or when she didn’t remember her well, yes, age took its toll, alas, she and leonov, they all went on stage, there was no need to do anything, there was no need to say anything at all, she herself was like a phenomenon, yes, she herself how - this whole set of her roles that were deposited on her, she is her role, and these roles are her, and this is such a layering in this small human body, and in this cap she also went on stage. it was important for the viewer to see her, this was already in the fifties, when her colleagues remembered her, so after ivan brovkin, after the wedding with a devotee, they go to some kind of, as usually happened, concert program, yes, they go to some collective farm, to some factory, and how people are just happy to see her, physically here she, peltser, she’s our favorite, one of our colleagues even joked, so, it was such a comic skirmish in the theater. with

her quarrelsome character, it was not always easy, but she found a common language with her colleagues, someone said: tatyana ivanovna, why are you performing, well, no one loves you except the people, this of course was not so, she’s in the theater her colleagues loved her very much, including her peers, young people, but the fact is that yes, she was not easy to communicate with, but this is not visible on the screen, yes, and the viewer simply adored her, every time we are now we look at... films with tatyana peltser, we are immersed not only in this story, the history of the plot itself, yes, but we are immersed somehow at once, she immerses us in this long, long history of soviet cinema. and what, in your opinion, what is this phenomenon based on, the phenomenon of soviet actresses of the second plan, third plan, older actresses, in general, in principle, supporting actors, because the supporting role in soviet cinema occupies a very significant, yes, entire role. a whole cohort

of wonderful, outstanding actors who play only minor roles all their lives, it seems to me that this is all because soviet cinema initially declared itself in the twenties as a collective cinema, so we will not film, well, again, this is what our friend esenstein said, we we will not film melodramas for three people, but we will have people, yes, we will have a team, we will have a representative of this of the people or this collective, somewhere behind him there must be more people, so even there chipaev and... the thirties, behind him there is still furmanov, there is his petka, yes, what about without petka, and what about without anka, right there more, more and more and more and more, and these people must also be somewhere, yes, these types in the twenties, these actors in the thirties, this is what stanislavsky actually started realistic theater at the end of the 19th century, led to that in russia there is one, well, it is recognized, yes worldwide, maybe there is the best acting school, maybe well... from england, you can, you can

compete with england, but the fact that, again, in the early twenties, thirties , numerous theater schools, institutes, schools were organized, which year after year produce, produce is not the best word, of course, high-quality, they educate, professional, musical, dance, dramatic, tragic actors, quite diverse... in terms of their capabilities, yes, then they join the geek, not everyone even has a place in theaters, which is why in the thirties peltzer was so unsuccessful with a career they close, open, move, at some point she plays forty years in the theater of the film actor’s studio, and why is such a theater created in the first place? and this is for those who usually act in films, who do not have a permanent place in the theater, in the troupe, yes, few films are made here, why?

collective, as in the twenties, but this movie, one might say, is family, we see fathers, we see mothers, we see uncles, aunts and so on, these... families, maybe single-parent families, but after the great patriotic war , but we need to show the older generation this is where the peltzer star appears, and it is necessary, this is the older generation, yes, here she is in ivan brovkin, a collective farmer who survived the war, raised a son, and she needs to somehow arrange for him, somehow start a new life, this feeling of a new life and a family that stands behind me, yes, it comes to the house in which i live. the cranes will fly in, and in all these wonderful films of the fifties and sixties, then, of course, the younger generation already appears as the main one, the child on the screen and so on, but again, yes, a child needs a grandmother, a children's movie, here you go, who could you play, for example, in the thirties in a film

by sergei zenshtein, alexander nevsky, but i can’t imagine her in the ancient russian guise, nor in alexander nesky, not in ivan the terrible, but it happened later. from the history of russia, but the time of literary adaptations, again, in peter i, it does not seem in any way that like this peltser, but the historical roles, as if not hers, well listen, after all, this era is, so to speak, heroic and which required heroic works on the screen, and the roles of peltz... they are so more everyday, more down-to-earth, and the directors who work with such material appear in soviet cinema already in the 50s, sixties, seventies, when they need to tell some stories, including chamber stories of one family, not a family through eras, but a family here now with its own problems that need to be solved

even with methods like peltser does in the film you never dreamed of, yes, i think that it is precisely the development of the soviet cinema and development... and this, of course, is not only peltser’s happiness, but above all ours, yes, it’s very cool that her career developed at least later than others, but the main thing is that it’s somehow good for us that we can make these films again rewatching not only films, but also performances, each time it is some kind of charge of energy, which, as... they say, she gave in life to her colleagues, her friends, acquaintances, yes, to people who simply saw her in the theater, and this energy is transmitted from the screen, perhaps it’s just that cinema had to technically somehow also reach

this energy, and the camera movement is more free, the film is more sensitive, going out on location, where she would dance on the roof on some kind of built-in set. this very roof, you need the sky to be visible, you need to have real trolleybuses and so on, cars, and where else to run, this just so magically coincided in the fifties, sixties, seventies , what could we advise - should viewers watch from tatyana peltser’s extensive filmography? well, i'd rather reconsider of course the formulas of love, of course, here... maybe even twice to open this formula. wasp skin, it seems to me, from kashiverova’s lesser-known films, of course, you never even dreamed of, but about how people deceive each other, how they treat each other, with the best intentions, of course, there

’s just this multi-faceted grandmotherly quality here , i came up with a new word, tatyana peltser is embodied in all its fullness, this is what we... i recommend. and it was a podcast of witnesses from einstein. we talked today about wonderful, great soviet actress tatyana peltser. you can find all episodes of the lisenstein's witness podcast on the channel one website. this is let's get married. good afternoon. today is the groom konstantin. georgy and alexander. and our bride is irina. irina, 43 years old, was. she was obsessed with catching her lover cheating, but as soon as she succeeded, she went back to bed with him. irina, a cleaning specialist, lives in krasnodar, is proud that she has found a job she likes and has lost 17 kg. he dreams of having a juju. he admits that he has never

was married, warns that she gets up at 5:00 every day. irina cannot stand narcissists, whining gentlemen in dirty shoes. but the charismatic will gladly give his heart. a moderately drinking romantic who knows how to earn money, kiss and fulfill marital duties in the most unexpected places. hello girls. nice to see you, hello, i came with some sweets, yes, we prepared it ourselves, unfortunately not, but well done, honestly, irin, i understand your desire to have a juju, this is my dream, i ’ve seen it, but it’s better than all the husbands, to me it seems like they’re put together, well, no, well, i ’m definitely not going to give you the juju, but finding a man is actually easier than that, bone, your type, very similar to your ex-girlfriends, have you never been? married? unfortunately, there is no such offer for me, but how did such a beauty happen, with such a luxurious figure,

clean, apparently, why? and what are you doing to me without all these fildepers things, that you gave me the very best? take it for yourself, rose! oh, my god, nothing can be done here on the quiet, but please, it’s great, you can see such a core in her, a big one, what do you think? why is there something wrong with the character or i don’t know, i would like to figure out who drove me into such complexes in the first place, why such dislike for myself, well, in general, it’s always like my daddy tried his best with the kingdom, no, daddy , on the contrary, always said that i very beautiful, attractive, my mother always said, unfortunately, my parents are no longer here, my mother always said, you are so... beautiful, you are so proud, you know how to present yourself, she always thought that i had there will be a worthy man, that i will live with

a worthy man, well, for some reason i don’t know why i have such self-esteem, i somehow don’t think about myself, even if something happens, i start to worry about those people, not for myself, what happened to me, maybe i ’ve met maybe the first living person lately, here you are with real emotions, who is worried, crying, remembering... her parents are crying, that is, you haven’t worked through all this pain, cellophanes with bulging eyes did not come to us here, i i’m just thinking, my god, i can’t, why don’t i have this, because love is evil, everything has its time, well, as if someone will come who will support without tears, i wouldn’t help, don’t let me go to your man, whom you sat in the bushes and forgave him everything, this is probably the most painful love in my life, this is... how

old were you when you met me? well, the father of the child’s children, and so he was already a child when you were 5 years old with my son when you that’s how we got into trouble because of negorism, but i lived with my mother and my neighbor introduced me to her brother. completely into him, i liked him, i loved him, he, but he’s cool, he’s very funny, he’s charismatic, it was interesting to talk to him, about so many topics, i didn’t drag the child along, no, i didn’t drag the child , because he’s special, he doesn’t have children, he still doesn’t have them somehow. well, he wasn’t particularly friendly towards my child, but maybe i haven’t gotten married yet because i was very

worried about my son, so that no one would he offended you, he didn’t even invite you to move in, yes, i went to see him, we even had a guest marriage, this is not just a name, my mother said, you go around like a call girl, look, but he didn’t invite you to move in, he didn’t marry you , apparently she hasn’t met such men who don’t bring a woman to tears, you can make her happy, he didn’t just cheat on you, wiped his feet on you, but he wasn’t shy in front of you, tell me, but we were, that means, well , actually, initially i called for us to go to a restaurant together, well, to a club, to sit in a restaurant, he didn’t agree, i went with my sister with a girlfriend, we were sitting, relaxing there and he comes in, i don’t know, either on purpose, or, well, now i understand that apparently on purpose, he comes in and goes straight to another table, and a lady was already sitting there, he goes to her booth, sitting with her, here... slow music starts, well, of course it torments me, how can this be, he’s not with me, but there with another, and i think that it

’s as if we have a relationship, their in principle, in the end it wasn’t, i turn around and go to his booth, ask him to dance, i really was so humiliated, but it was for me, i come up, i say, let's go dance, he no, i won't go, no, i won't go, i won't go, i stood for a long time, then i moved away, i said, okay, he danced with her, i see, they leave, leave, get into a taxi, leave, “well, i’m following him, i call a taxi and go after him, but time has passed, i don’t know, well, it takes 10-15 minutes to get to the place where he lives, and i’m still calling the toxin, let it be 20 minutes." and i come after him, fly into his house, well, did you have the keys? no, his gate was open, but he apparently didn’t i thought that i would come in, everything seemed to be open to him, i went in, i’m for no, wait, to be honest, his gate was closed, i followed him so much that i crawled under the gate, between the foundation gate, yes ,

he then fixed it, because he found out where i was coming from to check on him, and that i came in there, they were already in bed, well, i came out, they got dressed and he came out, we sat with her, then we talked, i told her the situation, that is, i - she was not the only one i could recognize from social networks, where with who does he communicate with on these sites ? when it was possible to do everything differently, so we talked to her, we could even say, and we remained friends like that, she understood me, she apologized to me and left, well , i stayed with him, and you tried with him talk, or did he tell you, i don’t need you, no, he said you’re good, but i will i can’t live with you, i can’t marry you, you ’re good, you’re good in everything, and how long this

lasted, almost 5 years, initially it was apparently necessary to understand what kind of person... you’re fat, you’re ugly, there’s something else... then, here he is introduced to a woman, 10 years older than him, she is from moscow, they begin an affair, he leaves for her in moscow, i couldn’t come to my senses for a very long time, i was waiting for him all the time, i saw in every man him, with his name i was looking for men to be with his name, then gradually i started

to leave, as if to come to my senses, i went to krasnodar to forget him, well, i lived in another city, where with him, dad.

but if it’s not difficult, i would call things your bad character, which means look at what you write about yourself, which has a direct connection with stuffiness, which means you ’re grumpy, you put the fork in the wrong way, for example, you’ll definitely point out this is very capricious in everyday life, even girlfriends rarely invite you to their place, because the first thing you start doing is making claims, they didn’t clean it, they didn’t clean the toilet, what the difference between you and someone else’s toilet, and such a list...

and zavorotnyuk, we remember a wonderful person, an amazing woman, a colleague, a friend. anastasia zvorotnyuk, born in the seventy-first year, she didn’t feel very well, everyone thought it was just a nerve injury, they went to get checked and found out, well, that is, you can say, almost on her birthday, i noticed that she had a new breast has appeared, a new mouth pendant, i turn and say:

people that everyone needs to bring to life man, i did it. in memory of yuri shatunov, sunday on the first. you must

show the man with your behavior and with everyone inside you that he will feel good with you. but in such a situation it will not be good for him. and he already feels it in the morning. let's start sorting this out somehow. these, yes, these are all the indicators. kind of like, when you go to your friends, well, it’s someone else’s toilet, you just bite your tongue, yes, well, it just sounds like advice to them, there’s no need to advise, just take it for granted, no it’s necessary, irin, i honestly, for the first time in almost 16 years, am meeting with such a story, i don’t know where to find some kind of glimpse that i would like now, but there is sex, she needs it then i dare you. it’s like it should be a pleasure and not a duty, there’s a feeling that this will be some kind of

duty, then you didn’t read about cooking, i don’t really like cooking, and you don’t like cooking at the same time, well, i no, i’ll cook, why can i cook, that is, this is the first time i’ve seen such a bride who he said, oh, rose, you haven’t read everything bad about me there, i also don’t like to cook. for me it’s better to clean than to cook, meet the first groom, come in. irina, hello, my name is konstantin, which means constant in greek, hello, let's go, konstantin, 45 years old, owner

of a construction company, considers himself a first-class foreman, mushroom picker and cook, is proud of the fact that he cooks deliciously, dreams of being loved, admits that he has a complex character, warns that he will not allow his woman... to meet often friends, konstantin still doesn’t understand why his wife, on her own initiative , equipped him to go fishing, and a week later offered to end the relationship, hoping that irina will never betray him. hello, hello, oh, thank you very much, he is not a match for her, yes, she is, that is, he is already older, and konstantin, you really don’t understand why your wife sent you fishing, and then suggested

a divorce, well, fishing i travel, so to speak, often, fishing was fishing, uh, friends from volgograd called, come, it was evening, my wife said, of course, fly, go fishing, relax, that’s it, i’m flying and fishing. i’m on vacation, i arrive, a week passes, my wife says to me: let’s get a divorce, you thought she was joking, yes, yes, of course, but overall it was good or everything was fine with you, yes, you lived well, of course, everything was fine, children, yes, there is a son, a daughter, an adult, yes, a daughter is 21 years old, well, i took her and my wife. my son is 12 years old, and you say that she has suddenly become sad lately, yes, yes, because she is constantly at work, constantly away somewhere.