tv The Film Review BBC News February 12, 2021 5:45pm-6:01pm GMT
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it is really vital. absolutely jab. it is really vital. absolutely no effect for — jab. it is really vital. absolutely no effect for the _ jab. it is really vital. absolutely no effect for the first _ jab. it is really vital. absolutely no effect for the first 12 - jab. it is really vital. absolutely no effect for the first 12 days i jab. it is really vital. absolutely no effect for the first 12 days at| no effect for the first 12 days at all. and so, we did in some instances see an increase in rates as people relax and may have gotten infected and done and done seeing other people. if they're invincible after that and it's really important that hasn't got out there, really vulnerable for those to experience and after two weeks, you get half protection and after three weeks, up to 65 or 70% protection, but you're never get 100% protection anyways, so you should really change her behaviour and it is only when everybody has got that level of protection you can get these virus levels down. being vaccinated may give you little piece of mind but it should not change your behaviour. if
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you're going to get a out of the suspect soon as possible. —— out of this as soon as possible. hello and welcome to the film review. send may be close to to lock down, but there are plenty of new movies to be enjoyed in the comfort and safety of your own home. the biggest release of the week is news of the world. oddly intimate agitation of the 2016 novel which is unlike true grit, with broadcast
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news. , ., ' . unlike true grit, with broadcast news. , ., , . , a, news. these are difficult times. bad times. i news. these are difficult times. bad times- i shoot. _ news. these are difficult times. bad times. i shoot, you _ news. these are difficult times. bad times. i shoot, you go. _ news. these are difficult times. bad times. i shoot, you go. the - news. these are difficult times. bad times. i shoot, you go. the settingl times. i shoot, you go. the setting ma be times. i shoot, you go. the setting may be post-civil _ times. i shoot, you go. the setting may be post-civil war— times. i shoot, you go. the setting may be post-civil war north - times. i shoot, you go. the setting| may be post-civil war north texas, may be post—civil war north texas, but there's no mistaking the contemporary parallels as tom hanks character travels the land dramatically reading stories from the selection of newspapers and journals like a protein news feed editor. �* ., , ., ., editor. i'm here to tell you about the 11 men _ editor. i'm here to tell you about the 11 men who _ editor. i'm here to tell you about the 11 men who will— editor. i'm here to tell you about the 11 men who will live. - editor. i'm here to tell you about the 11 men who will live. with - editor. i'm here to tell you about| the 11 men who will live. with this steadfast trustworthiness, - the 11 men who will live. with this steadfast trustworthiness, he - the 11 men who will live. with this steadfast trustworthiness, he is l the 11 men who will live. with this| steadfast trustworthiness, he is in the 18705 walter cronkite, 5teadfa5t tru5tworthine55, he is in the 18705 walter cronkite, spreading the 18705 walter cronkite, spreading the good word with a touch of theatre. ,, ., , ,, ., , �* the good word with a touch of theatre. ,, .,, ,, .,, �* ., the good word with a touch of theatre. ,, ,, �* ., ., theatre. stop! stop! i'm not going to hurt you! _ theatre. stop! stop! i'm not going to hurt you! that _ theatre. stop! stop! i'm not going to hurt you! that this _ theatre. stop! stop! i'm not going to hurt you! that this shows - theatre. stop! stop! i'm not going. to hurt you! that this shows almost stolen from — to hurt you! that this shows almost stolen from hanks _ to hurt you! that this shows almost stolen from hanks who _ to hurt you! that this shows almost stolen from hanks who starred - to hurt you! that this shows almost stolen from hanks who starred in l to hurt you! that this shows almost l stolen from hanks who starred in his captain phillips by young german actor helen zell, a screen presence that made such an impact that plays an 11—year—old that is been living
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with the tribe since being kidnapped years earlier. now orphan for the second time, she falls into the care of the captain who reluctantly agrees to take the girl who speaks no english to her only surviving relatives, a german aunt and uncle many miles away. and so the mixed mesh pair and many miles away. and so the mixed mesh pairand on many miles away. and so the mixed mesh pair and on an odyssey through a mythical landscape that sees both transformed by the journey. a mythical landscape that sees both transformed by thejourney. and had some widescreen vistas, news of the world cries out to be seen on the big screen amidst sweeping landscapes in the high shoot outs to an eerie dust storm that engulfs the protagonist. even with the lockdown and full restrictions of netflix on the release, the still strikes a time the cord thinks with an empathetic script co—written by luc davis which addresses the contemporary spectre of truth versus alternative fact alongside issues of racism, exploitation and the
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importance of remembering and fairly reporting 1's own history. the result is a rewarding trauma there might be somewhat of the movie hostiles, and nail—biting movies like the united 1993. it is available on netflix now. co—writing 2011 bridesmaids, about two women battling for the affections of a friend in the run up to her wedding day. that film was laugh out loud funny, occasionally outrageous but also poignantly truthful. few of those adjectives could be applied to this movie. which takes the undoubted talents and then
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squanders them on an ill disciplined mess that looks like someone took the outtakes from a middle—aged tv sketch comedy and decided to mix them up with a sub austin powers spy kids and sex and drugs gags for reasons that remain unclear. just barb. reasons that remain unclear. just barb- plain _ reasons that remain unclear. just barb. plain old _ reasons that remain unclear. jut barb. plain old barb. reasons that remain unclear. just barb. plain old barb. they- reasons that remain unclear. just barb. plain old barb. they were i barb. plain old barb. they were twins who _ barb. plain old barb. they were twins who spend _ barb. plain old barb. they were twins who spend their _ barb. plain old barb. they were twins who spend their days - barb. plain old barb. they were twins who spend their days in l barb. plain old barb. they were i twins who spend their days in the midwest talking about their friendship in their respective lost loves. the redundancy calls and broadens their horizons and the meat 50 shades star in the immediately have an ecstasy fuelled threesome. really. sin. have an ecstasy fuelled threesome. reall . ,, ., ., have an ecstasy fuelled threesome. reall . ,, " have an ecstasy fuelled threesome. reall. ,, " ~ ., ' really. six foot 11. we are in 124! is secretly _ really. six foot 11. we are in 124! is secretly working _ really. six foot 11. we are in 124! is secretly working for _ really. six foot 11. we are in 124! is secretly working for an - really. six foot 11. we are in 124! is secretly working for an evil - is secretly working for an evil villain born with the condition that makes her allergic to sunlight and is now developed a range of children mosquitoes that she's going to release my remote control, killing everyone in the resort or french.
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trust me, i'm not making the sub that really is the plot, if you can colour the plot. which you can't. i have to get bigger too. she loves big teeth. have to get bigger too. she loves bi teeth. ., , ., ., big teeth. you can be forgiven for thins big teeth. you can be forgiven for things such _ big teeth. you can be forgiven for things such as — big teeth. you can be forgiven for things such as strange _ big teeth. you can be forgiven for| things such as strange contrivance which comes complete with musical numbers a hallucinogenic fantasies could be crazy enough to be a cult classic. it is not. it's more of a car crash, flailing bizarrely from one disconnected set piece to the next, giving the impression that this drunk person is simply flicking the channels on the tv while pointing and laughing at the results. on the plus side, there are a few chuckles to be had of them above rehearsed everyday interactions between them and inside 9395 interactions between them and inside gags at the terrible songs of the lounge singer. could you would expect so much more from them, jim and comedy talents from which this is a disappointingly wacky misfire. you can find this on a wide range of
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digital platforms now. fik. and his future debut, playing a young teenager who dreams of becoming a ski champion. in this endeavour, edited by fred, the culture promises to push it to the limits. but despite his declaration that he's limits. but despite his declaration that he'5100% about winning, fred s morris sinister designs on liz, a series of headline making scandals that sometimes the predatory nature of sport in which young actors find themselves at the mercy of older
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trainers. having made a splash in the movie ava, and early 205 but looks much younger is very impressive as the talented but impressionable teen, distance from her mother and preyed upon by fred whose advances are horrifying mix of creepy conversion. portraying the mix of fusion, shame and fear the freight employees to entice and then abuses people, placing her in the position that makes her feel implicated in his crimes and ensuring that she tells no one. unsurprisingly, this makes for harrowing viewing, although he also casuals the adrenaline rush of skiing which becomes a metaphorfor her own life, hurtling between obstacles, unable to stop with no way out but straight ahead. it is available on demand now. i will
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leave you with a couple of titles which promptly fall under the horror banner but cannot be more different. we will start with an atmospheric movie piece directed byjordan graham who worked on the film for as long as david lynch worked on the race her head. shooting, editing designing, producing —— eraser head. the slow burn scenario unfolds in the deep dark woods of northern california, with the titular entity haunts the very lonely members of an extended family. i wake up and he is there any talks to me. inspiration came from his grandmother re—recorded talking about her own
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experiences of a guiding entity that you worked into the developed film. the result is haunting, frustrating, surprising and ultimately rather fascinating. yes, it is full of narrative loose ends and raises more questions than answers but there is something in there, something buried within the crevices of the screw. while audiences are eager and may lose patience, it isn't evil for additional download and cast an eerie spell long after the movie is finished. i'm going to feast on your face! the
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other horror — i'm going to feast on your face! the other horror outing his beliefs wonderland. want to be called trash that has nicolas cage, never knowing the undirected against an assortment of possessed mechanical toys and endured its theme park. welcome to beliefs wonderland. _ endured its theme park. welcome to beliefs wonderland. and _ endured its theme park. welcome to | beliefs wonderland. and nonspeaking role for kate — beliefs wonderland. and nonspeaking role for kate schlitz _ beliefs wonderland. and nonspeaking role for kate schlitz the _ beliefs wonderland. and nonspeaking role for kate schlitz the beard - beliefs wonderland. and nonspeaking role for kate schlitz the beard and - role for kate schlitz the beard and sunglasses to the talking as he beats up an assortment of twisted playground caricatures, all of which are so hungry for blood that he is for the punch she can drink on which he seems to survive. directed by kevin lewis, the wonderland began life as a comic short called bullies wonderland it would've been better had it stayed that way. for the site of a grown man doing battle with evil robotic teletubbies may be entertaining for a moment, it is not enough to sustain a feature film, even one enlivened by nicolas cage
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over the top shtick.— over the top shtick. have been listenin: over the top shtick. have been listening to — over the top shtick. have been listening to what _ over the top shtick. have been listening to what i've - over the top shtick. have been listening to what i've been - over the top shtick. have been - listening to what i've been saying? we have _ listening to what i've been saying? we have seen all of this before. in the fun house back in the 805 and in games like five nights of freeze, a film meditation which is long been on the cards and recently in the horror comedy, the banana splits move over the characters distributing axes. if you want to watch nicolas cage attack a gorilla with a toilet plunger, you can do so on a range of digital platforms. a patient money and he takes her choice. that's it for this week, thanks and i'll see you next week. coffee packs a punch, doesn't it to? it's an— coffee packs a punch, doesn't it to? it's an acquired taste. a cold day today, given the strength of the wind, there was to be some snow showers coming off the north
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sea may be affecting eastern parts of scotland before fading away a more significant changes coming in from the west with the thickening cloud and winter weather coming in from the atlantic and hitting the court there will be a widespread frost overnight not as cold as it has been of late but we will be focusing on the weather in northern ireland because it will be snowing here for most of the day with high to ten cm interesting in the hills as well. that benefit weather will move very slowly eastwards with rain and snow to the sublist of england and snow to the sublist of england and some snow over the hills littering western scotland although the snow amounts he will be much less than further east will be dried with the increasingly crowded but windy day. a court dazzle. and all day freezing, the strength of the wind will make it look like —60 —7. wendy here on sunday turning milder.
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the uk economy suffered a record annual slump of 9.9% in 2020, with output severely hit by covid restrictions. no room to flourish — the stop—start effect of lockdowns on businesses has left some in despair. if my weddings keep postponing, if they keep cancelling, i don't think i'll be here in 2022. but the latest official covid figures revealed better news, with infection rates falling across the uk. also tonight... the head of the nhs in england says the target of offering a vaccine to all four priority groups by monday will be met — in wales, it's already happened. england's hotel quarantine plans, due to start next week, could be less strict than in other countries.
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