i knew the studio wasn't consumption because at the end it here though, dana are in good health, resource, important for pharmacy in the future. for generations, the people and the park have co exist it. if the future means less water, life may change for both, for the worst. natasha her name el jazeera. well, the province spain. ah, i'm sam, is a van with a look at the headlines here. now jesse are now, british prime minister bars johnson has announced, wants believe to be the world's 1st confirmed death from the alma crohn variant of coven 19 cases are spreading with alarming speed. across the u. k. it's expected to be london's dominant strain within 48 hours. you a secretary of state, anthony blink, and says the indo pacific region needs to be free of coercion. he's on

a tour of southeast asia to counter china's influence. all of you. we see a great deal of alignment between the vision we're hearing from you know, pacific and our own people. and governments of the region want more better opportunities for all of their people. they want more chances to connect within their nations between their nations, around the world. they want to be better prepared for crises like the pandemic that we're living through. they want peace and stability. they want the united states to be more present and more engaged. and above all, they want a region that is more free and more open. us defense secretary lloyd austin has decided against polishing military personnel involved in a drone strike that killed 10 civilians in afghanistan and investigation found the strike did not violate the laws of war, but mistakes were made. the congressional committee investigating the january 6th

capitol hill riots has voted to hold former white house, chief of staff, mark meadows, in contempt. the vote was unanimous, but must still be approved by the full house of representatives. the governor of the state of kentucky says at least 74 people there have been killed by friday, series of tornadoes. another 109. people are still missing. the powerful storms tore through his stays, and 5 others. president joe biden will visit kentucky on wednesday. chalets 2 remaining presidential candidates have taken part in their final tv debate before sundays run off election will be served with candid jose antonio cast is promising to be tougher than under the prime e. and the migration is one of the it's studio be unscripted. now, teaching, now you can watch out as they were english, streaming light on light duty channels,

plus thousands of our programs. award winning documentaries, and in depth news reports. subscribe to you choose dot com forward slash al jazeera english. ah, i cannot easily accept sums. it is not political because really means society. a new choice of being not political is as political choice. my name is iowa away. i'm mom artist and them activist. i'm rider. i'm documentary maker. but 1st i'm human being. the poetic act has such power to draw you millions of people to certain kind of conclusions about the state to be that we occupied. i'm a nice, a poor. i'm an artist. my art isn't overtly political in any obvious way. i'm

much more interested in isa, correct, poetic, or whatever else all difficult stuff. okay, well, i want to start by reading a small passage from charlie chaplin. the great comedian is a great performer, performer in his film. ah, the great dictator from 1940. he gives us big speech and i'm just going to read a little passage from it. greed, he says, has poisoned men's. souls has barricaded the world with hate. his goose stepped us into misery and bloodshed. we have developed speed, but we have shut ourselves in technology. i changed the word, it was machinery,

technology that gives us abundance has left us wanting. our knowledge has made us cynical. our cleverness is hard and unkind. we think too much and feel too little. more than technology, we need humanity. more than cleverness, we need kindness and gentleness. without these qualities, life will be violent and all will be lost. it is the most beautiful, beautiful speech clear short and very poignant and un describe as or tara tuition. perfectly perfectly are. we think we are so technically advanced by sinclair, so smart of a sickly up very well educated, but we don't know what to be missed and the rest. so it seems to me that there are 2 fundamental things missing wisdom. we live in a world almost without wisdom,

and the other is compassion. wisdom come from not just the, the library or a box, but a rather from are using your hands, the hands of teachers who are heart and they are your mind. and so it won't less label as all day, they don't use their hands in more or they use hands for some other purpose. so eyes and cuz they have been gold too far from the so called the wisdom because wisdom is about how do you survive your soul and the, your body and the now we don't see really so why bit b, e a hurried so much. we are being given by the via nona, appreciate and of a taking we don't know to whom we, we are take him from. yes and her, i think of this as to the from are the post colonial lism and also is it so kado conversation? it's a new form of law or colonialism. correct. that corrupt or

a whole human condition? i like very much what you've just said about the hand traveling in so much of the world, perhaps specially in china. what we see is what i see is that people are being moved off to land and put into great big skyscrapers. they lose the hand and it's contact with this wonderful earth. that is all that is the basis. so when you were talking about exile in the 1st part of the show here, you um, talked about being an outsider, but really you talked about losing your home. and one of the things perhaps we could discuss is how important is this idea of home? well, i am a personal fool not perfectly pack up on the want his home because you venue man.

nation one now was born. my father was eggs out, so i am 2nd generation of exiled person and i were lost. something awfully quick to be think belongs to us. familiar, annoying when know if we close or i, we can still go back to lad safety corner safe in on because you have or familiar smile, horror, or a, you know, the corner, the little light in communist society in the us and be louse to individual is not it is a material doesn't belong to individual. you don't have a private feeling. you don't have a memory because also some memories has being changed in our history book tells you really difference from a want to really happened. so the sense of a home are sole altered who it is it that also as

artists we sit outside or is it that the search for home is something that that is a continuing poetic philosophical law. confusing problem. my mother's a jewish or was jewish. my father's india, so in india we were always the jewish boys, my brother and i. then we went to israel because that's what jewish kids do. go to israel, they said, ah, but your dock. so some, it was a darky, sorry, utterly confusing, utterly confusing. and britain was much better at this, but many of our audience i could see all over them from all over the world. many of us will suffer this question of being an outsider of what is home. where is how key is home to the activity that we say we want to perform, which is reconnect. if you like, with our deep psychic in a world, i think her,

you rest up are very serious question. as an artist, we are by nature, they are person who are lost. when we choose to be lost, we choose to be lost. so it's our choice. i like that he cause we choose to be lost . yeah, that burns back to the fundamental question. what are they belongs to originally? so now to me, i have to answer doesn't matter where you come from, what kind of religion or language or a habit with meters and then tim fi us ourself as a human being a same times, we struggle for identity. it, oh no artist na struggle for identity. so this to are so conflict cielo. but in links, of course, also to the other thing, which is that i can only be an artist if i'm fragile. yes,

i once i sat in the future may may be the most powerful as being fragile. yeah. because it, it's not, there's no crawl the powers of phrases is frank jonas, correct. my fragility is my humanity. it is my ability to identify it is that part of me which can break down in tears and b, if you like, open or vulnerable, and yet we also carry this other side as artists of great bravado. i can, you know, baker, can them shoot him to the corner. oh, whatever. a variation on such a thing. meaning foolishness, stupidity, fragility, and stupidity are quite close, sisters like this. and they are, it's a very interesting problem of dairy. so it's both fragile and daring. and

a hall to leave your life that sort of question. how do some live formula, fragile it nurse, and also to be provocative. my in chinese facie thought them is the way. so the way has to be leave us a one. he, why do you act, and the why do you think about the language has come to one that's most difficult may be and that part can be called the other artist and that's very beautiful. there's one other really important subject. it links to all the things we've been talking about, that we educate our young people as slaves to the capitalist economic machine. society is not interested in the individuality, the freedom, the spirit,

the of the young person. what we want is automaton ins and walk society does not want is young people who feel who think, who are fragile, who are unable, who don't know. we'd say no, you go and stand on the corner. i don't want to see the dark side of you. we have taken all a dark parts of our environment, every dark valley, every dot chasm, and cut it down and turned it into a nice little if you like, forgive me. but a nice little christian place in which everything is good. everything is well, but actually it's the death. i won your dog so i don't want your good self here. i am. and that is the reversal if you like that turning education the other way up, if you like. i totally agree that education is the big problem because we designed

this system to kill as a young generation. i look on my song, i think all he has though, doors is 20 years of education. if you haven't either more of ways are the best time of your life. yeah. then you come to the road. you've cynthia, been trend, you just become a use for piece of it? are a machine or a tool correct to be efficient or tool tool have or so called the security? i think of capitalism uses the connoisseur craig. he to spare everybody to see because he is doing that. you're safe under your even better position. and this is crazy because you don't act, you only think your northern knowledge or you instantly has structure some kind of knowledge. but to you later, send coverage has become a doctor or, or

a lawyer or a wall street treater or, you know, whatever is a profession. i think that his biggest loss of humanity, i've always said to my children, don't get a job. but i think we have a question from someone. my name is john packer, i'm a professor in law. you both raised the idea of language, arts and language. and of course is often been said that music or the arts in general are a universal language. but not necessarily as just codification of images and sounds like there's something else happening and i'm interested to know what you believe in your experience is happening universally through the arts and doesn't require to be universal. that everyone is an artist, an artist, make some work if in the process of making the work, the artist has been able to remove enough of themselves and not getting

away in other words, and leave space for the viewer for you and me to come and watch and look, then you and me, complete the work we make the works. and what that assumes, as you quite rightly say, is that there is a code that we share of color of sound. there are various languages that we share, almost in spite of ourselves. now is that true? is that not true? is it culturally specific or is it not? so for example, i mean just off the top of my head, is there an african for example, notion of the sublime that i know nothing about? is it different if you like, from the classical western or whatever variation on such a thing?

so is it truly universal? you know, does the color red mean the same thing in london that it does in beijing? i doubt it. i think in raising a means i'm a completely different how we codified these things. it's not complex, but i do believe the main question is, get the artist out of away meaning too much to say gets in the way in fact and makes the less good art, the understanding of value about her art. it's really very much like taken our drug hinson. it's a, it's not a natural on, you know, we, we appreciate sense. but as you said, the african people are preciate differences for mom, the white people and i was away. they understand the more meant the sound, the light? no, it's very different. i don't see any modern sculptor car rich the same kind or

language as african did as soon they are blot in. i'll be only come provide the other experience which often as they may not even send cough as high sink. hello, my name is penny, and i wanted to ask supervisor the internet, our social media brady are being made and need that ever before on it. ok, so a rain, what you thought about the surplus of production and consumption of outlook. and it does is address or an opportunity for to base our test. creativity, certainly, ah, been denied to our tech technology mom, provide us human society some, some we've never experienced that before. and also we don't know how it would affect or, or understanding of value and,

or exchange of values and, or even just to own some saying, you know, and, but certainly because see mason's been changed. so surveys use social media and off i phones, the film become, are in crisis. you know, we don't most people very hard even to go to a theater, to look at the a film and you more because we are used to easily together cream formation in very short on time. and we cannot have the same kind of patients to see the film i developing or less a story. but we, i, i mean, i take your point about film, you're absolutely right. film has but there are many arts that you have to experience. you know, you can't, tom, just have music if you like online in whatever form it is.

um. it's especially with classical music. let say you have to be there and it's the same with painting. it's the same with sculpture. i'm babs, very old fashioned. in this way of eating wound never be the same dumb tool, even just like a conversation we had said to their, their and the guy and knowing child guidance either. but if we were doing this online, it would be such a different conversation. wouldn't it could be a good faith that oh, how do they have to realize that's another reality. yes, we read all sorts of signs some each other gentle, subtle, little signs that tell us things that screams just cult. so i accept, it's a different reality of our different i, i'm genevine, i'm a student in london. i've always felt the extraordinary arch macy more than just a consumer in masses. you completely and my question is, how do you meet your audience more than just consumers?

and person is it for you is artists that people really experience and are fully masked in iraq. i've been for many, many years in zen practice and ins. then my teacher used to say to me all the time she would say, give yourself truly give yourself into what is being done at this moment right now. and something happens in when you're truly involved in something, something happens to time. time go somewhere else, it becomes something else. it's as if it doesn't exist. so all job is artists is to be watch full beauty in other words is everywhere, right? that's right, that's right. that's right. that duties everywhere. all we gotta do is grab it right now. where would you think? i think it's a very hard to rational describe from now about the art practice because it is

a mess. ology is what do you believe? and so what do you believe an artist can really he lou street or sense of a time under under place? i think that's a, that's a minimal effects of for art makers of forget or make us are being conscious about some, some been never been conscious that moment is they forget it. oh, so it's a, it's an art i should be a dangerous person to do. you know is not, there is never safe. but of course nighty night prison art is not in the category i. my name's emily balance and that my question is that we should pieces, you've made the think impacts and why or how i would say none for my work. i did that, which i'm

a cited fine or i was and could create some kind of real impact and narrow kind of really think that can be called our work in most time. but rather to have a life to grab some values i think is very important. which to which doesn't really belong to me, but in to the, to every human being. and i think of those values, so ord protector or society, e e are more desirable way. yeah. you're being a bit unfair to yourself, you had one work which had a very particular perspective, the one where you took the steel balls from earthquake and you put them out and you spoke in that work without saying any words about an

uncaring, unable state tell us about that, is that true? and that is true that the world i knew mar would me bizarre ours creek on which are killed over 5335 still didn't. yeah. so i ask, was a simple question, who are they on the, what's their name by the inserting environment. this is our national secret. you cannot really asking those questions. so i made this so called the since is a my education. we made a very simple for his back life. now forget. and this is very essential, but to make that effort, it is difficult and almost finished in my life because i had a confrontational, ah moment face the police. ah, yes,

if you name on to the work that is have some kind of language and form and peacefully actually is very of bowel and work. but i have this kind of contradiction about state violence and about how our memory being erased or, but also from a formal book point of view. it's something which i imagine and it's all about the imagination. all that steel was kind of mangled in like that and then you straighten it and you turn it into a kind of minimalist. m. perfect. com. seen, where is everything it saying is about the an com about death. this contradictory, that's what makes it ought. of course, to take one situation, twisted or straighten it. but i another situation i suddenly thought, and this is a very interesting problem, is it, 1st of all do for all they all do and your so says for art or,

or school for artist. but the most difficulty is, what is after? because her, i did a film about the refugees. but her, as we all know, this problem become even much worse. there's silence people bad in the ocean and basically euro ping and not only european but as they want to reach europe, but the hero pin the push them away to let them die. thought so. ah, yes, i made the film i made many works but but so what? and in all this moment those, those cases and the women still leave in the darkness. the most important sent about the artist, honesty. besides all the skills, you know, because honesty relate to our own identity, but a lot is the most difficult. yes. agreed. totally agree. i mean though, i say,

yeah, because as an artist i reserve the right to contradict myself to say this and that and do both together without losing integrity, all honesty. because if we become to wholly about ourselves to wrapped up in the idea that we have some great message for the world with the it's the end. while we must not have agreed mildly to the world. but we have to give ourselves for a gift. law means may ride, can eyes ourself in the miro to say, hey, this is the me so that the moment is very hard to establish. you not to keep going with us? i think so continue. yes, thank you away. thank you so much. thank . mm,

we're going to make sure that we secure this planet for future generations. we need to learn to love the people who voted for things that we might disagree with. everything as it toxic mass. what we want as a transition out, but you know, what we have is an addicted society in the fossil fuel industry continues to push those addictions. this is a moment for us not to just to things that are so fundamentally unjust, ah. from the al jazeera london girl cast and tack 2 people in thoughtful conversation with no haste and no limitations. what is even more in p me that mouth is system innovation? systems design and system transformation. part one of human rights activist, q, me, nighty, and environmentally. when own electric, i lived as you have with

a fossil fuel arrow my entire life and i'm looking for a graceful transition out of it. studio b unscripted on out his era. here are some of the media stories, a critical look at the global news media spread of cell phone out is era. government shut off access to social media on counting the cost, all rich countries ready to put the bill for a global, a port, demik preparedness, hypersonic missiles are driving a new. all right, so what's the big deal behind them? and solar powered vehicles, we explore the cause, but harnessing the sun. counting the cost on edge. is it a palestinian social and political campaigner a nicely she became the 1st woman here to speak about human rights or in the, at american dutch business woman who's built a multi $1000000.00 business, but helps disadvantage young people in the netherlands. nothing is impossible if you believe in yourself all to see the world meets to are of women who become

successful away from home. arabs abroad, the activist of the old trooper on all joseph. ah. ready the 1st confirm, dest from the army. kron variance is reported in the u. k. it's expected to become the dominant cove. it's strain in london within days. ah, i'm sammy's a them, this is al jazeera alive from dell hall. so coming up, the u. s. secretary of state is india cancer on the 1st leg of the tour of washington's asian allies. the u. s. not to take action against military personnel for a drones strike, which kill.