well the frustrated they feel the deleting money but the truth of the matter is everybody needs to err on the side of caution so the studios have this problem and now they actually have a direct to consumer platform with streaming apps that they can get the product to them and they're not losing money at the original gun used by the maids actor sean connery in his 1st james bond film has been sold for a quarter of a $1000000.00 the prop became one of the best known items from the film franchise offset appearing in the 1962 movie dr no it's all for higher than expected at auction more than a month after the actor died at the age of 90 the winning bidder has asked to remain anonymous and. again i'm fully back to bill with the headlines on al-jazeera more than one and a half 1000000 people have now died globally from a covert 19 at a special pandemic session of the united nations the secretary general call for

a unified global response u.s. president elect joe biden says he will make masks mandatory during his 1st 100 days in office hospitalizations and deaths have reached record highs in the wild west affected country in the 1st day i'm going to say i'm going to ask the public for 100 days to mask this 100 days a mask now for over 100 years and i think we'll see a significant reduction in recurrent everything that occurs with vaccinations and masking to drive down the numbers considerable considerably. more than a 1000000 people in iran have now had corona virus nearly 50000 have died but the health minister says the actual number is probably much higher but the government is considering easing restrictions in several areas iran is the worst affected country in the middle east aid workers say at least 1600 rohingya refugees are

being forced to move to a remote island off the coast of bangladesh the u.n. warns it's prone to storms and flooding nearly 1000000 rohingya have been living in squalid camps since a military crackdown in myanmar india's government and protesting farmers have yet to find common ground on new laws that could affect crop prices they're due to meet again on saturday after a 2nd round of talks on thursday ended without an agreement farmers are worried the law will put an end to minimum crop prices and lead to corporate exploitation and police in peru have shot dead a 19 year old farm worker during a protest against low wages he was spot of a group of striking workers who brock's the country's main motorway near the northern town of viru the protesters want wage increases and the scrapping of an agricultural law they say limits their rights and income those are the headlines i'll have more news for you after the stream do stay with us. in south central

chile indigenous communities are fighting to reclaim their ancestral lands and the conflict is becoming increasingly violent talk to us you see our travels to the region to see why the mcclatchy people are rising up and asks is there a path to peaceful coexistence on al-jazeera. a welcome to the stream of i'm josh rushing sitting in for me ok today they were talking about gentrification you know how it impacts a culture in a community and it's really kind of at the forefront of our minds right now because the stream staff and myself we saw this fantastic artfully done film on netflix called residue here i want to share the trailer with you right now check this out. michael's not paying over the city like we never existed to. pay for it over trying

to restore it for you i'm trying to restore it to tear down the region and you know for a safe. damn sure easy. to let go of say. like grow into the chance of that. you come back and sit in there with the beaches . yes so good so good so we're going to talk about this up so the stream is the issue kind of behind the film gentrification but we're lucky enough to be joined by the director writer the film a conversation about the film itself the art of it the making of it all that kind

of stuff joins me live on instagram after this about a half hour after the show it would be a.j. shereen minister graham we're going to great conversation there look if you're watching this be you tube right now see that box over there to the right now those are live that's a live chat those are live questions and comments and we have a producer in there right now way to get your comments to me so i can get into our guest today so help me out be a part of the show and join in right there now speaking of our guests i'm going to ask them to introduce themselves for you we're all week we begin with. thank you for having me many of them arrive in your email or a writer and director from washington d.c. . they were over the moon to have you writer and director of president which we just saw that the climate rather brady yeah brady jump and i thank you for having me on brandi summer as an assistant professor of geography of a match a potted studies that you see berkeley and i rip up that focuses on attention to

kesha in d.c. dr them thank you for joining us and. yes we're going to monitor she very small community of the national community reinvestment coalition 'd have been focused on the race well the racial 'd have been we're going to quote the last 15 or so years and i've been to some reports on racial inequality in different cities right thank you everyone for being with us now i want to bring in a video clip from someone in our community this is from an associate professor of urban studies and planning at the university of maryland at college park them with a long a mom she knows that the issue of course here. urban development is any kind of social or economic or physical investment into a city or the neighborhood gentrification is a particular type of neighborhood change that results from mass and then flux the public and private dollars and higher income residents into lower income

neighborhoods particularly communities of color it's difficult to imagine this process happening without some displacement of a stop less trans nets but there are equitable development strategies such as investments and affordable housing small business sense and community and cultural amenities that can mitigate these impacts. are you're from d.c. you have roots here you went away to school and came back was it the leaving and coming back to did you since gentrification d.c. which is by the way d.c. is one of the most intricate cities in the country and you talk about that experience and maybe that is what led to the film yeah i mean you know basic came back to a desolate place you know that i totally you know was at a loss on identify where i couldn't find places that are gods who you know i was on my street looking for a nice street you know me which is like if you if you know you know kind of the whole section of d.c. you know kind of you know how much has changed to the point where you don't you

recognize the street that you're looking for even if you're standing on that street you know so to me it was just a moment for for me to kind of just kind of take hold in any way that i could you know and really who you know you know really nobody really wants to feel powerless like that and they all city for me was like the only way i could wear one you know was you know my my you know the best weapon i was happy to be film and so you know reza was kind of just born out of the not of that is are enough powerless in d.c. and brit is d.c. different in some way when it comes to the what's happening which interpretation. no i actually think it's a great example of the violence honestly of gentrification and specifically black neighborhoods and black presidents and so there's this way in just a clip of dr long to kind of really talk about what gentrification is it's this influx of capital in this previously these previously just infested neighborhoods

that most often have black and latino x. populations in them but gentrification doesn't have to happen and you're seeing it of course in large metropolitan cities that also happens on a smaller scale in smaller cities but ultimately will ends up happening is this physical displaced and as well as a cultural displacement and i think residue just so it's so beautifully and it's really kind of about how it feels oftentimes beyond the economic impact of it. can you kind of walk me through a little bit of of how we found ourselves here like it begins with red lining right and then just going to steps to where but to how it ends up in a disney 5 neighborhood. here so you know if we think historically a number of black impoverished neighborhoods in cities like d.c. or chicago or brooklyn oakland they were formed in a lot of ways by government policy so if we think about the period after the great

depression the government was trying to enlarge the middle class and so what they try to do is encourage homeownership through these you know 30 year mortgages but restrictive covenants prohibited black people specifically from buying houses in certain neighborhoods and more limitations lank redlining which are prospective buyers in these areas with larger numbers of black people and other people of color from receiving these federally insured so you see this way that it wasn't just about white people sleeping in the city it was more so that they were driven and invited to come and we see suburbanization which ultimately to the disinvestment of these urban cores you see large scale abandoned men and then this transition with reinvestment with these public private partnerships and and in a lot of ways we see how this city changes impacted by anomic conditions like you

know sessions or depression but also there is this form of displacement that occurs again specifically targeting black and brown and indigenous people but it's moved on so much for there even the present day sense the foreclosure crisis and 20072008 we're seeing these extreme ways that there's an affordability crisis and people are able to stay in their homes. it's not just d.c. right this is happening a across the country i'm curious to you see how cold it is impacting this really even before we get to cooper you know you're saying you know goes back to 'd red lining i would say to go back much for who did that and say you know directors very familiar with the famous film i believe it was that coco really doe's go back to in slave minutes this idea of white supremacy in a really you think that we're powerlessness really is presented throughout the show

and i think it kind of shows the powerlessness you know black communities that have historically been economic be disenfranchised most of you know i was watching about menaces aside do you think that talked a lot about what happened to the urban centers when the jobs had left and black said that. they're kind of the next generation coming without jobs are going to be left to the drug trade and the powerlessness in that snow and i think that this film shows the powerlessness in gentrification and what's so kind of stark about this is the neighborhood is getting better but the people who are living there is lives is it and you know i think that is something that we really need to talk about that we're trying to actually address racial economic inequality or trying just to create new places for higher income people. and for other ignore the history of racial inequality and to temper reality over a short while. it can really kind of a race

a culture right in fact we have a clip that that i want to share with you and this is about a place over on a street. can we pull that up. well the different clientele the flood cell that. they call it the gentrification i call it cultural genocide and that's all they do is you know. i have. no problem you'll just get the facts out just before you form a says life like. now you've got a whole foods in wal-mart you take a neighborhood with a black business and as a child when i came out that gave me

a sense of who are. now these kids have nothing to look up to. but the fish place or so there is a service there for 30 years and i believe they shut their doors in february that's part of a documentary is being put together right now a cultural genocide as somebody said it really caught my ears in d.c. the black community has a specific music that came out of that neighborhood called go go music so this is this gathering here we have that don't you d.c. you know pull pull this. pretty you touch on don't you d.c. in the go-go's scene in d.c. and how was that much interpretation. so i said oh and i want to again encourage everyone to see residue because some of the opening scene it seems is that they're

still it. and that neighborhood during the time you see movement that was taking place last year you know it's this prime example of this black cultural property existed that was bred in d.c. that was discordant that was noisy that was too much for the new presidents who came in to the neighborhood so the story is that you know there's a location shot essential communication service t.v. of a store and the owner donna campbell will play go go music for the last 20 years every single day from 10 to 7 and there were complaints were made nearby residential building where there was a white president who basically kept calling the cops kept calling the department of consumer and regulatory affairs basically saying we want to set this status to elaborate and so there is this wave that go go is d.c. but goes black d.c.

and so when you see i am somehow calming and saying that the music needs to species shut down and you did unfortunately. the team mobile or i can revise and call don and basically told him to shut the music down and he did and it was silent so the movement was really organized around this meeting in d.c. that it wasn't just the music that it was the culture and that we needed to address gentrification and as they were connecting it to so many other areas and black like specifically in d.c. and how dispossession shows up it brought black folks to the street and actually that's what i want to say in response to this idea of a spinning powerless i don't know that that's necessarily the case right i think movements like don't mean d.c. where black people stay in the streets stay in place so that there is this resilience it's just that it's not necessarily recognized by the state there are ways of black folks are doing all kinds of things to remain in place despite the

fact that we may not own as much property have as much of land but certainly movements like these are making a difference in changing how we see the violence of gentrification every day lives where there's a clear hero ilm when you say divorce a voice listen he says you know whose voice what's. it's got her when she's right you know you're 0. you know i agree a 1000 percent to me like my favorite part about this whole you know explosion issues that you know she was describing for you when those why folks call you know whoever they kicked up a hornet's nest i had no idea what was about to happen and it was a massive explosion as a massive cultural reaction you know i mean it was a massive massive you know cultural response to the issue at hand it to me it was. singularly specific to d.c. because all these cities that are really undergone intentions of occasion are fighting in many different ways but i just felt that the specific cause or response that d.c. came up with was unique to our city because google really stood as

a spearhead that everybody could get behind you know because it is you know it's far more than just the music there's a whole fashion mind you know the you know the music itself the dance you know but also the music itself and you know that it is extremely irreverent you know i mean it really doesn't that. you know does not respond well to authority or be it's what to do and also comes out of this whole history of being criminalized by the city itself and so i think all of this you know kind of accumulated you know. you know kind of history in kind of emotion behind the culture so really created this amazing display and pushback from the city in and i agree with you i think they're like what we find is that we are not powerless you know but i think these these reactions come from you know. a feeling of our you know our claim our stake our you know ability so i maintain our home being

talents you know and i think that like it's only through like you know resistance to these types of aggressions that like you know we see these incredible displays of like you know these these displays of light popular reaction the response you know which i think is the way forward anyway sides felt like the sea go go really joseki for these you know me and we'll see what it is for the cities as well but like really like you know even with the film itself is that like culture our best weapon you know i mean one of our best weapons against this this thing because it entails everything our history our economics everything kind of comes out of this you know. and so yeah so i just thought that it was so beautiful so it was important to open the film with actually in that clip that you show there front to back our back because i was like i got there early to be. in their face with the camera yeah i had 2 questions for you on that one so were you already filming residue when that happened and you thought i just got to get down there and to did

you have the opening scene of residue already film where he pulls up and he's unloading the car in a white neighbor says a you're playing your music too loud or did that come as a reaction to that hello no i mean the metro p.c.s. thing that you know that was all like people they have is all the time you know like. this hasn't risen or response to music you know i mean i'm not surprise you know they're like you know this thing happened in the same way that it happened in the film even though we shot the scene you know 2 years earlier that was in the script row back into the 16th. because something similar happened to me in my day you know years ago so you know the title why focus is not the new and the way they tell you to turn you down or to do this or do that is you know it's moves but you know the thing about the scene at that moment kicked off in 2019 we had finished filming in 2018 i was in the middle of editing you know but we had developed the style of this you know filming everything that we could every bit of evidence of

gentrification that we could as you know as we were making the film so that i was just in my mind didn't know how i was going to use it but knew that i had to get it on camera one for the film but to also for the you know this this other purpose of ours which was literally document black d.c. you know as best we could you know that's really the drive in this netflix is very cool but really the main purpose of the project was to create a record of our existence you know i mean in the city and especially in these neighborhoods slated for for demolition to really just get as much of the camera as we possibly can or 'd you know before it's too late and i've got to tell everybody right now hold on to do let me let me do this i want you guys to make sure everyone who's watching us on you tube that you follow a.j. stream on instagram because we're going to talk a lot more about the movie residue right after this every bought half an hour after the show and i'm really excited again just i want you to join us there that instagram live i need to bring in somewhat more you tube audience and you're going

to get this to you this is from showing it goes a name that just the socio economic revitalization of occasion is. if the people work for. you know i'm here if on that board yeah i mean i will put forward i mean the idea that it's the poor and it's the it's the residents themselves that aren't taking responsibility for stopping the gentrification that isn't the issue i mean it is a stronger role for jobs right i think even preach education occurs you know d.c. many cities are societies very segregated right her going into d.c. as a you and realizing wow the parts that we do field trips and it's like predominately white it's like 80 percent white and then there was d.c. that at that time. was like 80 percent black so there are very different divisions and very different investments into communities i think with gentrification shows is when you start having high income white residents come into an area and those

local residents are never you know. respected for you know to ensure that their communities keep going and i think you know again just going back to this idea of powerlessness and i guess where there's a little bit more less optimistic about it is that i don't really see in parts across the country very successful movements over time in stopping this type of gentrification you know i'm looking for this but i think we know we are seeing we haven't see the last 20 or something years as more and more people of color are being pushed out into the suburbs and not pushed out in a positive way but kind of creating new quote unquote ghettos into suburban areas and so you know i you know hoping we can look at this and figure out well what structural policy changes over going to make that really you know there's been this black box matters protest if you can really make sure black eyes matter black cultural institutions matter you know that it matters to have areas that are

predominantly people of color but that are invested and not just last. week and one thing as a lead off and often times. we rely so much on policy to answer our problems and we're learning i agree with you policy is not the answer and a lot of he certainly said hasn't that maybe you're suggesting that you know we took the right policies but but ultimately you know cities and being complicit in the way that they fight this new crop of presidents you know in consumers really they want to grow this city rather than bringing people to the table and so it's i think that's why the sequential i mean it's political but go ahead i said i think let me bring in another voice on the. piece that he's asking if the saudis are complicit through policy and i think most would agree the policy does drive it i want to bring in this is a professor from georgia state law professor named tonya washington hicks to talk about policy in the welcome back on this point pretty i would encourage communities

to find b 20 year plan for the city in which they let most cities have one in may be referred to as a comprehensive plan it may be referred to as a strategic plan but whatever it is called it offers a 20 year vision for the city who evolves and community is need to not only figure out with this is but they also need to devise their own plan so that they can exercise an agency around how day and 10. and also protect themselves from and a strategic plan by the city that doesn't include them in their future. is your does that sound right or what you find this plan well i mean yes and we have to be real clear i mean one i don't think there's necessarily the will i think

most cities haven't found the will to say yes we value our african-american residents well it's you know residents are working class residents and we're going to ensure that whatever development occurs does not come at their expense most cities are so excited to get some you know more money into it they will push around the working class for communities and push them out so they can have higher investment so i think the question is when will cities when will states when will you know the country say yes we do value these communities we're going to make sure that whatever economic development occurs occurs with them not to be expensive them which is gentrification speaking of questions we have a question from our way this is from someone and argue to chat name deborah girma says i'm an ethiopian and immigrated to san francisco bay area with my parents when i was a teenager the question is how more are we views immigrants impact on gentrification

. or man. you know. so. interestingly enough this is like you know they call it the opiate is a massive ethiopian population in d.c. . and so there's like this you know super interesting interplay you know like. you know you know prius who are like recently arrived and then like ethiopians you know who. my father was ethiopian by the way you can like seventy's and like his generation the children of his generation which are like growing up you know now and. in this unable to distinguish themselves already i'm so sorry i have to cut you off or running out of time but i want to topic look for people watch a couple of things to take away one netflix watch residue 2 if you're curious about

d.c. go go music look up check around he's on spotify is on you tube he's out there so you can find him to otherwise thanks a lot for joining us great conversation see. this on al-jazeera it's 10 years since of revolution in tunisia ignited the arab spring al-jazeera looks back at the uprising and asks what really changed across the middle east this stream is why al-jazeera has global audience becomes a global community. after the 1st coronavirus case in china we'll examine the devastation caused by the virus and the efforts made to eliminate covert 90 people in power is back with more investigative documentaries and in-depth stories climate leaders will gather online to press ahead with a new stage of the paris climate agreement and examine the possible global solutions december on al-jazeera. certainly al-jazeera london

broadcast center team special guests in conversation people think that racism is having a personal that shall towards black people and there's no understanding of what systemic crisis. unprompted uninterrupted success comes with a physician if you're not upsetting people you're not saying anything f. or her needs any overlap there is not a family in britain i believe that has not been touched by empire studio be unscripted on al-jazeera. we've never had a president who has literally for 4 or 5 years repeatedly attacked our democracy. you know lucy lerner to everything that's really i don't have a narrative i have a question you're hitting there really where people can get treated industriously even further join me richelle carey and up front as my guest from around the world take the hot seat and we debate the week's top stories in pressing issues here on al-jazeera. if you want to help save the world's.

sneeze into your own. but global death toll from covert 19 tops 1.5000002 of the worst hit nations the u.s. and italy report a record number of fatalities. i'm fully back to borneo watching algis there are live from doha also ahead this is not a football competition we're talking about the life and the health.