about... the second jobs per se it's about... professional. it's the amount of time, isn't it? that's the problem. some people argue he should have second jobs at all but actually if you're a doctor, a teacher, a lawyer, a criminal barrister in the criminal court is of value to do that for example. clearly if you're spending all your time or a large chunk here time that's obviously... sorry. it's part of the generate cox thing is a generational thing, there was a time when being an mp was thought of as a part—time job. and the hours of the house were designed purposely, they no longer are but you started at two o'clock so you could do anotherjob in the morning. particularly if you are in court. now it's different for to put somebody like jeffrey was a hang now it's different for to put somebody likejeffrey was a hang on a minute, i'm a barristerfirst, i am an mp and do it was required but he doesn't preserve it so he might perceive it in the same way. m0. he doesn't preserve it so he might

perceive it in the same way. no, he doesn't. perceive it in the same way. no, he doesn't i can't— perceive it in the same way. no, he doesn't. i can't speak _ perceive it in the same way. no, he doesn't. i can't speak for _ perceive it in the same way. no, he doesn't. i can't speak for him - perceive it in the same way. no, he doesn't. i can't speak for him but i l doesn't. i can't speak for him but i imagine he doesn't. he would perhaps be entitled to view it in a different way. but it still comes down to a proportional amount of how much time. i don't think anybody wants professional politicians who have experience of the outside world of any sort, that's not necessarily a good thing at all. it goes back to that time thing. it a good thing at all. it goes back to that time thing.— that time thing. it does indeed. sadl , that time thing. it does indeed. sadly. that _ that time thing. it does indeed. sadly, that time _ that time thing. it does indeed. sadly, that time thing - that time thing. it does indeed. sadly, that time thing is - that time thing. it does indeed. sadly, that time thing is done l that time thing. it does indeed. - sadly, that time thing is done trust once again. thank you both are very much. we will talk again. makes for watching at home. i hope you have a lovely weekend. i will be back tomorrow. do join us then. coming up next sport and weather and then we will be joining nancy for the news at midnight.

hello and a very warm welcome to the film review on bbc news. to take us through this weeks cinema releases, mark kermode is with me as ever. what have you been watching, mark? well, we have the new clint eastwood film, cry macho, which i know you are particularly looking forward to. we have mothering sunday, adapted from a novella developed from greg swift. and lin—manuel miranda's tick, tick...boom! i have nothing against clint eastwood nothing at all. no, no. he's made some great films. he has made some great films. this isn't one of them. ok, so, this is adapted from a novel, actually life as a screenplay, could be sold as a screen turned into a novel, then suddenly film companies wanted

it, nothing happened. it's been around for ages, at one point schwarzenegger was attached to it. anyway, clint eastwood is mike, one—time rodeo start who sent to mexico by his former boss to retrieve his son who the boss says is living with his mother, is completely completely unsuitable i need to go to mexico. he says, why, why should i do it chris back and he says, because you owe me. i stood by you when your life fell apart. clint being clint goes, 0k, sounds fine. so he goes to mexico. in no time at all, finds the mother, finds a son and starts heading back to the border but then discovers he is being tracked by the federales and gangs. so he has to hole up in a small town where he is looked after in a cantina and gets to teach the boy about horse riding. here's a clip. look where you going and go away looking. good. put your heels down. heels down, yeah, don't look like a sack of potatoes.

you're dads going to be a happy man, i could see that. i'll see you in a bit. yes. so the film is called cry macho because the young boy has a cockerel called macho, he's in cockfighting. him and which is actually how clint eastwood finds him in the beginning. that is pretty much the one interesting part of the screenplay, the name. beyond that it's just a series of every cliche you could possibly imagine. firstly, every woman clint eastwood meets falls in love with him immediately, comes onto him. even though they are decades younger. none of that matters, he's clint when they turn up in a small town, it's like a picture postcard town, there's a cantina thatjust happens to have a widowed woman it who immediately takes one look at clint eastwood and this young child and takes them in, offering them food and bed in lodging and support. they are conveniently as the person has the horses and horses may breaking and happily clink and show. you go 0k, breaking and happily clink and show. you go ok, this was written by a computer, you go shift alt, balding, sawn, neo— western, though. it's

written by writers on grand torino. look, clint eastwood in his time has been a great film—maker, really great film—maker, incredibly economical. like a textbook great film—maker. this is really poor was of its clich d and hackneyed and dull. the only thing that kinda stops you getting cross about it is it is so insipid that it's impossible to get annoyed about it. i did try but i couldn't get enthusiasm. no. 0k. is mothering sunday much better? it is. essentially it's a story of a woman becoming a writer. different. some of the main periods as a 20, at this a young age there child who works in a young age there child who works in a house, both families have suffered losses through world war ii. she's having an affair with paul. but the

relationship has no future because he is betrothed to somebody of equal status with up now, it may look from the outside like a kind of glom, upstairs, downstairs at downton abbey hybrid, it's nothing of the sort. it's a story about passion and grief and rebirth and artistic creativity. it's very frank in its depiction of intimacy without ever being gratuitous. a really interesting director commerce terrific scriptwriter. hauntingly films. the most brilliant scorer. i did feel i need to see it twice to get the measure. the first time i like to come of the second time it really struck me as being very, very well done and very moving. as i said, the story is told in different type. some shoveled really well. it is not the film that the poster makes it look like, it's much more full—blooded than that. i think you'd like it too. i be interested to know what you think.-

to know what you think. that's interesting- — to know what you think. that's interesting. i've _ to know what you think. that's interesting. i've seen - to know what you think. that's interesting. i've seen some . to know what you think. that's interesting. i've seen some of| to know what you think. that's - interesting. i've seen some of alice burgess stage work. as a writer she's very talented. and the third film. do you have to be a fan of musicalfor this one was film. do you have to be a fan of musical for this one was that it probably doesn't hurt. this musical for this one was that it probably doesn't hurt.- musical for this one was that it probably doesn't hurt. this is lynn manuel miranda _ probably doesn't hurt. this is lynn manuel miranda is _ probably doesn't hurt. this is lynn manuel miranda is tribute - probably doesn't hurt. this is lynn manuel miranda is tribute to... . manuel miranda is tribute to... andrew garfield, based on his show about his own failure to get on in early musical a futuristic sci—fi musical based on 1984. andrew garfield isjohn who's got all these things approaching, he has to get the showcase on for his musical. the most important thing that he is taking and that he is approaching a significant birthday. he asked if he doesn't do it by then his life will be worth anything. figs doesn't do it by then his life will be worth anything.— be worth anything. as a club. i need ten cepies- — be worth anything. as a club. i need ten copies. you're _ be worth anything. as a club. i need ten copies. you're an _ be worth anything. as a club. i need ten copies. you're an angel. - be worth anything. as a club. i need ten copies. you're an angel. this . be worth anything. as a club. i need ten copies. you're an angel. this is| ten copies. you're an angel. this is the last album _ ten copies. you're an angel. this is the last album seriously. _ ten copies. you're an angel. this is the last album seriously. i - ten copies. you're an angel. this is the last album seriously. i know, i the last album seriously. i know, thank yom _ the last album seriously. i know, thank yom i'm — the last album seriously. i know, thank you. i'm somebody - the last album seriously. i know, thank you. i'm somebody needsl the last album seriously. i know, i thank you. i'm somebody needs to check out this _ thank you. i'm somebody needs to check out this trash. _ thank you. i'm somebody needs to check out this trash. so _ thank you. i'm somebody needs to check out this trash. so i - thank you. i'm somebody needs to check out this trash. so i hear - thank you. i'm somebody needs to check out this trash. so i hear you | check out this trash. so i hear you movin: check out this trash. so i hear you moving out _ check out this trash. so i hear you moving out of—

check out this trash. so i hear you moving out ofjohn's _ check out this trash. so i hear you moving out ofjohn's place. - check out this trash. so i hear you moving out of john's place. that'sj moving out ofjohn's place. that's the end _ moving out ofjohn's place. that's the end of— moving out ofjohn's place. that's the end of an era. it's very sad. no, _ the end of an era. it's very sad. no, no— the end of an era. it's very sad. no, no were_ the end of an era. it's very sad. no, no were not talking about that. wait carol, — no, no were not talking about that. wait carol, you're coming next friday, right? wait carol, you're coming next friday. right?— wait carol, you're coming next friday, right? wait carol, you're coming next frida , riaht?~ . h . ,, friday, right? what's happening next frida ? the friday, right? what's happening next friday? the workshop. _ friday, right? what's happening next friday? the workshop. i'm _ friday, right? what's happening next friday? the workshop. i'm surprised | friday? the workshop. i'm surprised he hasn't mentioned _ friday? the workshop. i'm surprised he hasn't mentioned it. _ friday? the workshop. i'm surprised he hasn't mentioned it. guy's, - friday? the workshop. i'm surprised he hasn't mentioned it. guy's, this l he hasn't mentioned it. guy's, this is the biggest _ he hasn't mentioned it. guy's, this is the biggest break _ he hasn't mentioned it. guy's, this is the biggest break i've _ he hasn't mentioned it. guy's, this is the biggest break i've ever - he hasn't mentioned it. guy's, this is the biggest break i've ever had. | is the biggest break i've ever had. this is_ is the biggest break i've ever had. this is that — is the biggest break i've ever had. this is that moment. _ is the biggest break i've ever had. this is that moment. this- is the biggest break i've ever had. this is that moment. this is- is the biggest break i've ever had. this is that moment. this is a - is the biggest break i've ever had. this is that moment. this is a forl this is that moment. this is a for some people _ this is that moment. this is a for some pennie get _ this is that moment. this is a for some people get to _ this is that moment. this is a for some people get to see - this is that moment. this is a for some people get to see a - this is that moment. this is a for. some people get to see a show that isiust_ some people get to see a show that isjust us— some people get to see a show that is just us good — some people get to see a show that is just us good thing _ some people get to see a show that is just us good thing you _ some people get to see a show that isjust us good thing you put - some people get to see a show that is just us good thing you put too - is just us good thing you put too much pressure _ is just us good thing you put too much pressure on _ is just us good thing you put too much pressure on it— is just us good thing you put too much pressure on it or- is just us good thing you put too| much pressure on it or anything. it's much pressure on it or anything. it's sure — much pressure on it or anything. it's sure you _ much pressure on it or anything. it's sure you get _ much pressure on it or anything. it's sure you get to _ much pressure on it or anything. it's sure you get to a _ much pressure on it or anything. it's sure you get to a certain - much pressure on it or anything. it's sure you get to a certain age j it's sure you get to a certain age and you _ it's sure you get to a certain age and you stop — it's sure you get to a certain age and you stop being _ it's sure you get to a certain age and you stop being a _ it's sure you get to a certain age and you stop being a writer - and you stop being a writer who waits _ and you stop being a writer who waits tables _ and you stop being a writer who waits tables and _ and you stop being a writer who waits tables and you _ and you stop being a writer who waits tables and you become i and you stop being a writer who - waits tables and you become a waiter with hobby _ waits tables and you become a waiter with hobby tfeu— waits tables and you become a waiter with hobb . ., , �* , waits tables and you become a waiter with hobb . ., , �*, , with hobby. you see, it's very energetic. — with hobby. you see, it's very energetic, it's _ with hobby. you see, it's very energetic, it's very _ with hobby. you see, it's very energetic, it's very front - with hobby. you see, it's very energetic, it's very front foot. it's ace habitation but it feels like has theatre in it, stage theatre in it. but it does feel like everything is at that level and that nothing. fine. so you have to love musicals in the first place anyway. there are some real earworm songs. it's a self—referential thing about somebody writing a music about their

inability to get a musical produce. clearly lynn manuel miranda loves the stuff is of andrew garfield is terrific. you think it be doing musical theatre forever. apparently when he was asked if he could sing he said, when do i need to do a? he they said a year. in that case he said yes. he learned pretty much from scratch. it feels very stage he, reminded bbee of times at boys in the band. which is always been better onstage than on screen. again that's, a lot of contrivance in. onstage it feels unnatural but i liked it and it's a very interesting story. it's cinemas now and netflix. i said two suspects is primary audience will beat netflix. sometimes it's a little bit like dilate just a bit. sometimes it's a little bit like dilatejust a bit. a, sometimes it's a little bit like dilate just a bit.— sometimes it's a little bit like dilate just a bit. a bit like “azz hands. intriguing. * dilate just a bit. a bit like “azz hands. intriguing. and i dilate just a bit. a bit like jazz hands. intriguing. and your. dilate just a bit. a bit like jazz - hands. intriguing. and your choice as best out? _ hands. intriguing. and your choice as best out? you _ hands. intriguing. and your choice as best out? you want _ hands. intriguing. and your choice as best out? you want to - hands. intriguing. and your choice as best out? you want to see - as best out? you want to see spencer- — as best out? you want to see spencer- i — as best out? you want to see spencer. i did. _ as best out? you want to see spencer. i did. tell— as best out? you want to see spencer. i did. tell me. - as best out? you want to see spencer. i did. tell me. i- as best out? you want to see - spencer. i did. tell me. i thought

what was brilliant about it much to my surprise as it was so brilliant at doing claustrophobia. from within another few minutes in you feel so claustrophobic. yet it set in this obviously a normal cells, beautiful big rooms, massive grounds but the viewer i would go somewhere like that and think all the space come all this freedom. of course it's the last thing that the central character has.— last thing that the central character has. �* , , character has. it's the shining. basically it's — character has. it's the shining. basically it's the _ character has. it's the shining. basically it's the shining. - character has. it's the shining. | basically it's the shining. she's trapped in it. it's a ghost story. there is literally the ghost of ann boleyn who kind of a ps. there is literally the ghost of ann boleyn who kind of a p5. all the stuff when she goes up to park here and it's a miss you more and withering heights. didn't you think that kristen stewart was absolutely brilliant was mac i did. i sometimes feel a little uncomfortable - brilliant was mac i did. i sometimes feel a little uncomfortable watching j feel a little uncomfortable watching things about the royal family and i know lorraine would say it's not exactly about the royal family. a fable from a true tragedy. it is exactly about the royal family. a fable from a true tragedy.- fable from a true tragedy. it is a kind of fairy _ fable from a true tragedy. it is a kind of fairy tale. _ fable from a true tragedy. it is a kind of fairy tale. it's _ fable from a true tragedy. it is a kind of fairy tale. it's a - fable from a true tragedy. it is a kind of fairy tale. it's a prince as a tower and very much. usually, very

clever, a tower and very much. usually, very clever. very — a tower and very much. usually, very clever, very clever. _ a tower and very much. usually, very clever, very clever. i _ a tower and very much. usually, very clever, very clever. i thought - a tower and very much. usually, very clever, very clever. i thought the - clever, very clever. i thought the claustrophobia was juniors. claustrophobia was “uniors. fabulous music. i claustrophobia was “uniors. fabulous music. raw— claustrophobia was “uniors. fabulous music. i saw you _ claustrophobia wasjuniors. fabulous music. i saw you mention _ claustrophobia wasjuniors. fabulous music. i saw you mention the - claustrophobia wasjuniors. fabulous music. i saw you mention the music. just as all the heavy lifting. i love it. i think of kristin stewart doesn't get a major nomination... and if this court is to get nominated i will be very cross. i can't believe that won't happen. i can't believe that won't happen. i can't believe that won't happen. i can't believe it.— can't believe that won't happen. i can't believe it. dvds, streaming... there's a re-issue _ can't believe it. dvds, streaming... there's a re-issue mike _ can't believe it. dvds, streaming... there's a re-issue mike lee's - can't believe it. dvds, streaming... l there's a re-issue mike lee's naked. there's a re—issue mike lee's naked. because the bfa, a full two coming out on dvd and blu—ray. it's back in cinemas now. i know you're mike lee fan. i know you're not a huge fan of naked. i fan. i know you're not a huge fan of naked. ., ., , fan. i know you're not a huge fan of naked. ., . , ~' , , naked. i love so many likely fells. i haven't watched _ naked. i love so many likely fells. i haven't watched naked - naked. i love so many likely fells. i haven't watched naked again - naked. i love so many likely fells. i i haven't watched naked again since i haven't watched naked again since i first are back in the day. and i suppose you have to. i remember feeling very, very uncomfortable watching it. i’ll feeling very, very uncomfortable watching it— watching it. i'll say it is, it hasn't got _ watching it. i'll say it is, it hasn't got any _ watching it. i'll say it is, it hasn't got any less - watching it. i'll say it is, it- hasn't got any less uncomfortable. it's unbelievably quotable but it is very spiky, very aggressive, very

misanthropic. certainly in the central character who is... he is brilliant. central character who is. .. he is brilliant- i— central character who is. .. he is brilliant. i remember— central character who is... he is brilliant. i remember him - central character who is... he is brilliant. i remember him being| brilliant. i remember him being fantastic, the whole cast is fantastic. it fantastic, the whole cast is fantastic-— fantastic, the whole cast is fantastic. , ~ ,, fantastic. it is like spending the time on somebody _ fantastic. it is like spending the time on somebody who - fantastic. it is like spending the time on somebody who is - fantastic. it is like spending the| time on somebody who is on the fantastic. it is like spending the - time on somebody who is on the edge of aggression. i think mike lee is a genius. it's always worth revisiting his work. for me nuts in may is one of the greatest things i've ever seen. when you look back at naked now you go, wow, that's a powerful piece of work. whether you like it or not it's a powerful film. it piece of work. whether you like it or not it's a powerful film.- or not it's a powerful film. it was ground-breaking _ or not it's a powerful film. it was ground-breaking at _ or not it's a powerful film. it was ground-breaking at the - or not it's a powerful film. it was ground-breaking at the time. . or not it's a powerful film. it was i ground-breaking at the time. very ground—breaking at the time. very different from so much of his other works. but i could list a few other mike lee's that i could sit and watch. �* . , , ., watch. brilliantly, the be a fire doinr watch. brilliantly, the be a fire doing this _ watch. brilliantly, the be a fire doing this whole _ watch. brilliantly, the be a fire doing this whole retrospect - watch. brilliantly, the be a fire| doing this whole retrospect was watch. brilliantly, the be a fire - doing this whole retrospect was up his entire career is there for everyone to marvel at. which is fantastic- _ everyone to marvel at. which is fantastic. we _ everyone to marvel at. which is fantastic. we need _ everyone to marvel at. which is fantastic. we need a _ everyone to marvel at. which is fantastic. we need a rainy - everyone to marvel at. which is - fantastic. we need a rainy weekend to just sit and watch the lot, it would be wonderful. just watch notes in may. thank you very much mark. see you next time. that is it for this week. enjoy your cinema going, your streaming, whatever your updo.

and we will have more next week. thanks for being us. bye— bye. bye—bye. hello. the weekend is not looking bad at all for most of us. it's going to be mild. it's going to be mild. speaking, i think a fair amount of cloud on the way. let's have a look at the now and skies have cleared through scotland certainly is central and southern scotland and a few areas for the cell. generally a lot of cloud to start the day and really, really mild. ten or 11 degrees, this time a year, early in the morning it should be closer to around 5 degrees. we are well above the average. it's going to be mild by day too. i think the best chance of some sunshine across central areas of the uk, certainly southern scotland, the length districts, lancashire, parts of the midlands. 14 top temperatures in london and belfast too. scotland

will be closer to 11 or 12. how about the outlook was mad it's sunday, not much change, number change on monday, tuesday or indeed wednesday.

this is bbc news with the latest headlines for viewers in the uk and around the world. a last push for a meaningful agreement. cop26 continues talks into saturday. the man in charge calls for a �*can do' spirit. we have come a long way over the last two weeks and now we need that final injection of that can—do spirit which is present at this cop so we did this shared endeavour over the line. trump ally, steve bannon, indicted on two counts of contempt of congress over the investigation into the attack on the capitol. hundreds of migrants trapped on the belarus border — in the middle of a political stand—off.