and a further decline in the planet’s interest in this ceremony can be predicted without any difficulty. this was the podcast mount with fire and i, its host denis gorelov, with a story about the oscar ceremony in 2024. hello, this is the witness podcast from einstein and its leading film historians natalya ryabchikova and stanislav didinsky. we talk about who created and how they watched cult, famous, little-known, forgotten soviet films. this is a film-goer's school, where we reveal the secrets of film archives and tell you why watch soviet films now cinema, how to better understand it, how...

the idea arises of creating, well, in general , an economically feasible film product that can be made in the current conditions, which are developing quickly, yes, because after all, film plans, as we know, are usually very long processes, especially for a full-length film, you need to approve the script, you need to approve the actors, build the scenery and so on, in general it can take six months or a year or even more, the filmmakers, after thinking, decide what needs to be done...

collection, collections of short films that will consist of small plots, there are 10-15 minutes, and tell some kind of, well, accessible in simple language story about what is happening in the rear at the front, let's look at fragments from the combat film collection number 9, which it just shows clearly how it was, wait, who are you, i’m a pole.

the first war films that came out on the screen, because before they all started collecting them into full-length films, yes, these same collections, one short film was released, which was incredibly important, came out already in july forty -one, chipaev is with us, this is an example of how cinema, well, as a certain phenomenon, and in our life, it takes popular heroes, in particular here they took chipaev, chipaev in the film about. years, as we know, he died at

the end of the tape, but he died in such a way that it was not clear, because he swam out and did not swim out, but here we are told unequivocally, chipaev is alive and chipaev is with us, bullshit, you won’t take it, come on, vasily ivanovich, come on, come quickly!

finally, vasil ivanovich, we've been waiting for you here, they thought it’s too much for you, well , it won’t come out of the chabaevs, it seems that thanks to this short film, but... the canons of socialist realism on the soviet screen are being broken, because we see truly mass cinema, well, in which there are, as it were, two universes , two multiverses collide or merge into one, why did they take chipaya at all, why could this be done, it’s a little like how in the sherlock series sherlock dies and then returns, i’ll remind you that this is a podcast with lenshtein, where we, film historians, natalya ryabchikova and stanislav didinsky, we talk about who created and watched classic, famous, little-known, forgotten soviet films. in addition to the people who made feature films, there were people who made newsreels, in fact, who were filmed by front-line combat cameramen. and then it was collected into film magazines, which were shown in front of everyone.