than 696, of 500 some a%, less than a%, of 500 plaques in the uk and across london we re plaques in the uk and across london were actually commemorating people of ethnic minority heritage. so we haven't actually come that far and that for years but nominating noor inayat khan has been a really big move and it's fantastic to be celebrating her, her hair was in today. doctor, thank you so much for your thoughts on that. certainly a first. noor inayat khan has been honoured with a blue plaque. i new statue of princess diana is to be installed on what would have been her 60th birthday next year. the statue which will be place in kensington palace next july statue which will be place in kensington palace nextjuly was commissioned by her sons the duke of cambridge and the duke of sussex. when they announced the project, the princes said they hope the statue would allow people to reflect on their mother's legacy. on monday it will between the three years since diana was killed in a car crash in

paris. and now on bbc news, it is time for the film review. hello and welcome to the film review with me anna smith. i'm filling in for mark kermode to review this week's releases. with tenet dominating cinemas, some of this week's best new releases are on digital. one that particularly intrigues me is the darkly comic psychological thriller called she dies tomorrow. do i have to wear the helmet? yeah, definitely very important to wear the helmet. you know, these things look like big toys but

at the end of the day, if you hit anything to fast into straight on, this thing could flip right over. well, i'm going to die anyway. written and directed by actor amy seimetz, it stars kate lyn sheil as amy, a party girl who becomes convinced that she's going to die tomorrow. her friend jane thinks that she's imagining things but then jane suddenly becomes convinced that she too will die tomorrow. but how do you know? i just know. but amy decides to go dune buggy writing in herfinal hours, as you do, jane barrels into her brother's house wailing about her impending demise much to the annoyance of her sarcastic sister—in—law who celebrate her birthday.

i just thought for a second that when the lights went out, that was it. this bitterly funny scene alone makes the film well worth the watch but she dies tomorrow has more to offer than hollow laughs. it's an uneasy reflection on the nature of anxiety and paranoia. hey, it's amy. i won't be around tomorrow. or any date after that, but feel free to leave a message. obviously, this was made before the pandemic but it feels eerily relevant. morbid catastrophize and spreads like wildfire in this film. and the question of whether it's imagined or genuine apocalypse hangs in the air. while it was a bit too long on her lead character's story, seimetz has assembled a terrific cast and creates a tangible sense of existential dread amid the trippy visuals and acutely observed character comedy. but many a disaster movie, this observes how different people react to the prospect of a catastrophe. at a trim 84 minutes, she dies tomorrow doesn't have the time to fully explore the themes it raises but it's a thought—provoking and entertaining watch. it's on digital now. speaking french.

er... up next, matthias & maxime, a drama from canadian director xavier dolan. dolan's 2016 film it's only the end of the world split critical opinion at the cannes film festival. i remember being at the press screening and hearing both cheers and boos at the end of it. i'm generally quite open to dolan's leisurely character driven dramas that is for the dynamics of a group of self absorbed individuals, and matthias & maxime is another one of these. it stars dolan himself as maxime who is part of a close—knit gang of male friends including matthias who is ably played by gabriel d'almeida freitas. the pair agree to appear in a student film little knowing that they'll be required to kiss on camera. we're not let in on all the details of what happens that day but

it's clear the shoot has had a profound effect on them both. the score hints at a foreboding thriller but this is really a portrait of two friends silently, separately experiencing a sexual crisis. expressive performances go along and there's humour in everything from matthias's pantry to the pretentious film student who throws american colloquialisms into her canadian french. british actor harris dickinson brings ample charm in a supporting role and like many characters, we're not entirely sure why he's there but you're kind of glad that he is. matthias & maxime is available on mubi. now, to the sussex coast and william nicholson's hope gap, a drama inspired by his own parents's sudden divorce. i always somehow feel that i'm in the wrong. i don't care about who's right or wrong, i just want you to be there. they argue. it's like somehow you sneaked away while i wasn't looking, i don't know how else to put it.

josh o'connor plays jamie who is visiting his folks when he's shocked to learn that his father edward, played by bill nighy, is preparing to leave his mother grace, played by annette bening. i'm sorry. i can't make grace happy, i tried but i'm the wrong person. poorjamie is stuck in the middle when they usually downtrodden edward abruptly heads off, leaving the headstrong grace heartbroken and furious. this woman is clearly used to getting her own way. hello, i'm here too. hello, hello, hello! how are you, grace? fine, fine, fine... as you can imagine, nighy is a spot on in this kind of role but american bening is woefully miscast and that's really not something i quite ever say. not something i thought i'd ever say. i usually worship the ground she walks on. how could he sit there and say that i am the entire value of the family home? while her physical performance is good, bening's english accent sounds distractingly

affected, perhaps a hangoverfrom theatre stint in noel coward's fallen angels where she took on the role previous played by the very deep—voiced frances de la tour. so, the settlement that you and edward have come up with, do i get more than i get if he died? her character is also underwritten so while hope gap is moving and charming and parts, it's not quite what you'd expect from this high quality cast. the location is the real star here. hope gap is in cinemas and on curzon home cinema now. if you're looking for a family film on the big screen, then the french fantasy the lost prince mightjust fit the bill. directed by michel hazanavicius who gave us multiple oscar winner the artist, this stars omar sy as a widower who reads bedtime stories for his daughter, sofia. set in story land, this tiny feature itself as the hero prints and he itself as the hero prince and he

does it rather well. but when sophia turns 11, she becomes less bothered about daddy's tall tales and more interested in, you guessed it, a boy at school. the lost prince flits between two worlds. there's the everyday father and daughter saga, and then there's story land, a kind of fantastical film studio where our hero finds himself displaced by his daughter's new boyfriend. it's not initially entirely clear if story land is a dream world that happens when one character is asleep, ora projection of his mental state which i found a little frustrating. and the jumps from the two worlds often feels kind of random. i was more engaged with the real trauma. it's always good to see the artist star berenice bejo in a slightly cliched role as the ditzy neighbour. subtitled an rated 12 a, the lost prince is the kind of innocuous family comedy you can imagine being picked up by hollywood and remade starring dwayne "the rock" johnson.

also in cinemas is an animation that's taken one young man 3.5 years to make single—handedly. away is written, produced, directed, animated, and composed by latvian film—maker gints zilbalodis. it tells the story of a boy travelling across an island on a motorbike. a dark spirit appears intermittently and the boy makes a series of connections with different animals along the way. bearing in mind practical restraints, the animation is very impressive. there are shades of studiojubilee films like spirited away, though this has no dialogue and a simple story so away is perhaps a more of a mood piece than a conventional film. there is a poetic sense of adventure

and there's room for interpretation around the meaning of the animals. i personally enjoyed a scene with multiple cats though i must confess i wasn't spirited away by the entire film. onto real—life adventures and the documentary burning man: art on fire. this temple is for you! a week—long celebration of radical self—expression in the nevada desert, burning man has long been a life—changing experience for many attendees, including myself. there was nothing and were going to make something. get to work. a big part of that is the extraordinary art on display. you get cycle deep into the desert and see a sculpture the size of a house suddenly appear through the dust. this here is robot resurrection. let's resurrect and think differently. this documentary follows

the artists who worked on the burning man temple in 2018, a year that became particularly significant after the sudden death of burning man's founder, larry harvey. filmed in harsh desert conditions with the aid of many volunteers, this spends quite a lot of time detailing construction, but it also does justice to real characters like flash hopkins who i'd love to see played by ethan hawke one day. it's another dream come true for someone out here on the playa. given that the physical burning man event was inevitably cancelled this year, it's a timely tribute with moving moments. it's on—demand now, and if you're curious to know about the desert gigs that partly inspired burning man in the early ‘80s, then the anarchic postpunk doc desolation center is also available online. finally, a film that's new to dvd this week, fanny lye deliver‘d starting the fabulous maxine peake. very thankful to thee who put this food before us... knocks on door blending folk horror

with home invasion drama and psychosexual fervor, thomas clay's film is set in 1657 and oliver cromwell‘s britain. it stars peake as the wife of a pious farmer played by charles dance. they're quiet rural life with their young son is seriously disrupted by the arrival of a freethinking young couple played by freddie fox and tanya reynolds. i lay with whom i like and he lays with whom he likes. it's a gripping startling watch with dashes of dark humour and ample room for reflection on a range of themes from religious fervor to feminism and freedom. and maxine peake is superb. you're wasting your time, mr ashbury. thanks for watching the film review with me, anna smith. mark kermode will be back next week was up in the meantime, stay safe. i maybe wanting to put you down. my wife, sir. please. ican explain... let him speak, sir.

good evening. it has been a day of drenching downpours and dramatic skies for many of us. slowly though things will calm down through the weekend after a windy start, it will be called by day and by nice but will become a large retry. still some rain to contend with her this evening & particular across central and eastern parts of it in the west, clear spells and windy through the night but despite the strength of the wind, it is going to get quite chilly across some western areas, not as chilly towards the south—east where we still have some embrace of rain and this brisk wind gusts of wind through saturday morning around 50 mph ora wind through saturday morning around 50 mph or a touch more for some exposed north sea coast. went at times in england. the odd row shower will be with sunny spells and temperatures of just 13 will be with sunny spells and temperatures ofjust 13 to 19 degrees given the strength of the wind it will feel cooler. it's a

school through sunday and monday but will be dry with later winds. that is cool through sunday and monday.

this is bbc news with the latest headlines for viewers in the uk and around the world. get your knee off our necks, tens of thousands march on washington in a civil rights rally prompted by the police killing of george floyd in may.