tv Pamyati Romana Madyanova 1TV September 28, 2024 12:15am-1:00am MSK
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it's hard work and chance, that's when chance sometimes happens, well, well, there's everything, there's no chance, well, you sit and wait for god to give you a chance, his fame runs ahead of him, he's been going to monasteries since his youth, working miracles, look, they'll canonize him in 1500 years, what will you say then, maybe you got too excited? you had to go through this hell, which millions of our people, applicants, shchepka, pike, gites, moscow art theatre, gites said, no humor, no temperament and in general we don't advise you to enter a creative college, thank god, they figured it out, but madyanov was not upset, was not offended, but like a real fisherman, he hid and began to wait. the following year
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he caught luck on the hook, entered gitis, but at first it was not easy for him there, it was his childhood experience in cinema that harmed him, in theater colleges the theater is always at the forefront , teachers do not like students who are already acting in films, so roman even hid his film past. you see, andrei is now actively working on himself, you see, how will it be? first andrei will cultivate willpower, then he will take the exam for the certificate of maturity, then the entrance exams, then the first session, the second, andrey, simply will not have time to see you, because it is important to distinguish the main task from the secondary one, i hoped that they would not remember and would not recognize, but someone reported, someone reported, i gave my word that until the end of the institute until... until i receive
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long before graduating from the university, but set a condition for the actor: no cinema. madyanov agreed, for a long 10 years he disappeared from the movie screens. the time that roman sergeevich spent at the theater was not in vain for him, i think, that it shaped him as an actor, the actor admits that he missed the cinema very much, but again he was not angry, with the patience of a fisherman he waited for his finest hour, and what to do then, then it was necessary to drink himself to death, you understand, do not nag shura any more, you understand, do not work without acquiring a profession, then... it was necessary to start envying, the most vile feeling that can arise in a person, which - devours, simply. roman madyanov again declared himself in cinema in 1989, when he was invited to star in the film private
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detective or operation cooperation, leonid gaida himself. was it possible to refuse the offer of the great master, and although the film turned out much weaker. "calm down, don't move, this is a kidnapping, in 10 minutes you must pay 10.00 otherwise, well dimka, your jokes are stupid again, i work at the moyakovsky theater, suddenly they call from you a film, already everything soviet union is gone, they are already
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calling, listen, are you going to get your salary, no, okay, thank you, vityush, thank you, dear, revenue, i go in, yes, well thank god, and in front of me like this pum-pum-pum so here's a pack so here in packs fucking like this i'm saying this is your percentage from the rental didn't come didn't receive says the rental will be for another six months i'm saying, do you by any chance have a bag , i got paid for the rental of this film, but tens of times more than for the film itself, there will be corpses now, it was in this film that the directors saw the charisma of a scoundrel in madyanov,
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and you're here, come on, get out, they started actively filming him in a similar role. don't answer already, after all, a joke is brilliant, let's go, he can easily turn on or switch in himself these - states, like - such a, or something, uh, kind, absolutely charming uncle, so simple, suddenly becomes very tough, what are you trying to show off, or what ? you won't have a tangerine? i won't, i 'll make you an imprint now, a skull! and now this is definitely the whole doc, i look at him when he's on the set, this is the old school, he's silent, he sits, he doesn't waste his energy, there are some young people standing there, telling jokes, and then they come into the frame, into the frame, that's it, and they've already
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spoken out, this is also wasted energy, we laughed, we joked, we walked around for a while, and the man sits, i look, look, he is silent. and he, he repeats something, and i see, he repeats the text, something about himself, once there, he threw in something, threw in, that's it, he puts in takes evenly, well, master, what is this, money, what money, well, how is stepanovich, well, those that we talked about, you were supposed to bring me the documents, did you bring them? i brought them, of course, yes, three folders, all the best, but now you will help me sort out samson, one scoundrel after another, madyanov was filmed more and more often, and
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then came the hour of major kolobkov from the tv series "soldiers", at the airport, it doesn't matter, they recognize you, you go out into the streets, oh, well, as if it appeared, something came back that i was absolutely calm about, and before there was recognition, it went away, then it came back again. to a greater extent, but i was always very calm and wary about it, well, what's wrong, let's kill two birds with one stone, yes, i even said so, this major kolobkov in the soldiers gave you a kind of , so to speak, a new ticket, so popular, but at the same time there is a villain there such, he is still a bit of a negative villain, i prefer to live in the future, how do you like this life principle and... military, the uniform suits me well, i
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served a year and a half in the army, again i say, i am an observant person, all this has been spied on, all this is seen, stop this farce immediately, do you hear me, battalion commander, i order, the battalion, this is a consolidation of the success of the fact that they began to treat more seriously, attentively... they haven't seen him at home for years at 50 years old, the heart of an artist appeared there, a lot appeared and 12 nikita sergeyevich. well, what privileges? we are worn out, when they sent him into retirement, he burned out in 3 months, as if he was spat out like chewed paper, and what you appeared with those works that were noted and prizes, very much influenced in the circle of the first. bakukomov, well, where really in the acting business there was such
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aerobatics, there it was impossible to lie, that the team of artists was amazingly assembled in this work. i would be glad, comrade stalin, to report to you that there are no cases of terrorism, but they are, and we neutralize them even, well, in the most unexpected places. despite the screen roles in life roman madyanovka. they say, the kindest soul person, everyone adores him, i have never seen him in manifestations such as he plays in the movies, i have never seen in my life, but over these 10 years kinder and more charming and softer, i do not know, i just never saw him like this, another talent of roman madyanov, he, like no one else, knows how to play a drunk, consider open. romka is
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unique in that he can play every glass, emptied. so. now about the artists. madyanov always made his drunk heroes so believable that even those colleagues who were draining shots of water with him in the frame began to doubt and asked him to breathe, suddenly roman sergeyevich was not in character, well, that means you can handle it, otherwise how could you, well, those who don’t know romka, naturally, buy it right away, well, and i already know that he can do it like that with a snap, do you want me to lead the penal battalion? on the citadel with a frontal attack, frontal, exactly frontal, with all my
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heroic penal battalion, that’s when roman sergeevich plays a drunk, this is pure water engineering, the purest water engineering, he makes one eye here, the second eye there, our film crew was convinced of this technique personally, vom, what condition, very very drunk or not so? and oh, also shoot me, a drunken lifestyle - this is just a role that roman madyanov plays, like all his images, very precisely in a movie on stage, here she is secular.
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roman madenov does not like to watch films with his participation, his wife natalia does it for him, she is his personal film critic. i i open the door, come in, hear in the night to more familiar text, yeah. natalyana is watching the penal battalion given to me by nikolai nikolaevich dostal, i never watched it, but i came at night. she watched and silently there were cutlets in the kitchen, well, and when i got to the moment where he was killed, i was there, well , naturally, well, there was generally very tense at this moment, and romka was already asleep, and i watched so quietly, and he wakes up, what are you doing, they killed you, bastard, only at a distance,
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so that they would not see you, at a distance, on distance, walk, come on, but what the actor has more than the gifted discs with his own films is spinning rods. here it is, handsome. this is simply one of my favorite spinning rods on it. most of all, probably, the fish were taken by me, i put it further away, that's all, so that these ones don't get it, these dogs, so that we, yes, gabechka, yes, yes, yes, yes, yes, you are a big, huge, stupid, wonderful dog, two dogs, three cats, 17 braids,
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and this is the hobby of natalia madyanova, the actor's wife, and this gang, like... loves call them a novel, it only grows from year to year, mas, when are we going to give birth? well , you poured, wait, mas, masya, mas, you poured by, and when are you going to give birth, mom should have gotten one, in order to develop all sorts of good - positive qualities in me, well , and somehow, since childhood , we always have like... some kind of dog, some kind of cat is always there, so, sakal, this is our oldest cat, he rubbed himself so much, the animal natalyana would show you, there are chickens over there, she does that, over there, across the plot 10, what 12 goats, i don’t know, you have to present him with a fact, that is, i have a goat, okay, he
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gets used to it, i have another goat, okay, okay, he gets used to it again, well, it’s always been the same with dogs, well, she’s an amazing person, you understand, here you have to love and perceive a person as he is, well, that’s how she is, she’s an aquarius, and that means she wakes up and goes to save everything, wherever, there’s a goat that got sick, she went, there... a cat gave birth, that means she went, that’s her, her nature, family life, somewhere you need to to give in, the same thing i've been hammering in for the third week, i say, here i explain, to give in somewhere, to insist somewhere, well, you just need to -
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me, as 30 tons spent, hot-tempered, roman sergeevich ran into absolute kindness everything, met with eyes, everything is quite old-fashioned, simply classical, that's all. roman madyanov was already 30 years old when he proposed, and although natalia is younger her husband, in this family she is the eldest. she is responsible not only for the comfort in the house, but for screwing in light bulbs, hammering in nails, the main mother, yes, because considering dad's
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schedule and how hard and difficult it is sometimes, working days pass, in most cases he comes home from work tired, colleagues call madyanov one of the most faithful husbands in the acting environment, by his own example, he refuted the prevailing opinion about the frivolity of actors in life turned out to be a complete antipode of his heroes in the cinema, for example, the character from the mostgaz series, the director theater, which skillfully uses its position and deceives women, you knew all this, why then am i with me, my dear, as far as i understand, we have some kind of feeling with you, don't we? well, do you really not love me anymore, he's a little man, a little man, and such people, they are still quite solid and they don't hang
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around here and there, when he decided, found, took, carried home, put on his shoulder, sat down, said, put a ring on, said, wife, that's it, that means, that's who he is, eh, roman sergeyevich, a wonderful grandfather. understood that somehow already and eh without each other somehow already and somehow not very comfortable, already passed in our life - all options and complete to complete shattering again restoration of this. already more careful attitude to each other, i think so lucky, thank god for everything, for the fact
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that the lord brought us together like this, we have a wonderful son, we have a wonderful house, between us again, something there is a wall, eh, love, vana, we will do such things with you, madyanov's son did not follow in his footsteps, became a cameraman, he was named the same as his father roman. history, as far as i know, it was simple, that well, mom loves dad very much, and decided to name me in honor of my father, but i somehow didn’t bother with the detailed history, but confusion happened and still happens, so roma. well, naturally, two heads always turn, but now somehow usually, well, i’m somehow romik or just roma, dad roman, well, as if
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it’s more status, or something, so now we get less confused. roman madyanov jr., is calm about his father’s fame, about the fact that he mostly plays negative characters too, although he remembers when for the first time i saw on the screen. not dad in the role of a villain, i was even scared: my principles of communication with a melitsa, either be friends or kill, buy a cretin, in this case neither one nor the other is possible, let's leave, the first film that i saw with dad, if i remember correctly, it was called operation cooperation, at that time it seemed very scary to me, well, because i was little and... i even had nightmares for several days in a row, there was a scene, either with some kind of pool with some kind of water, something there was some kind of face was scary, i was very...
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just run through the shit, well, my little paws, oh well, there’s snow, i’ll wash it off now, you won’t wash it off, that’s the horror, if you want no one to look, everyone will look, good work, no one will look, that’s how it is when you, oh... everyone will look at it, that’s why you don’t have to, so that there is no temptation, and madyanov's characters have long been not just scoundrels, but individuals with character, tell at least something, like the merchant kupriyanov from the series ugryumreka, the damned devil, would just strangle everything right now, he is different, he is different, as i try to make most. most of
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my characters different, it is impossible, they cannot be defined, you can determine in life, this person is bad, this person is good, well it is impossible, because yes, in one person there is both this and that, yes, according to the audience's perception he is a nightmare, terrible, but look for at least one trait in this character for which he can...
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100 will be from you, is this a mockery, no, prosha, it is you who decided to mock me, why don't you believe prokhor gromov, we believe prokhor gromov, no proshka, such a merchant's wolf, who is already a beaten, broken sparrow, this is... a monster, well, this is the highest, the highest, the highest, the highest aerobatics, well, go with caution , robber nights, dashing people, you have already become like a family member to me, there have been many great events in my life, i waited for them, and i did not let them go one, at the same time i didn't really... i didn't
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rush, i didn't climb, i didn't grab, i was doing my thing, that's all. hello, this is a podcast 20 years later, and we and its hosts, alexander anatolyevich, konstantin mikhailov, we are starting a very pleasant, interesting conversation about the series choir. and today our guests are its creators, actress, director, screenwriter alena rainer. hello, actors who played the main roles in the series choir, oleg chugunov and kristina
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isaykina. composer, screenwriter, music producer, elena kiper, hello everyone, hello, hello, hello, guys, glad to see you, not only on the screen, but also as our guests, let's watch the trailer. if suddenly any of our podcast viewers 20 years later still don't know what we're talking about, today we were auditioned for the choir gracheva, great, yura, you definitely need to sing, come on, sing, what a unique gift you have, you hit such notes, what an upstart you think you are, larka, it's you, don't you recognize me, or what, it's me, andryukha, that means life is a success, you have everything that, o than... "soviet women don't even dare to dream, so what happens, you don't take a guy just because he doesn't know the notes, in order to get the official status of a choir, you need to have at least 50 choristers. you've been accepted,
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today your new life begins. alena, how did the idea of creating such a series come about? well, the idea didn't come from me, but from one of my favorite producers, ruben dizishyan, and he offered me to join in the development of this project, at first we spent a long time writing it, then we spent a very long time casting actors and preparing, because it required a slightly different preparation than what we were used to, yes, a huge number of children's roles, a large amount of musical material and so on, well then we went into the filming period, we still made it, and then for a very long time this series did not see the audience, and the audience... it still worked out and the series appeared on the air. tell me, were there any real prototypes for the characters? the choir is a kind of metaphor, it is not about the choir and the children singing in it, yes, it is about all of us, because in life each of
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us sings some part, only by uniting, we succeed. of course, we read a lot, studied a lot, stories about choir soloists, but i insist that... there are no direct hits, direct repetitions, these are archetypal images, these are some kind of collective images. oleg, how old were you when the choir was filmed? i was 13. was the casting difficult? yes, did the choice fall on you right away or did you have to suffer? i don't think so. did you hurt a child at the casting? tell me honestly. no, no, no. kasin was 3,500 children. the thing is that, mm, the children had very difficult roles. and we understood that it was not only their acting readiness that was important, their psychophysics, their softness, their organicity, yes, it was also important psychological readiness, not only of the children, but of their parents. i suggested to the producers to create such a small film school, for example, we selected a certain number
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of children, for each role there were three, four people and gathered them together while the adults were being cast, while the objects were being built, while, accordingly, other preparations were being done, we gathered them in the next room, a friend of mine, an acting teacher, came to them and warmed up the material with them, they were really preparing for ensemble auditions for the channel, so we watched, plus they also went to a choir school to learn to sing, and before that they didn’t know how to sing, well, some could, some couldn’t, that is, well, by nature, as it turned out, some went to a music school, some didn’t, it wasn’t some kind of mandatory point, but in order to get into this group, of course for i was interested in acting qualities, and organicity and so on.
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i liked oleg right away, did you understand that this was the same yura? oleg really made a very pleasant impression on us with his unchildish professionalism, he had already joined the group with such readiness, with such desire, with such a will to win, that it was very consonant with his character, this inner strength of a little person, and at the same time in this there was no ...
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that what you, alyona, said, for example, that this was filmed 7 years ago, yes, it turns out, 7 years ago, yes, and fresh, so i wanted to know, it seemed to me, remotely, i, naturally, the vocal abilities of the boy, who, perhaps, was partly a prototype in a collective image, seryozha paramonov, yes, it was a unique voice, here for oleg, if i understand correctly, yeah. the performer sang, yes, of course, a girl, a girl, in
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the best traditions of soviet cinema, like winged swings, like electronics, for electronics, who sang, a girl, so we had a huge casting of voices, and you know, it was very funny, because we were casting voices we started in october, yeah, we started filming, accordingly, in july, while we started filming in july, our voices that we found broke, as in our series, and we again after filming and during filming again went. this endless casting of voices, because well, the voice should not only be unique, it should specifically hit our yurka, that is, it should be organic, in the end we tried, tried, tried, tried, a girl lera came to us, who really became the voice our yura solovyov, except for one scene that she couldn't do, it was sung by a boy from the popovskaya academy, sveshnikovsky school. at the time of filming you were 23, 21. 21. what was it like
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to work with teenagers at such a young age? in fact , it was very scary at first, and it didn't work out very well. well, because children are very active creatures, who never stop for a second. right, oleg? no, oleg, by the way, was very different. it was very rare for him to start doing something. and otherwise, here we go. to take off the ravens, my number was exactly the same as the children's number, when i just somehow crawled to the room i hoped for 5 minutes of silence, we had an evening event for the children there, that they were still giggling, chatting and trying to calm them down until one in the morning, of course i thought that i would not survive this, and then, the more time you spent with the children, you, so to speak, fell in love with them, began to understand them, began to speak the same language with them, of course you could sometimes run around with them and laugh and shout,
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then i even stood up for the kids when their teachers scolded them, like , stop, i say, that's enough, they 're not bothering anyone, they later became related, like the counselors with their own, and also, after all, i was 21, it's not such a big age, so it also happened to me that i fell into childishness a little, let's watch a fragment of the series with your participation: came now because of your weakness all our
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two years of work is going to hell, i'm afraid, as alena said, you already had a core when you came at 13, where from he, where did this discipline come from, maybe you studied in a special school, there are those with a theatrical bias, no, no, i studied in a regular state school, it was all my parents, everything, they trained you or something, built you up, yes, why didn’t you grow up a little slacker, like... all normal children, i’m trying, now, i’m making up for it, well, no, well, it turns out, now you’re taking it away, now in character just right, yes, well, no, well, somehow, why, this is also from my, well, i started reading professional literature very early, because i really, well, i understood that you, you already had a goal to become an actor at the age of 13, i never formulated it as a goal, i just, i just tried to somehow improve in this, that is, i did not think. that it could become the work of my whole life, but i liked it, and i
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really wanted to watch myself in the frame and live this whole story together with the hero whom i see on the screen. well, you came to the casting with the desire to win, well, it seems to me that with that head, with that involvement and with that path taken, i did not imagine no other result than being approved for the role, and well, well, yes, i guess i'm right there... al altai is entertainment for every taste, first you clap, and then like this, oh, strike, you have to hug it really hard and like this, hurray, in omsk there are guys who can lift a 250 kg stone, this is the oldest bison, 22 years old, 90 million years ago there was a sea here, today there is also a sea here, a sea of beauty, the first one went, come on once,
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once, i don't understand anything, just row, let's go, the premiere is tomorrow. on the first one: double-sided jackets, antique draperies, dress-transformers, a fashion magazine included you in the top 100 designers in the world. we create a dress that we cut with a laser, this gives our unique fabric to flutter like butterfly wings. it seemed to us that we needed to come up with something in sochi that doesn’t exist. we didn’t expect that this project would take off so quickly. for casual clients , this was not a completely clear product, but for professionals in their field. chefs, everything was clear and understandable, they were the first to start contacting us. an ordinary hand drill served as the basis for this prototype. seabike has no analogues in the whole world. russian engineering thought, always ahead of foreign by an order of magnitude. our everything. premiere. tomorrow on the first. this is a podcast 20 years later my
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host alexander anatolyevich and konstantin mikhailov are our guests. all, but a noticeable film crew, the creative team of the series choir, which we take apart on the shelves by notes, why did they choose christina, what did they find in her? christina was really too, i couldn't decide for a long time, there were very, very good actresses different, but i need there was a clear hit in this soviet, good, honest, yes, well, imagine, to play a person who believes in this so much, in what, what... in his, in some dream of his, that he infects with this dream those, even those who do not particularly want to be infected, how to burn, burn, when the actresses began to burn, burn at the casting, at the auditions, somehow it did not work out, kristina came, who, in my opinion, herself did not really understand what to do, but she wanted it so much, this, you see,
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one thing overlapped the other, she really that's how and here it is very important that there is no cold nose, that there is no such thing... she agreed, and lyoshka trofimov, that is, they were such heroic guys in fact, they went through fire, water, copper pipes with me, in general this film was difficult to create. elena, if you, as a producer, were offered to make a musical film about that very great era of the soviet happy childhood.
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