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tv   The Film Review  BBC News  August 13, 2017 11:45pm-12:01am BST

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consider the population. identified. consider the population. the phone lines might be slightly jammed on monday morning as that is the case. this is nhs england sang to local health authorities that they need help identifying houdet pill might be. there are huge and a death from heart disease every year. —— help identifying who those people might be. some of these things, if you go to the gp can make a bid by so you go to the gp can make a bid by so that exercise or diet. at a low level, there are some things we can do as individuals. of those people who do need medication, and do need intensive care and support, it costs money. that is the bottomline. of course, the nhs does not seem to ever have enough money. we can a lwa ys ever have enough money. we can always spend more. that is it for the papers for tonight. thank you for coming in. nice to see you on this august night. and coming out next, the film review. good night. hello, and welcome to
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the film review on bbc news. to take us through this week's interesting cinema releases is james king. welcome. what have you been watching? i've been watching charlize theron in a spy thriller that's 007 meets basic instinct. the name's blonde, atomic blonde. from the academy awards to the afterlife, oscar winner casey affleck returns under a sheet in a ghost story. and get ready to tap, clap and stomp your way through an uplifting new dance documentary, step. quite an eclectic mix this week, james.
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let's start with the big blockbuster. it looks like one. yes, atomic blonde, so charlize theron stars in this. it's a spy thriller directed by a guy called david leitch. previously he's worked on a movie called john wick with keanu reeves, that was a big hit a couple of years back. there are similarities, they are both very stylish. style over content, really. very violent, very polished, very cartoonish. but atomic blonde has some basis in real events because it is set in 1989 after the fall of the berlin wall. charlize theron is a spy sent there by the british government to track down a list of missing agents. let's have a look. 0k. so, is this your first time in berlin? yes. well, it is a remarkable time to be here. wonderful music. superb nightlife, marvellous restaurants. you must try the central cafe for a drink. you'll need it later.
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you remembeer abramowitz, don't you? of course you do. yeah. we can kind of guess what happens after that. it has been hard to find clips of any duration which are not violent. she's quite adept with her stilettos, is charlize. it is ridiculous. however, i think there is some fun to be had with its ridiculousness. firstly, charlize theron is great and there is a pairing that she has with james mcavoy, we didn't see it in that clip, but he's a fellow british agent in berlin and he's crazy and over the top and she is ice cool and very measured so they have this great chalk and cheese partnership. that really works.
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she's such a watchable actress, isn't she? very watchable actress. looks great in this, of course is an oscar winner, she can actually act. i wouldn't say she particularly has to act that much in this, but we know she can. and the style is great, this industrial punk aesthetic to it, this pumping 19805 electro soundtrack. we can see a bit of action, the car chases and the fights are stunning and relentless. it almost beats you into submission. with it being visually striking should it remind us of pulp fiction, is that what he's after, the slick look with the violence that goes with it? what it does not have that pulp fiction had is the witty, clever script. it is easy to be snobbish and say the plot is flimsy and stretched. it means you can get away with quite a lot. i think it relishes its own silliness and pulpy quality. it acknowledges that and when a film is shameless about it it can get away with much more. is it a missed opportunity because the time period in which it is set, berlin,
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such a great city, it could be the most fantastic story. are they not bothered about that. a slightly missed opportunity but still worth seeing, a male fantasy of a female spy, i don't think many spies are six foot tall former models wandering around in stockings and suspenders. but there is just enough awareness for it to get away with it and i would happily watch another, that movie hasn't done really well but if there is a sequel i wouldn't complain. 0k. we move to something that could not be more different. i am intrigued that this was shot in secret, is it apocryphal that the director was so concerned about how it might end up that he thought, i just won't tell people i am making it. it is very low budget. this is david lowery, last year he moved into the mainstream
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because he made a film with disney called pete's dragon, so a remake of the old disney story. but that was out of characterfor him. he's much more of an independent, low budget film maker, this is a return to that. this is a ghost story as the title suggests. not a horrorfilm, a drama. casey affleck plays a recently deceased man who returns in spirit to his home to watch over his grieving partner, rooney mara. he is still wearing the sheet that he had placed over him in the morgue. talking about difficult clips to find, it is hard to show you any clips out of context because pacing and the rhythm of the film is so key. it is a very slow film. there are many takes were seemingly not much happens,
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the camera is very static and quiet. there's probably more music than dialogue in it. it's even shot in the old 4x3 ratio, the square tv ratio to make it feel claustrophobic. so it's pretty bold and risk taking. i can understand why david lowery might want to keep it secret in case it did not work. i think it does work. you have to take a bit of a leap of faith to get into its rhythm and slowness but when you do it is rewarding and a film about memory and legacy and slowl change. ok, i am a bit worried the trailer might put people off, it's quite bizarre! it isn't that kind of movie. what is your third choice? a documentary, called step. people use the word ‘feelgood' too much, to the point of redundancy but this is genuinely a feel good movie. a documentary about a girl's dance troupe, called the lethal ladies working out of a high school in inner—city baltimore. the film focuses on three of the girl dancers in particular, about their hopes and aspirations. trying to break the cycle of poverty they come from and get out of baltimore and into college. very charismatic leads,
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the people in the film are very charismatic. as we will see in this clip. this is the girls in training. you will watch me step. actually, i'm going to make you watch me step. i'm going to get my step, it's going to get up in your grill. i'm going to take you by your neck and you're gonna watch me do what i do. that's what you're supposed to project, every time you get in front of somebody. that's what you step on. if you're not stepping on it, sit down, go home, good night. stand to attention and give me that face. nothing to stop! i like that teacher, i am not missing with her. she's brilliant, everyone is brilliant. it's a really uplifting story. it's uplifting because it does not scrimp on the hardships. these people that we focus
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on have had tough lives. there is a lot of anger and it's set among the backdrop of the black lives matter movement and the female empowerment movement. so there tough issues going on. that makes it all the more feel—good when the highs come along and when it gets more optimistic. it's not really a film about stepping as a dance. if you don't know much about stepping, very popular in american colleges, but it's not about the technique and history of stepping. really it's a film about what dance means to people when they don't have much else. i'm really looking forward to that one. and for best out this week you have delighted me because it is a reissue and what a pleasure it was to watch this film so many years later. this is prick up your ears. re—released, a movie about playwright joe orton, rereleased for the 50th anniversary of his death, the film actually came out in 1987, so the film itself is 30 years old.
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stephen frears is the director, alan bennett is the writer, based on the diaries ofjoe orton, which we see in the movie. we see john lahr who was the editor, played by wallace shawn in the movie. and then it flashes back to the life ofjoe orton. gary oldman is amazing as orton. i am always reminded of a couple of things, first that time in the 80s when gary oldman and contemporaries like daniel day lewis and tim roth were the angry young men of british cinema and the future of british cinema. weren't they? now daniel day lewis has announced his retirement! and gary oldman will be playing winston churchill! so you feel very old watching this! secondly, more importantly, what alan bennett did with this script is capture the whit and boisterousness that made joe orton such a great playwright in the 19605. gary oldman great, vanessa redgrave, for me, it is alfred molina's movie. he plays kenneth halliwell, orton's lover.
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they had an ultimately tragic and shocking relationship. he steals the show. but what is so striking, as you say, the film is 30 years old and it is a litany of wonderful actors because the mother of orton is played byjulie walters and his sister is played by frances barber, these people are part of britain's acting firmament. alan bennett has become even more part of the furniture. what he does brilliantly is give us movies that feel traditional but they are pretty out there when you look at what is going on. now quick thought about the dvd. raw, belgian/french horror movie about a student who goes to vetinary college and discovers a cannibalistic tendencies. beautifully unsettling. determined to freak you out with the acting, performing and lighting and editing. it is like carrie directed by salvador dali! it weird, but it is wonderful. james, thanks very much.
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james king, thanks for being with us and that's just about it for this week. enjoy your cinema going. goodbye. good morning. it wasn't too bad a weekend. dry and sunny spells for most of us. changing the date. especially in the north and west. rain in northern ireland and scotla nd rain in northern ireland and scotland first thing in the morning. drifting steadily eastwards during the morning leaving showers behind. light and patchy in wales in south—west england. the best of the sunshine in east anglia and the
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south—east corner. the cloud in the rain will be fairly showery into the afternoon. some heavy and thundery in the far north—west. 18 degrees. in the sunshine, 24. the rain will go in the sunshine, 24. the rain will 9° up in the sunshine, 24. the rain will goupa in the sunshine, 24. the rain will go up a bit through wales into northern england through the night. that clears clears away and leaves sunny spells and scattered showers into tuesday. some of those again could be heavy. in the sunshine, white warm with highs of 24 celsius. that is it. please take care. i'm mariko oi in singapore. the headlines: america's top military chief arrives for talks in south korea as tensions between the us and north korea intensify. torrential rain causes landslides in india and in nepal — streets turn into rivers as the death toll rises in both countries.
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i'm babita sharma in london. also in the programme: the white house defends president trump's response to the attack on anti—racism protestors in the us state of virginia. 70 years since the partition of india, we head to pakistan to find out what people think of the founding father's vision for the nation.
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