different forms, different tools, forms, for example, how she builds the narrative itself, how it is done, it was very, well, and it is, it remains very cool and that, yes, due to this we read the black prince with such rapture, that is, he is not boring, he is very easy to read, yes, there is a lot of dialogue, by the way? good dialogues, wonderful dialogues, and here, what is surprising is that there are a lot of them, a lot of characters speak at once, and the murdyk is deliberately not a choir, she even uses some comparison with alice in wonderland, there in the end julian in his afterword writes about how my dad was such and such a character of the moth in wonderland, and a carpenter, and this one was a marzh, that is. after all, such a phantasmogoria

is absolutely hovering there and phantasmogoria and not a little bit of madness of a fairy tale of playing with time and that is, this is a talented woman and but your profession makes you be an introvert, that is, you work alone with yourself and you write a lot, and you are alone in this state, let me tell you, do you feel some kind of connection, maybe a smerdok, because that she is also very interesting. a woman, she was also married, to a writer, they lived together all their lives, mm, maybe, uh, you feel some kind of similarity, character, there is also this theme that the writer goes somewhere into solitude, tries to write, then someone comes again, that is, this impossibility of being alone, finally talking to yourself from well, with a sheet of paper, roughly speaking, yeah, this is very close, this is this is impossible to drive away all people, to drive the world out of yourself, right? the moment when it

really, well, i think, not only writer, all writers, i think, will understand, in the water, that you boiled the suit, and you still write, i can only go out the window, well, you see, we have already found common ground with you and murdoch, that she also always wants to find solitude to write, yes, this, well, for me it is absolutely important, that is, i always close myself off and god forbid even a fly flies by, that is, it is very distracting, well... it turns out that you melt, let's say, this communication with the world then into your texts, right? yes, this is a complex communication, it allows you to be more sensitive, let's say, within this communication, for example, murdyk is considered a master of psychological realism, that is , even these dialogues, all these situations, as you rightly say, they are built up to the point of absurdity, but they do not become funny, we continue to be inside some kind of real living drama. we believe that these

characters really exist, it's just that, well, you know, this is who the writer came from, who he turned into, that is, for example, jane didian, yes, an american writer, who wrote a lot in the style of, well , some memoirs, there she wrote about how she experienced the death of her husband, a year of magical thinking, she has a book about how she experienced the death of her daughter, in general , some misfortunes fell on her, which she poured out into the text and it seemed to me that... some kind of confessional introverted motive, including signing a letter with a request for the publication of lolita in great britain, this was 10 years before the black prince, that is, she was in every way for nabokov and she really, well, apparently liked lolita, there is a lot of nabokov, i think, in the black prince, but not in style, in style - it's completely different, but still, you see, lolita is a thirteen-year-old girl, after all. we still see a glimmer

of this lolita in this relationship and the hero's sense of guilt mainly in his inner picture, she seems to be a girl, although we understand that she played with him and threw him away, well, in general, i think she's a girl because he saw how she grew up, this still has an effect, that is, if you saw a child and how the child grew up, well, here already it is impossible to treat, as it seems to me, as an adult woman, it is difficult, well at least difficult.

i found out about them, but it turns out that he scares her with this dark passion, do you think it plays a role? i think so, because she also saw in him, when a fatherly figure suddenly attacks you and this is a completely different hypostasis, a completely different role, and of course it is scary on the one hand, on the other hand she runs away after her father comes her father reveals bradley's real age to her and... hands over a letter from reichen from well that is, where in general the mother talks about her affair and julie he finds out that there was some kind of right thing that she removed herself from this situation, i think yes, because there the madness would grow to infinite

limits, well look, when she drives in the car out of town with predley, they are just starting this relationship, they don’t have yet, so to speak, well, real some kind of flat. it simply couldn’t be otherwise, in principle, maybe, here the mordy also lays the idea that perhaps creative people in principle do not maybe healthy relationships and well in the generally accepted in the generally accepted sense i think yes i think it can't be possible

creative people can coincide so to speak like cockroaches and maybe for this bradley the whole story was well such a swing of this internal pendulum, in order to give out in the end like this... this text, it is interesting as a text, the black prince, as a text, well if we consider it as art, yes, it is interesting, in fact bradley seemed to me more like he was always going with the flow, here he is carried, he is carried, there breaks through, he stays there, breaks through here, he is here, his, he really got, i want to say, got into this love for julian, and he also suddenly found himself there, and he , as it were... does not control his life, he is accused of murder, he also does nothing to control his life, he never does anything, i have a completely opposite opinion, it seems to me that bradley is a very boring person, tedious, closed in a shell, when he suddenly exposes himself for this

love for julian, he suddenly becomes like a lion, decisive from my point of view, he starts running somewhere, breaking in, waiting for her at her parents' house in the car, there almost... climbing into her window somewhere, that is , starting to do things that we absolutely do not expect from him, but on the other hand, he does nothing to justify himself, or, for example, having justified himself, he could go to julian and explain himself, but he prefers to stay in prison, that is , he could somehow justify himself, i think he could, but he does not even try, in general, both of these heroes, their they think that murdoch has written herself out with stories , she, like bradley, is an author who... thirsts for perfection, on the other hand, she was a very prolific author, she really wrote , yes, she wrote a lot of novels, these two halves, on the one hand, fertility, on the other hand, this very flagellation and the impossibility of achieving the ideal, well, uh, that 's actually what she is, tell me, vera, do you

have some kind of approach that has already been defined, you are , after all, an accomplished author, i know that your book is the season of poisoned fruits, it dedicated to the life of a girl against the backdrop of the nineties. can't understand you completely and shouldn't understand, that is, you always close yourself off from him with some images, and there is never an exact reflection of you, do you have some approach to your characters? half of the character is always me -