i think that alexander borisovich, i really, well, i won't say that i'm his friend , you know, for many years, but after participating in the voice in the second season, we came to talk to him about lidzelin, all the concerts, and he just, well, he's a meter, i mean, he's a man who has grown to those judgments, to that behavior, yes, which he allows himself, well, frankly, let's say...

one more verse for you, look, for all the money, please.

i remember that i waited a very long time for my turn, i arrived - that's how editors do it on the voice, they call at 9 in the morning, there at 10 the previous day, it's true, and when you leave, what are you at 9 in the evening, i already smelled bad, i remember, i had such a beautiful jacket, i walked, i took it off, put it on - spotlights, i was worried, in general, i felt bad, that's it, but at the same time, as if i was still smiling, that's it and ... and my wife and i were standing, i say: listen, in general, of course, this is a disgusting situation, i will sing to these people, they show disrespect, turned their backs to me, i have to find someone to whom i will sing, i say, i will carry you out, i say, i wonder how much it will be, well, but there was a man standing nearby from the address, and he said, well, in general, it's not worth it, it's, it's through the devil.

my wife had this donkey with her and yes, i just, i just, i just took it and sat it down and he and he did another funny thing. i put it down when lyonya turned around, he just fell, well , that's how it was, i filmed him right away, he was like this, it remained, yes, it remained - in general, in history, then the director came up and said, listen, let's go, and there was the next shoot, there were these duets, ildus, we're already done, we set up the cameras, now we'll film, he says, he says, stop, he says, where's your creature, i say, i say at home, he says, send a taxi, come on? that's it, they brought him, and we put him in the frame, and he started appearing all the time, that is, they made him a character, well, gradually he got into the industry, you know, it wasn't even clear who they were rooting for more, you or the plush, and by the way, as always, we have insider information, we have a clip from the plush, and we can watch how it all was,

remember and be nostalgic, and i want see a small tear in anton's eyes, today, lonely so unfamiliar, you will come to me someday, you will come back someday, when for everyone we will be prose, unimportant, you will come back someday with a new one. to me we actually have prepared a gift for anton, our program is called don't wait for me, but that's exactly what it's called, lyusha has grown up and came to our studio today,

some bacteria have settled in him and he, well, you, you are growing as an artist, you understand, amazing, thank you, he is growing out of plush, thank you, he looks like on my bass player. dimka for some reason will not be able to participate in the concert, you have, look, everything, this, this is real, and maybe you will perform this same song for us, so that you will come back someday again, yes, to feel nostalgic, songs, yes, you will come back someday again, lonely and so unfamiliar, you will stare, when... someday again to me, you will come back someday one day, when for everyone we will be prose it does not matter, you will come back

someday just to me, one day by chance. when i will not be able to wait on this day, you you'll come back again, come on, he's going for milk, and it doesn't matter how tea is, but only i can understand why you'll come back again? if he could answer, he would have answered, here you go, here's anton, we'll check now how well you know the other mentors, i'll read you some fact, here it is , accordingly, about one of the mentors, your task is to guess who it's about, i think it's

impossible, but we'll still try, so, well, first, fact, which of the mentors speaks greek, polina, is this the correct answer p right away what mentor worked in aviation before his career as a musician? yeah, well it's not interesting to play anton, seriously, yes ziver, whose rider, according to rumors, includes 4 kg of shashlik in the form of cubes, quiet, moy, vali, vali carnival, in addition , in addition to valin's, well, let volodit be too, this is the wrong answer, zivert, seriously, in cubes, friends, but i still want to tell you, anton, you know the other mentors amazingly, wants to applaud you, almost all the answers were correct, so in any case you were standing and when you saw the backs of the chairs, you were very worried, but when you saw that anton turned to you, you let go of this excitement, you just had a blast, or

was there still some kind of jitters, an experience, like this, how did you feel it, most often on stage the excitement completely lets go of me, i 'm worried about... i go on stage very strongly, my hands are shaking, my palms are sweating, and the gift of speech disappears, before and after the scene i am in a process that i don't remember later, well at least. now it's become easier with this, because there is a little more of this, but it hasn't become easier, well i say, wait, you you were actually, you were actually a street musician, what kind of lightning would you like to ask, on the street, well, it's quite a dangerous story, that is, they can come up to you, knock you out of the situation somehow, what is the feeling when you go out and sing in your voice, yes, when you sing in front of an audience, which can be just, that is, you interest it by the fact that it goes about its business, this audience, that is... in principle, they didn't come, they don't look at you, but at the same time people stop, listen, it seems to me also very, well, very difficult,

well, i want to share a story - such a street, i didn’t sing like that before the street, that is, there are old videos where i sing in minsk, i’m from belarus, where i sing in minsk, and everything is bad there, really, then i came to moscow, got to the street and found what i was missing, found freedom from the opinion about... my scream can see just one more dream, all

the people can, but not me, somewhere stars can fly, somewhere rings, can cry, the happiness is not around me, chuping through the sky, swimming in your eyes, if you're one you can buy, not me, to fight, swimming in your eyes, i go down, no one can find me, i've run a hundred miles away to get off my problems and everything goes better when this roll.

can i ask you to sing a song? which one? shap of my heart? straight from the khabarovsk restaurant for guests,

it is a course like a meditation plays and never respect, it doesn't play for the money in, he don't play for respects. we won't go back to the times when we could do such nonsense, so to speak, and joke around, but i want to take you back

now to this amazing student state to do some nonsense, what we are going to do now, and your task is to perform the song in your style, consider that this is an order from anton bilyaev and terma in the improvisation format, accordingly nastya can help you, you will need to remake it in your own way, we start with the song my clear colored. yes, let's go, let's go, my clear light, you write to me, oh, i, it seems to me, mow under this anton, a tear of rain on a wet window, my clear light, you write to me with a spring ray on

a white wall, now you come in, oh, my clear light. you write to me, a tear of rain on a wet window, my clear light, you write to me with a spring ray on a white wall, but on a white wall. i have a song that everyone knows for sure will want to sing, i really want to hear this song performed by you, anton, girl, dance, everything will pass so soon, yes, he doesn't even know that i don't know, i will save you, i have sex, so, well, well, play, if you

know, i will tell you what buttons to press, what buttons to press, lord, sing this song already, well? with the performance, girl, dance, everything will pass so soon, disperse the drag, he's not worth it, girl, dance around with this pain, burning out your feelings with strong alcohol, girl, dance , girl, dance, girl, dance around with this pain , you wrote music for other artists, that is, there is one interview where you say, you say directly that you were not comfortable working with all the artists, well, not that i'm asking

you to name them, but just at least tell me who was difficult. no, i can't say such things, it doesn't matter, there are a huge number of artists with whom i had to intersect, among them there is, well , somewhere there was a connection, somewhere there was not, somewhere it was work and i did my work, for your performances on the voice you made arrangements, for yours, well yes, it's all mine, we just prepared this music, tried it, well, how to say, mastered it, and then there was the performance already well... by us, but nevertheless the whole musical idea, everything, well we try to carry it through, why i ask, because this is how i carefully lead up to the next musical number in your performance, because the song is a hit, how it is not performed, well yes, but the way you solved this amazing problem with the asterisk, it still commands respect from people who

watch this number again, well , again, at all the castings... wait, let me play the piano and well, that's it, don't do anything else, and then there was this collision with reality, i brought some simple solutions, there this for pipes, this for violins, and that's it and we started lobbying for it, because it was not accepted, just there, well, assar himself

knows what to play and like we 've clashed a little bit there we're still clashing, and tell me? the idea hydroujek it came to you that 's how exactly to solve it just like i uh we played this song in something like this with the guys stermdes well somewhere there situationally, but for the voice i just came up with two parts there that became, well that became an element of the show just, that is, she had to show, and you know this song, only having pressed, well okay, i'll help logically, similar. that's it, then, if anything, yes, beautiful. the woman that i never seen, and i guess if you said so, i have to pack my

thanks and cool, hit the project and don't you come back no more, no more, no more, no more, check, don't you come back no more. you i have to lose it so i have to pack my things and go get the road i don't you come back no more no more no more i don't you come

back to see the road i don't you got back the i don't you got back don't move don't you thank you, cool, my god, my god, this is fantastic, and now we'll ask you to sing tatyana balanova's song, don't cry, cool, arkady, please don't cry, we have one more night left, i'll hiss one more time. you are mine, one last time your eyes, a tear will look into mine, suddenly

it will fall, on my hand, tomorrow i will be left alone without... but don't cry, but don't cry, my friends, today was an absolutely amazing episode of our podcast, many thanks to all the musicians who somehow ended up in our studio and fit in. anton belyaev, a wonderful person, and i'm not afraid of this word, a musical steamship, anastasia sadkovskaya, the star, her new friend - a grown-up plush, as always my permanent co-hosts karina cross, valya karnaval, i am anton lavrentyev, listen to good music, watch not the format, and we yield this stage to anastasia sokhkovskaya, bye, i

do not want these petty scenes, i do not want idiotic insults. after your endless betrayals, my heart no longer hurts about anything, however, i will not forgive myself for one thing, because i promised myself that now i will never let you into the house, but i open the damned door, in passing, you offended me in passing. you have become cool, it is not clear with what, you adore yourself, in passing, you

offended me in passing, okay, but tell me why, you are turning yourself into nothing. "i trusted you with my dreams, and i waited by the window until the morning, dreams turned out to be unnecessary to you, and you don't need me either, hundreds of admirers flowers, hinting at personal life and saying: "nasenka, you're a star, so give him up, give him up." give him up, give him up, by the fund. you offended me in passing, you became

cool, it's not clear why, and i adore myself, by the entrance, you offended me in passing, okay, i would, but tell me why, you are turning yourself into nothing, past go.

hello everyone, this is tatyana gevarkyan and the podcast ne lymshita, together with fashion journalist olga mikhailovskaya and fashion historian elena eliseeva, we are figuring out the biography of coco chanel, looking for the russian trace in her career, and also finding out. what is her innovation and what chanel has become without coco. hello. hello. let's immediately talk about the myths that exist around the name of coco chanel, because, frankly speaking, studying her biography, it is very difficult to figure out where truth, where is fiction. if you start right from childhood, then what myths exist and what of them is true, what of them is made up. she is from a very poor family. absolutely, yes, really very

poor, lived in an orphanage. yes, in a monastery, yeah, because their father left them with their mother, there was another sister, then she was born, he basically abandoned everyone, she was always inventing some professions for this father, either he traded something, or he was a sailor, there were some different versions, the truth, of course, no one knows, that's what they say, that her logo, it is quite unoriginal, and this is the image that was on the stained glass windows in the church where she went as a child, and in the monasteries.

on the one hand, she is from a very simple poor family, her father was really a merchant, they just moved later, like, her grandfather was such a peasant, her father moved to the city and such a traveling merchant, her mother was also, in general, a very poor woman, but on the one

hand, this is of course what...

the clothes, you see, black, later turned into the main hit of the 20th century. nature created her as a completely new type of woman. and i i think that this was the impetus. beauty of that time, so she decided that why are there some standards, why should they be in beauty, why should they be in fashion, why are there some ideas, stereotypes about what women's clothing should be like, what

men's clothing should be like, maybe that's why she decided to break all the stereotypes, so this was her talent, this was her genius, after all, i think, another topic surrounded by different myths and stories, this is of course chanel and men. it is said a lot that she actively used them in her career, and she is also credited with such a quality that she never parted with men on bad terms, she always, even parting with each of them, she somehow held them and said that we remain friends, later she could always somehow realize these connections, she was a poor girl, yes in a monastery, sewed an apron, yes. and then the monastery ended there at 18, yes she in the city of muleni, somewhere worked as a seamstress, still something, i think she even carried this healing water in vichy, and there she tried to make a career as a singer, well, in

some small cabaret, there she sang and met this etin balsan, this is her first big romance, she asked him for money, as i understand it, for some business of her own, for a hat workshop and so on, he considered it all... nonsense, she was already involved in hats then, well, she tried, she started, as a result she had a romance, the main love of her life, this boy capple, here this englishman, who actually gave her the money, to start her own business, she always said that she paid it back after about 2 or 3 years, she paid it all back and never owed anyone anything again, and he was an english aristocrat, in my opinion, yes, i think he was not quite an aristocrat, but i understand that he was a very rich man.

that it was time to rent a studio, the ladies of the demi-monde, of course, were the first to put on these hats, but they were influential, quite, they were very influential, yes, they were from the point of view fashion is very influential, yes, of course, that 's how chanel gradually became famous in these circles, first the demi-monde, and then more, plus kappel gave her advice, because in the thirteenth year she opened her boutique in daville, accordingly, this is azure.

actually, her business blossomed, when the war began, she wanted to close this boutique, and he told her, under no circumstances close it, everything is the other way around, and people really did flow there, just like in bioritz, there were two places, daville and bioritz, where rich aristocratic families flocked away from paris after the war, that's where the russian trace in her career started, because that's where she met russian aristocrats, she was actually the sister of grand duke dmitry pavlovich, she was a cousin of nicholas ii, he had an affair with her, and he introduced her to his sister maria pavlovna, she created this embroidery workshop kitmir, which at first worked exclusively for chanel, and

then some kind of discord arose between them, because she wanted to work for someone else, here chanel somehow apparently cursed her, but the russian prince pulled in a lot of others there, there were also models, all of them would have been some kind of governor general, who , for example, i did not find any traces of him, although it is known that he managed all the workshops, he was, so to speak, the director, in essence of this project,

how the team accepts him, that he is not a director, he is an artist, for a long time we will remember these rehearsals, if he was trusted one hundred percent, you can’t bend freedom reveal, only gingerbread, need to praise, only praise, praise, praise, sulik led her by the hand, brought her in and told me, here is the girl i will marry, i said, what happiness, thank god, we have an ideal family, he earns, i spend, he... he bought, i cooked, dad is such a real leader of the pack, he does everything so that we too, all the kahals everywhere like gypsies, travel everywhere, with the country it looks like this, like we endlessly graze him, god forbid, he runs away somewhere, you can’t explain to anyone that this is exclusively his initiative, the premiere of the documentary, tomorrow on the first, spend an exciting weekend with us, only premieres on the first. this is tatyana gevorkyan and

the podcast is not lymshita. today we are talking about one of the most famous women of the 20th century, coco chanel. and what else in chanel's style directly connected her with russia at that time. her collections here after we had, when the revolution happened, a wave of emigration, there were russian influences and there was the influence of these shirts, men's kosovorodki, which are also variations. this theme appeared in her collections, a lot of fur appeared, yes, the idea of ​​russian style, as here, yes, fur, embroidery, this appeared, the collection of the twenty-second year is considered a truly russian collection, and there are wonderful drawings from vogue, where she has such an embroidered shirt, a skirt, on her head a fur hat, a fur hat with earflaps, my favorite picture, just such a fur hat, very funny, very beautiful, the first wave of russian emigration, it is very strong... where it came from, that we

still wear it, there it is important for her not so many pearls, pearls, like pearls separately, she got them just after the english, she began to wear them in a new way again, yes with woolen svyatogors, yes just like that, she also styled them in her own way, and in general she of course, what she was the first to do, she began to mix jewelry with costume jewelry, sticks. century, then it also appears artificial, and this is already, but it didn’t seem to interest her at all, despite the fact that it is known that the duke of westminster gave her some fabulous jewelry, well, understandable, but she also mixed them there somehow quite easily and there was also. she has one passion - perfumery, in the twenty-first year she

launched her own perfume line, where, by the way, there is also a russian trace, this is our main pride, i would say, if you consider that the chanel fragrance number 5 is still the main iconic fragrance of the 20th century, and this is the only fragrance that lives more than 100 years, tell its story, please, grand duke dmitry pavlovich introduced chanel to ernest beaux, he is a great perfumer who worked in the company. no, not in moscow, i personally saw the document

where he fills out the passport data with his own hand, starts writing the place of birth, starts writing moscow, crosses it out and writes warsaw, but warsaw at the time of his birth, it is also part of the russian empire, in this sense he is russian, his brother, was also a perfumer, eduard, he also worked for the company role, that is, this is a family of perfumers, outstanding people. russia, he went to france and went, so to speak, to war, as a french citizen, that's it, and then he ended up in arkhangelsk, that's it yes, that's the main idea that he

reproduced in these, the aroma of these northern lakes, mosses, another thing is that...

five abstract name, then, when she chooses a bottle, it's an absolutely simple bottle, laconic, just a black square by malevich, you could say, in general, of course, chanel is an analogue of this abstract art, abstractionism, but in fashion, in perfumery, in all this, of course, then they said a lot more about the fact that the source

of inspiration for this bottle was a vodka bottle, well, there was everything there, but it's not has already meanings, as... centuries - this is the time, women, firstly, do not have any rights at all by and large in order to get something in this life, especially

if a woman is from very poor strata of the population, it is only with the help of men, there is a magazine, for example, even he... went to russia, the art of dressing, 1912, whose very first text begins with the words, why you need to be able to dress well, because nine out of ten women can get what they want only through men, art pleases a man the most important for a woman. chanel is a genius of networking, she understood that she needed to do this, she did it through networking, in general there is... a quote that is attributed to her: the world was divided into men and women. the first had to be conquered by all. i did not intend to become everyone's mistress, but i wanted to please, and i knew how to do this until old age. these are not so much romantic stories, although they are also.