fihis chafi 7asri’ith a forthright. in this chat with a icture, forthright. in this chat with a picture. but _ forthright. in this chat with a picture, but caroline, - forthright. in this chat with a picture, but caroline, the . forthright. in this chat with a| picture, but caroline, the big winnerfor you tonight. picture, but caroline, the big winner for you tonight.- picture, but caroline, the big winner for you tonight. once again, she one tube _ winner for you tonight. once again, she one tube after— winner for you tonight. once again, she one tube after two _ winner for you tonight. once again, she one tube after two weeks - winner for you tonight. once again, she one tube after two weeks ago l winner for you tonight. once again, | she one tube after two weeks ago -- she one tube after two weeks ago —— two at the bafta awards and she made that very— at the bafta awards and she made that very clear at the acceptance speech _ that very clear at the acceptance speech tonight and i think it is a wonderful— speech tonight and i think it is a wonderful thing to behold that we have so _ wonderful thing to behold that we have so much talent and she is still triumphant— have so much talent and she is still triumphant ahead of that field and i think it _ triumphant ahead of that field and i think it is _ triumphant ahead of that field and i think it is really inspiring because tv is— think it is really inspiring because tv is no_ think it is really inspiring because tv is no longer, quite rightly and it is coming — tv is no longer, quite rightly and it is coming into its own. the golden— it is coming into its own. the golden age sews no sign of the gold wearing _ golden age sews no sign of the gold wearing -- — golden age sews no sign of the gold wearing —— shows. that's it for the papers tonight. my thanks to tony and caroline. next, it's the film review. goodnight.

hello, and welcome to the film review with me, mark kermode — rounding up the best new movies available in cinemas and in the home. last week, william friedkin, director of the exorcist, considered by many to be the scariest movie ever made, tweeted a quiet place 2

is a classic horror film. adding simply that cinema is back. that's quite an endorsement and, i'm happy to report, one that i broadly share. run. after a nail—biting prologue that plays out on day one of the alien invasion, a quiet place part ii picks up where the previous film left off, with emily blunt, millicent simmonds and noahjupe as the survivorfamily with a newborn baby trying to make their way in a world where any sound can be deadly. this time they'rejoined by cillian murphy's emmett, an old friend who's lost everything and does not see any point in trying to reach others... at least initially. most people had finally given up hope.

the original a quiet place film, written by bryan woods and scott beck, took around $31i0 million, not bad for a movie that cost only 17 million to make. no wonder the studio were desperate for a sequel. but having originally rejected the idea, directorjohn krasinski changed his mind after writing a script based around millicent simmonds's character. the daughter whose deafness makes are ideally placed to survive in a world of silence. a rising star who had a break—out role in todd haynes's wonderstruck, simmonds is terrific in this surprisingly effective sequel, leading the fight against the aliens, holding the key to their weak spot. meanwhile, blunt and jupe are left holding the baby, literally. taking cover in a deserted factory as the monsters who hunt by sound continue to stalk the planet. i still have vivid memories of seeing a quiet place in a packed cinema when it first opened in 2018,

and watching the movie silence a potentially noisy audience, leaving everyone holding their breath. that's a very hard act to follow, but writer—director krasinski and his superb production team do a genuinely impressive job of maintaining and building upon the tension of the original. it's ok. we're 0k, we're 0k. that's dad, dad, dad, dad! where, where, where? from the opening with its elegantly choreographed tracking shots and popcorn jump scares, to a finale that deftly intercuts disparate showdowns, this is excellently executed crowd—pleasing cinema, tailor—made to be enjoyed on the big screen. a quiet place part ii is in cinemas now and i recommend you go and see it. just remember to turn off your mobile phone. from the nail—biting to the heart wrenching with land, the directorial debut from robin wright — who's on—screen career has ranged from starring roles in the princess bride and forrest gump to becoming one of tv�*s highest—paid

actresses as claire underwood in house of cards. edee, how are you feeling right now? what are you feeling? that it's really difficult to be around people. because they just want me to be better. in land, she plays a city woman who retreats to a lonely cabin in the mountains of wyoming in the wake of a personal tragedy. she wants to be away from people, but is unable to survive alone in the wild until demian bichir�*s fellow traveller conveniently arrivves out of nowhere, agreed to teach of the tricks of the trade whilst respecting her privacy and allowing her to continue her solo voyage of personal discovery. which is handy. why are you helping me? you were in my path. # hey little girl is your daddy home... dripping with earnest intentions

and full of photogenic wilderness vistas, land is a clearly heartfelt but frankly rather boring and cliched portrait of grief. played out on a big canvas, perhaps, but still strangely small in terms of invention, wit and artistry. wright, who is usually a terrific actor, plays most of the scenes with an expression pitched somewhere between winsome despair and trapped wind. as if willing the audience to care about her character without giving them much reason to do so. i'm here because i choose to be. there are clear echoes of into the wild, filmed back in 2007 by wright's former partner sean penn. although land has little of the narrative grit which underwrote that real life story of retreat from civilisation. instead, it settles for an altogether cheesier portrait of the survivalist life — spiced up by the occasional appearance of a grizzly bear and a recurring gag

about 80s pop hits — but other than that, offering not much to write home about. still, the views are nice. you can enjoy them in cinemas now. ever since donnie darko became the first cult hit of the 21st century, there have been plenty of movies that have attempted to replicate its smart cinema mix of teen angst, time travel and psychotherapeutic fantasia. from the butterfly effect, which was dubbed �*donnie darko for stupid people', to s darko, the sequel that nobody wanted and everyone disowned, these films have tended to disappoint. so it was with a degree of trepidation that i approached flashback — a darkoesque oddity that played the sitges fantasy horror festival last year under its original title, the education of fredrick fitzell. 0k, can either of you guys honestly tell me you ever remember seeing cindy after that night?

we gotta go back. we gotta go back, we got to try to remember what happened to her that night. maze runner star dylan o'brien is fred, a troubled young man whose boring corporate life unravels when the meeting with an old school friend leads him back into the past. i do remember cindy williams, she just vanished. maika monroe, who made such an impact in the 2014 chiller it follows, is cindy, the girl who disappeared some years ago after a night on the mysterious new drug mercury. i don't take it to be like them. as fred struggles to remember what happened that night, so his audit adult life is overtaken by the half remembered dreams of youth and high school — of the lives he could have lived and it may indeed be living. fred. written and directed by christopher macbride, flashback lifts a central rift from the matrix, brushes shoulders with the recent time travel

drug movie synchronic, which was shot around the same time, and owes passing debts to everything from rianjohnson's brick, to richard kelly's cult classic. yet despite being derivative, it's also better than you'd expect with macbride pulling off some impressive visual coups, while o'brien does a convincing job of portraying a man caught in a quarter life crisis, drawn back constantly into the past. i'm not even here right now! not all of the ideas land, but this indie spirited oddity isn't afraid to take a few risks, and frankly, it's all the better for it. flashback is on digital platforms now. from fantasy to reality, with gunda, an extraordinary documentary about farmyard animals focusing on the titular sow. squealing. over the course of the film,

we see gunda suckling and raising a batch of young piglets, watching them grow, all without the aid of explanatory captions or narration, or emotive music to tell us how to feel. there's nothing anthropomorphic or sentimental about the film which includes footage of gunda standing on one of her brood, oblivious to its squeals. yet it's impossible to watch these creatures without becoming acutely aware of their consciousness, and thus inevitably questioning what we know will happen to them. russian director viktor kossakovsky, who became a vegetarian after befriending a pig as a child that was then served up as pork cutlets, says he wanted to make a film about animals as living, feeling beings in their own right, a task he says was doubly difficult when dealing with farm livestock rather than dolphins, elephants or pandas. yet gunda, on which joaquin phoenix gets an executive producer credit, makes for remarkably powerful experience presented in strikingly

intimate monochrome images that caused there will be blood director paul thomas anderson to hail it as pure cinema stripped to its essential elements. when you've watched the film which contains one of the most memorable final shots i've ever seen, you'll know exactly what he means. gunda is in cinemas now. i'll leave you with news of after love, the tale of cross—cultural secrets and lies that went down a storm at last year's london film festival. did you convert when you married? yes. how do you feel about wearing it? how do i feel? i don't. i've worn it longer than i haven't. it must have been hard to take all that on. back then, i did something for my

husband that no one else could. joanna scanlan stars as mary, a white english muslim who converted many years ago to marry ahmed with whom she lives near the dover cliffs. ahmed's work takes him back and forth across the channel to calais, but when he dies suddenly mary discovers that her husband had another hidden life in france, a revelation that causes her to question her own life choices and her place in the world. i'm confused, you are here for the cleaning? written and directed by aleem khan, making his feature debut, after love is a moving and engaging drama in which everyone appears to be playing a role, maintaining a public facade that keeps their true selves hidden. as the often silent lead, scanlan is superb, saying more with her expressive eyes and words ever could. allowing us to watch mary discovering herself even as the world

crumbles around her. built around carefully framed images with mirrored motifs highlighting the theme of duality, this film is a low—key piece with a hefty emotional punch, aided by an atmospheric score by chris roe that perfectly accompanies the gradual revelations. after love is in cinemas now. that's it for this week, thanks for watching the film review, stay safe and shh. hello there. still plenty of dry and, at times, warm weather across the country as we go through the week ahead. there will be some subtle differences, but for today, it's going to be a case of largely

dry with some sunny spells and just a few showers. could be quite a grey start to the morning, with some low cloud and some mist and fog, but that should start to break up. we'll see some sunshine coming through, and that into the afternoon could trigger off a few sharp, possibly thundery downpours. and favoured spots for those are going to be to the north—east of england. top temperatures likely to peak at highs of 23 degrees. now, as we move out of monday into tuesday, high pressure centres itself across england and wales, with weak weather fronts trying to push in to the far north—west, so that's going to introduce a little more in the way of cloud and some showery outbreaks of rain to the north and west of the uk. further south and east, we keep the drier weather, we keep the warm weather, with temperatures potentially peaking back into the mid—20s later on.

this is bbc news — i'm samantha simmonds with the latest headlines for viewers in the uk and around the world. lockdown easing may be delayed in england — as the government says the delta variant of coronavirus is more infectious. named in honour of her great grandmother and her grandmother — harry and meghan announce the arrival of lilibet diana. mexico goes to the polls in a series of elections seen as a referendum on the country's president. and — kicked out of paradise, the indigenous indonesians who had to make way for a new tourist development.

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