to see you, thank you again for the book, i have already said so much, i think it is enough, even to leave something for next time, and to you fokla, also for it, thank you very much, thank you very much , i am very grateful to marta that she came and in my opinion, in my opinion it was good for you in russia, right this time, well always?

it is very important to dive into yourself, when, when a person asks himself questions, smart questions, but not only smart, they are somehow very friendly, very brotherly, good questions, i felt that my story touched you, and that you read my book,

my book, in general, can't be particularly successful, but in russia, i'm sure that it will be read or there are already readers, i already know, yes, in russia you have already won, dear friends, it was a podcast life of the remarkable, it was hosted by alexey varlamov, a writer and rector of the literary institute, i had two remarkable guests, fekla tolstaya and marta albertini, respectively great-great-granddaughter. and great-granddaughter of leo nikolayevich tolstoy. yes, and i also want to say, dear friends, that the full version of our podcast will definitely be on the website of the first channel 1tv.ru in our social networks. hello, i am still dmitry bak,

as always when i appear on the screen, we will have an issue of a literary podcast, let them not talk, let them read. our issue today is devoted to several topics at once, firstly, it is a conversation about a magical place called peredelkino near moscow, what is happening there now, what events happen there, what kind of people live there, who comes there about how...

not human souls, but somewhere on plant, right now, when it happened, when this identification happened, when you published a novel that got good press, we'll talk about that later, or earlier, was it a dream or later, how did it all happen to you, it seems to me that a person who writes fiction can call himself a writer , everything, he doesn't necessarily have to be published, published, recognized by someone, for himself he can position himself as a writer already. but if you

brilliantly play hamlet in front of your mirror in the bathroom, absolutely brilliantly. and you you are absolutely convinced of this, your mother is convinced, and your neighbor, and your friend, vasya, but you are not an actor, anyway, yes, that is, no one knows about you, that is, a writer who feels that he is a writer, already a writer, yes, well , for me, the inner feeling is still more important than any titles that someone can give me, but i did not dare to call myself a writer, for example, until 21, until i got into the residence of the house of creativity, we will talk about this, that is, after all, yes, there was a moment...

that well, as there is an easy answer on the internet, there x is peredelkino - what is it? well for me it was such an incubator of writers, that is, a place where a writer can start his career, can continue it, can meet other writers, at

some point just dissolve in this magical creative air of peredelkino to create, well it's peredelkino 2:0 peredelkino. to put endlessly to what was destroyed, or is this the place where the coryphaeuses lived, korney chukovsky, lev kassil, boris pasternak and so on, kudzhava, i have one personal memory dear to me, about peredelkino,

when i first got there, having just started working in yasnaya polyana, being a very young person, i needed to hand over books and documents to igor petrovich. he is over 90, but we recently filmed an interview with him, and i remember what a thrill i had when i was driving in the car from tula to peredelkino, imagining a meeting with this literary place and with igor petrovich, the thrill was based on some - rather for me it was based on the foundation of the sixties, that...

against the backdrop of some snow, yes, most likely in his own dacha modest in alterations, it may well be that this is a dacha alterations, where now the museum, the guitar is not very serviceable. simple, yes, now i perceive peredelkino differently, rather more - rationally soberly than romantically, on the one hand, this is a place that reflects the complex history of the country, which can simply be compared with how someone lived, what was the reaction in history, on the other hand, now for our modern development of the house of creativity and for the modern development of writers, it is important that this ... place filled, authentic, with its own history, there is something to build on everything you want to build, that is, there is some kind of succession line, because these 40 or 20 years of desolation, you can count them differently, but 20 for sure, when everything was falling apart, all

this has been overcome to one degree or another, yes, that is, some kind of thread has been found that connects the soviet idea, to settle all the writers together, strange. rather, this gives the opportunity to understand that you have a name, the name of the remake, you have a great history, you you act not based on your preferences or desires, how can this be done.