lead themselves, being developers and co-executors in many scientific projects, the center of long life, youth, and of course, success for the benefit of the country. patients come here from all corners of russia, often with the last hope for a cure, to help people, now doctors will have even more opportunities, already in october they plan to open a new building of innovative technologies here. yulia anishchenko, nikolay maloshenko, dmitry bilov, natalia radeonova and anna lepatova, the first! channel. grand reconstruction of all interchanges on the moscow ring road completed with the opening today of the twenty-second final project at the intersection with altufevskoe highway. now everywhere on the 108-kilometer ring highway with a daily flow of a million cars, convenient directional ramps. olga pautova assessed the scale of the construction and the advantage for drivers. a familiar picture for everyone who drives along altufevskoe highway to the region. in the first half of the day, traffic is free, but ...

until you get to the exit onto mkat, in order to turn to the outer side to dmitrovka, you had to waste time and nerves at the traffic lights. now you see, yes, that's about it all the time the left turn is still not working well, how much time do you usually spend here, 15 minutes, we think they will make an interchange, it will be better. the reconstruction of the altufevskaya interchange has been going on for the last 4 years, traffic was not stopped, instead of the outdated cloverleaf ramps, which simply closed during the busiest hours, they built directional ones so that motorists do not waste. speed and traffic jams do not form, and the highway itself was widened from one lane to three in each direction. more built 5.5 km of roads, about 6-7 km of new lighting lines, about 16 km of communication networks were relaid, the interchange will improve the transport accessibility of these highways by 35-40 percent according to our calculations. every third car in the city goes to the mkat every day. for a long time, the ring road was one of the most problematic in the capital, for example, in 2008. the largest

traffic jam was registered here - 68 km. today, not only another section was opened. the altufevskaya interchange became the last in a large-scale project to reconstruct the entire ring road. the construction of the first interchanges began 13 years ago. the traffic on the new section was launched by moscow mayor sergei sobyanin. today is a big event, we have completed the program of reconstruction of the interchanges on the main highways that intersect with the moscow ring road. a total of 22 interchanges. this is a huge structure that includes tunnels, overpasses, bridges, the work is very complex, voluminous, today we are opening the last such interchange on altuvchevskoye highway, the facility is ready, you can move, let's go, guys, the new interchange should significantly relieve the northern section of the entire mkada, this is important news for almost half a million people, now to get to alona. it is assumed that during rush hour

it will be possible to save up to 30 minutes. today , motorists were able to appreciate the new connection between altukhevskoe and dmitrovskoe highways. the route between neighboring areas is now two times shorter. the road is a kilometer long, connects two administrative districts, northern, north-eastern three areas beskudnikovsky eastern degunino and otradno. for residents of nearby areas, this road will reduce travel time, well, by 10-15 minutes. on average, because the nearest bypass road in these areas is either the moscow ring road or the moscow high-speed ​​diameter, and to make the journey not only fast but also pleasant, a lawn and about 600 trees were planted along this section of the road. olga pautova, ilya marin, alina abdyukhanova and dmitry letvinenko, channel one. a monument to gavriil derzhavin, a political figure and one of the most prominent poets of his era, was unveiled in moscow today. the eight-meter bronze monument was erected next to the ostankino estate museum. it is known that that the state.

so modern, innovative. the bolshoi theatre a day before the opening of the new season, which the artists themselves are talking about, we are expecting something fabulous and interesting. so, the legendary ballet. sleeping beauty is already tomorrow on the main stage in hundreds of cinemas across the country. scope. at the conductor's stand maestro valery gergiev. today at the press conference he told about other surprises, there are a lot of them. yana podzyuban listened attentively. the most important thing is not to put the brass very sideways and to simply see them. yes. the usual pace on the way to the press conference continues to literally solve theater issues on the go. the head of the bolshoi theater.

is also in full swing, i have been at work since the end of august and for me this is some kind of surprise, i will say honestly, in my seventeenth season i am opening at the bolshoi theater, i have not worked in august yet, but this also gives pleasure, eh tomorrow it is very bright and indicative, in one day on four stages

concerts performances from morning to evening, tomorrow they will open a new theater season of the bolshoi sleeping beauty on the historical stage, andrey uvarov and svetlana zakharova opened the historical stage with this ballet after the reconstruction. now the ballet pyatipa edited by grigorovich opens the new season of the bolshoi under the direction of valery gergiev. egor gerashchenko is a very young artist yaroslavna kuprina. she literally just graduated from the vaganova academy. swim, swim, yaroslavna. don't lift your hands. moscow cheremyshki is also tomorrow. the only operetta by dmitry shestakovich, the composer who wrote the seventh symphony, which inspired the residents of leningrad in blockade and confused the germans, decided on a light genre. to all the eyebrows raised in surprise. answered: a composer should try his hand at all genres. the main advantage of this performance is that it is light, ae, it is about simple human values, joys. in the new season, a new ballet, a big one, awaits contemporary dance. negotiations are underway with three young, but

mature, as emphasized by ballerina gergiev, choreographers. in the spring with maxim petrov ballet music by radion shchedrin, in november a gift for children. ballet by genrikh mayorov chapalina, set to music in 1977. there is something for the actors to dance to, which is very important, not just the fact itself, a children's performance, if in this children's performance the actors have a minimal chance to realize themselves, well , perhaps, i do not deny, but it is quite difficult, here is precisely the richest material, each new season is like, probably, for all residents of russia, a new year, always an expectation of something fabulous, interesting, i would like to wish everyone patience and strength of health this year, because the loads are great, the repertoire is quite large, and the tour is also ahead. already in september, the premiere on the stage of the bolshoi theater comes to the capital, the performance of the mariinsky theater with the participation of the artists of the choir, ballet, orchestra of the bolshoi, prince igor opera borondin, which the tour made only better closer to the material. we were in bashkiria,

we were in karelia, in tatarstan and this is very interesting, it opens up new facets, some new sounds, because many operas contain some. the press conference in the bolshoi theater lasted almost 2 hours, journalists tried in vain to have time to record all upcoming premieres and theatrical openings, but caught. more often than others, valery gergiev recalled tchaikovsky, and the maestro immediately admitted, yes, greshin, tchaikovsky is the closest to us, in the repertoire of the bolshoi there will be an honest bias in his direction. yana padeban, maria saushkina, olga kovalenko, dalia serzhiddinova, stanislav opletin, channel one.

i am so white fluffy, said the snow avalanche, descending on the mountain village. hello, today we have gathered our thoughts on a very serious topic: humor laughter. greetings to you, dear friends, andrey knyshev, writer, director, satirist, gavriil gordeev, media manager, actor, producer, director, etc. with all, with all the stops that i forgot, yes, i am vladimir ligoida, dear friends, i invited you to tell you, the most unpleasant news, let's talk seriously about humor, it won't work out any other way, it won't work out any other way, i must admit that i deliberately didn't say that this was your phrase, but i'm correcting myself, yes, a wonderful phrase about snow, you know, why i chose it, it seems to me that these are the facets that i would like to touch upon humour. yes, serious facets, it contains, and how do you answer the question, what is a sense of humor?

to analyze what a sense of humor is, well, let some scientists, psychologists, some kind of somatika do it, i don’t know, but you can answer metaphorically, i don’t insist on an academic definition, we, thank god, are in such a free philosophical space, and not in a university auditorium, in this case, i don’t know, i’ve been related to, as they say... this feeling for how many years, but i’ve never formulated it in general born, some associative phrases, that alien, that if a person has no sense of humor, then he should at least have a feeling that he has no sense of humor, yes, but i say again, this is some kind of completely elusive substance, which well helps us, so to speak, some kind of navigation in space, the space of feelings. some irritants, having experienced navigation in the space of feelings, it is beautiful, maybe, yes, but it is possible to give birth

to some other formulation no less beautifully another time, they said, and you can grab it i'm slipping away by the tail, i think that a sense of humor is not a definition, even i will say, here is the meaning, it is such a sign of happiness, oops, that is, if oops, you have a sense of humor, it means that you have signs of a happy life, because well, without humor, without irony, without irony itself , it is impossible to perceive everything that happens around, it's sad, he said, for some reason he laughed, but it is possible, here i remembered mikhail mikhailovich zhvanetsky had a reflection, maybe it was not an aphorism, that humor requires vital space ahead, there is also a shade of thought in this, i have something to answer you with, since you went so far with philosophy, and there is a definition of a sense of humor, and god knows, but i tried this.

suspicion, i will support the first or second thought here, the thought about philosophy and humor, that they are inseparable, if we dig so deeply into ancient greek comedy and tragedy, then well, in essence, comedy is philosophy, comedy motivates to think and to reason and due to comedy due to paradox, due to the opportunity to look even within the framework of a short reprises on the same problem from the other side are... a very philosophical concept, philosophy and humor, these are really satellites, but polar satellites with contradictions

that give birth to some kind of movement and dialogue, and if we are throwing out quotes today, it means that if socrates, in my opinion, said that to philosophize means to learn to die, and humor, on the contrary , helps us in every way to forget about it and continue to live, find joy in it and feel happiness. yes, yes, therefore, and one more quote, i don’t remember who said it, humor is a lifesaver circle on the waves of life, that is, in general , there are a lot of such aphorisms and thoughts surrounding the core, of course, it is said far-fetchedly, tell me, here is to treat oneself with humor, well, if without any theoretical reasoning, here actually from experience, how important is this and is there any limit for you personally, yes, that is, of course, i can, you know, how how... it is an american comedy, when someone calls someone a name, he says: why are you calling me names? he says: that's what you say, you just

called yourself the same thing, he says, when i i say, it's normal when you, it sounds somehow negative, yes, this attitude towards yourself with humor, how important is it for a person, yes, it's simply necessary, in general, people who do not treat themselves with a sense of humor, are not able to do this, all the same , some kind of heaviness emanates from them, like some kind of apprehension arises around. because it's all really somehow heavy, they even have some kind of peculiar facial expressions, body language, poses, it's also very interesting to pay attention. at what age, in at what point from a child, from a baby, this uncle emerged, yes, who doesn't have, who carries his own monument in his pocket, yes, and periodically takes it out to look at it with admiration, yes, well, in general , the genre itself, really, to talk about these quasi-humorous things, to talk about it

seriously, to analyze, and even such an ungrateful form in general. laughing at yourself, uh, is impossible - including becoming a humorist, that is, you can be as much as you like - a satirist, yeah, let's not point a finger, but then no, no, well, it's not a direct line , it's a clear one, but there is a difference, that a satirist is deeply...

decided to put on this burgundy cardigan, then, perhaps, it's questionable, but if it's for business, then okay, i said, i never like the way i'm dressed, despite the fact that i'm absolutely convinced that i occupy an honorable second place on the dandy list, but at the same time, here all the words, everything is as if you turn it, because well, how can you not take yourself seriously, at the same time you are responsible

for, by and large, it's clear to whom, for your soul, for your life path and so on... look, laughter and joy that we bring to do something very serious, here to people, yes, and how they coexist with each other and one without the other, here if there yes the apostle paul says: always rejoice, but

this does not mean endlessly laugh, so you can dig even deeper. it is clear where i quote: woe to you who laugh now, for you will mourn and woe, and now may refer to the present now, and maybe in general all this is not a godly thing, and you should not laugh at all, who has what path, in general, or how ostrich head in the sand, yeah, that's it or be in constant despondency, these are all very deep, serious questions, really, it depends on where we're digging under whom? i'll continue without quotes, i'll continue without quotes, let's, let 's quote everything, you see, i've trained my self-irony, at least a little bit, here 's the point that, as if, laughter is a tool that gives the opportunity to try joy, if it's not always possible

to understand sincerely and feel that joy. which is necessary, it is necessary to experience, yes, unfortunately, sometimes we need us somehow make us laugh and give us a taste of joy, but this, this does not mean that we should deceive ourselves that this is all the joy that can be, but this feeling, it is as if, thanks to laughter, you begin to touch the right mood, the right perception of life and worldview, even if you look so deeply, here too, of course, joy is one thing, and another thing. unbridled joy there is laughter and so on, that is, this can also be from one extreme to another, but at the same time without, sometimes, when you are deeply depressed and... it can be simple, it can be strange, but it just at least

pulls you out of your state and makes you understand what is really in reality, that is, based on this, we can reason that laughter and humor often bring us down to earth, as if showing reality, that is, it... and is an instrument of self-irony, that is, you can, if without self-irony you will bronze, bronze, bronze, bronze and so on, until suddenly someone makes you laugh with you, makes you laugh and you phew, you suddenly, suddenly you understand that everything, i am ashamed now, i am ashamed now that i made fun of you, andrey knyshev, gavriil gordeyev, we gathered our thoughts on the topic of humor, i am vladimir ligoyd, and we continue, so now i want to give you one quote. read: during the entire twenty-year friendship with varvara petrovna, he regularly fell into what we called civil grief three or four times a year, that is, simply into the blues, but

the highly respected varvara petrovna liked this word. subsequently, in addition to civil grief, he began to fall into champagne, but sensitive varvara petrovna protected him from all trivial inclinations all his life. in my opinion, this is the most subtle humor, these are dostoevsky's demons. yeah. the most subtle humor, the deepest, and it gives this, as many consider, terrible work, yes, some completely special coloring, or am i wrong? no, this is generally the best combination of serious funny, here deep superficial, and the flow of these meanings, such a slide, it gives ... bitterness gives shades some kind of sometimes so to speak taste of the whole dish, here without it, but this does not mean, that is, i think that humor

is such an image for me, that it is like the periodic table of elements, that is, there are everything both vertically and horizontally, groups , subgroups of some types, that is, it can be, i don’t know, abstract, concrete, childish, adult, black, white, ethnically somehow oriented. each is good in its place, they are in place, that it expresses rude and rude and rude are sometimes needed, the most important thing is that it is necessary, here from the entire periodic table , a good, good metaphor, praised the professor, yes, that’s right, well, that is everything it is equally necessary in any form, in a dramatic work, well, without it , there is no way, that is, you go to the theater to see a dramatic performance, it can be a sad work, serious, but you will remember two or three places there, where, where you laughed, where you smiled, where you exhaled, rejoiced, why is it now very

often used in tv series, for example, that this is the genre of dramedy, well, there is no such genre, but at the same time, as if it directly entered even in everyday life, even at the moment, we determine that yes, this is a dramedy, yes, initially any comedy a series, any comedy film, it has a dramatic essence. and if you simply remove the comedy tool from there, it will simply be a sad-dramatic plot, but as soon as you have the comedy tool, it immediately has some kind of therapeutic effect, it turns out that with humor the work becomes more useful for a person, for the viewer, for the reader, and deeper at the same time, well, look, the word jester was also mentioned, yes, but this is also a jester, this is not someone completely frivolous, yes, besides everything else, a jester is a person who manages to tell the truth when others are silent, can i say that? probably, you can so pompously describe a jester, but a jester is also an opportunist, uh, that is

, here, as it were, an actualizer, maybe, if you like, that is, he will tell the truth that at this moment will be an irritant, yeah, that is, he will turn to another audience, he will begin to tell a different truth, that is, there is such a moment that this is also... a tool and this is some kind of skill that you are in front of one audience you tell one story, for another audience you tell another story, but each time you try, like a professional jester, you try to be clearly relevant, to get into insight, so to speak, well yes, but now you are, so to speak, in a modern context, and i say, even here, actually, if we unscrew this function several centuries ago and it probably still exists today to one degree or another, yes, in satire there. yes, andrei goronevich, it seems to me that before, a jester was a comedian who was allowed to do this, then there is, he spoke such truth in such, in such genre, in such form, that the tsar... wanted

to listen, although in principle it could be completely destructive, offensive, there, so to speak, he could actually make the tsar a laughing stock, yes, but in such a form that no one could hold back laughter, there was truth in this, in this mirror, it means, the tsar saw himself, but through this general reaction, and he himself could laugh, but so to speak, it seemed to soften,

i'm just older, so i remembered the tsarist times, but you're good, i'm tsarist i remember, yes, i also remember, that is, i am talking about this, that we are now, we are now , as it were, discussing that yes, this is true, in essence , as if we were to transport ourselves to that moment, he simply acted according to the situation, a simple example, i still insist that the jester is still an opportunist, the bastard, and a simple example is that in front of the king, in front of... the tsar, he will joke and tell one story, when he goes out into the square in front of the people, he will beat the strange man, and, so to speak, the eagle beating the pyro - this is what, well, that, that people like here would like to beat up any strange person, here in front of them the jester began to beat up, he does not tell any other truths there, he says what at the moment potentially interests the audience, well, let's also raise their degree, so to speak, here is such a borderline

story: foolishness, like this truth, here is definitely the truth, yes, without the conjuncture, said, there is some blessed basil, and the tsar, expressed in the limit, but in such, in general form, well, it probably cannot be called humorous, yes, it is rather incriminating, but it definitely goes beyond the normative boundaries, yes, well, and kinship, it is, it is generally as if unknown to us, that is, it is so... the highest degree of humility through humor, through self-irony, when you completely dissolve yourself and can, through the opportunity , be able to be a laughing stock, ridicule even what is scary - and show people what, that is, it becomes a mission, i am very simply interested in this topic, because to some extent it is a kind of the only light in...

surprisingly, that is, he is also cheerful, everything, well , there were a lot of saints who were close to comedy, and this comedy was bright, blessed, due to which you wanted to change, well, the topic is certainly complex, but nevertheless, why did i say how, after all, as a cultural phenomenon, yes, that is, there is clearly some kind of internal human state, which we are unlikely to be able to appreciate, well , after all, all sorts of phalliants are written there, there is

its byzantine kinship. russian kinship, yes , there are blessed pahabs, look, another one the topic that i would like to touch on, it is generally clear and well-known, but it seems to me that all the time there is something left unsaid, which you can’t laugh at, it seems to me that one of the absolute criteria when you should stop is if it hurts someone, even if you don’t understand it, are you ready to agree with it or not? rather yes, rather yes, and there is also a moment when you say offensive things, but you say them to their face, having agreed in advance that you, well, relatively speaking, the genre, tipattle type roasts, this is a genre, which, so to speak, when you have agreed on the rules in advance, here we are, vladimir romanovich, going out and teasing each other, it

will be interesting for us and for people to be with each other. it is still unpleasant, it is still unpleasant, yes, this is also a kind of problem, that is, well , the problem is that not every comedian or humorist understands the consequences of this humor, well, this is too much for me, it is too difficult for the circus in the case that you speak very strongly from the inside from the experience that you have i'm not here, but that's exactly what i meant , there's some kind of set of cliches that you can't joke about religion, it's not true, it's not true, you can, but what is a parable, well, i have a... i have a favorite story, it became a favorite when my friend told me that, as he says, it changed my life, you know, such a parable theme, how a new russian dies, gets to heaven, tries to get into paradise, the apostle tells him: you're not on the list, he says, how come you're not on the list, what are you starting,

he says, i built so many churches, so much money, i spent it on the church, and the apostle calmly says, we will return the money to you, and firstly, it is very funny, yes, and secondly, here is my friend, he says, you know, he says, i suddenly realized that the truth will be returned, this is a joke, right? it, that is, it is really possible, yes, the subtlest take some ancient patria and so on, the subtlest humor, or you can take charlie hebdo. the question is education, erudition and ethics. ethics is simply the element that gives you have the opportunity to make a decision. you take responsibility when you show a paradox, when you start to joke sharply, this line, when you cross it, that is, you take responsibility. yes, now i will joke in such a way that it will be surprising for everyone, but someone. will be offended and you begin to weigh, as if to say, mercantilely weigh, that is, you begin to count the benefits, i will destroy this one, i will offend, all these will be upset, but look how much they will laugh, but again you think from the industry, yes, that i will go on stage there,

no, i'm not even talking about the stage, i'm talking about the same charlie abdo, that is, talking about the fact that they did not understand, and do not understand some of these things, they understand perfectly well, but they do this provocation consciously, no, not just they. then it takes on a completely different form, you are already killing him with a word, an image, and so on, here religious topics are generally very delicate matters, but i think that there are amazing, there is christian

orthodox humor, parables and some statements, the most subtle, intelligent, they are verbose and beautiful in their height, sometimes there is some other vertical missing. today we have gathered our thoughts on the topic of humor, what is its content, boundaries, frames, andrey knyshev, gavriil gordeev, i am vladimir ligoyda, we continue, i recently read, one priest tells, imagine, a woman comes to him for confession, says: horror,

just, father, a nightmare, what does he say, what is it, i read, says, prayers, at that moment the cat falls from the windowsill knocks over a flower pot, she starts laughing, here the bat says: well... the cat didn't kill himself, no, ok, flower, everything is fine, and what do you repent of? i can’t, he says, read, when i reach these words in this prayer, it breaks through me, i start laughing, the priest is standing there , laughing, because she is poor, almost crying, yes, that is, the person drives herself into a situation when she already sees herself as a terrible blasphemer, but thank god, she came across a wise head, he says, listen, well, don’t read this prayer for two months, well, three, yes, then it will pass, then... you understand, here a person really can, that’s what we started with, yes, with some seriousness, that’s it these halftones of accents are not to be seen in the right place, it is a question of a sense of humor, a question of your own embarrassment from the fact that you

find it funny, this is also a problem, that is , we begin to re, well , many people have a sense of humor, so you see, and what we were trying to determine, initially many have it. but we hide it behind seriousness and so on, that is, in childhood, everyone definitely has it, and then over time we become a little rougher, in this regard, of course, we begin to feel embarrassed. of what is funny to us, and you agree that with age this can go away somehow, well, can go away, can also come, you can develop a sense of humor, you can, i have examples, with persistent training, at least, the person who is next to you, he tunes in to your wave, to your vision of things, gradually begins to get used to it, then he can even try himself in dialogues ... with you, knowing that you think this way, to begin

to adapt, yeah, it turns out, you encourage him, as a result, in space, when he is with you, he somehow or other begins to joke, communicate, see things from this angle, then goes to another group, comes back and says, i'm there, i have some strange people, they have absolutely no sense of humor, we told you this, we laughed, i told them, but pay attention, they are some kind of stupid, they have no sense. check, you go out into the hall and understand that

you prepared something wrong, no one understands, well , this is also a question of the audience, yes, it's like a lecture, you read, like here is one, i'm reading now, one similar course, yes, in one institute just in different faculties, i have a feeling that i have students from different planets, in one they take it very seriously, in another i laugh normally, no, what are you saying right away no, no, i'm in one, well somehow i see interest, they already depend on a lot, but here you don't need

to shift everything onto the audience, because well of course, that is, i think that it's in your hands, that audience that has a harder time perceiving the material, you start to plus, tweak, i'm just saying that what's surprising is that these are people of the same age, yes, that is, in general, they are of the same year, that is, there and there there is a first year, and there just different faculties, this is some kind of secret of contact with the audience. it seems to me that you can find contact with any audience, if you understand the goal, that is, why you want this contact, look, and also when it was not planned that it would be funny, but people, remember, you told this amazing story, that it was the last graduation of funny guys, yes, when you got a priest, yes, yes, this is exactly the situation when everything turned out the other way around, the last graduation of the program, yes on...

and he will simply say, well, with god, this was thought of as such, as a joke, yes, i even thought, maybe the person was not very religious then, i thought that we just maybe an actor, or maybe a real actor, a real one, here is one famous person, later he was the director of the program, brought a real priest, i will not hide, i was generally glad right away there was such a pleasant ...

but it did not go on air, that is , by the way, i did not know this, yes, this, this was not edited, an inner feeling told me, that anyway it... well somehow it won't be perceived that way, the audience isn't ready yet, that is, you yourself decided no, yes, it was necessary to approach it differently then, in general, we asked to light the stage once, everything failed, no, we always performed in the atrium, suddenly we

appear, we are invited to perform on another stage, on a more expensive one, now you will understand why we asked to light it, to the club paradise us, where the club paradise, yeah, remember there was one, well, we were all, we were all scared, well, it even got to that point, but fame god, somehow uh, the little girl took it with humor, it wasn't like it was at the moment or before, well, you see, if you asked him to cover the hell club, i think he would have felt, probably, somehow more, it would have been more unexpected for him, by the way , speaking of...

themes in some jokes on this topic and so on, but it's great that we never had to, relatively speaking, directly track this from the point of view of the fact that there are some rules, something else, but we have experience in tv series, when we looked at how appropriate or inappropriate it is in the work, but the author himself always asked himself, this line, of course, well, it has to be, this self-awareness, it should be anyway, it is clear that the conversation... is endless, and the air is finite, so i have to wrap it up, but what i wanted to offer you is really very important to me, and i offered it as a criterion, this is not my thought, this is what yuri mikhailovich lotman said, he defined, it is true, he did not talk about humor, he said who a cultured person is, he said, each of us has our own pain point threshold, yes, your circle, people, touching whom

you feel pain, here he said, a cultured person is someone who is hurt by someone else's pain. now a new program will begin, because i am fighting this stereotype, as you are with questions, but the middle ages are the most interesting, most complex era, in which there was a lot of comedy middle ages, let's do it this way, thank you, dear friends, i am very

grateful to you for your patience, for your indulgence, i think that if you agree, maybe we will once again collect our thoughts. the main thing is that it was interesting for the viewers and listeners, i'll watch from the side and decide whether we'll get together again or not, don't show it, thank you very much, andrey knyshev, gavriil gordeev, i'm vladimir ligoido, we were gathering our thoughts on a serious topic, what is humor. dear friends, the creative industry podcast is on air and with you are still living, real copies of the hosts, this is still elena kiper, producer and clip maker, and i won't touch it yet, i need to make sure, roman karmanov,

ceo of the presidential fund for cultural and