max were stopping formula one world champion of a season that was never over until it was over full rece aldi's era. less than 2 weeks ago until christmas. hundreds of people in greece and got themselves into the festive spirit by taking part in an annual charity. santa ron was noni franny, reindeer, or slaves as it was a sunny day in the capital. athens as the 7th running of the event, which raises tens of thousands of dollars for children's charities. ah, quick look at the main stories this our noun rescue teams in 6 us states are picking through the trail of rubble and devastation left by around 30 powerful tornadoes. that struck late on friday night, a town of mayfield and kentucky has been described as ground 0. dozens of people were killed in a candle factory. many workers are unaccounted for. kentucky state governor andy

bashir, his visits at the west affected areas and mayfield. he says a federal state of emergency has been declared. we've now been granted the immediate federal state of emergency. it is rare, it was granted incredibly quickly and we are grateful to homeland security to fema and the president biden himself. the national guard has been deployed. we have over $300.00 guardsmen that are active, they are out in our communities. they're doing everything from going door to door. though. many of these communities will have doors anymore. they're going rubble to, to rival, searching, hopefully for survivors. but otherwise, to at least have certainty for families that we can advise them of their loss. it's still not clear how many people are missing. edward's vill, illinois where tornadoes partially collapsed and amazon warehouse killing at least

6 people. their witnesses say workers were caught by surprise. and forced to take shelter anywhere they could. around 45 employees did make it out there. in our other headlines to grind rebels of reclaim the northern ethiopian town of lally baylor, just 11 days after if european forces said they had taken it back. according to local residents and the t p l f. have said that they have launched wide spread counter offensives in numerous locations, including the road that links gus shayna and lally baylor, in the region of am hora. but communications have been cut off in the conflict zone and that makes these reports difficult to verify. residents are saying to grind fighters are in the town center, but that there is no fighting in south africa's present 0 rama poster is tested positive for corona virus. he is receiving treatment for mild symptoms and is said to be in good spirits. i'm a poser is fully vaccinated. as the headlines studio be unscripted is next.

if america held up a mirror to itself, what would it see in the center race is the story of america what's working and what's not? a lot of people were only talking about that. it wasn't at the top of the agenda. if america can't handle multiple challenges on multiple fronts, we need to go back to school. the bottom line on al jazeera, ah, i cannot easily accept sums. it is not political because really means society. i need choice of being not political is as political choice. my name is iowa away. i'm mom, artist, and activist. i'm rider, i'm documentary maker. but 1st i'm human being the poetic that had such power to drive millions of people to certain kind of conclusions about the state to

be that we occupied. i'm any sure poor. i'm an artist, my art isn't overtly political in any obvious way. i'm much more interested in isa, terry, poetic or whatever else all difficult stuff. okay, well i want to start by reading a small passage from charlie chaplin. the great comedian is a great performer, performer in his film. ah, the great dictator from 1940. he gives his big speech and i'm just going to read a little passage from it. greed, he says, has poisoned men's. souls has barricaded the world with hate. has goose

stepped us into misery and bloodshed? we have developed speed, but we have shut ourselves in technology. i changed the word, it was machinery. technology that gives us abundance has left us wanting. our knowledge has made us cynical. our cleverness is hard and unkind. we think too much and feel too little more than technology. we need humanity, more than cleverness. we need kindness and gentleness. without these qualities, life will be violent and all will be lost. it is the most beautiful, beautiful speech clear short and very poignant and an indescribable. alrighty titian, perfectly perfectly are. we think we are so technically advanced by sinclair. so smart of a sickly are very well educated,

but we don't know what to be missed and the rest. so it seems to me that there are 2 fundamental things missing wisdom. we live in a world almost without wisdom. and the other is compassion. wisdom come from not just the, the library or a box, but a rather from mar, using your hands, the hands of teachers here, heart and they are your mind. and so it won't let so you will as all day. they don't use their hands in more or they use hands for some other purpose. so i think because they have been gold too far from the so called the wisdom because wisdom is about how do you survive your soul and the, your body. and the now we don't see really so why bit b e a hurried so much we are being given by the via not appreciate and of a taking with on all to whom we were take him from. yes and her. i think this is

the, the from, are the post colonial lism and also is it so kado conversation. it's a new form of law or colonialism. correct? that a corrupt or a whole human condition? i like very much what you've just said about the hand traveling in so much of the world, perhaps specially in china. what we see is what i see is that people are being moved off to land and put into great big skyscrapers. they lose the hand and it's contact with this wonderful earth. that is all that is the basis. so when you were talking about exile in the 1st part of the show here, you talked about being an outsider, but really you talked about losing your home. and one of the things perhaps we

could discuss is how important is this idea of home? well, i am a personal fool not perfectly pack up on the want his home because you venue my nation. one now was born, my father was exiled, so i am 2nd generation of exiled person. and i, we lost some son of we quit to be think belongs to us. familiar, annoying. we know if we close or i, we can still go back to lad safety corner safe in north because you have or familiar smile, horror, or a you know, the corner little light in communist society. nothing belongs to individual is not, it is a material doesn't belong to individual. you don't have a private feeling. you don't have a memory because also some memories has been changed in our history book tells you really difference from

a want to really happened. so the sense of a home are sole altered though it is it that also as artists we sit outside or is it that the search for home is something that that is a continuing poetic philosophical law. confusing problem. my mother's a jewish or was jewish. my father's india, so in india we were always the jewish boys, my brother and i. then we went to israel because that's what jewish kids do. go to israel, they said, ah, but your dock. so somewhere was a darky. sorry, utterly confusing, utterly confusing. and britain was much better at this, but many of our audience i could see all over them from all over the world. many of us will suffer this question of being an outsider of what is home. where is how

key is home to the activity that we say we want to perform, which is reconnect. if you like, with our deep psychic in a world, i think her, you rest up are very serious question. as an artist, we are by nature, they are person who are lost. when we choose to be lost, we choose to be lost. so it's our choice. i like that he cause we choose to be lost . yeah, that burns back to the fundamental question. why are they belongs to originally? so now do they have to answer? doesn't matter where you've come from, what kind of religion or language or a habit with meters and then tim fi us ourself as a human being a same times. we struggle for identity, you know, no artist na struggle for identity. so this to are so conflict cielo.

but in length, of course, also to the other thing, which is that i can only be an artist if i'm fragile. yes, i once i a sad them in the future may may be the most powerful as being fragile. yeah. because it, it's not, there's no crawl the powers of phrases is for jonas. correct. my fragility is my humanity. it is my ability to identify it is that part of me which can break down in tears and b if you like, open or vulnerable. and yet we also carry this other side as artists of great bravado. i can, you know, make a count on them, shoot him to the corner or whatever variation on such a thing. meaning, foolishness, stupidity, for agility and stupidity are quite close,

sisters like this. and they are, it's a very interesting problem of dairy. so it's both fragile and daring and a whole to leave your life. that sort of question. how do some live formula, fragile it nurse, and also to be provocative. in chinese, they see all that means the way. so the way has to be, leave us a one he why do you act? and the why do you think about the language has come to one that's most difficult may be in that part. it can be called an artist. that's very beautiful. there's one other really important subject, it links to all the things we've been talking about, that we educate our young people as slaves to

the capitalist economic machine. society is not interested in the individuality, the freedom, the spirit, the of the young person. what we want is automatons and walk. society does not want is young people who feel who think, who are fragile, who are unable, who don't know. we'd say no, you go and stand on the corner. i don't want to see the dark side of you. we have taken all a dark parts of our environment, every dark valley, every dot chasm, and cut it down and turned it into a nice little if you like, forgive me. but a nice little christian place in which everything is good. everything is well, but actually it's the death i want your dog so i don't want your good self air.

i'm and that is the reversal if you like, the turning education. the other way up, if you like. i totally agree that education is the big problem because when designed this system to kill as a young generation, i look on my song. i think all he has though, doors is 20. you just become a use for piece of it. are a machine or a tool correct to be efficient or 2 to have or so car the secret he, i think of capitalism uses the connoisseur craig. he to spare everybody to see because you are doing the other, you are safe under your even better position. and this is crazy because you don't act, you only think, you know that knowledge or, you know, some keep has structure, some kind of knowledge. but you later said coverage has become a doctor or, or a lawyer or a wall street or treater or, you know, whatever is

a profession. i think that his biggest loss of humanity, i've always said to my children, don't get a job. but i think we have a question from someone. my name is john packer, i'm a professor in law. you both raised the idea of language, arts and language. and of course is often been said that music or the arts in general are a universal language. but not necessarily as just coded a cation of images and sounds. there's something else happening and i'm interested to know why you believe in your experience is happening universally through the arts and doesn't require to be universal. that everyone is an artist. an artist makes a work if in the process of making the work, the artist has been able to remove enough of themselves and not getting

away in other words and leave space for the viewer for you and me to come and watch and look. then you and me complete the work we make the works. and what that assumes, as you quite rightly say, is that there is a code that we share of color of sound. there are various languages that we share, almost in spite of ourselves. now is that true? is that not true? is it culturally specific or is it not? so for example, are in just off the top my head. is there an african for example, notion of the sublime that i know nothing about? or is it different if you like, from the classical western or whatever variation on such a thing?

so is it truly universal? you know, does the color red mean the same thing in london that it does in beijing? i doubt it. i think amazing. it means i'm a completely different how we codified these things. it's in, it's complex, but i do believe the main question is, get the artist away. meaning too much to say gets in the way in fact and makes the less good art the understand now value about her art. it's really very much like taken our drug, hinton but sir, it's not a natural on, you know, we, we appreciate sense. but as you said, the african people are preciate differences for mom, the white people, you know, the way they understand the moment, the sound, the light, the, it's very different. i don't think any modern sculptor car rich the same kind of

language as african did as soon they are brought in. i'll be only come provide the other experience which offering has they made not even sink off as high sink. hello, my name is linda penny, and i, when it's alex with the rise of the internet, our social media already been made and read that ever been for on it. ok, so a rain, what you thought about the surplus of production and consumption of our law. and it is a threat or an opportunity for to base our test. creativity, certainly, ah, been denied to our tech technology mom provide us human society. some somebody never experienced that before and also we don't know how it would affect or our understanding of value and or exchange of values

and or even just to own some say, you know, and, but certainly because c medicine has been changed. so surveys use social media and off i phones, the film become, are in crisis, you know, but don't most people very hard even to go to a theater, to look at the a film and you more because they are used to easily to gather quickly information, embarrass short on time and a big cannot have the same kind of patience to see the film i developing or less a story. but we, i, i mean, i take good point about film. you're absolutely right. film has but there are many arts that you have to experience, you know, you can't, tom, just have music if you like, online in whatever 4 of it is. um,

it's especially with classical music. let say you have to be there and it's the same with painting. it's the same with sculpture. i'm babs, very old fashioned in this way of eating. wow. never be the same tongue to even just like a conversation we had said to they're there and like, i am know in china, but if we were doing this online, it would be such a different conversation. wouldn't it could be a good fit. but as i know, how do they have to realize that's another reality? yes, we read all sorts of signs some each other gentle, subtle, little signs that tell us things that screams just cult. so i accept, it's a different reality of our different i, i'm genevine, i'm a student in london. i have always felt the extraordinary arch macy more than just a consumer in masses. you completely and my question is, how do you meet your audience more than just consumers?

and i'm pushing is it for you is artists that people really experience and fully masked in iraq? i've been for many, many years in the zen practice and ins. then my teacher used to say to me all the time she would say, give yourself truly give yourself into what is being done at this moment right now. and something happens, you know, when you're truly involved in something, something happens to time. time go somewhere else, it becomes something else. it's as if it doesn't exist. so all job is artist is to be watchful. beauty in other words is everywhere, right? that's right, that's right. that's right, that beauty is everywhere. all we gotta do is grab it right now, way way would in fact, i think it's a very hard to be rational describe from now about the art practice because it is

a mess. ology is what do you believe? and so what do you believe an artist can really he lou street or sense of a time under under place? i think that's a, that's a minimal effects of for art makers. so forget or make us are being conscious about some, some been never been conscious that moment as they forget it. oh so it's a, it's an art i should be a dangerous sent to do you know it's not her is never safe. but of course, nighty night, prison art is not in the category i. my name's emily valence. and that my question is that we should pieces, you've made the think impacts and why or how i would say none for my work. i did that, which i'm

a cited fine or i was and could create some kind of real impact and narrow kind of really think that can be called our work most time. but rather to have a life to grab some values, i think is very important. which to which doesn't really belong, belongs to me, but in to the, to every human being. and i think of those values, so ord protector or society. e e are more desirable way. yeah. you're being a bit unfair to yourself. you had one work which had a very particular perspective, the one where you took the steel balls from earthquake and you put them out and you spoke in that work without saying any words about an

uncaring, unable state. tell us about that. is that true? and that is true that the works i knew mar, would me bizarre ours creek on, which are killed over $5335.00 students. yeah. so i asked was a simple question. who are they on the, what's their name by the inserting environment. this is our national secret. you cannot really asking those questions. so i made this so called the since is a my education. we made a very simple for his back life. now forget and this is very essential. but to make that effort, it is difficult and almost finished in my life because i had a confrontational, ah moment face the police. ah, yes,

if you name on to the work that is have some kind of language and form and peacefully actually is very of bowel and work. but i have this kind of contradiction about state violence and about how our memory being erased or, but also from a formal book point of view. it's something which i imagine and it's all about the imagination. all that steel was kind of mangled in like that and then you straighten it and you turn it into a kind of minimalist. i'm perfect. calm. seen? where is everything? it saying is about the un. com about death. this contradictory, that's what makes it out. of course, to take one situation, twisted or straighten it. but i another situation i suddenly thought, and this is a very interesting problem, is it, 1st of all, to, for all of our daughter and yourself says for art or,

or school for artist. but the most difficulty is, what is after? because her, i did a film about the refugees. but her, as we all know, this problem become even much worse. there's silence people bad in the ocean and basically euro ping and not only european but as they want to reach europe, but the hero pin, they push them away to let them die. thought so. ah, yes, i made the film i made many works but but so what earn in all this moment those those cases and the women still leave in the dark. the most important and above the artist, honesty besides all the skills yet because honesty relate to our own identity. but the latter is the most difficult. yes. agreed. totally agree. i mean though, i say,

yeah, because as an artist i reserve the right to contradict myself to say this and that and do both together without losing integrity, all honesty. because if we become to wholly about ourselves too wrapped up in the idea that we have some great message for the world with the it's the end of why we must not have the greeting mildly to the world. but we have to give ourselves for a gift law means may recognise ourself in the miracle to say, hey, this is me so that the moment is very hard to establish enough to keep going with us. i think so continue. yes, thank you. anyway. thank you so much. thank . mm lou.

if we're going to make sure that we secure this planet for future generations, we need to learn to love the people voted for things that we might disagree with. everything is that toxic mass. what we want as a transition out, but you know, what we have is an addicted society in the fossil fuel industry continues to push as addiction. this is a moment for us not to adjust to things that are so fundamentally unjust, ah, compelling journalism. we keeping our distance because it's actually quite dangerous. ambulances continue to arrive at the scene of the explosion. inspire program making. i still don't feel like i actually know enough about what living under fascism was light. how much money did you make for your bro in deliverance? i made that al jazeera english proud recipient of the new york festivals

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reparation is not an easy one. namibia, the price of genocide, people and power on al jazeera. ah, kentucky's governor says the number missing from the devastating tornado storms is not yet known. with more than 90 deaths confirmed across 6 us states. ah, hello, i'm darn jordan. this is out as they are alive from dough are also coming up. there is a tidal wave of only cold coming, but you k is to ramp up its boost a vaccine program with a warning from prime minister barak johnson, a new threat. and the on the chrome varied for.