tv [untitled] January 14, 2025 5:30am-5:37am AST
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a pretty compelling new narrative and all the fact i'm and thank you for talking throughout the 0. i'd like to start with festival as the probably sounds rich association. we have carpets in history and it's very much part of the dna of the nation. and it was there was in a carpet is, is, uh, is related. it's not only for with a story goal, but it wasn't geographical or can they, isaac geographical connection, like some, some carpets, for example, as a name of villages where they tell me, look, here can be a design of full of this comes from this village and then we may be carpet by this village, or a stick need for a certain thick, unique, less tomorrow or if the data for example. so what else is it? of course is historical commission because every uh, every stage of history carpet also been changed and it's kind of reflecting like that historical moment of, of,
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of this region in general. and especially for i've and, and there's this, there's this phrase isn't there. wherever i lay my confidence, my height exactly, because we like nature and the carpets only a human kind of science is sign in, in, in the nature if you put in carpet into somewhere in the, in the beautiful nature and just separating your food. and that's kind of neat and given goal or that the feeling of, of, of, of, of home, of causing us. and so you obviously the absolve that association and that deep sense of connection and, and profit making. well, yes, i think so, because again, as i, i grew up in carpets which relate, but also the carpet is connection with other parts of the cultural elements like our fixture of music. so that's why somehow i see it's like these kind of this codes. almost an old part of the cultural of objects sounds and a general process. so just but i think it's,
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it's kind of me even natural when we observing it. and then we're at interpretation because because we're living in it and i'm wondering where else. so whatever was in, in the past, have to be relooked all the time, revisiting the interpreter rent, or if it is probably so some from some, maybe as a, maybe we should keep it as it, as it was as our like interest or use it. well again, like it's, it's question and every, i think you'd never stage of history every stage of even a human life. a sometimes we need something from best. sometimes we don't. and then we have to, we look, sometimes we have to move, put in, in the, in the, the, in the museums and just look at as a, as a part of the past. right now, if you're willing to spill that, need more about the origins of your ok shortly in our personal life. but i think that was the time when old invited to feel the same downs since you design. but, you know, we've the corporate to yourself, is it sometimes difficult to transfer?
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you know, your vision. i think it's, uh, it's kind of a, today's artistic situation when artist most of the thinking then showing what he can do, but hands or bite more with the body. so it's giving kind of the beginning process. that's someone thinking someone doing someone transferring that between the of this process and it's kind of teamwork. we're a source source starting from everywhere. but uh, but they are collecting here and now. so i can tell maybe some, some uh like history that i remember that's getting that it's can start from, from childhood or i can start from mom and then i draw it for sketch and said, oh, this is a good idea. and how to, how it came naturally to you as a child. i mean just generally drawing i think, i think yes so uh because i, i really like freedom of time. so like freedom of acting for them. oh, so it's,
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and i think the arts was very like suits to, to this kind of character. my 1st somehow it's been my 1st arthur if, if it's right to said uh, but at the same time it was the time of the car. but to that, i taught sydney when i was kits and i was 7 or 10 years old. so i didn't remember in the physician like of course we can talk a of the country or some sucking people's tradition. and we stick to this. did that, did that structure, but at the same time, we as another, like we have upper tinnitus and is depend of, of how we're acting between 2 of this entities. we were feeling we're feeling moved, fulfilling the, that's what, what do we have to do? so that's what kind of an even, maybe even more so if talking about, so she managed as a, as a part of the illusion. and this of ocean kind of bring me all the time, something new. but we still have something that really can like still strongly
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connecting us with the past and it with the values of past. that's why it's sometimes some, some very strong traditional object, like object here as a, as a metaphor has to really looks at least 2 from, from other perspective. and then we'll see, and then we'll say as they say, uh, 2 parts of stuff of, of our clients do, do you have a favorite piece of all those that you've created? no, i have maybe in the future. is that what do you mean? who is this one of those one of the thing that we see where the ice one but also we see of and brain activity, which is also important. and we can see exactly which moment of, of the infinitive for why it is to him as a media that doctors can use today. but not all of them bringing to the to the point that's can can be interesting at least the, to the public. so, you know, to, i think that success often depends on the how good the q rates is often doesn't, it ends the exhibition spaces in sales. how,
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how important is that in helping artists get ahead and indeed how much the lock is involved, i guess, look is in general it's, it's, i think it's, it's something very no illusion owing this. but i think even if we're talking to our twins, kind of full of making mistakes and, and some histories to stories. but um, yes, uh it's, it's more about work and it's more about media writing about me more than it was. i don't know a week ago or like several months ago. so i understood that that, that, that moment kind of stopping. but it's also important because that's sometimes like the, the, the, the success can also be nice to doctors or some credit of person. and it's kind of, it's can, you know, it's can also build directly the wrong direction. so yes, i think the artist have to just consider it, but not really think about this or,
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or even like, feel something about that because that's kind of what we're talking about ego or this kind of stuff that's can influence to you. and the shake model was for translation and into nice little understanding is inviting nominations for its 11th edition, starting january the fast and ending march the 31st 2025. for more information. please visit the awards official website at w w. w dot h t a dot q a.
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