control and go to work, then please show us your... laboratory, how is it all done? now we will write music into chaos, that is, we need to catch the groove, that is, we have a kick drum, a bass, a base, yes, a base, now we have it let's go into the synthesizer and find some kind of bass, now we'll match the kick drum with the bass, we'll match it, that is, it should go like... this is a groove, a certain groove, and also

a nuance of this genre, that is, in general it can be built on one note, that is, we take one one d, it’s already all on it and it’s all gone, but for the balalaika it’s better after all in a a minor , because there’s no a in there, well, yes for classical yes for so as not to force break a person's fingers, and we rebuild the tools, that is, here now he has a task put re'. will be r you have an open chord , it turns out we’ll lower the tuning a little now you had processing.

another plus is some kind of percussion to create another rhythm, you will now fill it with sounds, you understand, they will interfere with each other, everything should. it’s easy to be very transparent, let’s also calculate the percussion from the kick, the kick drum, that’s it, let’s write some kind of atmosphere. now we are designing, that is, balalaikas, almost all of our tracks are based on this, we still need reverses, and atmospheric ones,

yeah, that is, we wrote... a straight balalaika and now a long time in advance and now it will be in reverse, that is, we are already entering the track, very good, that is, this is an element with design, well, in fact, all this is very good, this is of course with...

come on, now, in this application, it seems to me. that the musicians found exactly what is required from the balalaika, it’s very accentuated, compared to a violinist, you know, and of course for such music this very accented rhythmic instrument such as the balalaika is of course very appropriate, why didn’t anyone think of it before this taking a balalaika and using it in rock and roll

is amazing, yes, well, there’s also the technique of syncopation, that is, it’s like we’re all in motion. that is , here we are a little brighter, that is, it’s not just that she plays, but, in principle, it can be developed further. develop, develop, very good, very interesting, super hits of the past decade, ready to go, we won’t get up anymore, we peck hard

in our chests, our eternal memory once. russia, russia, in this word, fire and strength, beloved, my love, my love, save me, save me, save me, listen, enjoy, why the sun to me, iago, tell me, we have ntv, when your look. good evening, good night, winter is too long , i will come back to you myself, i haven’t forgotten you, i flew to

you as if to confession, i love the little walls, i believe that you are my chosen one, and you are ordinary, everything is forever while we live. a dream, we are together forever, we have from me , we have from me, the ringing snowy distance, three white horses, three white horses, december, january and dvebra, our new year, a big festive concert, january 1st on the first. darling, come here, why are you distracting me, he’s not in business twist, baba frost, please make our mother happy, she works

, have you ever heard about baba frost , let’s sign, my mother is an actress, and this time i don’t have any magic, well, it works out as always, only she’s not happy , they don’t take her for roles, who am i, kids, are you? do you think that baba frost has already heard us, we need happiness, maybe a husband, our medicine has no analogues in the world, but can i just touch this brilliant head, yes, this is my formula, excuse me, please, you ordered the snow maiden, yes, i know, there are a lot of things today, everyone takes santa claus, but no one knows the samples of santa claus, i will work in large numbers.

yes, it doesn’t have a whole name, maybe you can tell us it, but for now let me greet you on behalf of the good old balalaika and new dance music, but the use of the balalaika, there are other things, but well, we’ve made a full-length film, oh , they wrote it completely, there is completely different music, yes, now can you do some fragment of the cinematic one? the application was, you can now recreate it, but we have acoustics, but it turns out there are some solo acoustic tracks were recorded, that is, on an acoustic bololaika, we also used

the altt ballolaika and the violin keys instrumentally, very interesting, they wrote live , they synthesized, they also used a lot of sound design, well, that’s a thoughtful sound. well, this is the main theme, the main theme, but it also has several parts, yes, that is, there is also a rhythm section there, pam, pam and then the melody on top, you say that you also have covers in your repertoire, well, that is, original versions, well-known melodies, well, play us some cover or or didn’t plan today, original music, let 's do what you want then,

well, of course, gentlemen, here when you have no, and of course, when you have a slide against the background of the ped, comrades in the air, there is a very, very noticeable smell of pink floyd, even if you die, but pink floyd on valo laika, of course , it was worth waiting for today's meeting with you, it's very interesting, that's why you... are called dark soul, as in bright souul you are quite successful, quite a bright soul, not dark, as if it were a pseudonym could have been translated, well , i started writing, that is, i actually started my way from drumon bay from music, that is, into dark rhythms, that is , i really listened to this kind of darkside music, when i think like that, try to write something yourself, i started writing, writing and i think i need some kind of nickname, i also wrote directly it’s all so heavy, you’re such a dark soul,

it’s cool. i told everyone about this to my friends, it’s great, but it was 2008, and that is, it’s already been there for a long time, as everything has already become boring, i think, well, i’ll continue like this, it’s already 15 years under this, but this music- making turns out, well, yes, yes, well, well, really now i write different music in different genres, i work there with artists and vocalists, that is, completely as a self-producer, uh, so uh, i decided to leave it as dark souls. stayed, yes, yes, yes, here you are, as we say , you don’t turn on the warmer on the string, i mean , of course, distortion, well, the one that we know from both pink floid and de purple, you don’t roar the strings , it happens, come on, come on, how might it sound? something like this,

a balalaika with a fastbox, that’s certainly good, well, we have one track, it’s in a retro style made, but we didn’t include it in the program today, and yes, we also have a track where it’s directly overloaded, there are drums from the eighties, in baseliel, too, with eight in each track, we experiment with processing with someone then there you had a human voice shouting there, that’s what the company just said. well, we also experiment and record our voices, and we design something, we design a lot, today, what is the form of life for such an experimental musician, there used to be records, but today there are none records, there wasn’t even anything to play on, before there were albums, eight songs on albums, today a musician’s life is no longer measured by an album, but it depends on what

form it is in general, that is? basically, a pop artist releases singles, we are also following the same road for now, single, single, single, but for example, some artist shoots and they are expected to produce some kind of full-fledged concept, well, 8-10 tracks are done at most or six, that is, mini ones, how they should be united by some kind of dramaturgy, but with these why yes, yes necessarily, that is, from there is no point, then it will just be a compilation of tracks from the artist, there was a time and these were valued

... not so much, well, you still have to be called something, this is string, although in life, stepan, you understand, and this is dark souul, although in life , of course, evgeny, well, you still need to somehow, well, well, well, the balalaika is written, the ballalaika is written, you can’t make money like that, but somehow you still have to, there was laikin and the company, remember saltykov, there was such a play, something needs to be thought here, well, we think, yes, that is, right now the new project will have one thing name, that is. we are uniting directly , because for one project, in fact, styopa is also making his own solo album now, acoustic, on all instruments, there will be a block flute, and a colymba, a balalaikalt, an acoustic balalaika, an electric ballaika, and there the music will be closer to

the cinema, maybe we’ll ask our viewers to bombard you with options in their comments, so what?

yes, well, why are all the compositions so short? you only begin to trust, you only begin to get used to this phrasing, how everything, everything will end, and maybe you need to get up from the table a little hungry, maybe , in fact, you’ll be hungry for the good old balalaika, now in a new way, which... so dear friends, well, then we must wish you exceptional luck in everything you do, because it is truly interesting, the main thing is that everyone

understands what these musicians are doing, this experiment is clear, it is noble, and of course, of course, relevant, as always, relevant everything that brings the second, third, fourth, tenth. youth, even this - seems to be an instrument known for many centuries as the balalaika, but the next number in our program should be the belorussian pity , yes, what else do we have, this is a whistle, which was always sold at fairs in the form of a nightingale, you know, what else, what other belu cymbals are there, this is what a belarusian hammer is, a lot of strings, yes, yes, yes, this is also a lyre, a lyre, and a wheeled one. i think mulyavin had one of these in his hands, but for now you stay away from it, yes, it’s too painful, anything is possible, what if something happens? some kind of project will be needed, because you will never guess which tool can

help in a given situation; it’s always an experiment, always a search for something.