been killed in an attack by suspected islamist militants in nigeria. the foreign secretary says the government is "listening" to conservative mps who are unhappy with the latest coronavirus restrictions for england. president trump says he will continue to fight the results of the us presidential election, telling fox news his ‘mind will not change in six months‘. now on bbc news... 2020 has seen a record number of entries for the rory peck awards. the awards pay tribute to an international field of freelance journalists around the world. a warning this programme contains images some viewers might find upsetting. some of the most powerful images of the year.

often filmed in difficult and dangerous places. but who are the people who bring us these pictures? why do they do it? how do they do it? and what is the impact on them personally? each year, we step behind the camera and speak to the men and women who capture and bring us some of the most important news stories of our times. often under extremely difficult circumstances and great personal strain. these freelance journalists are honoured through the rory peck awards, named after a british freelancer who was killed in moscow covering the october coup in 1993. his memory lives on through the rory peck trust, which works to support freelance journalists and their families worldwide. the films chosen by the judges cover this year's most topical

stories, from the hong kong protests to the impact of the pandemic on communities and hospitals around the world. first up, the rory peck award for news, for films that capture the immediacy of a story. five years after the peaceful pro—democracy protests, known as the umbrella movement, a huge swathe of hong kong citizens were determined to stop the central government in beijing from further eroding the "one country, two systems" promise it made in 1997. raul gallego abellan was filming after a march in the city's district when a group of protesters hurled eggs and fragments of bricks at the local police station. hong kong society is not

a society that were used to violent protests, so it was a very interesting moment where a group of youth that were used to studying, to playing games online, to have a peaceful life, suddenly they decided to be more aggressive and more defensive against riot police and the government. the film illustrates the frustration and anger of the demonstrators towards the police as the violence escalated. you have, like, two sides. you have the protesters, and on the other side as well you have a police that were not used to this kind of violence on the street. so both sides little by little escalating, you know, first throwing tear gas, rubber bullets, then the protesters starts to use petrol bombs and this was a test to see who is going to do the next step? police or protesters?

thejudges said this was as much a piece of art as it was a piece of news. not classic news reporting, but a unique and powerful digital piece that left the viewer more able to connect with the issues that inspired it. in august 2019, the indian government revoked a bill which gave a state of jammu and kashmir autonomy for seven decades. kashmir was put under complete lockdown with a total communication blackout. many kashmiris feared that their way of life was at risk. ahmer khan and siddharth bokolia footage captured the ensuing protests as civilians in the srinagar

suburb of anchar engaged in a fight for existence. kashmir has gone through various political instabilities over the years, but i've seen among people that there is always a ray of hope. it is a faith that keeps them going, in my opinion. they were not ready to sit quietly about what was going on. they wanted to send a message to the world powers. determined to prevent indian government forces from entering their community, residents defied tear gas and pellets to protect the last remaining pocket of resistance in the country's only muslim—majority state. people were not scared at all. in fact, they were out on night watches to protect the neighbourhood from the police raids. many of them had bad injuries but they were unable to get treated in the hospitals because the police used

to raid the hospitals. the judges said that the vivid imagery captured the passion of the moment, and the intimate interview with the protester whose body was still riddled with pellets showed us the personal cost. winner of the news award, guillermo galdos' film follows two venezuelan migrants in peru, picking up the bodies of covid—19 victims in the poorest neighbourhoods of lima. the two men arrived in the capital to escape the economic crisis in venezuela, but as they arrived in peru, the pandemic

hit the country. when the virus hit peru, we only had 500 intensive care beds for a population of 32 million. the hospitals collapsed. so many people decided to try to pass the deceased at home, so that's why we had lots of people who died at home. it was gruelling, dangerous work recovering bodies of covid—19 victims from homes and streets as the country struggled to combat the virus. guillermo captured the scale of the situation was captured at the crematorium. i never saw that amount of death in my life. when we arrived, it was pretty clear the crematorium was working at maximum.

and the outside of the crematorium was full of coffins made out of cheap wood because there were not enough coffins in the city for the amount of dead people. this is the new normal, if you can afford it. the high—speed burial. only three family members can attend. it lasts just ten minutes. i was thinking, "oh, this is incredible, this is like an express funeral via the web," but those people there at the cemetery clearly were the lucky ones who were able to at least bury their loved ones because the majority of people, what happened was that bodies were being picked up from hospitals or from homes and they were taken to the ovens, to the crematorium and then, you know, two or three weeks later, you would receive in your house a box with the ashes.

thejudges said this is a breathtakingly up—close account. it takes us to the heart of the suffering and shows us the disturbingly mundane way in which death has to be managed during the covid—19 crisis. next, the rory peck award for news features, for films that looked beyond the immediacy of the news story. every day, thousands of ethiopians set off on foot on a desperate 2000 kilometre trek in the hope of reaching saudi arabia, in search of employment and a better life. the route takes them across the djibouti desert, the red sea and yemen, a country ravaged by civil war. and every year, hundreds die of exhaustion in the desert or drown while crossing the gulf of aden.

charles emptaz and olivier jobard followed the migrants on their treacherous journey. they want to go to saudi arabia because it's a rich country and there is always an example of a family who get richer by the money sent from the migrants. and even if there is a lot of bad stories of migrants who failed in their migration, the success story is always more appealing. during theirjourney, they often go without food for days on end and are easy prey to kidnappers. speaking to the migrants and the traffickers, the film captures the desperation of those willing to risk their lives for a better way of life and the criminals

who exploit them. for those who make it as far as yemen, living conditions are often no better or even worse than what they left behind. they're really living in the streets. they get a little money from begging in the street or washing the cars, but really it's a harsh condition for most of them. thejudges said this is a remarkable feat of enterprise and endeavour whereby the journalists covered an otherwise under—reported story alongside an awesome level of commitment where they put themselves at risk for the film.

in this film, localjournalist elijah ka nyi investigates the impact of the deadly coronavirus outbreak in mathare — one of kenya's largest and poorest slums. reporting from the coronavirus front—line and putting himself at risk, ka nyi found that the police brutality was worse than the virus. everywhere, the police mishandled their way of doing things. people kept on resisting, and they were resisting because the cops came to enforce their laws so that people can follow them to save them from covid. but every time they did it wrong, people lost hope on their way of doing things and that's how things got

out of hand. as the pandemic spread, heavy—handed policing led to violence and a series of tragic deaths, including that of a teenage boy. when he was killed, everything changed, even the mood of the community. and no—one would follow the rules that were given for them to be safe from covid. people are angry, people are mad, people didn't want to be told anything to do with covid any more. having been born and bred in mathare, kanyi has a strong connection with the place and was able to show the desperate situation the locals found themselves in, with compassion and sensitivity. since we started filming, there has been no case

of coronavirus in mathare, but so far, three people have been killed. thejudges said that when everyone is looking for covid stories in africa, kanyi was smart to find a fresh angle that would also highlight a local issue. ramon campos and alejandro bernal‘s unique winning film tells the story of a farming population known as the peace community of sanjose de apartado, in colombia's northwest uraba mountains. led by german graciano, the community has lived in the midst of conflict for nearly 20 years.

bernal and campos gained the trust of the community, giving them a voice to alert the world to their plight. the story represents what many people in colombian rural areas are living right now. pa ramilita ry violence is spreading, so we wanted to portray the peace community. we wanted to show their work and their courage in standing against this violence. in memory of the fallen, german leads his people — including the elderly, women and children — through the mountainous region to pay their respects to their slain community members. it's a riskyjourney they've chosen to embark on as an act of defiance against a local right—wing paramilitary group. the community's

fighting for dignity. it's about not having to run away from their land. to stay and work their land. of course, they know that they live beside their enemy, but they don't live with fear. they live with dignity. since the landmark peace agreement between the colombian government and the farc rebels in 2016, more than 700 social leaders have been reported killed across the country. german is hopeful for the future, even though he knows that the paramilitaries are probably going to kill him, but he knows that if he dies, there's another one that can take his position and lead the community. so it's a sad story, but it's also full of hope.

thejudges said this is an extremely relevant film in a time when the peace process in colombia is at risk of unravelling. it's quiet and unassuming, yet incredibly compelling, and the film—makers manage to get under the skin of the story. and finally, the sony impact award for current affairs — for films that really examine the issues and have impact. james jones and olivier sarbil‘s film captures

president duterte‘s bloody campaign against drug dealers and addicts in the philippines. jones and sarbil first arrived in 2017, at a time when even duterte had had to restrain his police after the public outcry over the killing of a teenager in caloocan. after meeting the new police chief, colonel modequillo, they managed to persuade him to open his doors to filming. immediately it became clear that his ego and vanity would get the better of him, and he just loved the idea we 'd flown halfway across the world to make a film about him. so from then on, basically the doors of the caloocan police were thrown open to us. over the course of six months, jones and sarbil spent weeks on end with a swat team, the secretive special operations unit within the notoriously overcrowded prisons.

on top of the horrific physical conditions, the jail warden was a bully and a tormentor and he would dish out punishments, you know, like beating them with a wooden stick. and i think, you know, the whole system showed that they stopped seeing drug suspects as human. jones and sarbil managed to gain the trust of octavio deimos, head of the swat team. so much so that he admitted off—camera that the police force could have been behind many of the vigilante killings.

the judges said that this is a film alerting the world to duterte‘s human rights abuses. this is a visually amazing documentary shot with tension and urgency that plunges the viewers into the very heart of manila's murderous war against drugs. with unique access into the battle for hong kong, fai wan and robin barnwell‘s film follows five demonstrators through the most intense clashes over several months of pro—democracy protests. we believe that our future

should be decided by ourselves. the film examines their struggle against what they say is growing influence from the communist government of mainland china. they're very concerned that they will be living in a china, an authoritarian china, where they're unable to access an open internet, where they‘ re unable to obviously decide their futures, elect their leaders, have a rule of law which they trust and respect. and also have the right to protest. so these are big concerns for them about the future of the place that they love and are passionate about, hong kong. the majority of the demonstrations were peaceful, but as police started firing tear gas into the crowds, the situation became violent. this resulted in fierce clashes between police and the demonstrators.

momo was really interesting because her boyfriend was a policeman and he was actually on the front line of the protests on the other side from her, and so she was going through a very, very difficult time in her life where she was sort of fighting for a cause that she believed in, but also had this very tricky relationship at home. but she was really determined, and it was fascinating seeing somebody who basically had never been involved in protests in her life and suddenly over the matter of a course of weeks and months, having her whole life turned upside down and totally transformed, and we sort of watched her go through some of that process.

the judges said that this is a compelling account of some of the most intense clashes the city has ever seen and their impact on five lives that are changed forever. winner of the sony impact award, sasha joelle achilli's film gives an unprecedented insight into three months on the covid—19front—line with a&e doctor francesca mangiatordi. francesca worked gruelling 12—hour shifts, caring for the vulnerable who had been most affected by the virus. due to the lack of life—saving

equipment, she faced the traumatising task of prioritising which lives to try to save. they had been receiving an increasing number of patients since late february and they had found themselves in a situation in which the hallways were full of patients, patients had to wait for hours, if not a couple of days, to be able to find a bed. the entire hospital had been turned into a covid hospital. a month into the outbreak, doctor mangiatordi and her colleagues noticed a disturbing new trend. it was notjust the old and vulnerable who were getting ill. 18—year—old mattia was taken to hospital fighting for his life. since his mother could not visit, the doctors and nurses

adopted him almost as their own son. when mattia had the phone call with his mother, i was so nervous. he had just woken up, and ten days of his life completely gone by. when i saw the emotion on his face and i saw how happy and moved the nurses were, i was crying behind the camera. and so i would say it's my worst camera work because i was shaking and i was crying, and at the same time it's probably the strongest scene in the film. the judges said that this film was a powerful tale of love, family and professional dedication recording an ongoing historical moment

with so much precision, empathy and sensitivity. that's it for this year's edition of the firing line, which featured the finalists and the winning entries of the 2020 rory peck awards. goodbye.

hello there. it's been another dull and gloomy day for most of the country on sunday. there was some sunshine across parts of south wales, south—west england, particularly here in cornwall. but it's these areas that saw some breaks in the cloud today that are going to find the fog developing and becoming thicker as well. mind you, it's pretty misty and murky elsewhere. cold still in the north—east of scotland. temperatures will rise in scotland as the wind picks up, the cloud thickens, and this rain gets blown in all the way down into northern ireland and northern england by the end of the night, by which time temperatures further south will be around 5 or 6 degrees. what's happening tomorrow is that the high pressure that's brought all the mist and fog is getting pushed away by these weak weather fronts moving down from the north—west. so the fog lifts in the south—west of the uk. still misty and murky for a while, and a lot of cloud. probably not much rain, though, across southern parts of the uk. it's very patchy rain this — most of it over the hills of wales and north—west england. and then, after the rain,

we get some sunshine through the afternoon in scotland. temperatures for the most part, 9 or 10 degrees. the air gets a bit cooler, though, in scotland in that sunshine, and temperatures start to drop away. there will be a stronger breeze as well during monday. and that colder air then moves down across the eastern side of the uk overnight, as that rain on that weather front moves away. still out to the west in the milder air, there's going to be a lot of cloud and a little light rain or drizzle. but a frosty start perhaps for eastern scotland and north—east england on tuesday. it's going to be a cold day here, as that cloud just comes in over the top. we hang on to the sunshine for the midlands, east anglia, the south—east. not a bad day here, temperatures 9 degrees or so, maybe making double figures out to the west, where the cloud is thick enough to give a few spots of light rain or drizzle. heading into the middle part of the week, and we see high pressure getting squeezed again, with another weather front moving down from the north—west. this one is very weak — it's more a band of cloud that's going to be moving down across the uk. not much rain on that at all. and then behind it, across the north—west, we get some sunshine,

we get showers as well. the winds pick up, gales in the north—west of scotland, and the air‘s getting cold enough to perhaps give some wintryness in the highlands. 5 degrees here, elsewhere around 8 or 9 at best further south. that's into wednesday. but beyond wednesday, it gets colder still, i suspect, and much more unsettled. some stronger winds, some rain at times, and even some sleet and snow in the high ground.

this is bbc news. the foreign secretary says the government is "listening" to conservative mps who are unhappy with the latest coronavirus restrictions for england. having a vote on the regulations injanuary, with the sunset in february if that doesn't pass again, i think is the right combination of accountability and transparency. we're taking the measures that the public need now. diego maradona's doctor is investigated for possible negligence after his family raise questions about his care. president trump says he will continue to fight the results of the us presidential election, telling fox news his "mind will not change in six months". the french formula 1 driver romain grosjean escapes a huge crash at the bahrain grand prix which saw his car split in two and erupt into flames.