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tv   PODKAST  1TV  October 2, 2024 12:30am-1:21am MSK

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netanyahu, in theory, should have calculated that everything, everything he does, is happening on the eve of the american elections. i think that for netanyahu, kamala haris' victory is not necessary. i think that netanyahu would be quite happy if trump won. and therefore, if, as they say, blood flows from the nose in the biden administration. i do not think that they will drink champagne in tel aviv, but i think they will at least raise their glasses. and you do not admit that this was a deliberate move in order to, as it were, help trump, no, or is it too much, i admit everything, but it seems unlikely to me, but we have already said enough today about things that we do not fully understand, but we know for sure that this situation is very serious, that this situation is far from
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over, and that this situation will have consequences not only for iran and israel, but also for the united states and for international security. it was a big game, we will meet tomorrow on air. perhaps no one can boast of such a collection of hits as his singer-songwriter, and few people know that... a physicist, a historian and even a football player, but he vyacheslav dobrynin could have become famous fell in love with music, and i can sing, music flows, music, music, sometimes sadly, sometimes cheerfully, someone quietly plays the flute, to which the earth spins, that's how music flies, music, music, and will never tire of spinning, endless, eternal, wise, from
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which you want to live, for many years vyacheslav grigorievich was in the shadow of soloists and ensembles that sang his songs, he himself went on stage already in 40 years old, and the angel of salvation, they call me for a reason, do you want it or not, i will definitely save you, because everyone i helped out are now my friends, oh friends, my, friends, such a drive begins. as you are here , in fact, in the song it is written: how do you live there, it is possible, you can, but when i have to perform this song, then naturally, i appeal to people, i say: well, how are you here, how do you live here, there, say, in toganrog, in novosibirsk, i don’t know there, in khabarovsk, in voronezh, in different ones, they understand, first of all, that i, that i sing alive, the guidance stations, the hangars are all battened down, the entrance is covered with water, and you can relax, the boat station
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has turned into a filming pavilion for one day, the next episode of the popular program "wider circle" was being prepared for recording, in which the famous artist mikhail boyarsky was supposed to perform the song "rescuer". there was an entourage here, all this was built here, girls in sailor suits were walking around. boyarsky's arrival unexpectedly fell through, the departure of his plane from leningrad was postponed. panic began among the television people. everything was paid for, downtime cannot be allowed. dobrynina persuaded to sing.
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i tell everyone, i work as a lifeguard, everyone applauds, i say, well, it all began, you see, a new era of my life began, the lifeguard clip was shown on central television, soon they called him from the television center and began to beg him to pick up the mail, 10 bags of letters came daily in dobrynin's name, viewers asked him to continue performing. dobrynin worked part-time in this capital restaurant in his youth, he is a native muscovite, his parents met during the war, they did not live together for long, his father he hardly remembers galust petrosyan, he left the family when the son was still in elementary school, i was always called that in childhood, when i was there a gypsy, someone told me there in the yard. but when he grew up,
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the ridicule stopped, he became a leader in the yard, he had no equal in football and playing the guitar, the child had musical talent... mom noticed when he was 3 years old, the son was constantly humming something, mom invited a teacher to the house to study with him, at 7 years old she sent me to a music school, when i was brought as such a talented child, having learned about it, they tried to take me into their class, someone on the clornette, someone on the piano, the piano is difficult, we didn’t have an instrument, without instruments in the house it’s difficult, i didn’t want the violin myself. “hello, what’s going on there, applause, and where is olga petrovna, are you, yes, nothing has changed either, everything is the same as before, those same steps, this is it, i remember all this, in this class i
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was taught the piano, in this one i studied accordion with viktor fyodorovich smirno, yes, hello, hello, well, what, are you playing music, tormenting, have you heard such music? so.
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in his youth, dabrynin dreamed of becoming a soviet beatle a little bit. the first group he put together was the student group arfey. they began to sing forbidden western songs. there was an unspoken veto, you know, because we know such a common phrase: today you play jazz, and tomorrow you will sell out your homeland. then the soviet stage sounded like this.
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in the mid-sixties, the craze for the beatles among moscow youth, among the capital's amateurs even goes unspoken competition, who will perform the music of the betlov better?
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we made such hair, tight trousers, please, boots with a high kublyk, too , we looked for, found everywhere, such pipes, generally such slender hair, and my mother forged me there such a special collar, so that it would be a corfey, because of this similarity dobrynin was almost expelled from the university, he looked not like a soviet, and he began to skip classes in order to rehearse once more.
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if i catch you talking to that boy again and leave you cuz told you before i you can do that listen to me i can't help my feelings like
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it was john lenin and the ignoramus vyacheslav dobrynin, a former fighter and now the author of immortal, immortal, immortal restaurant hits, singing along with him. his wife irina is the most loyal
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fan of vyacheslav grigorievich kalentina viktorovna, go for a walk, russia, come on. he endured family life, it was simply impossible for him to work, he went to his mother,
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his mother was there, ira was busy with the child, yes, he needed to feed her, give her something to drink, wash her diapers there, and his mother, slavochka, slavochka, slavochka, of course, he felt it again love attention that ira couldn't give him. dobrynin's daughter, an artist, continues the family tradition. i look into your big eyes. school number five at the academy of sciences, here's an a, for me too the number has always
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been very important, why because i always wanted to be an excellent student, well, or rather not that i wanted, it just happened, and then i had to confirm it, the children of many famous scientists studied with him, he sat at the same desk with the son of academician landaru, behind me... at the insistence of his mother, he graduated from moscow state university, but his passion for the beatles forever tied his life with pop music, he began to write his own music , tried to make it as easy and memorable as the liverpool four, and i kept thinking, you see, someone is already singing their own songs, they compose their own songs, and we sing
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foreign songs there, so it got to the point that i thought that i should finally compose something of my own, and in the meantime he got a job as a guitarist in oleg lunstrem's lada band. when they were flying to krasnoyarsk on tour, dobremen was nervous, he had never flown on an airplane before, to distract himself he took a newspaper. on one of the pages he came across poem by kabardian poet boris kagermazov "dreams". the musician reread the lines several times and suddenly caught himself thinking that he was doing it as if to music. thus. the first song by vyacheslav dobrynin was born, his music is very multi-genre, with elements of some kind of folk sound, native sumlya, as sergei
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georgievich lapin once said, listening to the song "native land", who forbade me to sing it for the song of the year, he positioned this refusal by the fact that the song has many middle eastern intonations. dobrynin's songs on the radio and television did not let it through, lev leshchenko started having troubles, dobrynin was not a member of the composers' union. i guess i remain a composer for the youth, so in general, as they call me, that i am a youth composer, to let my song through, farewell from...
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home, i got through it, and i thought that i had to do something so that i would be remembered, and at the end of the song i jumped, and this was the subject of discussion at the artistic council, there, uh, yes, they told me later that lapin said at the artistic council, he says, and lev jumped, that's it look, everyone went quiet, they say that we are cutting the song out of the fire, he says, cut the song, leave the jump, that's it, but he had a sense of humor, a good one, well, naturally, they left her the song, write me a song. they saved records, popular groups samotsvety, lacy songs, blue bird snapped up dobrynin's songs, included them in their new albums, they immediately became hits,
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and there the child says: grandma, grandma, here comes the blue fog, you see, blue, that is, i have already become fog, how will it be stories,
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right left, right left, the fog has come, knocked on the houses, carried the blue sharia. there is a story and as if together with the audience we sing blue fog with the audience looked like blue fog is a work that went around all the restaurants of the former soviet union during the perestroika era of the eighties - it has a very winning theme for our. domestic show business, the theme of betrayal and unrequited love, and the main place, on deception, blue fog,
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mask. and now i want to show the record, which was my first big disc, my first big disc, where even i can't be recognized, i don't look like myself at all, such today, it was my first full-wall giant last, where i am captured without a beard at all, it ended the stage of my youth and began the stage of my maturity with a beard, in these shots, talking about the first record, vyacheslav dobrynin smiles, only close people know that the release of the author's disc became the most tragic day in his life. june 30 , eighty-first, he went to the plant for a prototype of the record, he was very impatient to show it to his mother, she was waiting for me to bring it to look at it and brag,
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neighbors, to show someone and your relatives, your sisters, well, the first big record is like a book for a writer, and i have a whole long-playing , big disk, so i didn’t bring it to my mother, on june 30 and i didn’t become kind to my mother... he idolized her, he always and in everything obeyed her, he graduated from the institute for her sake, dedicated songs to her and didn’t marry for a long time, didn’t want to part with his mother, she also dedicated her life to her son, she didn’t get married, didn’t get married, although she had the opportunity, i saw it, they courted her, and i noticed it, even being little, but i felt that this uncle somehow cared about my mother, looked, something, probably, would like, to be here, nearby, everything, and i always ask cautiously, mom, who is this, what, she says, yes, so, it's like, as it gave me away from these m feelings that
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i was threatened by something - new, to your trusting tenderness, disappeared, suddenly left by itself, leva, don't go, leva, do it like this, look, like this, like this, like this, like this, hop, hop, hop, hop, hop, hop. lev leshchenko, like no one else knows how hard it was for brynemu slava, how he hurried to return home from concerts, slava and i too, probably, we did sometimes 60, 70 concerts a month, you know, and they paid us 15 rubles, 20, 27, that was the highest rate, well , what is 27 rubles, well, i don’t know there, well...
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oh, in vain, auntie, you drink medicine and keep looking out the window, don’t worry, auntie, uncle, at work, and not with someone in a movie, slava, of course, worked at the beginning, and then he just spat, because there were good authors, he how the author earned very good money, so he didn't have to travel, in soviet times, touring was torture for dobrenin. apartment, for him to get
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on a train was a serious test, for him to move from city to city, go through the airport, go through all these controls, get off the plane, not wash his hands in a normal toilet, because there is none, it was just difficult, here i have someone, someone will take my hand, i feel that my hand is dry and clean and smells good, and i feel that there is something wet there handshake, i respect everything. without bringing them to some kind of purity, i will not calm down, this is an old ruzo, a picturesque place on the bank of the moskvarika, here the main and most important thing for us is nature, even wild animals live here, wild boars, elks, i saw them myself, that's what you need
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there for... celestials just run here and even an otter lives on the reservoir, i have seen it more than once, here i saw a raccoon, this house was built several years ago according to the design of dobrenin's wife irina, she is an architect, here is this balcony, a little now already these are shabby, these are these little stands, these columns, this is the place where i spend most of my time, this is where i can take a book and sit and read, even dressed like this, there is a special chair for me, nyusya, show yourself, come here, show your face, show your face, it’s not even a muzzle, but a face, because it’s very beautiful, we had a dog, an otveler, we even put up our own, well, our own monument to her, we loved the dog very much, at 11 years old, so to speak, she passed away, as if from life, by the way
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illnesses, we are so and so with... a lot, i really love cherries, and then they dried up, and i had to cut them down, and now i was left without cherries in the summer, this fat one - what is it, this is to lie down, this is a bream, yes, already a bream, yes, you see, wonderful, and sometimes we too, me and my wife, we sit there together with a fishing rod , get ready and for our own pleasure just with a fishing rod, ira says to me, let's go
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fishing, i say, okay, ira will go to the store, buy worms, ira will buy bait, ira will take fishing rods, a bucket, and we go there, i i'll just give him a bag, i say, take at least a chair with you, we come fishing, we lay out, he, ir, put this worm here for me, i say, but you yourself can't, no, i can't, i'll put this worm there for him, well, throw it in, ok, he'll throw it in there, come on, you too, me too. ir pulls out my worm , they ate it, ir on the nis, so i run back and forth, back and forth with these worms and maggots, i'm flying, give me gas, vyacheslav dobrynin's wife irina is very similar to his mother, she also protects and cares for him, cheeses. they got acquainted
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twice, or more precisely dobrynin. it was at a football match of moscow dynamo. irina was then married to one of the football players. that day, it so happened that their seats were next to each other. it was the only time when dobrynin, instead of playing, did not take his eyes off the girl, and she did not look at him. how it happened, i don’t know. but in broad daylight. you are like a stray bullet, rushed past me, dancing together all evening, exchanging phone numbers, meeting again, now they can’t live without each other, had to change her husband, so we began to live, to get along, and at first i somehow didn’t even i thought that everything would go so seriously, so deeply and that we would live together for so many years, i thought that with us, well, well, it would be
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some kind of easy. flirting, probably, maybe he would court me there, well, i would go crazy somewhere, that's basically how it all turned out, that i had to leave my husband. people around her did not approve of her affair with dobrenin, the age difference, and he works on the stage, they assured that this was a short-lived hobby of his, even irina's mother thought so: 25, a fairly common action in relation to glasses located, located on the forehead, look, the third one starts with p and ends with k, what could this be, and po... and someone pushed ira and said something nasty, yes
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glory, it was the first time i saw a person who reacted instantly, he got into this person's chest, so to speak, and it literally took a lot of. to pull him apart, that's how he defended his wife, i dedicate this song to my wife, her name is irina, it sounds like the first one, i came up with love, i came up with you and feelings , words, i came up with everything and lips and eyes, lips and eyes, a tear on my cheek, all this i have in you,
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like everything unkind, false vague, to unscrew and discredit in a hurry, summer music, music, music, from which the bow brightens with this song the pop career of masha rasputina began, in the early nineties she was lucky to meet talented authors, poet leonid derbinev and composer vyacheslav dobrymin, endless eternal, from which she wants everything. i was then a young girl, a beginner, and for me everyone was like karifey, derbinev, dobrynin, i looked at them with my mouth open, but i already
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felt such a power that i think, well no shit, i'm also a big shot, because i have something to say and how to say it, that's how this song came about, the music is spinning, which then... immediately got into the hit parade on the first line and the whole country started singing it. soyuz dobrynin derbinev was one of the most successful on our stage for many years. he is such , in general, lovingly, call him, such a scoundrel, he knew how to get into the soul, literally from the very first songs, and then i immediately really liked the music. i every gesture, every look, yours in the soul, your voice in my heart sounds ringing, no, never, i can't stop loving you, and you love, love me, but a few years before the poet's death their union broke up, in
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1989 dobrynin was invited to perform in the new year's edition of song of the year with the best composition, the authors of the song, don't rub salt in my wound, composer, waiting and you are so small sitting in the center, people are all around, everyone is singing don't rub salt in the early morning together with you, why are you calling when you're almost asleep, memories of past pain, we
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turned the calendar over with you, so give me the right to live my destiny, song - this is it conversation with the people, with people who either accept you with the help of a song and lift you up or on... we of course were like that then too, well, like everything
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is soviet, all this is not it, so we were like, come on , dad, sell us zeppelin and of course dobrynin, well, dobrynin, understandably, forgiving from all the train stations, trains, but vyacheslav dobrynin brought us songs that were not sung, yes, such songs were not sung, we did not even know that he composed such songs, a bright sail of dreams, you will never forget, then the earth is our home, a song based on the poems of christmas, with which we went out into i am on air for the first time.
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dobrynin's collection contains thousands of songs, each of them expressing gratitude to those who once brought him into music, that's it, that was the finale, music, music, music flows, sometimes sadly, sometimes cheerfully. someone quietly plays the flute, under
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which the earth spins, rushes, music, music, music, and will never tire of spinning, endless, eternally wise, from which you want to live. hello everyone, this is a podcast free program, my name is maxim tronkov, my guest is one of the brightest sports couples in the world, alexandra boykova and dmitry kozlovsky. hi, guys, maxim, welcome, hello, let's start right away with the main thing, you did great... or at the test skates that took place in the russian national team, what are your plans for
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this season? it seems to me that it's time to win, we spent the last season, a very interesting and absolutely new one for us, in a new coaching staff for us, and it seems to me that now it's time to demonstrate certain fruits of our joint work, why is there less interest in pairs than in singles, well, it seems to me that it's worth to become more complicated first of all. everyone goes for the spectacle, if in men and women this spectacle is there, these are quadruple jumps first of all, this is the complexity of the execution of programs, then in pair skating we are all a little stuck, in principle, since the beginning of the 2000s nothing has changed in pairs, we do the same elements, yes, i'll tell you since eighty-four, nothing has changed for us, well yes, that is, probably the generation is changing somehow, they are changing. styles are changing, but
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the elements themselves, the execution of these elements , the fullness of the program, it is not changes, so the interest fades, maybe it's worth trying something new, including complications, not only jumps, because the average viewer probably doesn't really understand the difference between there stupid uts, he's not super interested in it, he's interested in watching complex, beautiful supports, multi-turn twists, throws, and it seems to me that... where are you planning to show and what option? at the beginning of october we 'll go to our native petersburg and will participate in such a local tournament, panin memorial, it is not included in the main grid of our season's competitions, but at the same time it is still a very serious tournament, and there we want to conduct an experiment to try
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either a furor or a furor, well, one does not exclude the other, maybe our experiment will be crowned with a furor, and
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so that you are confident in the element, we do not do a quadruple throw so many times, namely attempts, because it is still dangerous, in terms of just health, well, okay, i can give such an example, we did a quadruple throw every other day or every other day for two weeks, and i didn't fall, that is, during these two weeks there were no, well, yes, on
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average three good concentrated attempts, that is, there were some hundred-palats, there were some chirks with a foot, there were clean ones. but there were no falls, that is, for me, this, probably, can already be attributed to stability, well, let's move on to international competitions, to the sore point , we missed it, of course, we missed it, we really want to be on the international arena, and although our federation is doing everything possible to ensure that our team and its top players do not end their careers, continue compete and did it at the highest level, we still want some... experiences and emotions from winning titles on the international stage, because of course nothing can compare with this. yes , maxim, in fact, it is very sad, very sad, extremely unfair, and this is my personal pain, i will speak exclusively for myself, because after all, maybe sasha
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does not experience this, you have to understand that now sasha and i are one of the strongest duets in the world, in principle, we have colossal prospects. but, in view of the absolutely unfounded, unfair and treacherous in relation to the sport, our removal, we risk being simply forgotten in the history of figure skating, because sasha and i, at the current moment , have no big victories, in the history of figure skating, i am convinced of this, it is possible to remain only having major international victories, i would even attribute this to the system of our sport. sport exclusively two tournaments, this is the world championship and the olympic games, it turned out that way, and with all due respect to our federation, to some other institutions that try to support athletes at the russian level, to change this in a matter of days, months,
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even years is most likely impossible, because what we are fighting against, we are talking about olympus here, here... gods, this is the most central tournament in our sport, even if we talk about our direct competitors who are now training in tamara moskvina's group, they have big victories, they have big medals, no matter how you look at it, they are world champions, third place in the olympic games, they are already left their mark on history, unfortunately we had chances, we did not use them, it will be very sad, it will be very sad if we do not get such chances. let's say we are allowed tomorrow, yes, to the world cup, but allowed in a neutral status, what will be your decision, maybe a provocative question, no, i do not see any provocative question, definitely to go. it is true, firstly, i think that to go to win in the most difficult conditions, even without a flag, without an anthem and under a certain pressure, it is
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a demonstration of strength and character, to raise your hands to say that we will not go, it seems to me that this position demonstrates a certain weakness, i speak exclusively for myself, probably, perhaps, sasha will support me in this regard, i support dima in the sense that the sports age is short and... we have already tried to perform in the international arena, as i already said, it cannot be compared with the russian arena, even with one of the strongest, if there was an opportunity, we would gladly go with them, what we have tried, firstly, you are european champions, prize winners of the world championship, well, i want to more, well, here's a small comment about what sasha said, after all, it can't be compared, i would mean in the category by status, by status, so to speak, which an athlete leaves in history, because i can say that... uh, international figure skating is absolutely my 100% unbiased opinion, i believe that
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it is not shown, broadcast or watched on the international stage the way it is watched in russia. channel one shows figure skating in a way that no one else in the world shows it. it is the strongest platform for demonstration of a specific sport now. i can talk about the contribution of our federation, in general about the contribution to the development of figure skating, which took place. channel one, which took place in st. petersburg, it seems to me that this is the coolest, coolest and most interesting tournament in this sport in recent times, the group of producers, the federation managed to unite people who a priori, first of all, represent themselves, we have an extremely individual sport, at the moment of the performance i felt unity with the guys, i felt that the unity of a certain team, it was really cool, it was interesting. and the way it was shown, the way it was all thought up with the relays, as we called them, the fun starts, it was very cool integrated into the overall process,
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it was really cool, it was a third-party tournament that deserved to be integrated into the international competition grid, it was really cool and no one had done anything like that, well, i 'll support it a little, because i know from international colleagues who are abroad that everyone is watching, everyone is watching ours... the world championship allows us one place, you need to be head and shoulders above your main rivals, we will fight, we are working on this, we are working on this, we will fight, there is someone to fight with, by the way, maxim, here... it was interesting that he asked a question about motivation at the beginning and i can say that for me personally the most important motivation is now
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- to be above our main competitors sasha, who are training in st. petersburg, because right now specifically at the russian level sasha and i have won everything, but we did not win the world championship won, we didn't win the olympics, at the russian level, my personal motivation is to be better. specific people that i know, well, let's name the rivals already, otherwise we 'll somehow talk about people in the third person, these are , of course, world champions, olympic prize winners , anastasia mishina, alexander glyamov. your confrontation with nastya and sasha, the season, you beat them in all tournaments, the season they beat you in all tournaments. do you consider yourself and mishinulyamov the best couples in the world now at the moment. in terms of their performances, presentation of programs, productions, in terms of quality of elements, these are two. leading duets of the world, i really think so, what are you, what are you, white?

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