millions of ways, few of those in the darkness, will fly will be able to see what is there in the void, eh, it is so hard to burn alone, never lie, connections of souls, adult children, no, i do not know the route, but there is.

there are options, i know, no matter what happens, i howl, i serve, i get up i fly up, i get up, i get up, there are options, i know, no matter what happens, i howl, i fall, i get up i take off, i get up, i get up. well there are options, i know, no matter what happens, i howl, i fall, i get up i take off, i get up, i get up, hello, friends, this is not a podcast format, millions of people watch and listen to us, because in this place prayed for, kind, good, most importantly a very musical atmosphere at... we have

the loudest hits, the most unexpected feats happen. in the studio as always my wonderful co-hosts karina cross val carnival, behind me is the gip group, my name is anton lavrentiev and today such stars have come to us. and i can tell you that our artist today can safely say that every sixteenth person on our planet has heard her tracks. can you imagine that? amazing, charming, charming katya iowa! it's me! thank you, very nice, and we have a girl visiting us today, who literally burst into the music world, amazing, charming, unique tosya chaikina, cool, i'm just in a flower garden, that's why, my dears, i would like to give you these modest, for the ride, this is another song, and since i'm such a heel, ala, i love you, shpage, christie shpage. let's start, katyushka, we

want to congratulate you on your firstborn, let's plan for you again, she became a mother, and we naturally, as if sooner or later this awaits us too, we would like to ask, how is it already half a year, is it hard, how are you coping? i wish you this with all my heart, because it is such a thrill, you gave birth to a friend, just like that. a dude, yes, with whom it is fun, and as they called him, a lion, a lion leonidovich, and he growls, when he eats , he eats like this, he has such a masculine character, and he really loves beautiful girls, i constantly follow your social networks, and i saw it with my own eyes, and how did you do such steps in such a deep position, i apologize, well, so that you understand, i just saw these movements when ... you raised

legs, squatted like this, i well, as if without this position i even heard my knees crunch, no, no, that's not all, i want to note that what complicated outfits you had at that time, girl, my tanya my stylist is now crying behind the scenes, because she was really crying, she says, i don't know how to do pregnant women at all, how is this even, what kind of proportions are these anyway, there's a ball here and how do you even wrap it? fabric so that it looks beautiful, that's real, it's as if i've penetrated some secret society, wait, no interfere, shut up, you know such immediately, forgive me, please, yes, yes, about pregnancy - of course it's a story, you can tell it for a long time, but we are doing an important thing, we show the girls that you can allow yourself, we inspire them, that's what i suggest. all

this energy block to finish off a wonderful song mom arkady, nadezhda me mom in the photo, the far right, notice. happy barely walks, yay, we send you postcards, the most important thing is that words warm with a smile this winter, mom, when i'm next to him, i don't forget, forget who i am, mom, when i'm next to him, consider the dawn, mom, mom, we're just getting ready. mom!

we need, we need to go to karaoke, girls, we need to go to karaoke urgently, you burst into the world of media space very quickly - everyone is very interested in who tosya chaikina is, i suggest we do a mini-blitz now, you just need to quickly and honestly answer the questions that i'm going to ask you, are you ready, yes let's go, googled your name, yes of course, hid from fans, no, yes, yes? went on a date just to eat? no, deceived the media with your answers about your personal life? yes, yes, i think you pretended that you weren't home? no, i said, do you even know who i am, and there was a case with a taxi driver who behaved very badly.

did you go out without underwear? oh, no, you were on a dating site, and of course, you borrowed money and didn't return it, there was a case, you returned it. fortune tellers, yes, many times, i even have a friend from kazakhstan, his name is os and he is a hereditary shaman in the seventeenth generation, he counted in the seventeenth, and i have, well , girls who toro. in short, that's it, listen, i have a question, you, since childhood, well, grew up in such a very musical family, and if i'm not mistaken, both your dad and mom are musicians, and your grandfather was the leader of a song and dance ensemble, right, or yes, yes, yes, and why

didn't you, well, go into more academic singing, well, i studied to be a classical vocalist, i grew up with two singers, with my grandmother and mom, and my mom was mine. but somehow i still skipped the rest of the classes , sat in a coffee shop nearby, drank a lot of coffee and wrote my first tracks in the coffee shop, when i was 17 when i discovered this for myself, i realized that that was it, there was no way back, that i wanted to make my own music, that i couldn’t live without it, my grandmother didn’t say, what kind of horror is this, come on, give me the classics. they transmitted their love through fear, they understood that they could give me a classical school, they gave it to me, and for that i am very grateful to them, because everything seems to be based on this, everything that even i do now, then simply, when i discovered myself,

they naturally didn’t know what would happen next, my mother was afraid that i would burn out and was very worried that i would go the way of one. yes, yes, yes, ladies and gentlemen, tosya chaikina is performing on channel one exclusive, with an academic version of the song arrows. we ask , yell! arrows have shot into my heart, i want them

to fly past me. arrows have shot into my heart, i want them to fly past me. take away, wow, i'm home, i'm home, cool, awesome, you didn't make such a chorus, just a digression, and after that the person starts rapping, and then you have a baked voice and so on, in general this is awesome, arrows have shot, i want them to fly past me,

shoot arrows into my heart, i want them to fly past me, we all sing, all the kitty, oh, i want them to fly past me, shoot arrows into my heart, i want them to fly past me, you know what i can say, that at the very least an amazing feat appeared together with

katya aiyova, well , we have been talking with katya for a long time, we even have two cool sketches, when, well, katya now has a child, a tour, a lot of things and filming a movie, that is, time, and i, too, have everything busy, and we are just waiting for the moment when it really will outgrow. that's when our then year ago we met at my place we cried there we talked and immediately gave out two cool wow things, in general we need to meet a couple more times, just find this time, everything is kat, and tell me, what kind of film is it? when they offered me, i said: no, what are you talking about, are you crazy? what kind of actress am i? that's when they called me and said: well, wait, let 's do an audition. i say, well, come, i say, i won't come, i'll do a self-test, i 'll just shoot it like this and you'll understand everything,

so i shot it, they're all like, come, i well ok, i'll do another one, it's approved, so i tell the director, you need problems, he says: come, let's see the scale of the problem, so i came and now i 'm filming a movie, and half of the filming was in st. petersburg, half in moscow, so, uh, three main characters fall in love with three, no, there 's no falling in love, well, that is, it's not clear, it's not clear, nothing is clear, tosenka, please tell me, the song is very clear, yes, there the human heart, the broken soul, arrows hit the heart, and it's as if it's very close to everyone, and how did she give birth, well, how was she born, i just fell in love in a person, and everything seemed to be fine, but it... was ultimately unreciprocated, and he would appear and then disappear, and i, like a little hut, waited for

his call, any message, watermelon? no, i wouldn't say so, it's just that he probably didn't love me, but then such a hit was born, a song was born that changed my life by 180°, and i'm torn off, it's a great success when... an artist really went through suffering to give birth in creative agony to a hit that millions will sing, it sounded really good from you right now, that's it the song is simple, what the hell was it born in? let's change the melody, because the mood is there, the mood, there was a slightly different vibe, we came to st. petersburg, and we understand that we have no prospects, no chances, in general we don't even have a guitar, because lenya didn't take a guitar. he simply didn't have one, so we came to st. petersburg, our money was stolen, and we

still decided to stay, that's it, and we wrote this song in such, in such a mood, we don't owe anything, we don't owe anything to anyone, we just do it in pleasure, let's go, that's it, we were on the edge, it was warm july with us, a broken role with you from the five. we played life, which we will live, but sit down in the last car, i lose everything, you yourself, remember on the stones by a whip, you in daddy's tights, how far is it?

to defend yourself from everything, even from some close people, somehow inadequately react and just go hysterical, someone suffered, and i suffered, yes, seriously, that is , so much, yes, i also begin to somehow self-flagellate myself for the fact that because of my emotional state they begin suffer around, there is a great method, a punching bag, you come and all your stress, right there, well, that is, it really is psychologically unloaded. how it is done, so there are, yes, there are specially trained people, they are called, speak with a candidate for master of sports in thai boxing, so for her a punching bag is like going out, so to speak, to say hello to the sun, let's discuss your nicknames, because they are special for you, with very interesting stories, that is, i want to start with you, my passport name is antonina, and seagull, i don't know, i'm from st. petersburg,

there are a lot of seagulls flying in st. petersburg, and my piano was a seagull, and there was also... uh, from college , a guy named sasha chaika, and i was like, damn , how does it all fit together, and i was inspired by my friend, they called you a seagull , no, a beautiful seagull, no, at first i was tasilia, and i had a page on vkontakte called tosilia the cloudy because i had a group called sea of ​​clouds, and then i just became tosya chaikina and realized that this is mine, this sounds good, and this is cool. katya, tell us please, we know that. you also didn't just get your pseudonym, at first it was you know how super banal, i recorded my first songs at a guy's house, people came to him in mogilev in belarus, we mainly played rock, well, that is, in other pop music there were no other

directions, well, that is, we had garages and we just poured out the meat. imagine, i can't talk for long, but idiots out wandering around, there is such an idiom here, it means, you can't hide the truth, and if you translate it literally like this, then idiots are going around in circles, i'm like wow, this is my theme, we're always repeating the same mistakes, have any of your songs ever,

have you played in metoli or not, yes, of course, wow, that is, has it ever happened that you write a song and then give it to some other artist, and in general the muse often comes to you , well, i don't write songs on a schedule, because

it's pointless, i can't like sit down and say that i'm going to write a pop-rock song now, and then i don't know, that is, it's always a blank canvas and it's not clear what will come out of you, but i can name, for example, one artist who helped me move to moscow, because i wrote a song for him, with this money i moved to moscow, it's dima bilan. and what song, can i say or not? of course i can. the song is called free. this song is on the album second life under number two. and so dima and i met in the nineteenth year completely by chance, and somehow we were inspired by each other, we started communicating. i somehow considered him and wrote a song about him. katyusha. i know that you are one and the same i wrote it literally in half an hour, well, as the internet says, but please tell me, is it true? yes, i’m thinking about it myself, how please, can i do it

again so that the song comes, you don’t decide, i was just playing around in a rented apartment, i have to, i have to play along with something, i didn’t miss a single note, didn’t make a single sound, i wrote it, imagine, from the first verse to the last, amazing, the way it goes, that is, i didn’t change places, and this has never happened to me again, but i hope that it will happen, so be it, on the first channel, let it sound, let it come , so that, look, what is this, what is this, this is a sign, this is a ritual, this is a ritual, wait, this is a sign, i give it to you, i give it to you, we need such little things, we need such signs, so that, to believe and for it to come, let each of you receive your long-awaited, right today,

well, maybe tomorrow, like dolphins, we go sailing looking for our other half looking for a stable strong one. but i'm waiting again, when we won't be like them, we pretend to be strong, or are afraid of being ugly, the same thing, we like the same thing, look out the window, look for people similar. the same thing, we like the same thing, the same thing, look out the window, look for people, look for people, look for people

, look for people , look, look, always look, your own, look, look, always look, katyusha, i know that you have crazy outfits, where do these unreal images come from, imagine, i have

a period now, before this, when it came, actually this period, and somewhere around the nineteenth year, before that i did not let anyone into my territory, i it seemed that the stage, in principle, around me, in the style there should be a lot of me myself, and then i realized that i need to let in new creative people, this concerns music, this concerns style, this concerns decoration , vision, and as soon as i realized this, cool people appeared in my life who help me now, so, tell me please about your style, you are always very... coolly dressed, you have a complex image, multi-layered, i would even say, you always have unusual shoes, yes, i like to dress like a homeless person, uh, i really love everything

wide, yes. well, let's say such an intelligent, as they now call an intelligent bum, there is even such a style, well, in social networks, yes , i call it that, like a fashionable bum, and you are all so interesting, i just have been preaching this for a long time, it seems to me that even my music does not lend itself to some kind of sexualization, that is, i do not think that i look just super wow, so i try not to open up and not to sexualize the period is normal.

already a ready-made blank, but since we have here completely two, two female energy stream, which create without ceasing, and this process of creation happens permanently, i suggest that we really jam now and give birth to beautiful music, we have arkady at our service, yes or absence of arkady, that is, so that you sit down at this beautiful foreign seagull, well or maybe think about drums. we delete anton and anton, forgive me, let's, of course, what is not, yes it is possible, of course, it is necessary, and what are we going to do, we will do whatever we want, i want, you know, something, about joy, i declared this year the year of joy, to look for it everywhere, and something like that, i'm standing knee-deep in water, my head in the clouds and i think, i want to feel joy, but for now i'm feeling fear,

well i'm standing. knee-deep in water and i think, how good, how well birds fly, they don't owe anyone anything, we're walking in a circle, our music sounds to you, i want to stay, only it's impossible anywhere, we're walking in a circle, our music sounds in me, i want to stay, only it's impossible, we're walking in my circle.

people don't join in, we're singing together, in a circle my music sounds to you, i want to stay here, i like it, because these are my people, my music sounds in me, they are the most talented, let's create more and more creativity, in a circle, in a circle, in a circle in me, in a circle, in a circle.

day, so as not to sleep, we danced in the dark, forget about our bed, we discover each other, who have we become, we know nothing, we modestly kissed the melted

roof beneath us. the sun burns the face, the sleeping tram, no one is watching us, i feel, no need more, u... u i need more u i need more no need more no need to decide. need more, today is the best day to fall asleep, with

you it's not scary, in the dark, without you in it, i could drown, for the first time you... i turn on the light in my bedroom, now we will find out everything, immodestly connected inside us two oke called so loudly, like tusayu shoulder, you kissed legs, i became time i quietly, i will tell you, i need more at... i need more at, i need more, more, more, and more i need,

and more, and more, and more, i need more , more, more. hello, dear friends, this is a podcast life of wonderful people, with you i, its host, writer, alexey varlamov, my guest is an art critic, curator, academician, rector

of the st. petersburg academy of arts named after repin, semyon ilyevich mikhailovsky. hello, hello, semyonevich, and we have gathered with you in order to talk about a remarkable artist, who in this. remarkable artists who have done so much for russian soviet culture, then the fate of deineka looks quite prosperous against the background of platonov's fate, yes, he lived 70 years, he achieved all possible heights, he had many exhibitions, his paintings

were known to everyone during his lifetime, platonov's fate is the complete opposite, it is a tragic fate, the fate of a man who died early, whose main works were seen many years after his death, who was in conflict with the authorities... in that he was devoted to the idea of ​​building socialism, so can't we conclude that artists are generally better off in this life than writers, well, unexpectedly for me, here is a comparison of denika with platonov, yes, a combination, yes, that is, i somehow about this, to be honest, i never thought about it, this is the first time now it’s quite acute and there really is a family of railway workers, it could really be an association or at least some kind of katlovan, this story,

but on the other hand, he also had certain conflicts both in the professional community and in the external circuit, that is, really it’s jealousy, of course he is like that. he was a favorite, well, like in the thirties , all his works were published everywhere, how many gigantic print runs, yes, defense petrograd, for example, there are two versions, he made two paintings, one in the tretyakov gallery of repetitions, one there in the museum of the armed forces, and so let's pay attention to this painting, the defense of petrograd, this, if i'm not mistaken, was in 1928, yes, that is, for the tenth anniversary, perhaps, of the events described, this, by the way, is the painting that is located here, in the tretyakov gallery or in the museum of the armed forces, these are the two, and do they differ? from each other, well, we didn't, i never compared, when we did

the exhibition of the dna of the self-praisers, we took this the work from the armed forces museum, because it was the first, and that one is a repetition, the work is wonderful, it's just that from the illustrations it's like a reproduction , there's no idea about this painting and all these nuances that are here, but when he painted this work, he clearly had in mind the work of ferdinand hodler, yes, which was painted in 1908, yes 20 years ago. here are the university of denmark and the university of jena, fredska, and there too this rhythm, because in this painting the rhythm is important, here are the figures walking in this direction, going in that direction side, at the top there are those who have returned from the war, that is, the wounded, yes, that is, there is such a cycle here, yes, here they go like in the film by balabanov, cargo 200, yes , some are unloaded into the plane, others are loaded, yes, and this picture can be considered avant-garde, is this russian avant-garde or not, i would, well, i would generally like... there is avant-garde , there is socialist realism, yes, i would not classify daneka either as avant-garde

or as socialist realism, he kind of exists separately, that is, he is definitely not avant-garde, well, in the sense that he did not make such revolutions, yes, yes, he did not change this form and no, it didn't make such a turn in art, yes, that is, it kind of traditionally received, and why do we love and appreciate it then, we appreciate it for, well, i appreciate it for its great skill. an absolute masterpiece , yes, it is in a russian museum, well, the composition is absolutely wonderful, yes, this technique was invented with the machines and with the entering figure, it looks at us in the center, but at the same time , its eyes are lowered there, well, in general, by the silhouettes of these figures, by the coloring, by all these little details, such artdyko a little bit.

our danek as an artist in general, not in this picture, but in other pictures, because here is the situation of kursk, that he came provincial, yes and in general where he studied, here is what he had he was an artist in kharkov in fact yes for some time in kursk and in khutimas, of course, then he ended up at the art institute in moscow, yes in khutimas, where at that time favorsky taught.

with the soviet union, at the same time he did things that fit well into the aesthetics of the thirties, as a world one. and can talking about some stages of his work, we can talk about how he improved there, evolved, moved somewhere. at first there was cubism and he was carried away by it, yes, some cubistic broken ones, such, yes, tense, somehow he did it. then it was a different time, then he moved to ost, joined the ost group, and before that happened, look how strong his collaboration with mayakovsky was, the growth windows, these posters, all this period. they were all important to him, because for him it was easy to illustrate magazines in the twenties, he really worked a lot there, the atheist at the machine, he has a huge number of illustrations for deneka, but he was in his twenties, i'm not mistaken, 24, 25 , 26, 27, he just worked for this magazine,

or was it a contract? well, artists, well , well, as it were, an order does this, listen, well, we need to get rid of these already. especially in the thirties and after the war, it was an opportunity to save yourself, so he kind of did this, and did a lot of it, because he made a lot of books, children's books, there i don't know, well 8-10. books we can there i don't know ognyaborto there may 1st his books are quite famous, he worked for children's publishing houses at that time the twenties, up to the thirties he had three books published, that's clear, and what are his most famous works after the war , the fifties, sixties, yes somehow all this is basically like that uh, well the defense

of sevastopol, here the defense of sevastopol - what year is this by the way, well this is already post-war post-war, after all it's interesting, he is in the kr not it is powerful, this picture is powerful, but then powerful. but it was necessary to find some plot, well donbass he has such a strong work, by the way, yes indeed, but the twenties, it seems, as it seems to me, this is the most beneficial period, twenty-eighth, thirtieth, thirty-fifth, this period of the 20-thirties, and then already the post-war period, of course, the defense of sevastopol, such a strong picture too, with this figure, figure, just such energy he has. but he was engaged in boxing in this in photomas there later and somehow there is his photograph of the goalkeeper he has one of the most famous paintings yes gdekovskoy gallery huge yes yes yes yes here he stands there in a robe yes with gloves there all this in kursk in a self-portrait in a robe such just like that he well so he saw himself positioned you know

as an artist such positioned like that athlete at the same time yes this famous story of lev kosilya the goalkeeper of the republic appears well which we all know there is some kind of courage in this, courage of reception, courage of some decision, incredible energy, for which there is a huge work that he had it, that he was all the time drew as a child, he developed this motor skills and even purely craftsmanship, even if we are not talking about this magical

genius, but still he had this incredible skill, which is given to few, after all, it is a divine power, right? this year marks the 125th anniversary of the birth of the remarkable soviet artist alexander dalneka, it is about him that we are talking today with my dear guest, the rector of the st. petersburg academy of arts, semyon ilyich mikhailovsky. who was his circle? when we talk about literature, it is very important with whom you were friends, against whom you were friends, with whom you were in conflict. if we talk about this artistic world, how everything was arranged then, i think that in general this artistic world is very complex, in fact, well, any creative world is complex. it is complex, and to talk about with whom and how, well, i somehow did not set myself the task of trying to define this circle, in which, in which, that is , he was interesting to me simply as an artist, outside of this circle in which he seemed to revolve, because he seemed to me much bigger, wider, and trying to find some of its internal connections, here,

it seemed to me that it would be interesting...