and which could be called radiation, yes, it is not radiation, our smartphones, the only thing that generates is electromagnetic waves in the radio frequency range, it is not ionizing radiation, it is in no way, at least there are no proven facts, research that it causes any harm to health, but personally i had a persistent feeling of deja vu during the times of covid, remember when messages were sent via whatsapp, viber. it is difficult to find the source, because the main technology is that someone will receive, where do these fakes come from, let's say, the first one will forward it, and it just spreads exponentially, now here we are basically faced with exactly the same

situation and it really cannot be taken seriously, this joke text appeared in 2017, at least, this is the earliest mention that we managed to find, let's see what it looked like then. mikhail, as a political strategist, yes, this is a certain attempt to measure the audience, yes, because the fake is old, the story is very simple, how absurd, because here the earth will simply fly into the celestial axis, like from a dog's heart, cosmic rays will pass close to the earth, complete nonsense, but this is very serious. in fact, such work is carried out systematically, it is not the only such question, in thousands and thousands of different home chats, in messengers, yes, such seemingly delirious things appear, but the meaning is only one: they are trying to sow anxiety, tension in the population, that is, the chinese execution from 1000 cuts, a constantly traumatic, depressing story, and this is what they are doing. evgeny, i'll ask you, you said that you've been working with your elderly relatives for several years, so in short, what do you tell them, how to act in such situations?

ask for the original source and send it to the younger generation for verification, if you don't want to look for it yourself, and i want to tell our viewers the same thing, if you come across any material that makes you doubt, send it to our editorial office, we will certainly discuss it with experts and tell you the truth all the best to you. hello, this is a podcast 20 years later, and we and its hosts, aleksandr anatolyevich, konstantin mikhailov, we are starting a very pleasant, interesting conversation about the series choir. and today our guests are its creators, actress, director and screenwriter alena rainer. hello, actors who played the main roles in the series choir.

you are accepted, from today you begin a new life. alena, how did the idea of ​​creating such a series come about? well, the idea did not come from me, but from one of my favorite producers, ruben dizishyan. he invited me to join the development of this project. at first we wrote it for a long time, then we spent a long time casting actors and preparing, because it required a slightly different preparation than what we were used to, yes, a huge number of children's roles, a large amount of musical material and so on, well then we went into the filming period, after all we made it, and then for a very long time this series was not seen by the audience, and the audience it, all the same everything worked out and the series appeared on the air. tell me, did the characters have real prototypes? the choir is a kind of metaphor, it's not about the choir and the children singing in it, yes it is about...

the thing is that, mm, the children had very difficult roles, and we understood that it was important not only their acting readiness, their psychophysics, their softness, their organicity, yes, it was also important psychological readiness, not only of the children, but of their parents. i suggested to the producers to create such a small film school,

so to speak. we selected a certain number of children, three or four people for each role, and gathered them together while the adults were being cast, while the facilities were being built, while other preparations were being done accordingly. we gathered them in the next room, a friend of mine, an acting teacher, came to them and warmed up the material with them, they were really preparing for ensemble auditions for the channel, so we watched, plus they also went to a choir school to learn to sing, and before that they didn’t know how to sing, well, some could, some couldn’t, that is, well, by nature, as it turned out, some went to a music school, some didn’t, it wasn’t some kind of mandatory point, yes, in order to get into this group. certainly, for acting qualities were important to me, yes, organicity and so on. well, these kids studied for 2 months, very seriously, three times a week, during breaks they went to sing and the choir to the school to the choir, and we looked at who of them, how they reacted to it, how the parents reacted, then we went to the ensemble

auditions, took the auditions and already settled on our performers, that is, this is a non-standard scheme, such a scheme is not practiced, but it is the peculiarity of this material: a person, and at the same time there was no impudence, yes, that was such a dream, it was very cool, at 13 years old it is already forming, a serious person, well, you know, i myself am very curious, because while the series was going on, then from there,

from somewhere i heard that such a show was starting on the first channel, i already had my own associations, because a huge number of producers dreamed of filming a series... chorus, namely to interpret the series gli, you know, there is this famous one, yes, everyone dreamed of this, it was some kind of in general, an idea, a super idea, and no one did it, here is finally the choir, and of course for me it opens up in a completely new way, because what you, alyona, said, for example, that it was filmed 7 years ago, yes, it turns out, 7 years ago, yes, refreshing, so i wanted to know, it seemed to me, remotely, i, naturally , the vocal abilities of the boy, who was perhaps partly a prototype in a collective image, seryozha paramonov, yes, it was a unique voice, for oleg, if i understand correctly, yeah , the performer sang, yes, of course, a girl, a girl, in

the best traditions of soviet cinema, like winged swings, like electronics, from electronics, who sang, girl, so we had a huge casting of voices, and... it was very funny, because we started casting voices in october, yeah, we started filming, accordingly, in july, while we started filming in july, our voices, which we found, broke, as in our series, and again after filming and during filming we again had this endless casting of voices, because well, the voice should not be only yes unique, it should hit our yurka, that is, it should be organic, in the end we tried, tried, tried, tried, a girl came to us... vera, who really became the voice of our yura solovyov, except for one scene, which she did not succeed in, it was sung by a boy from the popovskaya academy, sveshnikovsky school, at the time of filming you were 23 years old, 21, 21, what was it like at such a young age

to work with teenagers, in fact, initially it was very scary, and it did not work out very well, well, because children are very - active creatures, which they do not stop for a second, yes, oleg, no, oleg, by the way, i'll listen, he was very different, it was very rare for him when he... started to do something, otherwise - so we went to orlyonok to shoot, my room was just with the children's room, when i just somehow crawled to the room i hoped for 5 minutes of silence, we had an evening event for the children there, that they were still giggling until one in the morning, chatting with them, trying to calm them down, of course i thought that i would not survive this, and then - the more you spent time with children, you could say you fell in love with them, you began to... understand, you began to speak the same language with them, and of course, you could sometimes

run around with them and laugh and shout, then i even really stood up for the kids when their teachers scolded them, like, stop, i say, oh, enough with you, they're not bothering anyone, they're children, that is, then we became related, like respectable people with their wards, and also, after all, i was 21, it's not such a big age, so it also happened to me that i fell into a bit childish, let's watch a fragment of the series: with your participation, a gift is a huge responsibility, tomorrow we will go with you for grachev, it's not about the voice, he doesn't know the notes, and you were all born with the notes, who asked you, wait, well, you're now a beer lover, another artist on my head, we are going on your way and for ... you've been in the choir for a week, no one invited you here, you came yourself, now because of your weakness all our two years of

work is going to hell, i'm afraid, like alena said, you already had a core when you came at 13, where does it come from, where does this discipline come from, maybe you studied in a special school, there are some with a theatrical bent, no, no, i studied in a regular state school, it's all my parents, everything that... yes, why didn't you grow up as a little slacker, like all normal children, i'm trying now, i 'm making up for it, well, no, it works out, you're taking it away now, right now in character, yes, yes, well, no, no, well, how somehow, why, it's also from my well, i started reading very early professional literature, because i really, well, i understood that you already had a goal of becoming an actor at the age of 13, i never formulated it as a goal, i just tried. somehow improve in this, that is, i did not think that this could become the work of my whole

life, but i liked it and i really wanted to watch myself in the frame and live this whole story together with the hero that i see on the screen, you came to the casting with the desire to win, well , it seems to me that i with that head with that inclusion and with the path i had taken i couldn't imagine any other result except for the statement on... and well, yes, probably, i'm there right there, rather the first, this, friends, nose, today we'll talk about a runny nose, vasoconstrictor drops have been outlawed, is it worth taking this into account, about this and many other things, in the program it's great to live, tomorrow on the first. this is a podcast 20 years later, my host alexander anatolyevich and konstantin mikhailov are our guests, well, not

the whole, but a noticeable film crew, the creative team of the series choir, which we are analyzing on the shelves by notes. alyona, why did you choose kristina, what did you find in her? kristina was really, i also couldn’t decide for a long time, there were very, very good actresses, different ones, but i needed a clear hit in this soviet one. good, honest , yes, well, imagine, to play a person who believes in this so much, in something of her own, in some dream of hers, that she infects those with this dream, even those who don’t really want to be infected, how you need to burn, burn, that’s when the actresses began to burn, burn on casting, at the auditions, somehow it didn’t work out, kristina came, who in my opinion didn’t really understand what she had to do, but she wanted it so much, you see, it all came together. one thing after another, she really , like, it’s very important that there isn’t

a cold nose, that there isn’t such seasoned professionalism, now i ’ll do everything for you, now i’ll show you everything, but lively eyes are important for such a role, and kristina absolutely nailed it, she was great, she agreed to chemistry, this is an act, real soviet chemistry, yes, because you remember that they were really fashionable curly. water copper pipes with me passed, in general this film was difficult to create. elena, if you, as a producer, were offered to make a musical film about that very great era of the soviet happy childhood. weak, to undertake. not weak, of course, because i grew up and was born in that time. for me it is psychology, for me it is a drama in some

sense, for me it is a drama in the very first episode there. these parents of ours, my parents, yes, whom i immediately associate with this queue, which i just have right now, honestly, honestly, i'm even getting overwhelmed right now, because what they did for their children was the hardest time, and only now do i understand how strong it was, yes, that i can do what i love. serious training, this is a team - i would of course take on such a job, yes, i would be there, if i had three times for the first for the pilot episode , that is, i just had the feeling that i fit into this era, yes, there was a feeling that i was there now with these it was not so long ago, len, very recently, it was so long ago, no, kristina,

please remember the most vivid memory of working on the series, probably the most pleasant memories - it was when... we went to orlyonok for a whole month, and we all lived as a group in these buildings where the children live, actually, together with the children, we went to breakfast together, we each brought each other yogurt, stole it from the cafeteria, it was a wonderful time, the first time i met oleg, i was very worried that i would get a partner, with whom i have most of the prices, i think, my god, well, is it really going to be some kind of capricious little one, it will probably be difficult with him, well, in part, probably, it was like that , at times, no? no, and suddenly he brings this young man into my trailer, only very small, with very adult eyes, very well-mannered with some amazing innate intelligence, he says: let's go through the text, i think, and he always knew the text better than me, he even knew, in my opinion, my text when he came to the site, when it was already difficult for me, and i

was ready to whine and say, let's hurry up, how much longer, when is the end? i looked at oleg, who is 13 years old, he was supportive, but he himself did not understand this in fact, but i saw how difficult it is for adult actors, and how this boy patiently waits out all these difficulties of the filming period, how he turns on in a second , works so professionally and talentedly, that i kept telling him that you are my superhero, and a great future awaits you, because the boy who so much included and almost... let's hope that it will be so, but surely there were difficult moments, what elena talked about, no, well there were, there were some, rather technical difficulties, tell me about the pigeons, well yes, there were, there were just scenes that were difficult to perform for one reason or another, and what about the pigeons, well it just so happened

that we have these pigeons, well, like pigeons, like pigeons, how can you be without pigeons in this movie. it's practically impossible, yes, yes, and oleg's wonderful mother comes up and says: "oleg is not afraid of anything, he is so a brave boy, but alena, more than anything in the world he is afraid of pigeons, and we have a whole attic full of these birds, he has to play with them, she somehow came up to us, she says, he is so afraid of pigeons, i think it's about me, your mom, of course i had a parrot, which i was a little afraid of, apparently this is something and we were very worried about it, but imagine. a child has to play difficult scenes, yes dramatic scenes, he really has a very difficult role, listen, not every adult actor can handle it, here he also has such an aggravating circumstance in the form of a dove in his hands, how did he overcome this, yes, he was a great guy, oleg and i were really incredibly lucky, and in general he really, when the group i felt, was starting to get a little tired, but i can't help but get sick, not get tired, well, who

cares, right, the captain is always at the helm, so it seems to me, oleg and i are in... we are back to back at the machita against a thousand together, that is, i felt like damn, well, if this boy is really collected like this, he has enough strength, he is ready for anything, he looks at me so devotedly, and well, what do we do next, what next, i just don’t have the right even, that is, it turns out, he was sometimes a thirteen-year-old captain who led a real captain and completely corresponded to the motto, which i will repeat for myself once again, this is a movie about...

you must be able to sing, yes, you are an artist, but in front of you there are 300 people of the muses, behind you, behind you there are 100 people of the choir, and you, like an idiot, walk across the hall and out of tune, they all can sing, they

all can sing, but you can’t, that’s it, and you at you play, then, a soloist, and that everything turns out so wonderfully for you, i always said, don't pay attention to it, you sing the best, don't look back. they knew all the parts clearly, another thing is how they sang them, just imagine , there's an eaglet sitting in the eaglet, then these eaglets, we're waiting , the choir is performing now, such a wonderful one,

laureate-laureate, our children come out, beautiful, excellent, artistic, they open their mouths, a cacophony begins, of course, and the first row of artists, children, clap, shout, bravo, ordinary eaglets are watching all this. acquaintance with the choir from this piece for me was the first in my life they recognize me on the streets, in bars, in clubs,

anywhere where you appear, or while it has not yet begun, somehow somehow calmly, and as if it is not particularly, you yourself relate to this, as and they do not recognize him, because he is completely different, it is true, but nevertheless all the same who looks closely studies. who plays, well there are yes, funny moments when you feel in the periphery that about there someone, someone, someone very actively sings the phone with probably an older brother, probably older brother, i'll come up and ask, christina is also completely unrecognizable, there is curly hair , a bun, glasses are completely different, i will add some more attributes there later, which will also make me even less recognizable, this can fall on you one way or another, you are to this.

well, yes, well, yes, why are you smiling slyly, we want to know more, well, i am friends with timofey rubtsov, who played the so -called grasshopper, yes, that is, you have formed such a brotherhood, and you do not break all ties after that stop separated, the children, they were children, they grew up, they write, we meet sometimes, they come to castings, they continue to film with me. yes, but many things happen differently, i remember, every time you leave some eaglet, and you tell your friend with whom you spent two or three months, the whole shift, you say, we will never part

, in creative, thank you alena, thank you, lena, thank you very much, oleg, kristina, thank you, thank you, guys, the film crew of the series choir was visiting the podcast 20 years later and composer, screenwriter, music producer, elena kiper, in the podcast 20 years later, the flight of the bumblebee.

this is the podcast 20 years later, with you its host alexander anatolyevich and konstantin mikhailov. today we are talking about the series choir. we are pleased to introduce our guests, artistic director, conductor of the large children's choir

named after viktor. student and successor of viktor popov, honored artist of russia, anatoly lvovich kislyakov. hello, hello, hello, well and the soloists of the choir, our dear guests, vsevlat alkhunov and sofia ivanova. hello, guys, dear anatoly kislyakov, yes, take yourself back to that very young time, how did you get into the choir? i studied at the sveshnikov kharovsky college, where viktor sergeevich popov also taught. i studied with him, guys, have you watched the series choir, how did you like it, i liked it, i have only watched three episodes so far, so far i can say that i like it, i will continue watching, i also really like it, i will also continue watching, is it true or not, is everything the same for you or not, well, at some moments yes, times are different, times others, it was the soviet union, now it's a different time, there's a lot of pressure

from all sorts of parties. naturally in front of my parents when i perform. yeah, and how old are you, young man? i'm 12, 12, the very, very age, you're a girl, 12, 12, well, that's what age is, that's what i'm talking about, actually, in the whole series, do you get nervous when you sing, sofiya? well, when it's a solo, of course, yes, but when it's in a choir - it's much easier. and what do you do with the nervousness when you sing a solo? how do you deal with it? i probably don't pay attention to it, i just mean you do your job, i do what

i like. so i just leave the excitement aside, and there is competition in the handicap for some solo parts, of course, there is always competition, because everyone wants to solo, yes, everyone wants to solo, sometimes to tears, what was popov like? oh, great, a wonderful teacher, a wonderful organizer, but it is very interesting with him, he showed a love for music, for song to a whole generation. he is an amazing person, how he achieved discipline, these are children after all, when a child is passionate, and he wants to do uh what prodago, he uh, he does not allow himself to behave badly there to talk, here to heal, he is all in business, therefore popov and did not deal with discipline so much, did not say there, shut up, there or something else, some kind of remark, all of

this, there was no such structure, no, there was no such thing. before the performance, do you warm up or is it better to save your voice and give everything already on stage? in general , i think that before the performance it is better to keep quiet, that's when there is a dress rehearsal, that's when it is. sofia, your life is not quite like the life of ordinary people children, do you have tours, as far as i understand, do you feel an advantage in this or, on the contrary, would you like to live the life of a normal child there, so that there would be less responsibility, very often they just say about such kids, they don’t have a childhood, they live for the tour do you have a childhood , do you, when they ask me, don’t you have a childhood, they say? i say that it’s not like him, but in my opinion, it’s not a childhood for them, because, because the tour and the concert are wonderful, it’s a fun, good, not simple, but bright childhood, so

everyone plays football, goes, goes, you play for cska, yeah, oh, okay, sofia, what are your usual hobbies, interests, well, i play the piano, well, and additionally english. but still, touring is a lot of fun, at some, well, moments when we perform, it's a responsibility, yes, but still we all get some kind of thrill from it, to get away from our parents for a few days, and most importantly, school, as happens during touring, no way, no way, you don't have to catch up later, they catch up on something, well, come on here artist your diary, okay, tours there, are there any? blashki or maybe on the contrary more strictly ask artist, you know, before i studied in that school, which well it was perceived as you just said, now i transferred to that school where tamu, yes, where poplashki, that's where i stayed, sofia,

what about you, no one picks on me, many teachers even go to our concerts, they like it, they say that we all look great on stage, class, surely in your repertoire there are papuri, combinations of the most popular songs, yes, here are the latest many people have been asking for a shortened program over the years, but so that familiar melodies would be heard in it, or in fact - only shainsky, or a funny program for a short period of time, well, five at once, or maybe more songs will be heard, now we are also ready to sing a small medley, it includes songs that are heard in the series. so, our dear viewers, get ready. this is a real medley of the best works performed by a large children's choir. together, it is fun to walk through the open spaces, through the open spaces, through

open spaces, and of course, to sing, better in chorus, better in chorus, better in chorus, let them run. pedestrians will turn on, let's say, and water on the asphalt like a river, and it is unclear to passers-by on this day, not fine, why i am so cheerful, i play i play the accordion, passers-by, i will bring, unfortunately, a birthday, a birthday only once a year.

we believe in the courage of desperate guys, the horse is played. real men, kross does not play hockey, kross does not play hockey. in june- april, in the soropark it snows, and the cheerful swings begin their run, everything is forgotten light, the heart froze in the city. only the sky, only the wind, only joy ahead, only the sky, only the wind, only joy ahead, washing away the spruce trees above, not knowing obstacles, wing, you

are her coots, flies, flies. here they fly, wings are her coots, fly, fly, i hear an ear of corn from the beautiful far away, a morning voice in the silver dew, i hear voices, the road is dazzling, my head is spinning like a carousel in childhood, beautiful. not far away, don't be cruel to me,

don't be cruel to me, don't be cruel, from a pure source, the beautiful is far away, into the beautiful is far away, i begin. this is a podcast 20 years later, with you were its hosts alexander anatolyevich and konstantin mikhailov, our dear guests, the large children's choir named after viktor sergeevich popov. thank you very much,

hello, this is the baden baden podcast, i am its host konstantin severinov, today our guest is alexey vodovozov, a toxicologist and scientific journalist, and we will talk about dietary supplements. hello, alexey, greetings! konstantin, please tell me, dietary supplements are biologically active additives, very popular now, there are also vitamins that are also popular now, but there is also a huge sea of ​​medicine for a variety of diseases, can you give us a definition so that we understand what we are going to talk about? yes, everything is quite clear here, because we have a law on the quality and safety of food products, which has a clear definition of what a biologically active additive is, that is, it is either natural or identical to natural, biologically a substances that are intended for consumption with

food products, or as additives to food, and vitamins, here a bunch of interesting questions begin, what is it then? when we talk about medicines, we have pharmacological legislation, we have a pharmacopoeia, we have other things, where it is determined what we can put there, the main active ingredients auxiliary. there is also about dietary supplements, but there is sanitary rules and regulations, since this is food, then sanitary norms and rules apply to them. where it is indicated what specific food ingredients we can use there, well, vitamins in in principle, we should get it from food, that is , on the one hand, a pharmaceutical substance is obtained this way, on the other hand, what we usually don’t get from food, no, here it turns out very interesting again, these are some food products, including what we get from food, including what we don’t get, there may be some parts of plants, for example, some, well, conventionally speaking. medicinal, but in those doses that they do not have a pronounced

effect on us, but vitamins are also in food, and if dietary supplements and vitamins, these are things that replenish some deficiency, well, in food, then it's the same thing, these are just different names, no, that is, we have a substance, it's called a vitamin, we can chemical substance, chemical substance, yes, we can register it as a medicine, for some disease, no, as a preventive measure, for example, or for vitamin deficiency. yes, indeed, we can register it. and for this we will have to go through a certain formal path. this is a collection of documents, a rather large portfolio for registration and it is expensive and complicated. that is why vitamins are now mainly trying to register as dietary supplements. here is zinc, it seems to be a dietary supplement and a vitamin. that is, we cannot say that vitamins are a baht or that vitamins are a medicine. and what should men do? vitamins are a substance. it can be either this way or that way, so the unfortunate

user will have to choose, this really confuses people quite thoroughly, because people are trying to save money on the one hand, on the other hand to take something more natural, it turns out that today it has been studied quite well that if we take the whole product, say, a whole apple, then we get from there not only vitamins, not only fiber, not only something else, but... we can eat it, no problems with it, but at the same time the so -called phenomenon of the environment works, that is, when we get biologically active substances from some ready-made, well, fruit, vegetable or something else, then we get them immediately in the most bioavailable form for us, plus there are a lot of them there, and if we, for example, all the same we will try to do the most with the help of pure

substances, then we will need much more of them, in large doses, but what is important is that doctors have... he is, of course, a great biochemist, there are no questions about that, of course, in medicine he, unfortunately, did it, he is a two-time nobel laureate in chemistry and in the premier, he generally wanted to live a long time, plus he had a rather severe chronic kidney disease, somewhere around his fortieth birthday, and he was looking for some ways, well, somehow

to prolong all this, and, what interestingly, it is believed that he is a self-proclaimed biochemist irvyanshow, i think his name was, and he wrote a letter, paulin said that everything you want can be done with the help of hyperdoses of vitamin c. pauling liked the idea. and from the point of view of biochemistry, he could even explain that well, here you go, yes, i understand that this is a vitamin, so, probably, if we use it, it will be good. naturally, he tried it on himself. and here two circumstances overlapped: that same chronic kidney disease that he had, a severe one diet related to this and indeed a lack of vitamin c, and the fact that he began to take it. said that yeah, as a result and therefore, it should be so for everyone, his authority of assistance, this is the end of she, that is, he is a two-time nobel laureate, the hypothesis began to be tested, because he first claimed that vitamin c helps with colds and not only treats them, but also prevents them, and then he began to say that

it also helps with oncological pathology, well, since his authority was quite high, one of the universities decided to conduct an experiment, one group received a hyperdose. minats, the second one , in general, something just as sour, but so that it would not be recognized, so that it would not work as it should, so they did not find an effect. pauling made a real scandal, he wanted to sue them, but his lawyers talked him out of it, said that this has no prospects for a lawsuit, let's end it here, but they listened to him and this group conducted the experiment again , having prepared more carefully, and the result was even worse, that is, it turned out that yes in scientific... research even of that time it was not confirmed, but in popular culture it took hold and eventually turned into the industry of bio-supplements, well, that is, now in fact you are talking about marketing, that is , this is marketing, a marketed commercial product that is made for healthy people who have a real need for this product, well, in this case, not treatment, in

this particular product, it may not be about treatment, but simply improving the condition, that is, these are means of extra money and big money, let's take a look: the slide is one of the fastest growing markets in general, its total volume is estimated at about 164 billion dollars in 2020, our country, well, all of asia is yellow, this means that we consume dietary supplements on average, not enough, let's say, not enough, and if we look at where they consume the most in high-income countries, that is, this is clearly interconnected, when people have extra money, they can be offered this product.