it's not true, they couldn't tell you that, yes, i am here, now we will be together, by one willpower, just don't need a rope, it's such a painful rope.

everything finally clicked in my head, because we were just when we were entering in the early 2000s, on september 1st they showed us, including your film, yes, i remember it very fondly since then, because it really struck me then, and this is already the end of the nineties, if nikola's film is ninety-first, by the way, ninety-first before august, no, not even that, the soviet union or post-soviet the union, it was before august, we finished filming right before, well, we handed over the film right away, that is, it is still a straight soviet film. we collected the film piece by piece, the remains of famous cameramen who started shooting music videos on film and advertising, just 15 by 20 meters, it was all on the knee, there was no intent, such pure creativity. it is not for festivals, not for

this, it is when friends got together, then it is not a diploma, the diploma scared me, but this is academic work, it is such a film, it was necessary a dialogue-free film to shoot without words, that could have been shot by a former photographer who photographed weddings and funerals, that's why i think that we have many marines, who have these films that are amazing, because they are pure, pure from the producers, well, the producers are wonderful people, you can't do without them, but how do you do what you want, with whomever you want, whenever you want, without any money at all, my father brought me boiled potatoes to the set, i was terribly ashamed, dad, why did you come, well, you need to eat, we remember that you really need to eat, well, like when you, well, you just get such a physical excitement from the desire to create, then there is a moment that we have all lost now. then you shoot on film,

then you wait a week for this development, then they give you the first cut, and you go to the cafeteria and just look at these eight frames, and everything is visible there, black and white, well, like, and then you sit down at the screen, you are simply affected by a wave, because what you were doing before this, well, these shoots, they are memories, now everything is completely different, a photographer, the fact that i was a photographer, to me it helped a lot because i appreciated the frame, there was no such thing then. serial shooting, this, you have to see, understand, press once, well , like, and the value of shooting from the frame, from the beginning to the stop, it was the beginning of the stops, for me the first frame was included in the editing, and well , roughly speaking, you felt the time, you felt the composition, you rehearsed it eight times first and so on, something doesn’t work out, that is, such a reverent attitude to the original source of the film in each, especially in a short film, well, when you remove one frame everything is falling apart, it’s not like that now, but we

will try to show love for the frame, naturally, but still these are such games, it would be ideal if they gave in the first or second year, the first task to shoot on film in order to simply feel the value of a film frame, we have fragments from a photographer too, so we can just make sure, thank you, yes.

ivan, how did it all work already during the transition from video, well, i’m already of that generation, when they didn’t bother with film anymore, because somehow it was already possible to shoot on digital, well, plus i i still wanted to shoot such a documentary film, and just my diploma, we were a little naughty with alexey fin.

who was already filming in my subsequent films and no one recognized her from the committee, as if no one understood who it was and thought that this really was a documentary film about a woman who just got into such a... situation, let's look at a fragment of snow, this house, please shoot this barrack-type one, i lived in it when i came from saratov, that's according to the distribution after the institute, i am here they gave me a room, there are my windows, those on the edge, a small room... small 8 m, all the amenities are outside, water from a pump, we lived so well,

i got married here, by chance. lenochka, my daughter, was also born here from the maternity hospital, they brought her here, really, it's cool, yes, you wouldn't immediately think that this is really a production, and using documentary methods, everything as khutsiev taught, using documentary film methods, the artistic image of a feature film is created, this was still the first day of filming, and natalya nikolaevna is very she is a theatre actress after all, i remember that she hated me because it was the seventeenth take that we were filming, she still didn’t understand what i had from her... you need to, i say, listen, just calm down, slow down here, here, this is also somehow such a process, which seems like such a very, very random shooting, a documentary film, just someone goes, films a person there, in fact, this is also still a rather verified process, which is built up over a fairly long period of time thus, in geek, bears the name of sergei gerasimov,

with whose name for you in geek is connected, now if you were asked to think of whose name to name in geek now, well for me personally as a - filmmaker... gerasim including, therefore, it will probably be difficult for anyone to take responsibility for changing it. you asked us a risky question, since in geek already bears a name and it seems to me the most senseless to rename, but very important, you

named romm, and here you can name shukshin, and agaiday, and alexandrov, by the way, who taught at ovek and many other wonderful names, it is very... important to preserve the memory of them, because - when we lose memory, it seems to me, we lose the future, and this was a podcast of witnesses from einstein and its leading film historians natalia ryabchikova and stanislav didinsky, we talk about how to watch favorite, maybe half-forgotten, unknown soviet films now, and how to find new meaning in them and get even more pleasure, and today we talked about the 105th anniversary. in the ec of the all-russian state institute of cinematography with three of its graduates: alexander kotty, nikolay lebedev and ivan tverdovsky. thank you!

this is the easy money podcast, me and its host mikhail khanov, today we will figure out. how games help us make the right decisions and improve our financial results, our guest today is alexander nesterov, hello alexander, head of the international laboratory. game theory and decision making at the higher school of economics, this is really not a play on words, yes, that theory games, it would seem, such a playful element of our life, helps in such a serious part of our life as financial management, making the right financial decisions, yes, it is really so, game theory is a very serious discipline, in fact, yes, it is mathematics, yes, it is mathematics, it is a... the main tool, the main language on which economic models are built,

is that so? yes, yes, inside each economic model you will have some agents, some strategic agents, they have some restrictions, some interests, some strategies, they move in some order, all this is called a game. which theory is older, in this case in the construction of financial probability theory or game theory? game theory is more important in the sense that - in the market you do not have random processes, in the market you have certain people, certain companies, yes, people, decision makers, they do not play dice, they act meaningfully, you just cannot predict all of them together, you do not you can talk to everyone, figure out who is going to do what, so you have to model it using probability theory, you know, that is , probability theory is a tool in...

that you are working on, most applicable to everyday life, yes, because one thing is students studying higher mathematics in the first or second year, another thing is our audience that watches this program, every time, listening to almost every word we say, they say, how can i apply this in everyday life, let's start with some simple examples we will gradually feed those who are watching us now or listening with the benefit of what we are discussing, yes i would like to talk today about typical mistakes that game theory can protect you from,

what kind of life situations, what kind of mistakes, well, this starts with simple things, yes, yes, with simple things, when someone is going to deceive you, well, for example, some of your - there is a financial counterparty, a bank, some of your - a creditor, if you are a person who is not very financially literate, then - i know how they will deceive you, i can...

monthly or daily, but let's not go into details monthly, then at the end of the month you do not take this interest, either voluntarily or forcibly, but they are accrued to the account and the interest for the next month is already going. together with the interest that was received for the first, accordingly, after the second month you are already receiving a higher percentage due to the fact that the amount has grown by interest, with each month this amount becomes more and more more, by the way, over the course of a year it turns out, let's say, if the initial rate was 10%, well, with a monthly payment, then if you accumulate compound interest monthly, then over the course of a year it will turn out to be about how much, 12, 13, 14 percent, yes, so just off the top of my head, yes, and if...