the un climate summit has ended in glasgow with an agreement to strenghthen emissions—cutting targets for 2030. summit president, alok sharma, said the deal would keep within reach the goal of limiting temperature rises to 1.5 degrees celsius. but that it would only survive if countries kept their promises. an intervention from india watered down the agreement. the final text changed the wording phasing out of coal to phasing down, leaving many nations deeply disappointed. the un secretary—general said the world was still knocking on the door of a climate catastrophe. and belarus says it's stepping up humanitarian support to migrants trapped on the border with poland. the european union accuses belarus of using them as political pawns, in retaliation for eu sanctions against minsk. a puppet show with a difference has opened in london.

it's in both arabic and english. called the blue pool of questions, it's being performed on a barge on the regent's canal. kinda kurdi reports. somewhere in west london on regenfs somewhere in west london on regent's canal, the puppet barges hosting a new show. this 50 narrowboat has hosting place for a0 years. the play interweaves the english and arabic language to appeal to a multicultural and bilingual audience. translation: there are preconceived _ translation: there are preconceived ideas - translation: there arei preconceived ideas about translation: there are - preconceived ideas about the middle east and the arab speaking region, through dramatic artworks and public plays that contained the arabic language, we are able to break the stereotype and show the beauty of the language. singing. the performance uses

shadow theatre principles with puppet design. shadow theatre principles with puppet design-— shadow theatre principles with puppet design. speaks arabic. how do you _ puppet design. speaks arabic. how do you fly? _ puppet design. speaks arabic. how do you fly? this _ puppet design. speaks arabic. how do you fly? this show, - puppet design. speaks arabic. how do you fly? this show, the | how do you fly? this show, the blue pool— how do you fly? this show, the blue pool of— how do you fly? this show, the blue pool of questions, - how do you fly? this show, the blue pool of questions, it - how do you fly? this show, the blue pool of questions, it is - blue pool of questions, it is based on a palestinian children's book and it has so many elements within the story which are just perfect for puppetry. mike, when we are looking for stories to do, we are always looking for things where there is some magic and there are things where you wouldn't really be able to convey convincingly with actors. middle eastern music. arabic instruments such as the tambourine were used alongside traditional songs. translation: were used traditional folklore music and direct storytelling techniques from the arabic culture to bring us closer to our audiences.— culture to bring us closer to our audiences. change? we are erfectl our audiences. change? we are

perfectly happy! _ our audiences. change? we are perfectly happy! we _ our audiences. change? we are perfectly happy! we are - perfectly happy! we are perfectly _ perfectly happy! we are perfectly happy- - perfectly happy! we are perfectly happy. and i l perfectly happy! we are l perfectly happy. and i am perfectly _ perfectly happy. and i am perfectly calm! _ perfectly happy. and i am perfectly calm! the - perfectly happy. and i am i perfectly calm! the puppets were designed _ perfectly calm! the puppets were designed using - perfectly calm! the puppets l were designed using japanese were designed using japanese techniques, and require two puppeteers to operate them, one from the top and the other at the bottom. the barge is millets near edgware road, a very multicultural area in london. —— moored. they middle east and community, when many people speak arabic. the producers of this show hope that this new creation will make them a bigger part of that community. kinda kurdi, bbc news. now on bbc news, it's

time for talking movies. hello from new york. i'm tom brook up. welcome to our talking movies review of film festival season 2021. as the star—studded big autumn film festivals draws to a close, we hear from the names that have emerged as possible awards contenders, those who might pick up prizes from their work. people seem to be enjoying it and responding to it and we will see what happens. we are troubled to — will see what happens. we are troubled to all _ will see what happens. we are troubled to all the _ will see what happens. we are troubled to all the key - troubled to all the key festivals, telluride, toronto, new york, london and venice, which got the ball rolling with a begin person festival. we are lucky because _ a begin person festival. we are lucky because we _ a begin person festival. we are lucky because we haven't - a begin person festival. we are i lucky because we haven't opened the new season, everybody is willing to come back.- willing to come back. despite the pandemic, _

willing to come back. despite the pandemic, film _ willing to come back. despite the pandemic, film festival. the pandemic, film festival season 2021 was for the most part a success. we season 2021 was for the most part a success.— part a success. we need this, and new _ part a success. we need this, and new york _ part a success. we need this, and new york needs - part a success. we need this, and new york needs this - part a success. we need this, - and new york needs this pompous mind we need each other and it is quite emotional to be here together. is quite emotional to be here touether. is quite emotional to be here together-— is quite emotional to be here touether. ., , ., together. indeed, many movie fans found _ together. indeed, many movie fans found it _ together. indeed, many movie fans found it emotional - together. indeed, many movie fans found it emotional to - fans found it emotional to return to in person festival events whatever they are. the telluride film festival is a real movie lovers event. now in its a8th year. over the last decade or so it has begun to play a very important role in award season, in that it showcases 0scar worthy work. whenever people ask me what is your favourite film festival, whenever people ask me what is yourfavourite film festival, i always say telluride, because it is a real filmmakers festival.— it is a real filmmakers festival. ., , it is a real filmmakers festival. ., ., festival. dame helen was among the stars drawn _ festival. dame helen was among the stars drawn to _ festival. dame helen was among the stars drawn to telluride - the stars drawn to telluride this year, notjust because she was there with her much liked british true crime caper the duke, but because telluride is quite special. i festival which

shows great movies amid a landscape of incredible beauty, interconnected by ski lifts. it is very easy, very unpretentious. you can walk to every venue. it has a wonderful feel about it.— feel about it. this one-time colorado — feel about it. this one-time colorado mining _ feel about it. this one-time colorado mining town - feel about it. this one-time| colorado mining town turned very affluent ski resort has definitely become a key point of entry for likely contenders the oscars race.— the oscars race. there is a laundry — the oscars race. there is a laundry list _ the oscars race. there is a laundry list of _ the oscars race. there is a laundry list of movies - the oscars race. there is a laundry list of movies that | laundry list of movies that broke out here, 12 years a slave, slum dog millionaire. it has a patina of understanding of what could movies are. i’m of what could movies are. i'm venus. of what could movies are. i'm venus- i'm — of what could movies are. i'm venus. i'm serena. _ of what could movies are. i'm venus. i'm serena. so, - of what could movies are. i'm venus. i'm serena. so, what| of what could movies are. i'm i venus. i'm serena. so, what did ou venus. i'm serena. so, what did you think? _ venus. i'm serena. so, what did you think? king _ venus. i'm serena. so, what did you think? king richard, - venus. i'm serena. so, what did you think? king richard, a - venus. i'm serena. so, what did you think? king richard, a real. you think? king richard, a real crowdpleaser, _ you think? king richard, a real crowdpleaser, was _ you think? king richard, a real crowdpleaser, was one - you think? king richard, a real. crowdpleaser, was one telluride film that generated 0scars buzz this year, for its star will smith and his portrait of richard williams, coaching his two daughters venus and serena williams. , .,

williams. sorrento? -- cyrano? he could _ williams. sorrento? -- cyrano? he could be _ williams. sorrento? -- cyrano? he could be joined _ williams. sorrento? -- cyrano? he could be joined in _ williams. sorrento? -- cyrano? he could be joined in best- he could be joined in best actor_ he could be joined in best actor raised by peter denglish. he was— actor raised by peter denglish. he was a — actor raised by peter denglish. he was a very impressive at telluride _ he was a very impressive at telluride with the musical film cyrano — telluride with the musical film c rano. ., , ., cyrano. your body, from belfast. _ cyrano. your body, from belfast, where - cyrano. your body, from | belfast, where everybody cyrano. your body, from - belfast, where everybody knows you. belfast, where everybody knows ou. �* ., , belfast, where everybody knows ou. i ., , ., you. belfast, a black-and-white film noir from _ you. belfast, a black-and-white film noir from kenneth - you. belfast, a black-and-white| film noir from kenneth branagh, film noirfrom kenneth branagh, also generated 0scars talk at telluride. it is a very personal story of his experiences as a young boy in belfast, as life for his protestant family was thrown into turmoil by the troubles in the late 1960s before they relocated to england. the film is set during — relocated to england. the film is set during a _ relocated to england. the film is set during a very _ relocated to england. the film | is set during a very tumultuous time, a political time, is set during a very tumultuous time, a politicaltime, but is set during a very tumultuous time, a political time, but it isn't a political film. time, a political time, but it isn't a politicalfilm. no, time, a political time, but it isn'ta politicalfilm. no, i think that because it is seen so purposely —— purposefully through the eyes of a nine—year—old, this is somebody doesn't really understand what politics means. for him, it is a big enough challenge, and simple, and ultimately for the world, a profound challenge, to understand, well, why would those people i was playing with

yesterday now people but i can't play with?— yesterday now people but i can't play with? the hand of god was another— god was another autobiographical tale from a top director creating 0scars heat at telluride. it is a coming—of—age story from the academy award—winning italian director paolo sorrentino, set in 1980s naples. it touches on the tragic death of the director's parents. it marks a new chapter in the filmmaker�*s career in terms of internet —— intimate storytelling. career in terms of internet -- intimate storytelling.- intimate storytelling. i was ready after _ intimate storytelling. i was ready after 20 _ intimate storytelling. i was ready after 20 years - intimate storytelling. i was ready after 20 years to - intimate storytelling. i was l ready after 20 years to make this movie in the same way. it was starting to become less fun for me to make movies. so i decided to change it completely, the way to make movies, facing a different style, facing different kinds of stories. yes, it was a different kind of movie, because it was about me, and so my involvement was different. being in telluride was a very positive experience. not only did it demonstrate that this

award season is going to be packed with some great cinema, it also proved to me that a well curated in person film festival can function, and indeed flourish, in pandemic times. although telluride does play a role in the early 0scars race, it is really the venice film festival that gets the ball rolling with more spectacle. this year it opened one day before telluride, and emma jones was there for talking movies, looking for those of venice films that had 0scars heat. those of venice films that had oscars heat-— those of venice films that had oscars heat. venice en'oyed its american dream _ oscars heat. venice enjoyed its american dream again, - oscars heat. venice enjoyed its american dream again, with . oscars heat. venice enjoyed its| american dream again, with the return of hollywood stars after year and a half of nightmare for the film industry. the red carpets were crowned with famous faces, and the competition with award season �*s hopefuls. competition with award season 's hopefuls-— 's hopefuls. the venice leader alwa s 's hopefuls. the venice leader always makes _ 's hopefuls. the venice leader always makes a _ 's hopefuls. the venice leader always makes a beautiful- always makes a beautiful setting for hollywood to launch its award season hopefuls, and

this year the festival has bagged some heavyweight hitters that have been delayed since the pandemic. indeed, the latest adaptation of the 1960s popular novel, groans under the weight of its famous cast, and a huge budget of $165 million. the truth does not matter. the last deal, _ the truth does not matter. the last deal, directed _ the truth does not matter. the last deal, directed by ridley scott, was also delayed for months during the pandemic. it is cowritten by matt damon and ben affleck, who also started historical tale of a married woman who accuses a night, played by adam driver, of raping her. for its director, the venice premier was a vital moment for the movie. i think this is the _ moment for the movie. i think this is the most _ moment for the movie. i think this is the most important - this is the most important festival. and so from our point of view, we to sell an intelligent, extremely well acted and extremely well—made film, to an audience that we to go for, we needed some approval of the best critics, to say, to

give than not, and therefore that helps me. figs give than not, and therefore that helps me.— give than not, and therefore that helps me. as a venice has launched best _ that helps me. as a venice has launched best picture - that helps me. as a venice has launched best picture winners. launched best picture winners from the shape of water to nomad land, the festival director says you have turned down this year's invitation to attend. ~ . my down this year's invitation to attend. . , , attend. we are lucky because we are at the opening _ attend. we are lucky because we are at the opening of _ attend. we are lucky because we are at the opening of the - attend. we are lucky because we are at the opening of the new. are at the opening of the new season. everybody is willing to come back to raise the fame, to start again, to promoting them, to travel abroad, make the promotions. so it wasn't difficult to convince everybody to come to the festival. but celebration _ to come to the festival. but celebration of _ to come to the festival. but celebration of cinema, rather than the hope of reward, is still a driving force. mona lisa and the blood moon, which is in competition, is directed by iranian american under louis annable, and stars kate hudson as a stripper who befriends a girl with superpowers. fist as a stripper who befriends a girl with superpowers. at the end of the — girl with superpowers. at the end of the day _ girl with superpowers. at the end of the day we _ girl with superpowers. at the end of the day we really - girl with superpowers. at the end of the day we really do i girl with superpowers. at the end of the day we really do it because when you sit there and it all comes to life, you are collectively watching something together. it is magic. and, you

know, i think festivals, especially this festival, to me, isjust... this is my third time, i love it so much. you feel the love of venice. when it came to _ feel the love of venice. when it came to venice's _ feel the love of venice. when it came to venice's own - feel the love of venice. when i it came to venice's own awards, happening, a french drama about an illegal abortion, won the golden lion. make a chill and holds directing debut, the hold's directing debut, the lost daughter, and adaptation of an element fontaine novel, one best screenplay. it is of an element fontaine novel, one best screenplay.— one best screenplay. it is an unusual film, _ one best screenplay. it is an unusualfilm, i— one best screenplay. it is an unusualfilm, ithink. - one best screenplay. it is an unusualfilm, ithink. it- one best screenplay. it is an unusualfilm, ithink. it is. one best screenplay. it is an unusualfilm, i think. it is al unusualfilm, i think. it is a risky film. and for them to validate it means so much to me. i am completely over the moon right now.— moon right now. and i will be crews took — moon right now. and i will be crews took best _ moon right now. and i will be crews took best actress - moon right now. and i will be crews took best actress for i crews took best actress for another collaboration with pedro almodovar, parallel mothers, and jane campion one best directorfor the mothers, and jane campion one best director for the power of the dog. as in previous years, this event will probably determine the film critics award in the months to come.

welcome to toronto! normally it is a bustling showcase, overflowing with movie riches. but this year, because of covid—19, it was somewhat more subdued. the princess of wales theatre hosted the world premier of the eyes of tammy faye, starring jessica chastain. aprilformants but is all but guaranteed to bring her an oscar nomination. her portrait of the late us televangelist who, with her husband jim baker, televangelist who, with her husbandjim baker, co—founded a christian tv programme, the ptl club, in the 1970s, is mesmerising. jim baker was convicted on counts of fraud in connection with their ptl ministries and sent to jail. for many americans, tammy faye baker, loved by herfollowers, stayed in the public consciousness is a figure of ridicule. this film takes her seriously. ridicule. this film takes her seriously-— ridicule. this film takes her seriousl. . , seriously. that was my goal. it came from _ seriously. that was my goal. it came from first _

seriously. that was my goal. it came from first watching - seriously. that was my goal. it came from first watching the i came from first watching the documentary that i watched about ten years ago. i was shocked with how little i actually really knew about tammy, and how full of compassion and love she was. and i didn't know much about her beyond the drama and the media sensationalism. it was a really important for me to write that wrong, notjust really important for me to write that wrong, not just for her family and legacy, write that wrong, not just for herfamily and legacy, but write that wrong, not just for her family and legacy, but also for the lgbtq audiences that she wrapped her arms around dinnertime when the conservative edge —— evangelical community was turning their backs on them. how much work was involved for you every day when you are shooting the film, and transforming yourself to play the part? because you really do become tammy faye baker in a most wondrous way. it was a lot of prep. for ten years in the back of my head a new i was going to play her, i new i was going to play her, i new it was a huge part in the pun leap of faith for me, because there's so many aspects of her, the way her voice is, the preaching, the singing, the

silliness, she presents herself to the world very differently than i do and so i was always afraid of it, so much so that towards the end when it sorta became real, they tried to sabotage it.— became real, they tried to sabotaeit. ,, ., �*, sabotage it. jessica chastain's performance _ sabotage it. jessica chastain's performance is _ sabotage it. jessica chastain's performance is much - sabotage it. jessica chastain's performance is much better. sabotage it. jessica chastain's i performance is much better than the film itself which is a disappointment. it's the story told too much in broad strokes, it lacks originality. but bakehs it lacks originality. but baker's appeal was to the right, misses the opportunity to help us understand the rise of that movement that went on to have a powerful impact on modern american political life. one great influential new york city rock band formed in the 19605, city rock band formed in the 1960s, the velvet underground was the subject of a new york film festival documentary this year. the band came from a storied error in new york city p0p storied error in new york city pop culture history, one—time

artist andy warhol was at manager and the band had lou reed as its charismatic lead singer. a rock �*n' roll band like no other. todd haynes' new documentary on the velvet underground explores a unique set of circumstances that brought together four outsiders to create a distinctly different sound, steeped in the heady mix of avant garde art and filmmaking of 1960s new york city. and filmmaking of 1960s new york ci . , ., ,., , york city. they go so deep. they go _ york city. they go so deep. they go so _ york city. they go so deep. they go so deep _ york city. they go so deep. they go so deep within i york city. they go so deep. they go so deep within the | they go so deep within the 19605 they go so deep within the 1960s itself, and they were so out of their time thematically and sonically but no—one knew what to do with them, even at the time of incredible invention and desire for radical change, it still took decades for people to catch up to what they were doing. so you learn so much about not only the 1960s but, you know, why

did that happen? fist the 1960s but, you know, why did that happen?— the 1960s but, you know, why did that happen? at the centre of it was the _ did that happen? at the centre of it was the famous _ did that happen? at the centre of it was the famous new i did that happen? at the centre of it was the famous new york| of it was the famous new york city artist and film director andy warhol who discovered the band and became their manager. he incorporated them into his art studio called the factory where artists, models and other cool kids known as warhol's superstars hung out.- superstars hung out. they thou~ht superstars hung out. they thought they _ superstars hung out. they thought they could i superstars hung out. they| thought they could become famous. ., , . . , famous. todd haynes recreates the unconventional _ famous. todd haynes recreates the unconventional nature i famous. todd haynes recreates the unconventional nature of. the unconventional nature of velvet underground's music and how it combined with art in his. hejuxtaposes light how it combined with art in his. he juxtaposes light with sound, uses split screens and takes viewers on an immersive journey through space and time stop the velvet underground's music was dark, edgy and full of life so it makes perfect sense that the band was created here in this apartment which is where members of velvet underground perfected what would be some of their signature sounds. lou reed

broughton thinks from his own life, with lyrics that never shied away from topics like drug abuse, sexuality and depression. was immensely talented and deeply emotional, but he could also be a difficult person to be close to. todd haynes' film explores this contradiction through those who knew him best. ihe this contradiction through those who knew him best. he was complicated. _ those who knew him best. he was complicated, man. _ those who knew him best. he was complicated, man. he _ those who knew him best. he was complicated, man. he was i those who knew him best. he was complicated, man. he was full- complicated, man. he was full of all kinds of detective barriers. somebody who felt insecurity and his sharing it with us in the most direct way possible which is in his work. lou reed's work and that of his band indoors, speaking to people who don't quite fit in and prefer to embrace life with its rough edges intact. emerging from a pandemic in which we all felt disconnected and offkilter, haynes believes the velvet underground also resonates for a new reason. father was the movie we had making underground during lockdown in this pandemic, but

it was a movie about an incredibly vital time in creative life, in the history of film, and music. and that music filled the room, and i think that something to the audience beyond what the film itself is doing, because of the conditions that we have all lived through.— conditions that we have all lived through. and away, film festival season _ lived through. and away, film festival season drawing i lived through. and away, film festival season drawing to i lived through. and away, film festival season drawing to a i festival season drawing to a close to the time the bfi london film festival arrived in early october. by then there was some clarity to which films and which performers were significant awards season contenders to be one of the big contenders to be one of the big contenders was the movie spencer which gave me to go is a fictionalised portrait of princess diana when she spent

christmas with the royal family at sandringham in 1991. presents her as being psychologically vulnerable and under the controlling grip of an unsympathetic royal household. it's an image of a british icon that has been shaped very much by outsiders. the filmmaker is hla and and the woman who plays diana as the woman who plays diana as the american actress kristen stewart. bringing a story about the so—called people's princess to london where diana princess of wales lived for many years was a big moment for the cast and crew of spencer. it's does and crew of spencer. it's does an american, kristen stewart, as directed by chile and filmmaker pablo larrain and was partly made in germany but there is a supporting cast of actors and still feels the film belongs to britain's. i actors and still feels the film belongs to britain's.- belongs to britain's. i feel like we are _ belongs to britain's. i feel like we are bringing i belongs to britain's. i feel like we are bringing it i belongs to britain's. i feel. like we are bringing it home for her completely. 0ne like we are bringing it home for her completely. one of the reasons it is fun to talk about

this movie existing at all is that we get to have her again evenif that we get to have her again even if it is just through the inspiration that she gave to pablo and stephen and myself, i'd definitely don't profess to be giving her another platform to exist but you know, she exists through what lingers. it is her influence, it is the things that she inspired and we were so influenced and inspired by this woman. it is just nice to have it keep going, not that anyone would forget her. there has to be two — anyone would forget her. there has to be two of— anyone would forget her. there has to be two of you. _ anyone would forget her. there has to be two of you. the i anyone would forget her. there has to be two of you. the real i has to be two of you. the real one on the one they take pictures of.— one on the one they take ictures of. , ., , ~ pictures of. the story, weekend over a miserable _ pictures of. the story, weekend over a miserable christmas i pictures of. the story, weekend over a miserable christmas that diana spends with the royal family is fictional but stuart's performance and resemblance to the princess has already attracted critical acclaim where the film has shown. i acclaim where the film has shown. ., . , , shown. i tried to absorb her as best they _ shown. i tried to absorb her as best they could, _ shown. i tried to absorb her as best they could, in _ shown. i tried to absorb her as best they could, in a _ shown. i tried to absorb her as best they could, in a kind i shown. i tried to absorb her as best they could, in a kind of i best they could, in a kind of spirilual— best they could, in a kind of spiritual way and not get so fixated _ spiritual way and not get so fixated on sort of debilitated by trying to do a perfect

perfect _ by trying to do a perfect perfect impression because she felt so — perfect impression because she felt so alive and she felt so spontaneous, and earthshaking that the — spontaneous, and earthshaking that the only way to really do herjustice would be to kind of learn — herjustice would be to kind of learn the _ herjustice would be to kind of learn the accent and stuff technically but then forget about— technically but then forget about it and be free. she was like _ about it and be free. she was like the — about it and be free. she was like the least free woman for a long _ like the least free woman for a longtime _ like the least free woman for a long time but her desire for freedom _ long time but her desire for freedom and her ability to attain _ freedom and her ability to attain it— freedom and her ability to attain it was so strong energetically that that was kind — energetically that that was kind of— energetically that that was kind of impossible to nail. it kind of impossible to nail. [it is kind of impossible to nail. is written kind of impossible to nail. it is written by oscar nominee stephen knight. since he wrote at the emmy—winning netflix series the crown became one of the most watched tv series in the most watched tv series in the world, the audience fascinated by their interpretation of charles and diana's marriage. the british royals may be an ultra— wealthy and privileged family but the heart of this story, knight says, is a domestic situation. i didn't read any of the books or watch any of the films or anything or talk to people that were there at the time, and try to look through the keyhole via those first—hand accounts of what actually went on, and how

we had we all are, how weird we are at christmas and all the weird things we do. the are at christmas and all the weird things we do. the rest of the ro al weird things we do. the rest of the royal family _ weird things we do. the rest of the royal family are _ weird things we do. the rest of the royal family are seen i weird things we do. the rest of the royal family are seen by . the royal family are seen by diana's perspective and given the interest in their lives as well as the person of diana even a quarter of a century after her death, the film will self generate headlines for leading actress. i know every acting job must be giving yourself to people, did you feel any more trepidation? yeah. it is such a controversial subject, this movie has no answers, it'sjust asking those questions, so i was afraid of people, maybe thinking that we weren't leading with love and with curiosity, and as outsiders, it just sort of scared me with the people who said you have no right. not that i wasn't good in the movie.—

in the movie. the movie will succeed _ in the movie. the movie will succeed if— in the movie. the movie will succeed if people _ in the movie. the movie will succeed if people feel - in the movie. the movie will succeed if people feel that l succeed if people feel that stuart and pablo larrain have delivered the woman and not the icon. i noticed that there was one movie that kept reappearing at every film festival we visited, it was at all of them in venice, toronto, new york and london. it was the power of the dog. a beautifully realised disconcerting western put together with great skill by new zealand filmmakerjane campion. this story of a i9th—century rancher played by benedict cumberbatch shows jane campion in total control of her craft. she gets brilliant performances from her cast, creates a great sense of place to bring us a study of power

and relationships, toxic masculinity and repressed lives that truly lingers. it is a surefire awards contender and will most definitely be a part of next yea r�*s will most definitely be a part of next year's oscars race. well, that brings our special talking movies festival season 2021 edition to a close. we hope you have enjoyed the show. please remember you can noise reach us online and you can find us on facebook and twitter. well with film festival season now more or less behind us, a new movie season has emerged, it is the end of the year prestige film season and one of the eagerly awaited movies coming up as steven spielberg's adaptation of west side story. today we are going to leave you with a clip from the 1961 film adaptation of that much loved broadway musical. i?

adaptation of that much loved broadway musical.— adaptation of that much loved broadway musical. # hold my hand and we _ broadway musical. # hold my hand and we are _ broadway musical. # hold my hand and we are halfway - broadway musical. # hold my| hand and we are halfway there. # hold my hand and i'll take you there. # somehow, some day, hello there. part one of the weekend was a little bit dull for many of us. we held onto cloudy skies, sunshine was limited. it's going to be pretty similar, i think, for sunday with limited sunshine, a lot of cloud around and there will be some rain as well — particularly across the north—west of the uk, closer to this area of low pressure and its weather front. but further south, it's higher pressure, barely any isobars, so the winds will be light. but it's still going to be relatively mild for the time of year, particularly towards the western side of the country, as we draw up this south—westerly breeze. now, we start sunday morning

off on a rather cloudy note. there could be a little bit of sunshine, too, but also some mist and fog patches to watch out for. i think into the afternoon, much of england and wales should tend to see more holes breaking in the cloud with some sunny spells. a few showers across the south—east there, but the wettest and breeziest of the weather will be across the north and west of scotland, perhaps north—western parts of northern ireland. 11—14 degrees — pretty mild — but we could see 15 degrees for belfast. now, as we head through sunday night, that weather front in the north—west begins to sink southwards and eastwards but as it's running into an area of high pressure, it will begin to fizzle out, so the rain will get lighter. there will be some heavier bursts on it, i think, during sunday night. those temperatures range from around 6—11 degrees. so this weather front will be sinking slowly south—eastwards, almost grinding to a halt. as it pushes into that area of high pressure, it will fizzle out through the day. so we start off with some patchy rain for southern scotland, just pushing into parts of north west england, north west wales, but you can see it fades away and just leaves no more than a band of cloud. behind it, skies brighten for scotland and northern ireland — just a few blustery showers but a much better day. and further south and east,

it's another rather cloudy one for much of england and wales — limited sunshine once again. temperatures 11—12, maybe 13 degrees. as we move through the rest of the week, it stays mild or even turns very mild at times, particularly across southern areas, and most of the wind and the rain will be confined to the north of the uk, as you can see here. as we run through tuesday into wednesday, it's low pressure to the north of the uk which will bring these spells of wetter and windy weather. further south, closer to this area of high pressure, this is where we will see the lighter winds and the more settled conditions. but you'll see how mild it is — temperatures reaching the mid—teens at times, particularly across southern areas. quite a bit of cloud around, limited sunshine with most of the rain confined to northern areas. see you later.

good morning. welcome to breakfast with chris mason and katherine downes. our headlines today: hearing no projections it is decided. world leaders strike a landmark deal on climate change in glasgow, but emotional last minute wrangling leaves some concerned the agreement doesn't go far enough. i'll apologise for the way this process has unfolded and i am deeply sorry. in her first public engagement in more than three weeks, the queen will lead the national service of remembrance in london. after a campaign that went to downing street, the government pledges £50 million for research into a cure for motor neurone disease.