sweeping away the moment. it will be sweeping away during sunday night into monday and opening the floodgates, the much colder arctic air which will be spreading down from the north—west to our shores so it will be turning a lot colder into next week and feeling more autumnal. these are the temperatures for this weekend, the low 20s. into next week, struggling to get into the mid—teens so it will be colder both by day and night. through this evening and overnight, it will stay dry and quite warm and muqqy it will stay dry and quite warm and muggy and we will have a light southerly breeze. some nest and low cloud and also some drizzle over western hills. most places will be dry and temperatures are barmy for the time of year. 13—15. could see the time of year. 13—15. could see the shower crossing the channel across the far south of england early in the morning but most places will be dry, more sunshine and more of a breeze breaking up the cloud but changes taking place for northern ireland into western scotland. this cold front will be outbreaks of heavy rain and it will turn blustery. temperatures here mid

to high teens. eastern scotland, england and wales, the low 20s are well above the seasonal average. then through sunday night, that confront begins to go eastwards slowly and bringing some heavy rain on it and some blustery winds as it continues to journey eastwards. it will not reach the eastern half of england until monday morning. another warm and muggy one, turning chilly with some showers behind that weather front out west. you can see this area of the pressure is taking charge. the cold front is moving its way eastwards during monday morning, arriving across east to england later in the morning. again, some heavy rain and some strong gusty winds which clear away into the north see and then we are left with much sunnier skies with showers which are heavy across western scotland and temperatures 13—18. closer to the seasonal average but noticeably cooler. unsettled for the upcoming week. sunshine and showers,

also spells of wet and windy weather as low pressure comes across from west to east, so all change into the new week. goodbye.

hello this is bbc news. the headlines: queues at petrol stations as the government prepares to announce a temporary visa scheme to make it easierforforeign lorry drivers to work in the uk. the labour leader heads for a showdown with the party's left over changes to the way it chooses its mps and leaders. a book of condolence is opened for people to pay respects to teacher sabina nessa, who was killed in south east london. and it's the final day of campaigning in germany, where voters will elect a new chancellor.

sports day is coming up in a moment, but before that, in the run up to cop26 the un climate change conference hello, and a warm welcome to the full review here on bbc news, and taking us through this week's cinema releases, as ever, it's mark kermode, and all of human life is here. , , ~ ~ . here. very interesting week. we have the many saints _ here. very interesting week. we have the many saints of _ here. very interesting week. we have the many saints of newark, _ here. very interesting week. we have the many saints of newark, which - here. very interesting week. we have the many saints of newark, which is l the many saints of newark, which is a big screen recall to the sopranos. we have the green knight, in which dev patel plays ga wayne. and a film in which a young man struggles to save the home he lives in from devon

coalition. , , coalition. so, many saints of newark- _ coalition. so, many saints of newark. it's _ coalition. so, many saints of newark. it's a _ coalition. so, many saints of newark. it's a prequel- coalition. so, many saints of newark. it's a prequel to - newark. it's a prequel to the sopranos. newark. it's a prequel to the sopranos-— newark. it's a prequel to the sopranos. newark. it's a prequel to the soranos. , ., sopranos. yes, so the son of tony sorano. sopranos. yes, so the son of tony seprano- the _ sopranos. yes, so the son of tony soprano. the story _ sopranos. yes, so the son of tony soprano. the story essentially - soprano. the story essentially finds young tony falling under the influence of this man. johnny, this is christopher. _ influence of this man. johnny, this is christopher. hello, _ influence of this man. johnny, this is christopher. hello, christopher! j is christopher. hello, christopher! it's our is christopher. hello, christopher! it's your uncle _ is christopher. hello, christopher! it's your uncle johnny. _ is christopher. hello, christopher! it's your uncle johnny. i'm - is christopher. hello, christopher! it's your uncle johnny. i'm back i it's your uncle johnny. i'm back from _ it's your uncle johnny. i'm back from englane _ it's your uncle johnny. i'm back from england-— from england. 0h! finally. his eldest son- — from england. 0h! finally. his eldest son. i _ from england. 0h! finally. his eldest son. i hear— from england. 0h! finally. his eldest son. i hear he - from england. 0h! finally. his eldest son. i hear he is - from england. 0h! finally. his eldest son. i hear he is slow. from england. 0h! finally. his. eldest son. i hear he is slow with the talking- _ eldest son. i hear he is slow with the talking. hi, _ eldest son. i hear he is slow with the talking. hi, christopher, - eldest son. i hear he is slow with i the talking. hi, christopher, hello. what's the matter? _ the talking. hi, christopher, hello. what's the matter? it's _ the talking. hi, christopher, hello. what's the matter? it's only - what's the matter? it's only me, your— what's the matter? it's only me, your uncle — what's the matter? it's only me,

your uncle tony. 0k, all right. every— your uncle tony. 0k, all right. every time _ your uncle tony. 0k, all right. every time you yell he cries like this _ every time you yell he cries like this i _ every time you yell he cries like this. �* ., ., , every time you yell he cries like this-_ look i every time you yell he cries like | this-_ look at this. i didn't do anything. look at that. i this. i didn't do anything. look at that- i don't _ this. i didn't do anything. look at that. i don't know— this. i didn't do anything. look at that. i don't know what _ this. i didn't do anything. look at that. i don't know what it - this. i didn't do anything. look at that. i don't know what it is, - this. i didn't do anything. look at that. i don't know what it is, it'sl that. i don't know what it is, it's like a scare _ that. i don't know what it is, it's like a scare him _ that. i don't know what it is, it's like a scare him or— that. i don't know what it is, it's like a scare him or something. l that. i don't know what it is, it's - like a scare him or something. some babies, like a scare him or something. some babies. when — like a scare him or something. some babies, when they _ like a scare him or something. some babies, when they come _ like a scare him or something. some babies, when they come into - like a scare him or something. some babies, when they come into the - babies, when they come into the world, _ babies, when they come into the world, no— babies, when they come into the world, no all— babies, when they come into the world, no all kinds _ babies, when they come into the world, no all kinds of— babies, when they come into the world, no all kinds of things - babies, when they come into thel world, no all kinds of things from the other— world, no all kinds of things from the other side. _ world, no all kinds of things from the other side. so, _ world, no all kinds of things from the other side.— world, no all kinds of things from the other side. so, you have to ask ourself the other side. so, you have to ask yourself two _ the other side. so, you have to ask yourself two questions. _ the other side. so, you have to ask yourself two questions. firstly, - yourself two questions. firstly, does it work for the fans, and secondly, does it work as a stand—alone movie. when you have big soprano fan? i’zre stand-alone movie. when you have big soprano fan?— soprano fan? i've never seen it, i'm afraid. i soprano fan? i've never seen it, i'm afraid- i know— soprano fan? i've never seen it, i'm afraid. i know everyone _ soprano fan? i've never seen it, i'm afraid. i know everyone says - soprano fan? i've never seen it, i'm afraid. i know everyone says it's - afraid. i know everyone says it's the greatest tv show. the greatest tv show was _ the greatest tv show. the greatest tv show was the _ the greatest tv show. the greatest tv show was the wire. _ the greatest tv show. the greatest tv show was the wire. now - the greatest tv show. the greatest tv show was the wire. now i'm - the greatest tv show. the greatest tv show was the wire. now i'm not the greatest tv show. the greatest i tv show was the wire. now i'm not a huge sopranos fan, but it seems like

there's a lot of getting things in place for what's coming later. it feels like an origins film in which weirdly enough the origin of sight to decide what you expected to be, and also feels weirdly like an appendage to the school says youth cinematic universe. it feels like a weird appendage to martin scorsese's films. when you put stuff into the cinema from tv, does it work? i would say that fire walk with me, which is the twin peaks film, it works even if you haven't seen twin peaks. the spin off from breaking bad worked, it made sense but it was an appendage. here is a battle to find its place in cinema. i think its primary audience will be people who love the series, and i'm sure people who love the series will get more out of it and i did, but that

just makes me wonder why it is in the cinema, because i suspect that its primary audience actually will be an at—home audience. it's fine, it's totally well—made, but it does feel a little bit scorsese light. firework with me —— fire walk with me is a perfect move even if you haven't seen twin peaks. the green niuht is a haven't seen twin peaks. the green night is a 1nth _ haven't seen twin peaks. the green night is a 14th century _ haven't seen twin peaks. the green night is a 14th century thing. - haven't seen twin peaks. the green night is a 14th century thing. i - haven't seen twin peaks. the green night is a 14th century thing. i got i night is a 14th century thing. i got in touch with simon armitage, and he said ilith, may be 13th. this is a retelling of this gawain and the green knight, where he lops the head of the green knight he is

green knight, where he lops the head of the green knigh— of the green knight he is making a -'l~ rimaue of the green knight he is making a pilgrimage to _ of the green knight he is making a pilgrimage to the _ of the green knight he is making a pilgrimage to the green _ of the green knight he is making a pilgrimage to the green knight's i pilgrimage to the green knight's place, and you can see it here or in streaming, but i reckon you see it and in the cinemas, it looks fantastic. it has an earthy feel to it, but strange and spiritual and dreamy and sensuous, it has a fantastic school, dev patel is the best you've ever been, i think dev patel could do anything, he was so great in david copperfield, but i think this really marks him as one of the finest actors of his generation, takes many adventures leaps, it looks like something that was made with love and its heart. looks like something made by somebody who really did this as a passion project.

and i have seen it a couple of times now, and i want to go straight back and watch it again. there was so much in it that is strange and adventurous and weird and really rather wonderful. one of my favourite films of the year. see it in the cinema, see it on the big screen. high praise. gagarine. .. before it was demolished. cite gagarine just outside of paris. based around, youri named after yuri gagarin... for those who don't know, the famous russian cosmonaut... of whom we see footage at the beginning. the estate is going to be demolished, but youri wants to fix it in spite of its many problems. here's a clip.

here's what's great about this. it has its feet on the ground and its head in the stars. he retreats into the estate as it's clearly going to be demolished, and he starts to turn his apartment into a kind of recreation of the space capsule. and it then enters these flights of fancy. he is inside a building, but he is imagining he is in a spaceship, and the music again is very big. it goes to the stars. they have music by the streets. they have this really amazing ethereal space music, and it sounds like it shouldn't work at all, it sounds like it shouldn't work, but i loved it. the use of locations,

i think it was really good. great performances, and the fact that it is shot in the authentic location, the use of locations on it is really good, and it is about his interiorjourney and about him imagining this world that he wants to be part of, this out—of—this—world world he wants to be part of. it is a good example of a film that, "there's no way that should work," and then you watch it and it does. it's so well done. it's like poetry or a piece of music. this is done in a similar vein as the green knight, very, very different films, but both imaginative, and they're not afraid to tell a slightly different story. piece of poetry, but not iath—century poetry. or isth—century! best out is rose playsjulie, which we talked about last week? ijust want people to go and see it. you've seen it three times? i have, and i still don't think i have got all the nuances of it. a young woman adopts another identity to track down her birth parents. it's a mystery and a psychodrama.

the film—makers made a film called helen. they are great film—makers. again, deserves to be seen on the big screen. and reissue? denis villeneuve's dune is coming up. the adaptation of the unfilmable novel. this is the david lynch 1984 dune. this was a turkey, a commercial turkey. it was a bomb. it is an unfilmable novel. it makes no sense whatsoever, it really doesn't, but there are things in it that are so david lynch—y and so strange... sting coming out of the showers wearing this pair of wings underpants — just, i wonder whether the denis villeneuve version will have anything to match it. it is all over the place. if you've read the book, it's

annoying because it's not the book, and if you have not read the book, it doesn't make sense. one of these film, it's so bad is it so good? it's one of those films that is so misguided, it's kind of fascinating. lynch didn't have final cut, but originallyjodorowsky was going to do it iii hours long with salvador dali with in one of the lead roles, but dali wanted $100,000 an hour. blue velvet, he did, but that was an absolute classic. dune was the counterpoint to blue velvet. that is the... when i first saw blue velvet, i walked out, because i couldn't bear being in the screening room with it. i think it's an absolute masterpiece. when i saw dune, part of me thought, "is this going to start making any sense?" and i watched it again just recently — no, not at all!

no sense at all! sometimes it doesn't matter. you always make perfect sense. mark, thank you very much indeed. that's it for this week's film releases. thank you so much for watching. hello and welcome to sportsday. europe are blown away again by the united states we'll bring you the latest on day two of the ryder cup. bre ntford brentford twice come from behind to hold liverpool in a six goal thriller. it and is it a sign of things to come in formula one?