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tv   Baftas 2019  BBC News  February 11, 2019 12:30am-1:01am GMT

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i'm kasia madera with bbc world news. our top story: the entire population of a town in new zealand is evacuated, as a large forest fire threatens the homes of over three thousand people. health officials in the philippines are going door—to—door to immunise children to try to control a measles outbreak across the country where vaccination rates are low. at least 25 people have died in the last month. this story is trending on bbc .com. the stars have been out in force at the bafta awards in london. the favourite has dominated this year's event, winning seven awards including outstanding british film. that is all from me. stay with us on bbc news. now an bbc news, a chance to see the highlights of tonight's ba fta to see the highlights of tonight's bafta ceremony.
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applause. spider—man: into the spider—verse. applause. spider—man: into the spider-verse. anyone can wear a mask. you can wear the mask. you didn't know that before. but we do now. isle of dogs. you just have to imagine that part. i can picture it. incredibles 2. and the bafta is awarded to... spider—man: into the spider—verse.
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applause. thank you. oh gosh, guys, thank you, ba fta, thank you. oh gosh, guys, thank you, bafta, for all you do for emerging filmmakers, thank you wes and brad, your films filmmakers, thank you wes and brad, yourfilms inspire us. we share filmmakers, thank you wes and brad, your films inspire us. we share this with 800 other filmmakers and maniacs who worked really hard to try to break new ground is and to ta ke try to break new ground is and to take animation in new directions all because we wanted to make a movie that was worthy of miles morale is and his family. i hope this encourages other people to do the same. animation is not a genre, it isa medium, same. animation is not a genre, it is a medium, and that medium is film. peter. we wanted to make a movie that made people feel seen. i think all of us have had the experience parents telling us about their children, seeing themselves up
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on the screen when they see miles, saying he speak spanish like me, or ican be saying he speak spanish like me, or i can be just like her. you know, stanley created a great idea and it showed all of us that you can be powerful and we are all counting on you. that is the spirit of our movie. we want to thank you for honouring it with this award. thank you so much. applause. first man, nathan crowley, cathy lucas. fantastic beasts: the crimes of grindelwald. stuart grey, anna pinnock. the favourite, fiona crombie, alice felton.
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roma. mary poppins returns, john meyer, gordon sim. and the bafta is awarded to, the favourite! applause. thank you so much to bafta. we are truly honoured to be recognised for oui’ truly honoured to be recognised for our work and from our peers. we are going to break protocol, we are worried we won't have enough time. i wa nt to worried we won't have enough time. i want to thank the love of my life, peter knowles, somewhere over here.
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and my parents,. i want to thank my husband, my children, my parents, who supported me every step. my beautiful and creative friends, fiona crombie, i thank you for having me in your life. we have never been alone on this journey. we we re never been alone on this journey. we were blessed with a small but outstanding team. our team brought their brilliant every day and we wish that we were here with us on this stage. thank you for granting us this stage. thank you for granting us the freedom to create and invent and play. and that youtube fox searchlight film4 making films like the favourite. —— thank you too. searchlight film4 making films like the favourite. -- thank you too. we would like to dedicate this bafta to every woman and working mother who keeps it together and makes it happen. i am 0k.
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martha. roughhouse. i could have taken anything from him. so long as i thought we were still mates. and the ba fta for thought we were still mates. and the bafta for best short animation goes to roughhouse. thanks very much, everyone. quite a surprise. just wanted to say, not very much, but thank you to everybody who helped. this film took
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15 years to make... it is a 15 minute film. and a loss of people helped with it. i wanted to thank everybody on the team, notjust in the uk, but in france. this film could not have been made without france and the people in france who believed in this film that helped this film, divine is this film. and, what can i say, at this time we need europe more than ever —— finance this film. applause. well, as a french producer, when we saw the project what we saw was a british film. and this is really what we wanted to make, a british film. with british accents, british music, british locations, british
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act does. we are very proud of it. this is what we have done. -- actors. banks, everyone. battle another 38. —— bachelor 38. battle another38. —— bachelor38.|i am not crying because i am upset. i am not crying because i am upset. i am crying because i am happy. because now it has all happened again. the field. 73 cows. you do realise that they have personalities and they experience the world. the blue door. real. you're a mechanic? yes, sir. i'm not kidding, i have seen them.
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they're all sensational. the bafta goes to 73 cows. that's heavy. we can't believe this, really. we set off a no budget and it was just the four of us. so this is quite a nice surprise. ijust wa nt to is quite a nice surprise. ijust want to thank everyone in the crew, oliver walton, my wife, john ruddy, i want to say thanks to] and kata waelti let us make this film about them and i hope this brings them as much exposure as they can and i want to say thanks to mum and dad. thank you very much. applause. #we
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# we will, we will rock you! applause. and the bafta is awarded to... hang on, ican‘t and the bafta is awarded to... hang on, i can't get it out of the envelope. bohemian rhapsody. #we envelope. bohemian rhapsody. # we will, we will rock you...
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# we will, we will rock you... #we # we will, we will rock you... # we will, we will rock you... # we will, we will rock you... applause. #we applause. # we will, we will rock you... # sing it! #we sing it! # we will... laughter. applause. thank you very much to bafta and all oui’ thank you very much to bafta and all our fellow nominees. we are truly honoured and overjoyed to win this award for best sound. we owe huge thanks to graham king, a denis o'sullivan, for the decade they put into putting this together. thanks to all be cast and crew. and their personal things to our own
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team. for all the hard work and late nights. there is no way this film would ever have been made if it wasn't for queen. primate, roger taylor, and your whole team. thank you for trusting us and all your support will the way three —— brian may. and most important, thank you for the awesome music. applause. i would like to add a brief thank you to our picture editor. everyone at twickenham studios for an awesome sound crew. and a very personal thank you to brian may and roger taylor. it was a privilege to work with you guys. thank you very much. the project of a lifetime.|j with you guys. thank you very much. the project of a lifetime. i would like to thank everyone at twickenham, again, and everyone who worked on the show. and everyone back home, and my mum and dad. and, finally, happy birthday to paul maskey. thank you very much
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faltering this great party for him and giving him a gift. cheering. applause. bohemian rhapsody, john nott and. first man. it is absolutely fine by the president. if you were to come to a different understanding. and the award goes to... vice. applause. honestly, i didn't prepare anything. thank you to nancy, my wife. my
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lovely director, adam mckay. the actors, you know... laughter. and i want to thank editors everywhere, who are always in the dark, just completely anonymous. these things don't happen. there's fantastic. thank you so much. cheering. free solo. three identical strangers. all of us just sat there are watching three separate lives becoming one. mcqueen. in these times you need to have a break to get away from everything and not to wink about, sort of, business and fashion shows. they shall not grow old.
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rbg. i ask no favour for my sex. all i ask of our brethren is that they ta ke i ask of our brethren is that they take their feet off our macs. —— necks. and the award goes to... free solo! wow. thank you, bafta. thank you to oui’ wow. thank you, bafta. thank you to our fellow nominees. it has just been an incredible year for non—fiction films and we are honoured to be part of it. thank you, alex arnold, for your...
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applause . where is alex? for inspiring us with your courage and demonstrating that anything is possible if you work really ha rd that anything is possible if you work really hard to achieve it, so thank you, alex. thank you national geographic for believing in our centre taking this leap of faith. and also for hiring women and people of colour, because we do make the film is better. thank you to our incredible producers, evan hayes and shannon dell, who suffered through this with us, and i have to thank my incredible wife, co—producer, co—director, you are brilliant. and she had our second child two months into production. talk about a working mum. and ijust have to say
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that we are so fortunate to be able to work in places like yosemite, places that give us inspiration, and meaning, and purpose, and we hope that this film is a reminder why it is so important to advocate and protect our wild places. thank you so protect our wild places. thank you so much. mary, queen of scots. jenny shercore. vice. kate biscoe, greg camm, patricia to heaney. the favourite. nadia stacey. bohemian rhapsody. mark hoodie, jansen will.
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sta n stan and dolly. mark coolio, jeremy woodley, josh weston. and the bafta goes to... of the favourite. this is nerve—wracking, up here. i just suddenly scribbled some things down. i am so grateful to be in a category with people that i've looked up to for so long. i feel so blessed. nobody stands up here without an incredible amount of people behind them, and my team were just amazing. thank you to your girls for choosing me, an incredible casting crew. mum and dad, and my friend lucy, because she thinks it is funny. thanks very much, thank
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you. we don't cell things. we cell dreams. i'm sorry, i thought you knew. why are you creeping about? i'm not creeping about. i know only my art. excuse me, but do we know you? not in this life. they call us murderers. why don't
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you stop hurting so many women and focus onjust hurting me? kind? who would like to be kind? carol. this strike is about one thing, and one thing only. equal pay 0!’ thing, and one thing only. equal pay or nothing. everybody, out!|j thing, and one thing only. equal pay or nothing. everybody, out! i have never been in a rolls—royce before. i feel like the queen. never been in a rolls—royce before. i feel like the queenlj never been in a rolls—royce before. i feel like the queen. i need my name on the book. love doesn't end. just because we
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don't see each other. do you really have to smoke that thing? couldn't you just mind? have to smoke that thing? couldn't youjust mind? i can mind smoking, i can't mind smoke. a fit -- a fit —— few things in my professional life give me as much poser as does this opportunity to one elizabeth colson and stephen woolley. —— give me as much honour. thank you so much. i do have a prepared speech, and i'm just going
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to forget all about it. when we received the news that we were being awarded this prestigious honour, i genuinely thought bafta were having a laugh. during my decade at bafta as chair with simon roughly initiated some strawberry changes. as the younger partner, i was destined to be the bad cop. to say that i was a pain in bafta's bum would be an understatement. so to reference me now is a legend of veteran feels like one step away from retiree. if that is a bafta plan, it won't work. we have over a dozen movies and development at the moment with some of our great partners, bbc films, film four, and as producers we are catalysts and creative partners. all film site collaborative creations. one asada palace in 1981, it was parliament will be, one started producing it wasjordan will will be, one started producing it was jordan will be, will be, one started producing it wasjordan will be, and tonight it is carlton will be. which is precisely how it should be. so thank you to those drinkable partners. i am honoured to be your
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co—conspirator. and thank you to all the other amazing writers, directors, publicists, distributors, agents, lawyers and financiers with whom we have conspired with over four decades, and who cocreated those wonderful images you just viewed. yes, thank you, bafta. thank you. this award has been granted to some incredibly talented people and i feel amazingly lucky to be among them. very, very lucky. many years ago i saw... it was completely mesmerising. it was clear that they we re mesmerising. it was clear that they were redefining the landscape of british sarah marshall stop eight years later i found myself working with producer and executive producer of that film, stephen woolley and nick powell, a speck of any, palace pictures. by no means was it a palace. it was a veritable white —— rabbit warren in soho, to the rafters with cans of 16x35mm film, bursting with creativity and staring. it is hard to convey what a
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radical and stimulating place it was to be foreigners buying film maker. some of you here, like me, are old enough to remember those heady days. a golden age of british cinema, an age which continue still with films which are vibrant, audacious, witty, old, and you to fully crafted. culturally and economically relevant, which radiate across the globe. i have been fortunate enough to have contributed to some of those films, films which so often have women at their centre. but i share this award would be great many brilliant creative people who have worked alongside me. thank you for your skill, your dedication, your ha rd your skill, your dedication, your hard work, thank you to your outstanding contribution to my contribution. film four, bbc films, creative europe, and the british film institute, public bodies without whom so many of our films would not have been possible. your vision and support our unfailing. to landscape uk, who distribute the loss of our films. thank you to the
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team at number nine. stephen woolley, the legend, yes, he has cut his hair, surrey, bill. he has shed just about every aspect of my life. to my superbly supportive mother and my aspiring and inspiring daughters. it has been a memorable journey. thank you! applause hello. well, the end of last week was pretty stormy. gale force winds across the uk. this week, steady waters around the uk. high pressure is building, the winds will be light for most of us. we have sunshine and frosty mornings on the way as well. monday will be no different. very decent weather on the way. this is the big picture across the continent right now. this high pressure is starting to build across spain, portugal and into france. it's nudging into the uk and soon it will engulf the whole of europe. at the moment, it is still pretty chilly because the winds are blowing out of the north—north—west, however, the milder air you can see here will be reaching out shores by about wednesday.
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this is what it looks like early hours of monday morning — a couple of showers may be affecting north—eastern parts of england and scotland but on the whole, it's looking clear across most of the uk and there will be a frost. the coldest of the weather, as you would expect, across scotland. minus two in edinburgh, but outside of town, colder than that. a touch of frost further south expected as well but not an awful lot. monday starts off sunny. many of us will have a sunny day all day long, however, western areas of the country will turn more hazy. weather fronts are trying to get in. maybe even a few light spots of rain but this is pretty much where they grind to a halt because of that high pressure building across many western parts of europe. here is the high pressure across western parts of europe as it builds further towards the east but notice it's displaced further south away from us — that means the weather front‘s just about nibbling into the north—west of the british isles so maybe again a bit of cloud, a few spots of rain, increasing breeze here. but really, in the western isles, the vast majority of the country, 99% of us having dry weather through the course of tuesday and those temperatures are starting to rise because we have those south—westerly winds. in fact, we're already expecting double figures in aberdeen, edinburgh, newcastle and belfast. that's tuesday.
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by the time we get to wednesday, the mild air has well and truly arrived on our shores. in fact, it is also seeping into parts of scandinavia and western as well as eastern parts of europe. by thursday and friday, those winds turn to a southerly, so that means one thing, those temperatures will continue to rise. by thursday it could be around 13 or 111 degrees, notjust in the south of the country but even in one or two spots across scotland. so the whether this week is looking absolutely fine. bye— bye. i'm rico hizon in singapore, the headlines: strong winds fan wildfires in new zealand forcing thousands to flee their homes. a deadly measles outbreak takes hold in the philippines where vaccination rates are low — we'll be finding out why.
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i'm kasia madera in london. also in the programme: pressure is growing in brazil for tougher rules on the construction of dams — after two devastating collapses injust three years. translation: they've learned nothing. what's happening now makes us really frightened. cities are being evacuated. there is a risk of other dams breaking. the mining companies said they would help us, but they haven't. the stars are out on the biggest night for british film — with olivia colman named best actress. this is for all three of us.
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