yes here 20, for the whole history, and this, this cube is wonderful, weighs 200,000 tons, it is considered that in the ground there inside, here in the crust there are 53,000 tons left for extraction, for everything else, yes, a quarter of such a cube, this will be the end of it, all that will remain is to catch asteroids, that means in this very sky, now of course the price is getting more expensive, it is not increasing...

it is ecologically harmful, it contains some acids, there is this refinery production, we will not fool anyone here, at night, well, in general it is harmful, and environmentalists have found very big harm there, and even many countries, even having such as the czech republic, having certain mines, open, where it can extract gold, it cannot start developing them, because there immediately comes out the local dugury greta thunberg with these posters and starts protesting against all this. pollution, so the price of gold, of course, if it does not lose its properties and does not stop blinding the eyes according to marx, then the price will of course grow and grow and grow. this is a podcast easy money, i its host mikhail khanov, today we are talking about gold, about precious metals, about products made of precious metals, about whether it makes sense to invest in them right now and how to do it right. i think that gold is like

a metal, that is, perhaps some analogues will be invented that will replace gold in the space industry, in instrument making and in precision engineering, actually possessing, i don’t think that this is a problem now, to create alloys that have exactly the same properties, the question is only in the cost price, but also as we say, the cost of gold mining is growing, well then the jewelry industry where we are the money industry should be brought into fashion, so that...

i don't understand the value of gold, i'll go buy myself another ingot, let's have a couple of sentences, paragraphs about how, if a person, i want, i want it no matter what, i want it like the central bank of china, yes, i want to buy myself an ingot, two there or something else, here's the best way to do it, what is it, it's an ingot, what are the methods, metal ones, let's go into a little more detail, in this case it is better to merge, because in bars, well, if it is not such a super-jewelry, we left

it. but you can store it, of course, in a bank, in a cell, but for the cell you understand that you have to pay, that is, these are not even dividends, on the contrary, and this is the opposite, this is a deduction, but you hope that the price of gold will outpace the cost of what and most importantly, that the bank will not steal even from the cell, that's it, and we commented somewhere two or three years ago, there were no limits to the comments, so to speak, that one was robbed of one bank cell, at the other. the other there is something else, despite the two keys, despite all the beepers, flashing lights and other armored doors, well, these 95 tons and even the previous ones are 15 times as much as 6 tons, let's say 10 years, that's also 60,

well, they are lying somewhere, that is, i think that now at least half of the bank cell storage is filled with physical education gold, probably, probably, that means storing in gold... when society has already collapsed, that money has stopped circulating, but has not yet collapsed to primitive communal system, but still, as it were , metal is valuable, but you can kill me on the way, rob me, can warm you, what do you have... in a cell somewhere there are two or three kilograms of gold, well, to understand, a kilogram of gold, well, it's like a bar of chocolate, two bars, so they lie, just this classically here is a brick that everyone is opposed to, it's 5 kilograms yes or how much more yes, but in a bank there are generally 12 or 16 kg of these trapezoids, you need to

turn this gold into money, because you need buy something else, and you can't buy it directly for gold, here again the question of expertise arises, that is, firstly... but then there is, well, if it comes to this, of course, there is a question of pure metal, they will weigh it for you, determine the sample, you will pay for all this, they will give you this money, if not bars, then immediately metal, now we come to this, now of course logically we

move on to impersonal metal counts, that's how they are useful, in my opinion much better, what is it, why at all i'm obliged to explain now, you come to the bank with some money and say that i want to put this money, wrap it in an impersonal metal account, it looks at you in a simplified form, how much you can buy a gram of gold with this money at the moment, these grams are written down to your personal account, and it lies there, this number, it rests there, this number can be supplemented, bring money and buy gold to it at the current rate.

remember, when there was a mass revocation of the license, people came to the bank, and it turns out that they had records somewhere there on the left, in notebooks and saying, excuse me, you are not in the registers of the doves, impersonal accounts are subject to this risk, well, if that is subject, then this is probably subject too, that is, they can get it there yes, you need to choose banks, and the final procedure will again take your 200 g, look at how much they are worth today and these

have not received anything, for our audience i record that impersonal metal accounts are not subject to protection, just like deposits through the deposit insurance system, no 1,400 minimum amount, as in deposits there is no, i understand correctly, that is, it is at your own risk, you decided that you trust gold, it will grow, here you are saving this account in grams, absolutely right, what other instruments are there, as professionals say derivatives, that is, derivatives? that is , some funds, some etfs, funds built in

relation to gold, well, this is approximately the same, there are these funds, you buy a share of this very fund, it is exactly the same, but there it already comes from dividends, from the success of this fund, how it sells, how it buys, there is no such link purely to gold, but to the profit that it has earned, on this very thing. it collects these large sums, with large sums it has operational space, it

works, experts work there, they have a larger profit, and you count on the fact that you also participate here, that is, with your own money and count on a part of the profit, this, of course, this is also there, but this is that, but this is already a risk, like on the regular stock market everywhere, this is already a risk increased, and there no one guarantees anything, and there is no...

with gold, with gold mining, with its extraction, with its, yes, here there is no deception, yes, in fact, it is in fact exactly the same pyramid, only it is, so to speak, a fig leaf in the form of this gold, this label, this is what you need to be able to recognize very quickly and distinguish one from the other. where there is at least some sign of a pyramid, at least some sign of pyramidality, you should not go there, under any circumstances, no matter what ambassadors, promises, neither to zanzibar, nor to zimbabwe, nor to ghana, nor to gold, not to an asteroid, yes, although i think that soon such will appear, that we will go now, catch, there we have in mind such a small, small, yes, here already yes, we fly there there.

where it makes sense and how to invest, if these are not ingots, yes the simplest, but at the same time the most difficult way of investing in gold, what other methods are there, so watch, review the program, and mikhail imovich, thank you very much again for the interesting, thank you huge, that you listened patiently, it was a podcast easy money, today we talked

about how to do it right, does it make sense to do it right now, to invest in gold, precious metals?

some of our podcast viewers 20 years later still don't know what we're talking about, today we were auditioned for the gracheva choir, great, yura, you definitely need to sing, come on, sing, what a unique gift you have, you hit such notes, what an upstart you think you are, larka, it's you, don't you recognize me or what? it's me, andryukha, so life is a success, you have everything that the soviet... women don't even dare to dream about, so what happens, you don't take a guy just because he doesn't know the notes, in order to get the official status of a choir, you need to have at least 50 choristers. you've been accepted, from today you begin a new life. alena, how did the idea of ​​creating such a series come about? well,

the idea didn't come from me, it came from one of my favorite producers, ruben jeshyan, he suggested that i involve him in the development of this project, at first we wrote it for a long time, then we spent a long time casting actors and preparing, because it required a slightly different preparation than what we were used to, yes, a huge number of children's roles, a large amount of musical material and so on, well then we went into the filming period, we still made it, and then for a very long time this series did not see the audience, and the audience it. all the same, everything worked out and the series appeared on the air. tell me, did the characters have real prototypes? the choir is a kind of metaphor, it is not about the choir and the children singing in it, yes, it is about all of us, because in life each of us sings some part, only by uniting, we succeed. of course, we read a lot,

studied a lot, stories about choir soloists, but i insist that... we understood that not only their acting readiness is important, their psychophysics, their gentleness, their organicity, yes, psychological readiness is also important, not only of children, but of their parents. i suggested to the producers to create such a small film school, conditionally. we selected a certain number of guys for each role there were three or four people, we gathered them together, while the adults were being cast, while the objects

were being built, while they were doing other preparations, we gathered them together in the next room, my friend , an acting teacher, came to them and warmed up the material with them, they were really preparing for ensemble auditions for the channel, that’s how we watched, plus they also went to a choir school to learn to sing, and before that they didn’t know how to sing, well, some could, some couldn’t, that is, well, by nature , as it turned out, some went to a music school, some i didn't go, it wasn't some kind of mandatory point, yes, in order to get into this group, acting qualities were certainly important to me, and organicity and so on. well, these kids studied for 2 months very seriously, three times a week, during breaks they went to sing in a choir at the school to the choir, and we looked at who of them, how they reacted to it, how their parents reacted, by...

while they were walking around the series, then from there, from somewhere they reached me that such a show was starting on channel one, i already had my own associations, because a huge number

of producers dreamed of filming the series glee, namely to interpret the series glee, you know, there is this famous one, yes, everyone dreamed of it, it was some kind of idea, a super idea, and no one did it, here is finally glee, and of course for me it opens up in a completely new way, because what you... alyon said, for example, that it was filmed 7 years ago, yes, it turns out, 7 years ago, yes, refreshing, so i wanted to find out, it seemed distant to me, i, naturally, the vocal abilities of the boy who perhaps, was partly a prototype in a collective image, seryozha paramonov, yes, it was a unique voice, here for oleg, if i understand correctly, yeah, sang from... performer, yeah, of course, girl, girl, in the best traditions of soviet cinema, like winged swings, like electronics, for electronics, who sang, girl, so we had

a huge casting of voices, and, you know, it was very funny, because we started casting voices in october, yeah, we started filming, accordingly, in july, while we we started filming in july, our voices that we found broke, as in our series, and again after filming and during filming we again had this endless. casting of voices, because well, the voice should not only be unique, it should exactly fit our yurka, that is, it should be organic, in the end we tried, tried, tried, tried, a girl came to us, lera, who really became the voice of our yura solovyov, except for one scene, which she did not succeed in, it was sung a boy from the popovskaya academy, sveshnikovsky school. at the time of filming you were 23, 21, 21. what was it like to work with teenagers at such a young age? in fact , it was very scary at first, and it didn't work out very well,

well, because children are very active creatures, who don't stop for a second, right oleg? no, oleg, by the way, was very different, it was very rare for him when he started to do something, otherwise, so we went to orlyonok.

a gift is a huge responsibility, tomorrow we'll go with you to grachev, it's not about the voice, it doesn't know the notes, and you were all born with the notes, or what? who asked you? wait, well, jures, you're a beer lover now, aren't you? another artist on my head, we're leaving the road, you've been in the choir for a week, no one invited you here, you came yourself.

i started reading professional literature very early, because i really, well, i understood that you already had a goal of becoming an actor at the age of 13, i never formulated it as a goal, i just i just i tried to improve myself in this somehow, that is, i didn’t think that this could become the work of my whole life, but i liked it and i really wanted to watch myself in the frame and live this whole story together with the hero

that i see on the screen, well, you came to... on friday on the first, great, i hope this is your dad, i hope, dad, please, i’m your son, probably, in a good way, it won’t work out with you, but lie down from here, i don’t even have friends, they’re all business partners, do you want me to be your friend, okay, how much money do you need i need you to leave my family alone, i don't need money, south premiere of

the tv series on friday after voice children, were you looking for me, dmitry kipen, yeah, well i knew this would happen someday? this is a podcast 20 years later, my host alexander anatolyevich and konstantin mikhailov are our guests, well, not the whole, but a noticeable film crew, the creative team of the series choir, which we take apart on the shelves, note by note, why alyona, why did they choose christina, what did they find in her? christina was really too, i didn't for a very long time i could have decided, there were very, very good actresses, different ones, but i needed a clear hit in this soviet, good, honest, yes, well, imagine, to play a person who believes in something so much in his own, in some dream of his own, that he infects those with this dream, even those who do not really want to be infected, how you need to burn, really burn, that's when the actresses began to burn.

yeah. somehow it didn't work out. kristina came, who, in my opinion , did not really understand what to do. but she wanted it so much. and this is, you see, one thing overlapped the other. she really, that's how it is, it is very important here that there is no cold nose, that there is no such, such seasoned professionalism. now i will do everything for you, now i will show you everything. yes, lively eyes are important for such a role. and kristina absolutely nailed it, she was great. she agreed to chemistry, this is an act, and her hair is a real soviet chemistry, yes, because you remember that really curly hair was fashionable, now girls are straightening it, it's a completely different story, i tell her, yes, you and i will have to do this one, she agreed and lyoshka trofimov, that is, they were such heroic guys in fact, they went through fire and water, copper pipes with me, in general, this film was difficult to create. if

you, as a producer, were offered to make a musical film about that very great era of the happy soviet childhood, you would be weak to take it on, not weak, of course, because i grew up and was born in that time, for me it is psychology, for me it is a drama in some sense, for me it is a drama in the very first episode, there are these parents of ours, my parents, yes, whom i immediately.

if i had three times for the first, for the pilot episode, it rolled over me, that is, i had a direct feeling that i fit into this era, yes, there was a feeling that i was there now with this. it was not so long ago, len, very recently, it was so long ago, no, kristina, please remember the most vivid memory of working on the series, probably the most pleasant memories - this is when we went to orlyonok for a whole month, and we all lived as a group in these buildings where the children live, actually, together with the children, we went to breakfast together, we were there each other, whoever brought yogurt, stole it from the canteen, it was a wonderful time, the first time i met oleg, i was very worried that i would get a partner with whom i had most of the prices, i thought, my god, well, is it really going to be some kind of capricious little one, it will probably be difficult with him, well, partly, probably, it was like that, sometimes, no, no, no, and suddenly he brings

this young man to my trailer, only very small, with very adult eyes, very well-mannered, with some amazing innate intelligence, he says, let's go through the text, i think, god, yes, and he says: he always knew the text better than me, he even knew, in my opinion, my text when he came to the set, when it was already difficult for me, and i was ready to whine and say, let's hurry up, how much longer, when is the end, i looked at oleg, who is 13 years old, he was supportive, but he himself did not understand it, in fact, but i saw how difficult it is for adult actors and how this boy completely patiently waits out all these difficulties of the filming period, as he switches on in a second.

well, like pigeons, like pigeons, how is it possible without pigeons in this movie, it is practically impossible and oleg's wonderful mother comes up and says: lezhenka is not afraid of anything, he is such a brave boy, but alyona is more afraid of pigeons than anything else in the world, and we have a whole attic full of these birds, he must play with them, she somehow. came to us and says, he is so afraid of pigeons, they drove them away, i think about me, here is your mother, of course i had a parrot, whom i was a little afraid of, she told us so, and we were very worried about it, well, imagine a child playing difficult scenes, yes dramatic scenes, he really has

a very difficult role, listen, not every adult actor can handle it, and then he also has such an aggravating circumstance in the form of a dove in his hands, how did he overcome this, yes, he was generally great, oleg and i were really incredibly lucky, but in general... he really, when the group i felt, was starting to get a little tired, but i can’t, not get sick, not get tired, well, who is this i'm interested, right, the captain is always at the helm, it seems to me, oleg and i, we are back to back at the machita, against a thousand together, that is , i felt like damn, well, if this boy is really collected like this, he has enough strength, he is ready for anything, he looks at me so devotedly, and well, what do we do next, what next, then i simply have no right. even that is, it turns out that sometimes he was a thirteen-year-old captain who led the captain of the real captain and completely corresponded to the motto that i i will repeat it for myself once again, this is a movie about grown-up children and immature parents,

grown-up actors were sometimes not so much capricious, but they allowed themselves to get tired and relax more often blushed, no, but she also for me she at 21 also you understand belonged there to teenagers yes there to teenagers. imagine, you as if not

to sing, forgive me, oleg, it is easy for me to be able to sing, yes, you are an artist, but in front of you there are 300 people of the muscovites. behind you, behind you there are 100 people of the choir, and you walk like an idiot across the hall and out of tune, they all can sing, they all can sing, but you can't, and you 're... there you play, you know, a soloist, and why are you doing so well, i always said, don't pay attention to it, you sing the best, don't listen to yourself, but i understand that for a boy, not a professional actor, this was really one of those very difficult tests, in general i'll say, it was very funny, imagine, our choir comes out, who can't sing, and they can't open their mouths, by parts, they've learned everything, they open their mouths silently opened or still, with terrible sounds, with terrible sounds,

a cacophony begins, of course, and the first row of artists, children, clap, shout, bravo, ordinary eaglets look at all this with incomprehension, what are they clapping for, why does it sound so terrible, then our soloist comes out, who, you know, with a breaking voice, just like your voice was breaking, with the breaking voice of peacock, begins to sing there, you know, our wonderful works, and of course it was very difficult psychologically. this is a podcast 20

years later, with you its host alexander anatolyevich and konstantin mikhailov. today we are talking about the series choir. we are pleased to introduce our guests: artistic director, conductor of the large children's choir named after viktor popov, student and successor of viktor popov, honored artist of russia, anatoly lvovich kislyakov. hello, hello, hello, well and the soloists of the choir, our dear guests, vseval. and sofia ivanova. hello, guys, dear anatoly kislyakov. transfer yourself to that very young time, how did you get into the choir? i studied at the choir school, sveshnikov, where viktor also taught sergeevich popov, i studied with him. guys, have you watched the series glee, how do you like it? i liked it, i've only watched three episodes so far, so far i can say that i like it. i'll continue watching. that's it. "i also really like it, i'll also

continue watching, is it true or not, is it the same for you or not, well, at some points, yes, times are different, times are different, it was the soviet union, now it's a different time, there's a lot of pressure from the party, all sorts of regional committees, these evil uncles, are you experiencing any pressure now, who are you afraid of in the choir? no, well now everything is much simpler in my opinion, there is such pressure as in the series, it seems to me. now no, but okay, fine, let's rephrase, responsibility to whom do you feel when you sing, natolivoy i feel a very big responsibility to the direct manager, and also to whom, because there are probably worries, trepidation, pleasant experiences of various kinds, naturally to parents when i perform, yeah, and how old are you, young man, i'm 12, 12, the very-very age, you, girl, are 12, 12, well, that's what age you are, that's what i'm talking about, actually, in the whole series, when you sing, you get nervous with... well, when it's a solo, of course yes,

but when it's in a choir it's much easier. and what do you do with the nervousness when you sing a solo? how do you deal with it? i don't pay attention to it, i guess, i just. so, are you doing something? i'm doing what i like. so i just leave the nervousness aside. is there any competition for solo parts? of course, there is always competition, because everyone wants to solo. yes, they want to solo. everything, sometimes to tears, what was popov like? oh, wonderful, a wonderful teacher, a wonderful organizer, but it is very interesting with him, he showed a love for music, for songs to a whole generation, he is an amazing person, how he achieved discipline, these are still children, when a child is passionate, and he wants to do what he simply - he does not allow himself to behave badly, to talk there

, to relax, he is all in business, therefore popov and discipline did not deal with it like that, did not say there, be quiet, there or something else, some remark, all the plans of the construction are right there no, no, there was no such thing, do you warm up before a performance or is it better to save your voice and give it all on stage, in general i think that it is better to be silent before a performance, when there is a dress rehearsal, then you rehearse, it is better to be silent before the performance itself, vsevolo, sofiya, your life is not quite like the life of ordinary children, you have tours, as far as i understand, do you feel it? is this an advantage or, on the contrary, would you like to live the life of a normal child there, so that there is less responsibility, very often they just say about such kids: they don't have a childhood, they live on tour, when they ask me, you don't have a childhood, they say, i say that no, such and such,

in my opinion, this is not a childhood for them, because, because tours and concerts are wonderful, this is a fun, good. simple, but bright childhood, so everyone generally plays football, goes to cska you play, yes, oh, okay, sofia, what are your regular hobbies and interests? well, i study piano, well and additional english, but still, touring is a lot of fun, at some, well, moments when we perform, it's a responsibility, yes, but still, we all get some kind of thrill from it. to leave our parents for a few days, and most importantly, school as it happens during touring, no way, no way, you don't have to catch up later, there are some people catching up, well, give me your diary, okay, touring there, there are some indulgences, or maybe, on the contrary, they ask more strictly, artist, you know, i used to study at a school

that, well, they took it, how are you now they said, now i have transferred to the school where he studies there. sofia, what about you, no one picks on me, many teachers even go to our concerts, they like it, they say that we all look great on stage, great, you probably have papuri in your repertoire, combinations of excerpts from the most popular songs, but in recent years many have been asking to make such a shortened program, but so that familiar melodies sound in it, either it's only a matter of shainsky, or a funny... programs for a short period of time, well right there five, or maybe more songs will sound, now we are also ready to sing a small medley, it includes songs that sound in the series. so, our dear tv viewers, get ready, this is a real medley of the best works

performed by a large children's choir. together it is fun to walk along the open spaces, along the open spaces, and of course, it is better to sing in chorus, better in chorus, better in chorus, let them run will not turn on, pedestrians, let's say, and water on the asphalt like a river, and it is unclear to passers-by, on this day, not fine, why i am cheerful. i play like this i i play the accordion i play the accordion i will bring to passers -by i will bring to passers-by unfortunately birthday birthday only once a year svenit in the ears

cliché music of the attack more precisely give it a harder hit on the stick. hit, everything is fine, if only on the court, the magnificent five goalkeepers, the ice squad is fighting a tough fight, we believe in the courage of desperate guys, real men play on horseback, kross does not play hockey, kross does not play hockey. in june and april , snow is thrown into sorobar, and the merry kochels begin their run, everything in the world is forgotten, the heart sank in a frozen caroti, only the sky, only the wind.