a rather unexpected angle, western commercial advertising is their idea of ​​our life, perhaps this is a symmetrical response to the style of the propaganda opuses of the krokodil magazine ten years ago.

attention please! thank you the next dress is for every day! very beautiful! next: evening dress! very beautiful! there is little joy in not having the opportunity to choose, everyone will find something to choose from wendy. andy has a new menu, the freshest low-calorie salads, potato salads with a variety of sauces.

very good vodka, excellent, but it's not moscow vodka, this is not leningrad vodka, this is not russian vodka, this is not even polish vodka, this is vladyvar vodka, from warington, where is warington? will you come to our place? i miss you so much. no, mish, i won't come. engineer, this is a completely different calico, not like yours, mishka is a criminal. don't you dare

talk bad about him. how would you like to meet in the evening? this is masha, my bride. she and i will get married. she will never set foot in my house. i don't want to see her. i love her. we will have a child, i will not forgive me for naermakova replaced, you hear, the skolchins haven’t calmed down, they’re hiding, you stumble a little, a knife is stuck in your back, sure as hell, cook, i ’ll do everything for you, i’ll carry you in my arms, take it, marry me, why is this bitch getting everything, but i also want happiness, many years ago my son brought you a child, he is alive, i wonder what he would be like if you gave up your war? misha! two shores, the premiere of the serial film on monday on the first. the next section presents people who have achieved worldwide recognition for their creativity. so, the world famous actress

nastasia kinske.

and i want to talk to you. do you want to tell me something? no, tell me, i won’t tell you your secret. yeah, you just talk and that’s it, well, yes, mostly i listen, when i was little, i

never felt like i belonged to any one. country, some place, some nationality, i was just a little person who lived on earth in this world, then i had the opportunity to travel, see many parts of the world, so i don’t feel belonging to any place, i just i'm there, what if i i worked in different countries, well, i was just lucky, it was beneficial and interesting for me.

egyptian, originally from egypt, i always wanted children. since the first time i was in love, i was still a child myself, but i always dreamed of having a family, that’s what i like about the soviet union, this feeling of family, sisters, mothers, grandmothers, aunts, i like it, it’s huge strength in the family.

in that case, what do you think of wimm wenders, for example, as a person and a director? i studied with mim wenders when i was 12.5 years old. and i immediately felt some kind of closeness with him, we always knew

each other as if in one family, for me my first film was not a film at all, just an adventure, an experience, i didn’t notice the camera, i just didn’t feel that a film was being made, it was just a journey, for me it was a miracle. then i realized that this does not always happen, that this is a special area, a good director, i believe, good directors always turn out to be good people, and women directors too, for some reason everything always starts with a good person, because that...

it happened by accident, a completely different actress was supposed to play him. we talked on the phone, and he complained that she was not free yet, i didn’t know what to do, and i told him: why don’t you take me? maybe i’m not so bad, but he says, maybe like this, it was not a choice, but a friendly act, it was a story about the war. about what happens to people who survive the war, like

john savage. is this based on platonov’s story? do you like him?

i love him very much, i love him very much. it was a pleasure for me to work in this film. konchilovsky was a charming

man, wonderful. and now i’m here, it’s something special for me, to be in russia for the first time, truly in my life. i came several times, but for the first time for such a period, i always felt it.

do it again, i love that, you going to miss me baby, you got to live for yourself for yourself and nobody else, you got to live yourself for yourself and nobody yet, i go crazy, lord i go crazy, i love you , i love you, i love you. not only fashion models, but also film directors go to paris. now you will meet with the most french director of the soviet union, the most soviet director of france.

სულ თავიდან მოიცა ნუჩქაროლა კიდევ ერთხელი.

you are the first soviet director who, even during the times of stagnation, managed to go to work abroad without losing his citizenship, it is true that duvarnadze has a direct connection with your departure, there are such rumors, the fact is that i...

i was in georgia film recently and i saw that our profession does not

exist without a laboratory, we, and we send the film to leningrad, to kiev, to moscow to develop, was a wonderful laboratory that functioned normally, some kind of secret happened, in kiev and in other cities georgian film is put at the back of the queue and... your work has always been strongly implicated on national georgian soil on national motives.

what is the reason for the fact that you filmed your last film the light has gone in an african village? you know, this is a very ancient method.

the disappearance of the earth, which is why the situation was approximately familiar to me.

when will you stop getting bored?

i understand that it is impossible to demand from the director to be an oracle, but do you think the prospects for the development of our country are optimistic or pessimistic? i understand that you are observing this quite from the outside, but your opinion is not from the outside, i am watching all this very, very carefully, i am very afraid that the so-called... and there is one single thing, oh which i

regret, i am very sorry that the experiment to build some kind of human society on earth did not succeed, it is a great pity, it was, perhaps, the last hope... the last dream that did not come true, capitalism is a disgusting thing, there is nothing good in it, please, the clock mechanism is designed for 45 minutes, memory. turning on the memory, automatic, and this is an immediate explosion button, just when testing, for god’s sake, don’t touch it, that means , here are the minutes, here they turn on the minutes, but this explodes immediately, you can’t touch it, here’s

a bomb, warn those who are careful, they are going to try it , what did you think? the main thing is that he does not touch the red button. what is he doing? they told you what russian capitalism would be like, what it would be like? georgian, i don’t want capitalism in georgia, it’s disgusting, it’s cold, it’s cleaned up, it changes all relationships between people, it disappears the most important ability for selfless actions,

without which, without which there will be no relations between people in society maybe this all worries me very, very much, was it always difficult for you to work in soviet cinema both because of the technological base and because of the relationship?

what are you making a picture about, and naturally, naturally, there is only one, only one, only one obstacle - this is bad taste a viewer who has not wanted to watch a movie for a long time, so the situation is not happy anywhere, we thank you for this interview, we hope that soon you will make a film in your homeland, i also hope, thank you. this seems like a far-fetched idea, but it’s true, i was amazed that in

the last sentence of this man’s death certificate, the blood type is zero. thank you. neiker. and looked at the asphalt, yes, this car was

in the middle of the asphalt and the new one and the carousia that was driving, this one was on the left side in the river, when we approached, then the driver was already dead. on august 12, 1990, at 11:30, i, as part of a task force, went to the scene of the incident on the road 35 km away; on -site investigation established that the driver of the m-2141 car, viktor robertovich tsoi, lost control of the car and drove onto the left side of the road, where i collided with a

cool car, i would like to stay with you, just stay with you, then the overhang is high in the sky. calls me to let, group of blood on my sleeve , my serial number on my sleeve, wish me good luck, plow a lot, give it to me

blood, don’t leave the edge,

tied up in the closet, a scream is crowded in the throat, but the time has come, now, don’t scream, only

then, someone for a long time will not... will not be able to forget how the fighters are staggering, they wiped their swords on the grass , and how the black tribe flapped its wings, swept out of the sky, and then bit its tongue and trembled its hand, the one who remained alive suddenly turned into eternity,

suddenly turned into a moment. and the sunset burned on a funeral pyre, the stars looked out from the clouds like wolves, with their arms outstretched, gone into the night, and as they slept in a heap, the living do not see dreams, but life is only a word, there is only love

and there is death. hey, who will sing if everyone is sleeping, death is worth living, and love is worth waiting for.

viburnum, raspberry! i’ll go myself, yes i’m on the street,

viburnum-raspberry, withered, withered, bark tank, viburnum, raspberry, black nugget, for mabai, yes i’m on the street, viburnum, raspberry, black currant. and i’ll kill the food beard to all the children, all the flails, and the apayaskas, i’ll go on my own, and i’ll go to the street and the tanks will wilt, i’ll wilt

, i’ll wilt the crooked tank, i’ll mamatize one more time or two come on, come on again. hello, dear tv viewers, the melody of my life podcast is on the air, i am its host, valery syutkin, our program was opened by the radiant, young, fresh group wormwood folk, and today we will talk about a folk song, everyone discovers a folk song individually, i ninety-fifth birthday year.

how did you connect, we all come from tula, except for alexander, yes alexander is from the moscow region, i came to them in tula and gathered them

there, yes, at some point i got tired live in moscow, the orchestra must be under management, yes, yes, i am the director, i came to tula simply for a new life, i had a need for a new life, i wanted to change something, but you probably listen to different music, yes, i’m just wondering how people born there are in the new 21st century.

this is how we somehow manage to do it all, so tell me what they did before you? somehow influenced this genre, i don’t mean lyudmila zykina, specifically her, i mean colleagues, a little older than you, because i remember an absolutely explosive interest in ivana kupala to kostroma, then the wonderful buransky grandmothers, wonderful simply with humor, what a good russian folk song is, this is our russian enthusiasm, this is the soul, of course,

sincere, we are the best in the world. in fact, the whole country unites us in one space, where everyone understands this great russian language, our native one, and please tell me, these beacons that i have outlined, i will not remember everyone, because today there are guys who are also like you , promote russian song through pleasure, because on your faces you radiate happiness, you’re great, we love it, yes, of course, but how do you do something you don’t love? but for me personally, when i created the team, we first worked on authentic folklore, that is, we actually took recordings and made them without any electronic processing, and there was no smell of that, i also had younger children, but then for me it was some kind of impetus tina kuznetsova, a member of the stern team, served, yes, who simply writes brilliantly, and writes arrangements brilliantly, and i

wanted to learn the same, but we... unfortunately, in universities they don’t teach you how to write arrangements, then it’s all about making some kind of marketing plans, developing a promotion strategy, it’s all very interesting, what am i doing now, i literally left the management, i handed it over to the girls there, i say, girls, choose song, practice, and i’ll be promoting something else somewhere else, and for me , zventa svinta, tina kuznetsova serve as an example, well, for me , no one has put it together better, for me, ivan kupala, yes, it was cool in the nineties, yes. she just released a song, her husband is not at home, this is the first one i heard, she had an album before this, this is the one i heard, my husband, she captivated me, everything, i think, what a form, everything is so mathematically verified, that exactly the formula of a hit is laid down in a folk song, something of its own was added, songs of the belgorod region, the belgorod-voronezh borderland, and

so it was done in a delicate way with development, with all sorts of forms, parts, for me it was just, well, wow, i as if the person who finished the folk choir looked with his brain, but i already had these prerequisites for sound production, for any promotion in general, i just think i should do the same, well, everyone has some kind of guide to the world of music, some kind of song that our podcast is called the melody of my life , everything through a melody, this melody.

ay, that's a lot of grief, you accepted, yes, ay-gay, yes, that's it! please tell me, are these numbers that are done with anplax, let’s say, as you just performed, without accompaniment, or are these part-time songs, yes, you guessed correctly, these are sub-scales, that’s it, but we generally do

we sing more as it was, because it’s either arrangements or acapella, yes, but here we took little bits, just an impromptu, we can even sing with the four of you, if you know chistushki, let’s take turns,

thank you, expedition, you said that songs are being collected, are you traveling around the tula region, where are you? bryansk, volgograd, belgorod, yes, the tula region, well, we have only one grandmother left in tula, she lives in a box, she’s an honest girl, they still go to her, in bryansk there are still grandmothers, who are us too we go, here are the girls i had on... the expedition we recorded the magical-agrarian rite of the arrow, which is exactly the junction of the paganism of orthodoxy, and the grandmothers somehow developed it there, for about 200 years, this ritual does not change, it is aimed at so that lightning does not

kill us, so that yes, so that these lightning and thunderstorms water the crops, this is done from easter to ascension, year-old songs are sung, yes, this is the village of vereshchaki, this ritual is still performed there, she tells or humming? you gave me pleasure, i hope ours tv viewers, and we continue to live on this great land to follow the best traditions, and this is our task, to simply pass it on from

generation to generation, thank you for being there guys, thank you for inviting us, yes, you know what’s important is that while everyone is being born new and new people who turn to our true russian culture, it will live forever, you have good taste and the right choice and... the most important thing is that your eyes sparkle, you do it with all your heart with pleasure, it was great , thank you, thank you, thank you, will you come to our place, i miss you so much, no, mish, i won’t come, engineer, this is a completely different calencore, not like your bear is a criminal, don’t you dare talk bad about him, but how would you like to meet in the evening, this is masha, my bride, we are getting married. she won’t set foot in my house, i don’t want to see her, i love her, we’ll have a child, that i’m at the mercy of irmakh, do you hear, the skolchins haven’t calmed down, they’re hiding, you stumble a little, a knife

is stuck in your back, how dare you, cook, i will do everything for you, i will carry you in my arms, take it, marry me, what is it all going to be, i also want happiness, many years ago my son brought you a child, he is alive, i wonder what he would become if you left your varka, misha, two shores, premiere of a serial film, with monday on the first. early in the morning, on the grass with your deep legs , you can drink water with your bare palms and lie down until dawn in the vasilkovo apolyushka probalta. with girlfriends, and the girl’s share

to lie until dawn, vasil’s coma to porlyuska, chat with the girlfriends, and the girl’s share, oh chamomile, cornflower, cornflower, chamomile, i fell in love with the strong one, my heart to open, oh, chamomile, cornflower, cornflower, chamomile. orders on the city white shirt daloy! you are watching the podcast melody of my

life, i am its host valery syutkin, today we are talking about our native russian folk song, about the music that this land gave us, fortunately i am stating the fact that today there are wonderful performers who are achieving great heights and recognition with such a truly folk repertoire, and my guest tatyana kurtukova is a vivid example of this. from the city of penza, which is very narrow has established herself as an accomplished performer of folk and original songs. tanya, how did you fall in love with this music, this is the folk melody of your life, how did it appear? it was in early childhood, at a certain period of my life, a teacher appeared who introduced me to folk songs, to folklore, this is natalya vasilyevna markina. folklore is very multifaceted, it is multi-genre, it has many branches, and it attracts me. it’s because the music is very

branchy with its variations, it’s a very beautiful polyphony, it seems to me, well, in this it’s impossible not to fall in love, tell me, you, in fact, like me, i love, if you’re going to do something, it’s right with immersion and your immersion in folk music is not limited exclusively to melodies, you even have a collection of costumes, the truth is, how is this it turned out how she came into your life, this love for collecting everything russian, well, you can probably already name the collections of authentic clothes that i collected on ethnographic expeditions, the expeditions took place in the villages of the pendensky region, that is, you perform in them too, yes , yes, here you go here in the photo you can see an authentic ponyova, a shirt sewn according to an authentic model, by a penden craftswoman who specializes in such costumes on such clothes, some things were given to me by my friends who know that i...