and unusual alpine horns, longer, a little bit, even, well, of course, tv viewers are interested in the question, how did you bring it here, eh, it's sorted out, it's sorted out, fortunately, this is my sixth alpine rock, which consists of eight parts, my first consisted of two parts, amazing, then alpine horns appeared in three parts, in four parts, this one is the most convenient, the most comfortable in the sense that you can now fly with it safely. so long, this is an extremely important characteristic, the length determines the tonality, that is, the overtone system, well, you noticed that there are no valves, no taps, pumps, holes, no, there is a silk-clopper, now even the surname sounds like an important mechanical component for healing, yes, but in the jewish tradition, the silk-clopper was a housemaster in the synagogue, that is, he was responsible for the candles, and all the rest, he

was also a key keeper there, he called people to prayer, how? schild klepin, in german, schild is a shield, and klepin to knock, fantastic, so i practically called like that, so you call to pray to the god of music, how would you call him, why are you stuck in study, you have to know a lot to play like that, the thing is that i am a horn player, then there will be a horn and other instruments, the horn and olympic rock are different in that...

who lives on that slope could be heard or that yes they transmitted information sometimes well if let's say as enemies yes they transmit information that here are enemies or - well if friends, for example, here is what kind of sound, well when friends, i usually said this: remember the pioneer horns, get up-get up, my friend from bed to the potty, of course. who can stand up like a friend, friends, lord, is such a huge thing really needed for such a simple misagi, well comrades, well we can't help but imagine the rest of our guests today, there are such greats here, yes again musical ecumenism, because well, well come on you, sergei starostin has already been in your program, 54 times and each time in different guises absolutely right.

even with a crocodile in my opinion and is forced to wear does not forget yes well old age but he piping on the flute both oops everyone loves him starosin came here and yodel yes that's all there all with our now also one can say a venerable drummer playing in many bands petr ivshin and this is immediately audible i will say we are keeping it a secret the fact is that we are playing in such a line-up for the first time today yes what are you saying yes? we tried yesterday specifically before this program not to quarrel at the same time yes despite the fact that we have known each other for many years played in different line-ups, then, dear friends, this program will acquire a unique television flavor, before us is a premiere, yes, when this one, two, quartet, quartet, small quartet will travel around the country, only four people, in what, in what quiz would you not participate later on the request? and

when this cat apartment, here is today's date, here he first appeared on the first channel in the anthropology podcast, well, let's go now. let's listen to the second piece of the first appearance of this quartet on the first channel.

tanya tanyushka, tanya white, yes tanya white, everything and rosy, yes all rosy black-browed, browed black-eyed,

brought this to our nazidne.

this is the anthropology podcast on the first one, our guests are still without. name, but the most virtuoso quartet of ethno-jazz, under the direction of arkady shilklopper, well , such a handsome man, such a passionate shilklopper, that's fantastic, that's all life, all the fans of music sooner or

later become fans of shilklopper, well , why did the most dispassionate pipe in the world choose him, well, no, only the oboe can be more dispassionate. it must be said that the one and a half has approximately the same tessitura as the trombone, but the trombone is such a nyst in jazz, a source of energy, and this is such a melancholy, that 's how to explain soft. well, probably, character, you know, it also depends, but you are an explosive person, well, how can i say, i can , i, please tell me, you felt that it was stuffy for you to sit fourth in the second row of the valorist in the bolshoi theater in the orchestra, where you were sitting, by the way, and you began to look for a new use for your instrument, absolutely right, yes, absolutely right, where did it start, it started with what i heard, i didn’t understand at all, i played the bass guitar. i must admit in a rock band, i came to a jazz studio to yuri kozarev,

there was a moscow jazz music studio, it was called experimental, i came with a french horn, already being a student of the gnessin academy, then it was called the moscow gnessin institute, i came and said, i want to play jazz on the bass guitar, he looks at me, says, but you are a bass guitarist, i say yes. why do you need to play jazz on the bass guitar , look, in every class we have a bass guitarist, and you will be a unique bass guitarist, it’s not for nothing that no one plays it, it’s impossible, there is, there is, i then later i found people, all three know each other, yes, well, i didn't know then, we didn't have the internet, we didn't communicate, that is, i just came, like a blind kitten, and kozyrev threw me into the orchestra, now we... of course, i've already become an honorary member of the altar players' society, they've already called me up and know me

as a jazz altar player all over the world, there are even good jokes about this, i'll tell you, valery has a altar player, apostle paul peter, one of them, he opens the door, says, altar player, yes, yes, i read your book of life, everything is going well in general, the only thing i ask of you before you will get into... into our, so to speak, heavenly fires, eh, the question is, what was unusual in your life? well, well, i played tchaikovsky's fifth symphony in the carnivore hall, the solo in the second part, yes-yes-yes, it's all somewhere in the book, i have a question, what was so unusual in your life, he says, to tell the truth, i played in a jazz club, and the apostle was so surprised, and he says: well , tell me, please, when was it, he says: well, about 15 minutes ago and they killed me, he played well, but why is that, well, why is there no

trombone, what is there here, softness, beauty, filigree, that's what we'll have to appreciate now, that's what's coming now, yes, an interesting movie, well, you've intrigued me, dear friends, let's have filigree, that's the subtlety, the subtlety of full appreciation, good.

oh, you zalevochka for... girl, fabric sock, oh, to know you, my zalevochka, you have a good voice, oh, what a fun game, yes, i love levochka. oh, when i'm dying, i

'll have to play for levochka, oh, whoever plays for levochka, doesn't live richly. oh, that last cow is given away for an accordion. oh, zalivochka, zalevochka, zalev, zaliv, zalev, before he ran after her, and now she runs after him uya.

oh, my darling didn't love me, but now she will, she will come to my crib, she will stop, there will be no one, oh, ah, y!

oh, yes, not all about grief is crying and carrying it to grieve. oh, wow, well, in general, after each composition of a newborn group, a critic

should come out, of course, conscientious, says, yes, wow, dear friends. you also have to hate your native song, so as not to, so as to, here to put this flugel-horn at the end, well, you have to, well, this is actually an instrument apiston, cool horn, cool horn, po the name of the master, johannes kula, a german master, an instrument almost forgotten, well today another master has appeared who decided to revive it, well i am an endorser of this instrument, what is called a tester, this is its second version, and a representative, yes, its second version, you don’t think yet, they will snatch it up, yes you make noise, no, people play, buy, buy, dear, by the way, rastyndor, they think, i’ll put on glasses, i’ll become smart like a grandfather, i’ll buy

a kula, kula, kula choir will play like a chic, no, this is not the latest version, i i think that... a tune, a passing tune, a strolling tune, when they walk through the village, and not only through the village, but go to another village, as if they were playing along the way, singing choruses, well, to please the girls from the neighboring village, and of course, you, seryozha, grasp that there is still an explosive element of the song in the 20th century, and not only melodic, but also textual, this is very,

this is very cool, this is very humorous, well, on the one hand, on the other hand, the fact that our ancestors... everything is really relevant, of course, here's another it is interesting, of course, that for you there is no instrumental division, that is what you hear and mindlessly, you will take the gusli now, please, what a feeling, that you were born with them, and what is wrong, well yes, you get used to it, the gusli is also, as arkady already said today, as therapy, a therapeutic instrument alpine rock gusli is the same thing. otherwise we have become despondent lately, yes, we should get treatment,

dear friends, now you understand the dramaturgy of volkov volo's life, you understand what a horror it is, who surrounds me -

all issues of the anthropology podcastlab on the website of the first channel 1tv.ru.

i must say that among the rankers, well , among teapots, like me, there is an opinion that the drum is capable of vulgarizing any work in which it enters, this does not apply to the peti, because it feels the skin so accurately, thank you, show us who can do what from your arsenal, well, this is a standard one, in general, a plate that is used in jazz.

here i have a so-called stack of two plates, below is a small plate china, which is inverted, well, that is, you see, here here is one plate, as if one, here on top i put one with holes, and pressing it properly, it gives just the effect of such a short sound, which can also be sprinkled somewhere.

as if everyone is clapping since hardly anyone in the hall will clap for you, you can save applause yes, it is very interesting how would you name the quartet that was born before our eyes today's anthropology program let's ask the audience and where to write where to write well there is a contact probably then write when you listen.

under the conditional name vozraduy quite even unconditional emotions, let's do it.

vozrodoy, a pine tree stood, the boyars rode, vozrodoy, the poyars rode, they cut down a pine tree, vozrodoy, a pine tree was cut down, they sawed boards, vozrodoy, they sawed boards, and they masted the tochka, yes vozrodoy, they masted the tail, they made it dry, yes vozrodoy, they sawed it off, they hammered it in with nails, pozdravoy, gvozya.

to make an instrument completely unsuitable for jazz into such jazz, yes please, is it possible to stick a zhaleika in your mouth and play like glenn miller's entire orchestra, please, really, if you are a headman, shukloper, volkov and petr ivshin, ivshin, here ivshin, may god grant you success in everything you do, and i ask you, dear friends, to reward the musicians with a correct, reasonable, cool, catchy... name for the quartet reborn before your eyes, because nothing is impossible, rejoice, all the best,

i greet you, friends, this is a podcast of the chronicles of the end of times, and i, evgeny dodalev , will tell you today about jeans. jeans, not to be confused with jeans, are materials in the press, which are like advertising, because money was paid for them, but they do not look like advertising, and advertising is not the main thing for the publisher, because this money is taken either by some employees of the publication, or simply by journalists who prepared the material, or by journalists who published the material, i started working - in the media, that is -

i received what is called a half-time rate, the rate was 130 rubles. but in the youth publication where we worked, they paid me this salary there, they paid exactly half of this rate, 65 rubles. well, only the editorial board employees received 130, i should note that at the plant it was possible to earn much more in those years, it's just that the 20th century was generally a century of, so to speak, bagems. that is, in any case, in the environment in which i grew up in the capital, it was generally considered that a military profession, a working profession, all this was somehow not the same, but bagemka - yes, bagemka, culture, media, artists, journalists,

all this, so, in short, i received 65 rubles, this was not enough, especially since for these 65 rubles, well, i worked a lot, like everyone else, that is, i was not in some kind of...

he finds these or those mistakes with a fresh, unclouded eye, and he reads everything from start to finish, from the header to the last signature, everything, including the imprint, uh, he checks everything, everything, everything, but actually, i don’t know about my other colleagues, i just don’t remember it, but uh i never had the patience to sit at home all day, to rest, i don’t know what to meditate, what to do, no, just uh, well that’s normal. it was the eighties, that is, journalists were all generally drinking, that is, i arrived somewhere in the middle of the day together with my colleagues i was drinking and was already pretty tipsy, uh, i sat down at the table, in this uh, duty, uh

, to read the columns, well, i must say , there wasn’t a single screw-up, everything was somehow normal, although of course there were some very funny moments that weren’t connected with jeans, i’ll say right away,

it moved up a couple of positions, the top five, everything was fair, the top five wasn’t sold at all, that is, it was all done by letters from readers, not by electronic letters, naturally, there was no internet, no e-mail, paper letters just stupidly arrived with a note, that in this section people printed envelopes, brought letters, counted all this manually somewhere, everything was entered, counted like this, that is, the first five were not sold, there were sixth, seventh, eighth, that is, from ninth place to sixth , you could move up, that is, in principle, i repeat, everything was quite fair, and dima strictly said: "yura, we have a lot of girls working, the balyk is good, the cognac is excellent, we need more candy."

including with dmitry shavrin and he, in particular in his interview, which was included in this book published, said that our legendary composer pakhmutova. yakov wrote denunciations to the central committee of the cpsu, that is, the highest

governing body, for those who are in the tank, i explain, and complained about these same hit parades, that some incomprehensible unprofessional rock bands appear there, worthy songs, then they do not appear there, since one of the speakers of this book, that is, from the people i interviewed, i agree, then i can only correct

it will be there in this book, let's say, but if you refuse a person in principle, no, you do not some turns of phrase, unsuccessful ones there, having agreed naturally with the person who spoke, because he had to put a visa, that yes, here in this final form his text goes, well, to throw something out there, even what puzzles me, it seems wrong to me. i excluded such a possibility that pakhmatov

wrote a denunciation, by the way, it seems to me, well, some kind of wildness, perhaps shavyrin himself was told that she complained somewhere at some kremlin banquet, she could have told someone in a conversation that there is such a rubric, such hit parade, there are such and such songs, in the first places of some songs, it is not even a fact that she meant hers, although she is a wonderful, brilliant, i would say composer, someone there about... called the editor-in-chief, the editor-in-chief called the columnist, scolded him, and dmitry could draw a conclusion about what it meant, it was a denunciation, in short, here in... jeans was present in such a form, then the market rose, market relations came to us, including in the media, and it is simply not that windows and vents overton opened, and the gates simply swung open, that is, they began to bring in

immeasurable amounts of money to journalists, that in fact there was simply a paradoxical situation in these last years of the soviet union's fire, when journalists did not have money... this is a podcast chronicle of the end of times, and i , evgeny dodolev, am telling you about such a media phenomenon as jeans, a lot of people, we ourselves, without wanting it, a journalist, well, i'm talking about myself, were deprived of jobs, some positions, i remember how my friend and i

went during the winter student holidays to some boarding house - eh, something's wrong with us there , either they gave us the wrong room, or they didn't check us in at all, or they somehow didn't react to these forces, and this was the mid-eighties, that is, this lyagachev-gorbachev campaign to combat alcoholism, when they cut down vineyards, when there were monstrous lines in the wine departments, they fought against the very commonplace, against our essence, that is, they forbade drinking - journalists were working on this agenda, without stopping drinking, in short speaking, we published it with him, having returned from i don't remember the name of the boarding house, but it doesn't matter, from the moscow region, there was some kind of raid, like a raid, from this raid we

returned - this article came out, this report about how in the pantheon in... you won't believe it, students drink, oh, it's funny and a shame, yes, this boarding house was on the balance sheet of the ministry of foreign trade, and i don't remember what day of the week this article came out, but after the weekend there was a decree that two deputy ministers were removed, kamsorok lost his post. mgimo, because there were students there mgemo mainly, and komsomol of some course, many people suffered, many years later - at some party i crossed paths with umar dzhebrailov, a very famous businessman, entrepreneur chensky and he

said with a grin that he too he was some kind of komsomol leader in in gemo there and he also suffered because of the article. i did not mean this, it's just that well, well, we went on a journalistic duty, we fulfilled ours, i'm not proud of it, but in short, i'm simply describing the situation, how weighty the word was, and for these words i will repeat, officially they didn't pay, but people like the same dzhebrailov, that is, future oligarchs, businessmen, they already clearly understood for themselves the power of this printed word. and they knew that in general journalists can be bought inexpensively, and they bought them, that is , these articles came out, the prices really went up very quickly, literally, this was a period of 2-3 years before official advertising appeared, with these advertising modules with...