a lot of pressure. selling enough a lot of pressure. selling british players in the singles draw, david, kyle edmund, dan evans and johanna konta are playing on the opening day, in theory, theory, how do you like their chances?” opening day, in theory, theory, how do you like their chances? i think evansis do you like their chances? i think evans is looking good, we had a chance to speak to him yesterday, a really good frame of mind. he was talking about how things are different now he is british number one, he is playing players rightly lower than him so there are different expectation. tim henman has been giving him some stick about his white, all very light—heartedly, evansis his white, all very light—heartedly, evans is taking it on the chin and seems to really believe in himself as he comes into the tournament. i think there is less eviction around johanna konta because she has been carrying a niggling knee injury. this tournament does throw up surprises, the member kyle edmund a couple of years ago? maybe one of those players can have a run this week. we are infecting many

surprises stop venus williams is chasing history, a record—breaking 24th grand slam title. the former world champion stuart bingham leads ali carter 5—3 frames after the first session of the masters final. very little in it, but bingham has a two frame cushion thanks to that remarkable yellow in at the eighth frame. a former world champion, but the first masters final for both men. play will resume at seven o'clock, you can watch it live over on bbc two shortly. that is all your spot for now, now on bbc news, it is time for the film review.

hello, welcome to the film review on bbc news. taking us through this week's cement releases, it is a mark kermode. very interesting mix of this week, we had bombshell, up for three oscars. a hidden life, the new film by terrence malick. and weathering with you, an anime from the director of your name. yeah, really interesting week. a very good week. so, let's start with bombshell. so three oscar nominations — two performances for charlize theron, margot robbie, and hairand make—up — which is interesting because make—up is a lot — it's to do with prosthetic work in order to make them look like the real—life characters. this is a drama based on the real—life scandal of roger ailes at the fox news network. his downfall kind of prefigured that of harvey weinstein, which is currently in the news at the moment. although actually, the movie went

into sort of preproduction before that scandal broke. sojohn lithgow is eerily convincing as roger ailes who sort of is running this organisation, this absolutely toxic culture, in which he believes he has the absolute right to essentially abuse the women who are working under him, and the culture is such that nobody appears to be ready to speak out. everyone just thinks "this is the way it is. if you speak out, it willjust end very, very badly." until finally, gretchen carlson, played by nicole kidman, decides to take her complaint to the public through the law. here's a clip. if you're able to stick it out at fox, gather more evidence, you might be able to sue ailes himself, instead of fox. and that is why i am here. because marty hyman told me that over here in newjersey, i can avoid arbitration by suing roger personally. he says that you've managed to change the law and that we could call other women and show a pattern.

will other women come forward? yes. they will. you live and work in new york. roger has a house in bergen county, where he stays when he can't make it upstate. you do your homework, ms carlson. no fingerprints. that's how much i practised the violin as a child. if roger finds out you came to us, he won'tjustjust fire you, he will bang us with a $1 million lawsuit, he will attack you personally. men like him worry more about reputations than they do money. roger won't stop. you know that. oh, i know. colleagues you admire will say publicly you're a superior, ambitious woman who is suing because her career has stalled. let 'em. wow! i mean, even that tells us how important this story is. it is, and it's very, very timely and what i think the film does manage to do is create a very good portrait of a toxic environment in which this sort of thing is going on. and what's interesting is that the abuse goes from, like, you know, the lowliest newcomer to people who are very sort of high up in the organisation.

i think the film itself — which is directed by jay roach — isn't perfect. i think it's solidly done. occasionally, it has a little bit of the tv drama about it. it owes a debt to the big short. stylistically, the big short is kinda of more adventurous. but what carries this shoulder—high are the performances. i mean, it is a terrific trio of charlize theron, nicole kidman and margot robbie. for me, funnily enough, watching it reminded me a little bit of the fact that nicole kidman had made that film to die for, back in the '905, which is a very good and very, very overlooked film. i think the film itself — which is directed by jay roach — isn't perfect. i think it's solidly done. that kind of pastiches the infotainment style. and it is entertaining but you feel like you are being given a lot of information as the story progresses. and at the centre of it is this idea of silence — that everyone kind of knows what's going on but nobody is able to speak out because there is this poisonous culture,

there is this, you know, this character who seems to be unassailable. the film's also kind of interesting about the beginning of the relationship between trump and fox news. and obviously, in the light of everything that's happened with that relationship, it's very interesting the way in which the film sets it up and initially, it is a kind of adversarial thing, but you can see. people thinking, "oh, actually, this guy thinks the things we think" and "this guy is maybe somebody that we should be getting behind." so i think it's a really interesting film but if the performances were not as good as they were, i think you might start to see the flaws in the drama a little bit more — but the performances are really good and... ..and i really bought into it as a result of that. plus, as you say, it is a really timely story and, you know, quite shocking, but yeah, very, very engrossing. all right. terrence malick for your second choice. yeah, so where do you stand on terrence malick? uh, i like what i've seen, but i've not seen huge amounts, so i think that's — i'm probably not the bestjudge. he has been off the boilfor a few years — in fact, for a few films. you look at things like prince of cups, song to song. people think of badlands and they think of the great malicks.

yes. everything, i think, up to the thin red line. this is a return to form — partial return to form. the true story of a austrian conscientious objector, franz jagerstatter, who refused to swear allegiance to hitler during world war ii. we begin with an idyllic scene of him and his partner starting a family. clouds are gathering — quite literally clouds gather overhead — and then it becomes a battle of conscience and will as the community turn on him for refusing to fall in line. the film was originally entitled radegund, which is the place where the home is set. the new title comes from george eliot — "with people who lived faithfully — a hidden life and rest in unvisited tombs", so the film sort of declares itself to be a celebration of a sort of quieter defiance, and one of the questions he's asked all the way through is "what's the point? what's the point? you think it's going to make any difference?" and the point that the film is making is actually not unlike the central point of it's a wonderful life — just a decent, a decent man, you know, actually is important. it's beautifully shot, beautifully scored. i have to say, i thought rather over — overuse of music.

it has a religious element. and if you didn't notice the religious element, don't worry, the score will tell you, the music choices will tell you there's something religious going on here. 0k! so i like it up to a point. it does have a lot of that malicky stuff about hand—held, wispy, you know, voice—overs, but i think its heart is absolutely in the right place. i think it is an important story about defiance and it is a story about standing up for the thing you believe in, even when everyone around you turns against you. and i think it's really found malick back on track after the last couple of films which were just self—indulgent waffle. and weathering with you. yeah! which i read was the highest—grossing film in japan last year. terrifically successful. so directed by makoto shinkai, who made your name — which you remember i reviewed on this show a couple of years ago? so, set during in a period of rain that looks like it's threatening to drown tokyo and japan. we have a young hero who runs away from home and he gets to tokyo

to start a new life, where he falls in love, from a distance, with a young girl who he starts to believes is a weather maiden. as in, she can actually affect the weather. here's a clip. whoa. watch. it's gonna clear up. huh? hey, what do you mean by...? what?! now, i should say, that's

the english language dub. of course, i saw it in the original version which is the version that i would advise people to watch. i thought this was really fascinating, firstly because, like your name, it does the thing about it's a young love story, but it's connected to a kind of global event. secondly, because it looks absolutely beautiful. i mean, just watching it... even that was gorgeous! yes, but even seeing it on a small screen, it is really beautiful. it has a great musical score by radwimps — i'm sure you have all of radwimps' albums. sorry! laughs the music is really, really good and really sort of suits the tone of the film itself. i found it enchanting. i love the way it's details of a love story but the wider fantasy of it all. it is aimed at a young adult audience — a 12a certificate film — so a lot more grown—up than some animations, but i thought it was fully terrific and it's not a surprise that it's been a huge hit and i hope it finds its audience here as well.

oh, fantastic! and sticking with the theme of things that are visually stunning. yes! your best out — not surprising, i think — 1917. 1917 — have you seen 1917? 0h. i mean, visually, absolutely extraordinary. did you find... extraordinary! ..overwhelming — because the whole thing about 1917, first world war drama starring, brilliantly, george mackay, directed by sam mendes, is that it's — it plays out as if one shot. it's not one shot. it's not, but it's... but it plays out as if... gosh, it's clever! did you find it immersive? i did, but i didn't find it as emotionally traumatic as i thought it was going to be. 0h, 0k! i was stunned by the visuals but then, you know, my other half trained in camera work and spent the whole two hours going, "oh, my god! !0 this is extraordinary!" the camera work is absolutely extraordinary. yes, yes, so that's what we came out discussing. i thought the score was great as well, but i really did think... i mean, i was kind of suspicious at the beginning because the whole one—shot — even though it's not one shot — thing sounds like it could be a gimmick. you kind of think of the beginning of spectre — you remember the one shot going up, following bond, in and out the window and then

across the rooftops? but actually, i forgot very early on that it was a stylistic format and i just felt that you were seeing the world unfold as these two central characters saw it, constantly discovering things as they discovered them, and... yeah, it... see it on a big screen. that's what it is all about. see it on the biggest possible screen, don't wait for it to come out on dvd. a big screen, a big screen. and i love your choice of dvd this week as well. so, pain and glory, which is... got this fantastic, you know, award—nominated performance by antonio banderas in the central role, it's the new almodovar. what i love about it is this — it's a semi—autobiographical for almodovar. i think it's the most vulnerable i have ever seen antonio banderas. yes, yes. you really feel... you know, you feel his vulnerability, his pain, his growth, his, you know, nostalgia for the past. you get the sense his body is failing him and i could listen to his voice for — that sequence, anatomy and geography very, very early on, which i... gasps yes, very clever. just spellbinding. absolutely loved it. and again, actually looks beautiful. i mean, it's the whole — it's the whole works, but it looks gorgeous. the thing is when have you ever seen a almodovar film that didn't look beautiful? yes, good point.

even the ones that aren't great look brilliant. good point well made. chuckles mark, see you next week. thank you. and enjoy your cinema—going, whatever you choose to see. it's a cracking week. enjoy it. bye— bye. scotla nd scotland and northern ireland have had a generally cloudy and breezy day, but sunny and cold for england and wales leading to dense patches of fog tonight. we are going to keep the cloud and a breeze going across scotla nd the cloud and a breeze going across scotland and northern ireland, fog becoming quite dense throughout northern ireland and wales, midlands, maybe east anglia the lowest temperatures will be as low as —65 —74 rural parts of england and wales, compared to 8 or 9 for the far north of scotland. high pressure in charge tomorrow, their i fought many, a frontal system introducing more cloud and that you into the far north of scotland later on monday. scotland and northern ireland cloudy and breezy again, fog slow to clear in england and wales,

there will be sunshine, again, it could be quite cold where the fog lingers.

this is bbc news. i'm at lukwesa burak. the headlines at 7pm... the queen attends church after attending an agreement with prince harry and meghan over the future. the duke and duchess of sussex would only use their hrh titles and will give up their hrh titles and will give up their royal duties i the springs. their hrh titles and will give up their royal duties i the springslj their royal duties i the springs.” think ijoined the rest the country and wishing the very best for them in the future. efforts to resolve the nine—year conflict in libya. a document seen by the dbc which accuses africa's richest woman of making her fortune through corruption and exploiting her own country. and the