to get to the witch girl first, they teleport her across the border and settle her in a gothic castle together with the young army of future young paranormal abwehr fighters, all this is very similar to hogwarts, where, in fact, little nazi imps belong. the daily routine in this very hogwarts is monitored by the nazi valkyrie katarina, played by linda lapinzh, and this is a healthy lapinzh, unlike the series.

rudzhunkovsky and ovsenev. alice's name clearly goes back to the looking glass, to all darkness, snow, all sorts of indecencies and so on, played by the thirty-year-old actress govalia, because a full eight-hour work shift of all sorts of black blots, fierce nightmares, for girl performers, teenagers will not be tolerated by any labor legislation on the planet. at the same time, as we all understand, today's ability of criticism. to read the messages is completely lost, critics mainly talk about various superficial things, like the similarity of the series with scandinavian noir, all sorts of genealogy of teenage horror and so on, and there are no toxic hints understands completely. the escapades with netflix clearly did not bring the producers of fedorovich nikishov , the best producers of the past five years , to anything good, but brought them to zugunder in... nahalises

space still haunts them, like snow, all sorts of chthon, they repeatedly press on all these flights, hints, etc. etc. obvious references to a non-our viewer are read in the film at every step, in particular female dominance, without which no film is shot in europe or the united states today, is expressed in the fight of alice with her friends against a certain sect uh, fire-worshippers, dissolved among the local population, uh, women fight with a woman, men are led away, by the way, an absolutely typical figure - european american detectives, an evil police officer with a bad character, and the taiga forests - in every way from all sides surround this city, do not allow to escape from it, as in all american films about... russia, in addition, the inhabitants of the city

are constantly waiting for the annual pagan holiday with dressing up as horned evil spirits, which in general is a rather striking distinction. rather of the american province than ours. finally, the western viewer, apparently, is appealed to by the counting rhyme of freddy krueger from alice's dreams, with the constant recognizable blows of a tennis ball. opl, our viewer still has not made the nightmare on elm street series their own bible, as happened with the harry potter series, and i will even explain why. a nightmare on elm street, after all. went back to immediate american realities, and the appearance of freddy krueger in the nightmares of small children, said the following: if mom dad in the sixties, seventies years were thrown, moved by various drugs, then sooner or later they will receive

retribution in the form of nightmares of their own children, in the dreams of their genetically spoiled children freddy krueger will come and cut their fingers with scissors. it is clear that whole generations of the usa went through a drug frenzy, and this picture hit them, grabbed them by the quick, hit their nerves, which, of course, did not happen to us, for us it was an ordinary horror film, therefore the generation that remembers who freddy krueger is, what a nightmare on vyadov street is, is now approaching retirement age, new generation these are names, this name title says absolutely nothing, performer sogvasalia categorically forgot that she is playing a small child, and... earlier she somehow managed to imitate a high school student, then here she includes a little maternal intonations in a conversation with small children, uh, her voice becomes a little lower, clearly revealing her age, and her role as a leader completely breaks when running along a white wall, because in general

it is visible to the naked eye that the plasticity of a thirty-year-old lady and a teenage girl is completely different, hire a girl as a stunt double, the writers simply didn't think of it.

normal abilities, with the ability to penetrate the future, foresee everything that will happen next, as well as to punch their enemy in the snout with their forehead or rupture the eardrums of the mental hospital orderly with a wild squeal, there's no time for any kind of connections, producer control over what's happening on the screen is lost somewhere in the middle of the fourth episode, there are already completely chaotic events happening there, scalped girls...

at least by the eighth episode they've gotten rid of this the picture, the wonderful actors vorozhtsov, rozin, yakomasova and velkova, judging by their facial expressions, constantly ask themselves what i'm doing here at all, but some irritated stupefaction only benefits the series, it's quite suitable for a teenage horror, and the viewer all this time is clearly holding on to his jug , remembering the grumbling cop durov from the film i walk in moscow, lord, you've confused me, hypnotized writers, shell-shocked horses, go to hell, and as for the critic, he's just like the actors, the same sits and thinks, oh my god, why am i watching all this, a global web of lies, in march i

received a letter inviting me to take part in a project, which stated that the project was financed by the us state department, how the us recruits european bloggers for an information war. against russia for 10 years, they fed them, created an illusion of independence, and now the mousetrap is starting to slam shut, dionon, a pseudo-historian and diplomat who invented the myth of vladimir. oxford - this is just nonsense, did he know about it to go there? and this the desire of a small country to privatize the entire heritage of the great slavic ethnic group is stupid. antifake, season premiere. tomorrow on the first. you want him to hug you, press you, kiss you, well, so that all this would happen, sometimes he hugs and kisses, for real, like an adult, ugh! i love you, i just felt so tight inside, i had this feeling that he knew everything, well, naturally, i

immediately heard in my address how good, pretty, smart, promising and so on i am, they see each other, hear, feel, attract, i understand that a special operation is being prepared, he had an ip opened, he says, i need oo, unfortunately, i agreed, andrey sends me documents, according to which it turns out that he is not andrey. eduard premiere manipulators on saturday on the first, he is such an actor, wonderful, he can play anyone, and can seduce any woman, maybe he plays his best role with you, charisma, charisma, in front of me, kitty, kitty you happen.

gorelov, with a story about the main serial sunday on the first, it is still podcast burn with fire and i, its host denis new. domestic television screen. we finish our program with stories about the series kesha must die, the wonderful

director bogomolov. it should be noted in advance that behind the transgender heresy that frankly outraged russia, we somehow missed the main message of modern american, european cinema. this is a quiet, total and consistent fight against men. men must either be fired, expelled, sent to the periphery. or as often as possible make them get into dog shit or leave them in in their underwear in front of a general meeting, nations that have long forgotten what war is and what manual labor is, to which men are still more predisposed, clearly completely nullify their male gender, and profanate with female appointments both defense and law enforcement, and ...

so this trinity decided to re-sing in a new way, a modern way, the film eastwig witches, once filmed in eighty-seventh year this film came to us in the early nineties impressed many: firstly, a beautiful picture and secondly to quartets of star performers cher, nicholson, phifer and sarandon. it is absolutely impossible to watch this film now, i tried. it tells the story of... three provincial abandoned women, doing practically nothing: one conducts

a school choir, another writes a culinary column in a rural newspaper, and the third stamps out identical plaster sculptures of women for souvenir lovers, half the film is about erections, i hope the children are already asleep, and finally about the deeply symbolic long cigar of jack nicholson, who appears on horizon, only at the 70th minute, an hour and 17 minutes after the start, cher utters an important catchphrase: it's time to think with your head, and not with what's between your legs, which the heroines are completely incapable of, and even more so, he's not capable of... the film's director, miller, because he was filming the motorcycle saga mad max, is only capable of thinking with what's between his legs, that is, a motorcycle, and nicholson, who at the end of the film still satisfies all the most diverse fantasies, heroin, is dead.