but that it's more dangerous. so her daughter who sleeps upstairs at least 60 children, have died from stray bullets in the last 3 years. i am left when canada wu, butch, would he do about it? the little girl, martha gamma, will be ruthless with drug traffickers will strengthen arms control laws and redistribute police to where they're most deviate when they're not where there is more modern weather with a harder or softer touch. ever when sundays elections will be expected to make julians feel more safe again? lucy newman, al jazeera santiago. ah no again, i'm fully back to bo. with the headlines on al jazeera us grown of iris cases and hospital admissions are surging on average. more than $120000.00 infections are being recorded each day, an increase of 40 per cent on last month. i'm

a con is increasing rapidly and we expected to become the dominant strain in the united states as it has in other countries. in the coming weeks, we've seen cases of armor crime among those who are both vaccinated and boosted. and we believe these cases are milder or is symptomatic because of vaccine protection. the u. k. meanwhile, has seen a record number of covered 19 cases for the 3rd day in a row. more than $93000.00 infections were registered on friday. total numbers nationwide have increased by about 39 percent in a week or the death rates remains relatively low. in other news, c u n. human rights council has agreed to set up a commission to examine abuses in ethiopia. conflict. investigators say they've received credible reports at all sides or committing violations against civilians. if you'll be, as government denies the allegations. in the u. s. former minneapolis police officer came potter has apologize in court for the fatal shooting of

a 20 all black man during the traffic stop. she is facing charges of manslaughter for the death of dante wright. she claimed she meant to draw her taser instead of her gun. the 7th round of talk seemed that reviving the 2015 iran nuclear deal. as mal concluded in austria's capital vienna, the parties of the talks are hoping to resurrect the agreement. that's easy. ron limit is nuclear activity. in exchange for sanctions relief. the united states says it is prepared to talk to russia barrels demand to curb need to activity in eastern europe. moscow has announced proposals, calling on later to limit you membership and a restrict activities in former soviet countries. messenger binds national security advisors, his consultation with european partners is underway. you're upset with the headlines on al jazeera up next ed studio be unscripted. i've come back to san diego to we visit the fascinating part of calcium history. they were crazy, creative,

even visionary. they were top lester, not to realistic. watch them as a child during and just pops into people still love them. it was basically too bad to be true. what they were predicting can comedy heal ethnic divisions and national tensions that exist in bosnia today. once upon a time in sarajevo on algebra, ah, i cannot easily accept sums. it is not political because really mean you society. i need choice of being not political as, as political choice. my name was, i were way. i'm mom, artist on them activist. i'm rider. i'm documentary maker, but 1st i'm a human being. the poetry guy had such power to draw you millions of people to certain kind of conclusions about the state to be that we occupied. i'm any

sca poor. i'm an artist. my alt isn't overtly political in any obvious way. i'm much more interested in isa, correct, poetic, or whatever else all difficult stuff. okay, well i want to start by reading a small passage from charlie chaplin. the great comedian is a great performer, performer in his film. ah, the great dictator from 1940 he gives us big speech and i'm just going to read a little passage from it. greed, he says, has poisoned men's. souls has barricaded the world with hate. his goose

stepped us into misery and bloodshed. we have developed speed, but we have shut ourselves in technology. i changed the word, it was machinery, technology that gives us abundance has left us wanting. our knowledge has made us cynical. our cleverness is hard and unkind. we think too much and feel too little. more than technology, we need humanity, more than cleverness, we need kindness and gentleness. without these qualities, life will be violent and all will be lost. it is the most beautiful, beautiful speech clear short and very poignant and an indescribable. or tara titian. perfectly perfectly are. we think we are so technically advanced by sinclair, so smart of a sickly up very well educated,

but we don't know what to be missed and the rest. so it seems to me that there are 2 fundamental things missing wisdom. we live in a world almost without wisdom, and the other is compassion. wisdom come from not just the, the library or a box, but a rather from are using your hands, the hands of teachers who are heart and they are your mind. and so it won't let you blows all day. they don't use their hands in more, or they use hands for some other purpose. so i think because they have been gold too far from the so called the wisdom because wisdom is about how do you survive your soul and your body and, and now we don't see really some why bit b e hurried so much we are being given by the via nona, appreciate and of a taking we don't know to whom we, we are take him from. yes and her. i think that this is the, the, from our,

the post colonial lism and also is it so kado conversation. it's a new form of law or colonialism, correct? that corrupt or a whole human condition. i like very much what you've just said about the hand traveling in so much of the world, perhaps specially in china. what we see is what i see is that people are being moved off to land and put into great, big skyscrapers. they lose the hand and it's contact with this wonderful earth. that is all that is the basis. so when you were talking about exile in the 1st part of the show here, you talked about being an outsider, but really you talked about losing your home. and one of the things perhaps we

could discuss is how important is this idea of home? well, i am a personal fool not perfectly pack up on the want his home because you venue man. nation one now was born. my father was eggs out, so i'm 2nd generation of eggs out person. and i, we lost some sin of we quit to be think belongs to us. familiar, annoying. we know if we close or i, we can still go back to lad safety corner, save in our because you have or familiar smile or, or, or you know, the corner, the little light in communist society in the us and be louse to individual is not it is a material doesn't belong to individual. you don't have a private feeling. you don't have a memory. because also some memories has been changed in our history

book tells you really difference from a want to really happened. so the sense of a home are sole altered though it is it that also as artists we sit outside or is it that the search for home is something that that is a continuing poetic philosophical law. confusing problem. my mother's a jewish or was jewish. i father's india, so in india we were always the jewish boys, my brother and i. then we went to israel because that's what jewish kids do. go to israel, they said, ah, but your dock. so some, it was a darky, sorry, utterly confusing, utterly confusing. and britain was much better at this, but many of our audience i can see all over them from all over the world. many of us will suffer this question of being an outsider of what is home. where is how

key is home to the activity that we say we want to perform, which is reconnect. if you like, with our deep psychic in a world, i think her, you rest up are very serious question. as an artist, we are by nature, they are person who are lost. when we choose to be lost, we choose to be lost. so it's our choice. i like that he cause we choose to be lost . yeah, that burns back to the fundamental question. why are they belongs to originally? so now to me, i have to answer doesn't matter where you come from, what kind of religion or language or a habit with meters, and then tim fi us ourself as a human being a same times, we struggle for identity. it, oh no artist na struggle for identity. so this to are so conflict cielo.

but in links, of course, also to the other thing, which is that i can only be an artist if i'm fragile. yes, i once i sat in the future may may be the most powerful as being fragile. yeah. because it's not, there's no crawl. the powers of phrases is for jonas. correct. my fragility is my humanity. it is my ability to identify it, is that part of me which can break down in tears and b, if you like, open or vulnerable, and yet we also carry this other side as artists of great bravado. i can you know, baker canon, let me shoot him to the corner. oh, whatever. a variation on such a thing. meaning foolishness, stupidity, fragility,

and stupidity are quite close. sisters like this. and they are, it's a very interesting problem of dairy. so it's both fragile and daring, and a whole tool. leave your life. that sort of question. how do some live forms of fragile it nurse, and also to be provocative. in chinese, they see dog them is the way. so the way has to be, leave us a one he why do you act? and the why do you think about the language has come to one that's most difficult, may be in that part. it can be called an artist and that's very beautiful. there's one other really important subject, it links to all the things we've been talking about, that we educate our young people as slaves to

the capitalist economic machine. society is not interested in the individuality, the freedom, the spirit, the of the young person. what we want is automaton ins and walk society does not want is young people who feel who think, who are fragile, who are unable, who don't know. we'd say no, you go and stand on the corner. i don't want to see the dark side of you. we have taken all a dark parts of our environment, every dark valley, every dot chasm, and cut it down and turned it into a nice little if you like, forgive me. but a nice little christian place in which everything is good. everything is well, but actually it's the death i want your dog so i don't want your good self here. i

am. and that is the reversal if you like that turning education the other way up, if you like. i totally agree that education is the big problem because we designed this system to kill as a young generation. i look under my song, i think all he has though, doors is 20 years of education. if you haven't either more of ways of the best time of your life. yeah. then you come to the road. you've cynthia, been trend, you just become a use for piece of it? are a machine or a tool correct to be efficient or tool tool have or so car the security? i think the capitalism uses the connoisseur craig. he to spare everybody to see because he is doing that. you're safe under your even better position. and this is crazy because you don't act, you only think your northern knowledge or you instantly has structure some kind of

knowledge. but you later send coverage has become a doctor or, or a lawyer or a wall street treater or, you know, whatever is a profession. i think that his biggest loss of humanity, i've always said to my children, don't get a job. but i think we have a question from someone. and my name is john packer. i'm a professor in law. you both raised the idea of language, arts and language. and of course is often been said that music or the arts in general are universal language, but not necessarily as just codification of images and sounds like there's something else happening and i'm interested to know what you believe in your experience is happening universally through the arts and doesn't require to be universal that everyone is an artist, an artist,

make some work if in the process of making the work, the artist has been able to remove enough of themselves and not getting away in other words and leave space for the viewer for you and me to come and watch and look, then you and me, complete the work we make the works. and what that assumes, as you quite rightly say, is that there is a code that we share of color of sound. there are various languages that we share almost in spite of ourselves. now, is that true? is that not true? is it culturally specific or is it not? so for example, are in just off the top my head, is there an african for example,

notion of the sublime that i know nothing about? or is it different if you like, from the classical western or whatever variation on such a thing? so is it truly universal, you know, does the color red mean the same thing in london that it does in beijing? i doubt it. i think in raising a means i'm a good family. different how we codified these things. it's complex, but i do believe the main question is, get the artist out of away meaning too much to say gets in the way in fact and makes the less good art the understanding of value about her art. it's really very much like taken our drug. hinton, it's a, it's not a natural on, you know, we, we appreciate sense. but as you said, the african people are preciate differences for mom,

the white people and i was away. they understand the more meant the sound, the light, her. it's very different. i don't think any modern sculptor car rich the same kind or language as african did as soon they are blot in. i'll be only come provide the other experience, which often has they may not even send cough as high sink. hello, my name is melissa penny, and i wanted to ask, supervise the internet, our social media brady are being made and need that ever before on it. ok, so a rain, what you thought about the surplus of production and consumption of outlast, and it is a threat or an opportunity for to bass artist, creativity. certainly, ah, internet to our tech technology mom provide us human society. some somebody never

experienced that before. and also we don't know how it would affect or, or understanding of value and, or exchange of values and, or even just to own some saying, you know, and, but certainly because c medicine has been changed. so surveys use social media and off i phones, the film become, are in crisis, you know, but don't most people very hard even to go to a theater, to look at the a film and you more because we are used to easily together cream formation in very short on time and a big cannot have the same kind of patients to see the film i developing or less a story. but we, i, i mean, i take good point about film. you're absolutely right. film has but there are many

arts that you have to experience, you know, you can't, tom, just have music if you like, online in whatever 4 of it is. um, it's especially with classical music. let say you have to be there and it's the same with painting. it's the same with sculpture. i'm babs, very old fashioned in this way of eating. wow. never be the same to even just like a conversation we had said to they're there and like i am no in china. but if we were doing this online, it would be such a different conversation. wouldn't it could be a good fit. but as i know, how do they have to realize that's another reality? yes, we read all sorts of signs some each other gentle, subtle, little signs that tell us things that screams just cult. so i accept, it's a different reality of our different i, i'm genevine, i'm

a student in london. i have always felt the extraordinary arch macy more than just a consumer in masses. you completely and my question is, how do you meet your audience more than just consumers and person is it for you is artists that people really experience and are fully masked in iraq? i've been for many, many years in zen practice and ins. then my teacher used to say to me all the time she would say, give yourself truly give yourself into what is being done at this moment right now. and something happens, you know, when you're truly involved in something, something happens to time. time go somewhere else. it becomes something else. it's as if it doesn't exist. so all job is artists is to be watch full beauty in other words is everywhere. right? that's right, that's right. that's right. that beauty is everywhere. all we gotta do is grab it

right now. well, what do you think? i think it's a very hard to rational describe from now about the art practice because it is a mess. ology is what do you believe? and so what do you believe an artist can really he lou street or sense of a time under under place? i think that that's a minimal effects of for art makers of forget or make us are being conscious about some, some been never been conscious that moment as they forget it. oh, so it's a, it's an art i should be a dangerous sent to do, you know is not there is never safe. but of course nighty night prison. art is not in the category. oh hi. my name's emmy balance, and that my question is that we should pieces you've made the think have had

impacts and why or how i would say none for my work. i did that, which i'm a cited fine or i was and could create some kind of real impact and narrow kind of really think that can be called our work in most time. but rather to have a life to grab some values i think is very important which to which doesn't really belong, belongs to me, but in to the, to every human being. and i think of those values, so ord, protector or society. if you are more desirable way. yeah, you're being a bit unfair to yourself. you had one work which had a very particular perspective. the one where you took the

steel balls from earthquake and you put them out and you spoke in that work without saying any words about an uncaring, unable state. tell us about that. is that true? and that is true that the world i, you more with me bizarre ours creek on which are killed over $5335.00 still didn't. yeah. so i ask, was a simple question, who are they on the, what's their name by the inserting environment. this is our national secret. you cannot really asking those questions. so i made this so called the since is a my education. we made a very simple for his back life. now forget and this is very essential. but to make that effort, it is difficult and almost finished in my life because i had

a confrontational, ah moment face the police. ah, yes, if you name on to the work that is have some kind of language and form and peacefully actually is very of bowel and work. but i have this kind of contradiction about state violence and about how our memory being erased or, but also from a formal book point of view. it's something which i imagine and it's all about the imagination. all that steel was kind of mangled in like that and then you straighten it and you turn it into a kind of minimalist. m. perfect. com. seen, where is everything it saying is about the an com about death. this contradictory, that's what makes it out of court to take one situation,

twisted or straighten it. but i another situation and suddenly thought, and this is a very interesting problem. it 1st of all to, for all of our daughter and your so says form go art or, or school for artist. but the most difficulty is, what is after because her, i did a film about the refugees. but her, as we on all those problems become even much worse. there's silence people bad in the ocean and basically euro ping and not only european but as they want to reach europe. but the hero pin, they push them away to let them die. thought so. ah, yes, i made the film i made many works but but so what on it all this moment those those cases and the women still leave in the darkness. the most important sent about the artist, honesty beside the all the skills here because honesty relate to our own identity,

but a lot is the most difficult. yes. agreed. totally agree. i mean though, i say, yeah, because as an artist i reserve the right to contradict myself to say this and that and do both together without losing integrity, all honesty. because if we become to wholly about ourselves to wrapped up in the idea that we have some great message for the world with the it's the end. while we must not have agreed mildly to the world. but we have to give ourselves a gift. law means may ride, can eyes ourself in the miro to say, hey, this is the me so that the moment is very hard to establish, you know, to keep going with us. i think so. continue. yes. thank you away.

thank you so much. 3 lulu. we're going to make sure that we secure this planet for future generations. we need to learn to love the people who voted for things that we might disagree with. everything is that toxic mass. what we want as a transition out, but you know, what we have is an addicted society in the fossil fuel industry continues to push as addiction. this is a moment for us not to just to things that are so fundamentally unjust, ah ah,

ah, inculcate a culture of knowledge, openness and pluralism, world wide as to reward, merit and excellence, and encourage creativity. the shape ahmad award for translation and international understanding was found to promote translation and honor translators, and acknowledged the road and strengthening the bonds of friendship and co operation between arab islamic and wild coaches, hulu. stories of determination and joy, ah, will, i hope to be luck at darwin, the kito gena duke. i remained a listening v. i don't give luca a short documentary by african filmmakers from molly, wanda,

and cameron, desert libraries. the young cyclist and happy africa direct on al jazeera ah, ah, covered 19 infections and death surge in the us and europe as the only con variance prompts government to tighten restrictions. ah, you're watching al jazeera ally from doha with me. fully battery will also ahead. the un, human wise counsel is to investigate abuses committed by all sides in ethiopia as war. at least 12 people to kill them. thousands of homes destroyed by a typhoon in the philippines.