that it’s so frantic and so brilliant to play with tortal on one side and buluchovo on the other, you need to have talent, such a crazy range, on the day of victory in the first, i always act in everything in the shortest way, straight and rough, shoot without missing, i confirm hits on tanks, even before the army i knocked out with 55, play a double game, what if? told the scouts that you are not bobrikov, that then, well, you didn’t say to fool the girls’ heads, she is the only one, i understand, there is no other like her and there won’t be, she knows how every scout, they will lead me to the monastery, but don’t scare me here, we are our own, all that remains is to choose the best, comrades, you are germans, act like germans, why am i you, well done, daredevils, scouts for...

an impossible task, until i know what, guys, but in my opinion we are in deep trouble, so all actions need to be adjusted to an imaginary ending, and it must be successful, the saboteur on may 9 is on the first and remember, in an extreme situation, instinct will always tell you the right decision, well and whoever doesn’t tell him, it means he doesn’t deserve it, natural selection, of course, we continue, this is the podcast life of the wonderful, i am with you, its host, writer alexey varlamov, my guests are the rector of the shchukin theater institute evgenia vladimirovich knyazev and the rector of the shchepkin higher theater school boris nikolaevich lyubimov. boris nikolaevich, how did it happen that this modest young man, who was even embarrassed to confess his love, became such a superstar of soviet cinema, he was entrusted with playing the role of lenin, it’s not a joke to play lenin, it’s not a joke at all, this one, yes? in general, well, imagine, after all, this is

lenin in october, lenin in the year eighteen, this, this was filmed in thirty-seven and thirty-eight, which means, in total, so to speak, 20 years, but what was happening at that time in the country in thirty-seven and the year thirty-eight, perhaps, it makes no sense to talk about it here now, everyone has a very big responsibility, because the revolution was made by lenin, stalin, the people, no one from his inner circle. in fact, by that time they were either pushed aside, like krupskaya, or shot, so here is a step to the right, a step to the left, and it could end with anything, in that he looks like lenin, gorky saw this, back in '32, when they were rehearsing there and balychev was rehearsing, he told him that you look like lenin, and ruben... simonov, it stuck with him somewhere,

when simonov was looking for an artist for the role of lenin, he remembered gorky’s phrase and offered this role to shchyukin, and the first appearance was in the vakhtangov theater, a man with a gun, a man with a gun, it was, they say, it was some kind of bomb effect when lenin came out the scene when...

to shoot this film, they invited him, but the deadlines were so short that they filmed around the clock, and shchukin was also forced to take into account the repertoire that he had. play, it was all like that, and responsibility, that’s what we’re talking about, and he writes in these books, what if it doesn’t work out? let's see what happened, a fragment from the film lenin in october: have you seen lenin, write what he is like, they didn't argue with copper, they said he was red-haired and with a sideways eye, but we think that he is an independent man. strict and enormous growth, what to do? but what can you do about it? something is written, let's go to bed, yes, yes, sleep, in fact, i had a feeling now, when i watched this film, that this is some kind of fig in my pocket, that this is some kind of joke, that lenin looks there,

well, so funny, that’s how he is...