this is bbc news, the headlines. us regulators have shut down silicon valley bank, a major lender to tech companies after it ran into financial trouble. companies after it ran into financialtrouble. it's companies after it ran into financial trouble. it's the largest banking failure in the united states since the financial crisis of 2008. fellow broadcasters and commentators have said they won't work on the bbc�*s flagship sports programme much of the day this weekend after its presenter gary lineker was taken off presenting duties following social media posts he made following the government's asylum policy. ritan will increase its payments to france to stop illegal migrant gratian boats across the channel following funding for a new

detention centre to remove people from the french coast. the news came at the end of the first summit when the two countries of five years. now, uk government loans meant to help keep companies afloat during the covid pandemic but billions of pounds were defrauded in the government's bounceback loan scheme. bbc investigation can reveal the story of a criminal gang is still more than £10 million of taxpayer money. they launder tens of millions more after a final court case which ended today, total of ten people now been sentenced. angus crawford has the details. bags full of cash. bundles of dirty notes. they even needed a safe. now, after a series of court cases, the inside story of the gang that stole £10 million of taxpayers�* money. i've never seen

anything like it. it is the biggest one i know of. it's the biggest one i've seen, and it's probably going to be the biggest one we will see for a long time. when covid shut down the economy, the chancellor announced the bounce back loan scheme. well, today, we announced a brand—new loan scheme... £50,000 on offerfor small firms with few questions asked. the gang used a network of bogus companies to make hundreds of claims. ringleaders artem terzyan and deivis grochiatskij received long prison sentences. they have strong links to lithuania, and we've learned that directors of two of the companies used in the fraud are still living there. and here they are — yekaterina kobrina and povilas bartkevicius, a model and a chef. we just want to ask you where the money went? what money?

the money from the bounce back loans. your name is on a company — bart solution — yes? and that received £10 million in your name. yeah, your name. i don't know anything. if i had some money or 10,000 here — i didn't work twojobs here. povilas tells us he has no idea his name was being used in this way. next, we tracked down yekaterina. nice to meet you. yeah, nice to meet you. i ask her about the company in her name. but i don't know anything, and you should ask other people. no comments — only with my lawyer. we have no idea if either of them knew what those companies were being used for, and the national crime 0ffice says their investigation is over.

it was a colossal sum of money gone to some very bad people. lord agnew was the government's counter fraud minister until he resigned, appalled by the loss of billions of pounds from the scheme. i'm worried that there is still a reluctance to grip this with real vigour. so, as we stand, do we think that those at the top of government have learned the lesson of the bounce back loans scheme? i would like to hope so but i'm not convinced. so, where does that leave us? we've found two people whose names are on the companies which were used for the money laundering and the bounce back loan fraud but we just don't know if they had any idea where the money came from and where it went to. and as for that money, are we going to find it? is the british taxpayer going to get it back? it looks highly unlikely. loans which kept firms afloat also made criminals rich. angus crawford, bbc news,

vilnius, in lithuania. now on bbc news, click. this week, we are going low and slow. although what is it that has given spencer such a shock? 0uch. has given spencer such a shock? ouch. 15m has given spencer such a shock? ouch. �* ., , ,., has given spencer such a shock? ouch. �* , ., ouch. an absolute pleasure and rivileue ouch. an absolute pleasure and privilege to _ ouch. an absolute pleasure and privilege to meet _ ouch. an absolute pleasure and privilege to meet you, - ouch. an absolute pleasure and privilege to meet you, sir. - ouch. an absolute pleasure and privilege to meet you, sir. how| privilege to meet you, sir. how are you — privilege to meet you, sir. how are you doing? life privilege to meet you, sir. how are you doing?— are you doing? life beyond the rave, are you doing? life beyond the grave. gym. — are you doing? life beyond the grave. gym. but— are you doing? life beyond the grave, gym, but not _ are you doing? life beyond the grave, gym, but not as - are you doing? life beyond the grave, gym, but not as we - are you doing? life beyond the. grave, gym, but not as we know it. william shatner has plans to keep talking after he has gone on. to keep talking after he has one on. , to keep talking after he has gone on-— to keep talking after he has one on. , , gone on. this interview is the best thing — gone on. this interview is the best thing i've _ gone on. this interview is the best thing i've ever _ gone on. this interview is the best thing i've ever done! - gone on. this interview is the| best thing i've ever done! and how can your—

best thing i've ever done! and how can your foot _ best thing i've ever done! fific how can your foot from the perfect fit? get ready for the science of stilettos. here something that is hard to get your head around.- here something that is hard to get your head around. more and more tourist _ get your head around. more and more tourist attractions - get your head around. more and more tourist attractions are - more tourist attractions are clocking how important social media is in getting their name out there. indie media is in getting their name out there-— out there. we are at the new twist museum _ out there. we are at the new twist museum in _ out there. we are at the new twist museum in central - out there. we are at the new i twist museum in central london which is filled with a multitude of mirrors and instagrammable illusions that will play with your perceptions.- will play with your perceptions. will play with your --ercetions. , .,~ , will play with your --ercetions. , .,~ perceptions. oh, this makes a chance, perceptions. oh, this makes a change. look _ perceptions. oh, this makes a change, look at _ perceptions. oh, this makes a change, look at you _ perceptions. oh, this makes a change, look at you down - perceptions. oh, this makes a l change, look at you down there. i know and for reference this is our true social standing went you are looking out. what's weird is this isn't even the strangest thing i found recently. —— i have filmed recently. —— i have filmed recently. it is a fundamental law of the universe that nearly everything looks better in slow mode. something that he the slow mo guys have been proving since 2010. slow mo guys have been proving since 2010-_ since 2010. three, two, one, no.

since 2010. three, two, one, go- their— since 2010. three, two, one, go- their 14 _ since 2010. three, two, one, go. their 14 million _ since 2010. three, two, one, go. their 14 million youtube| go. their 14 million youtube subscribers _ go. their 14 million youtube subscribers regularly - go. their 14 million youtube subscribers regularly watch | subscribers regularly watch gavin and dan slow things down as they blow things up.- as they blow things up. no-one stand in front _ as they blow things up. no-one stand in front of _ as they blow things up. no-one stand in front of the _ as they blow things up. no-one stand in front of the canon - as they blow things up. no-one stand in front of the canon for. stand in front of the canon for obvious reasons.— obvious reasons. dan is ex- military _ obvious reasons. dan is ex- military and _ obvious reasons. dan is ex- military and weapons - obvious reasons. dan is ex-| military and weapons trained which means he can do this sort of thing. you, on the other hand, cannot. and today i've come too's studio in texas to add to the list of silly things he has filmed end group three to four filmed he has filmed end group three to fourfilmed in he has filmed end group three to four filmed in slow motion. this is what we are filming, this leftover stuff we have done, like, that's what's left of a newtons cradle after dan shot it. i like the one that stayed on. it's quite nice. this is probably 500 mousetraps.- this is probably 500 mousetras. , , mousetraps. this is when you threw down — mousetraps. this is when you threw down into _ mousetraps. this is when you threw down into these? - mousetraps. this is when you threw down into these? yes. | threw down into these? yes. whether all _ threw down into these? yes. whether all sort _ threw down into these? yes. whether all sort of _ threw down into these? yes whether all sort of triggered from the outside in words was amazing and that was all within amazing and that was all within a few milliseconds. yeah.

right, here comes the science bit. whereas normal video cameras record something like 25 still images or frames per second, migratory uses cameras that capture thousands per second. if you play these back at 25 frames per second, that's where you get your slow mo. they have filmed at over1 million frames per second and at that speed they only have enough storage space to capture two seconds. so how do you make sure it is the right to seconds?— sure it is the right to seconds? . �*, ., , ., sure it is the right to seconds? . �*, ., ., seconds? that's actually one of the incredible _ seconds? that's actually one of the incredible difficulties - the incredible difficulties when high—speed was on film because you have like 1000 feet of film and if you press go it's gone in mike seven seconds. so if something is going to happen and you don't quite know when, very difficult to get that. quite know when, very difficult to get that-— quite know when, very difficult to get that. hence slow mo has only really _ to get that. hence slow mo has only really been _ to get that. hence slow mo has only really been accessible - to get that. hence slow mo has only really been accessible to l only really been accessible to the industry on digital cameras. these continually record over their own footage and instead of a start button, you get a stop button. instead

of trying to predict when the thing will happen and hitting starts just before, when the thing happens, you hit stop and you get to keep the last few seconds. ., �* , you get to keep the last few seconds. . �* , ., , you get to keep the last few seconds-— seconds. that's actually the most stressful _ seconds. that's actually the most stressful part - seconds. that's actually the most stressful part of - seconds. that's actually the most stressful part of it - seconds. that's actually the most stressful part of it is l seconds. that's actually the most stressful part of it is i | most stressful part of it is i hope i don't miss the beginning by waiting too long and i hope i don't trigger too early. so for example if there's an explosion, you want have everything land, you don't want to wait too long to miss the beginning of the explosion. these days your phones consume 1000 frames a second for only a fraction of a second so what would your tips be for what works well in slow mo and what you need to think about? if works well in slow mo and what you need to think about?- you need to think about? if you can shoot _ you need to think about? if you can shoot 1000 _ you need to think about? if you can shoot 1000 frames - you need to think about? if you can shoot 1000 frames per- can shoot 1000 frames per second on your phone, just point out everything. i love anything with liquid. like a water balloon is the classic subject, it's what everyone does first, but i still find it fascinating that you probably water balloon, the rubber whips out of the almost immediately, even slow mo, and you're left with shape, a big lob of water.

most important thing for shooting slow mo when get was 1000 is you need the right light. lots of it. so for example under a regular incandescent light bulb or like a lamp you may find it home, chances are you will see the flickering of the electrical grid and it looks really unattractive in slow mo, it's really distracting to see the lights doing this, so should outdoors under the sun, the sun does not flicker, or get massive life like i've got. that's the more expensive option. that's the more expensive 0 tion. ., option. right then. time to make my — option. right then. time to make my own _ option. right then. time to make my own slow - option. right then. time to make my own slow mo. - option. right then. time to make my own slow mo. inl option. right then. time to - make my own slow mo. in order to get some precision moves at high speed, we are attaching the 2000 frames per second phantom camera to one another high—speed device that gav has recently got hold of. 0k! high—speed device that gav has recently got hold of. ok! this is bold, high—speed robotic arm thatis is bold, high—speed robotic arm that is popular with moviemakers, firstly because you can mount any camera you like onto the end of it and

secondly it's really fast. it's also motion controlled which means you can repeat the same suit before same precise move over and overfour suit before same precise move over and over four different takes and finally you can design of the move of the camera in your 3d visualisation software and import it straight into this and it will for you. and it says when the red light comes on, get out of the way. beep. slow mo set up a probe for —— migratory set up the robot. the software can even be made to trigger physical devices at different times which means things can be dropped part way through the camera move. today we are using like, sorry, judgement and practice to try to follow an out of date egg as it falls all the way down onto the floor. which it does not hit because i am in the way.— which it does not hit because i

am in the way. 50. 0uch. egg on am in the way. go. ouch. egg on face, am in the way. go. ouch. egg on face. no. — am in the way. go. ouch. egg on face. no. the _ am in the way. (err. ouch. egg on face, no, the metaphor is not lost on me, thank you. but after spending a day being a guest slow mo guy i have learned this. you don't always need elaborate stance to make great slow mo. sometimes, the best prop is right under your nose. , ., ., ., ., nose. pretty good from what i saw. nose. pretty good from what i saw- thank — nose. pretty good from what i saw. thank you. _ nose. pretty good from what i saw. thank you. laughter. - nose. pretty good from what i saw. thank you. laughter. itl saw. thank you. laughter. it almost looks _ saw. thank you. laughter. it almost looks as _ saw. thank you. laughter. it almost looks as though... i almost looks as though... laughter continues. i almost looks as though... laughter continues.- almost looks as though... laughter continues. i felt this a few times — laughter continues. i felt this a few times with _ laughter continues. i felt this a few times with a _ laughter continues. i felt this a few times with a few - a few times with a few different people and this one is just really good for some reason. i isjust really good for some reason. ., isjust really good for some reason. . ., ., , reason. i am going to remember that image _ reason. i am going to remember that image for — reason. i am going to remember that image for the _ reason. i am going to remember that image for the rest - reason. i am going to remember that image for the rest of - reason. i am going to remember that image for the rest of my - that image for the rest of my life — that image for the rest of my life. �* , , ., �* , life. and interestingly that's not the last _ life. and interestingly that's not the last frisina - life. and interestingly that's not the last frisina of- life. and interestingly that's not the last frisina of gav, i life. and interestingly that's| not the last frisina of gav, it will be back in a couple of

weeks to help us film something to recall in slow mo. flail weeks to help us film something to recall in slow mo.— to recall in slow mo. call them back? surely _ to recall in slow mo. call them back? surely not? _ to recall in slow mo. call them back? surely not? anything i to recall in slow mo. call them back? surely not? anything to| back? surely not? anything to foruet back? surely not? anything to forget that- — back? surely not? anything to forget that. the _ back? surely not? anything to forget that. the next - back? surely not? anything to forget that. the next story - back? surely not? anything to forget that. the next story is i forget that. the next story is about — forget that. the next story is about preserving memories, those — about preserving memories, those of— about preserving memories, those of our loved ones, particularly our elderly relatives.— particularly our elderly relatives. ., , ., relatives. one who has his fair share of stories _ relatives. one who has his fair share of stories to _ relatives. one who has his fair share of stories to tell - relatives. one who has his fair share of stories to tell and - share of stories to tell and wants to make sure they live on forever is hollywood legend william shatner and nick kwek meant to meet him ahead of his 92nd birthday. los angeles, the city of angels. everyone wants to get in front of the camera. welcome to the... this start—up in the heart of hollywood will give you the opportunity, recording your entire life story. recording your entire life sto . , ., , ., story. get in the hot seat. customers _ story. get in the hot seat. customers are _ story. get in the hot seat. customers are asked - story. get in the hot seat. - customers are asked hundreds, sometimes thousands of questions over several hours and even several days. hair and make-up _ and even several days. hair and make-up of _ and even several days. hair and make-up of course, _ and even several days. hair and make-up of course, we - and even several days. hair and make-up of course, we are - and even several days. hair and make-up of course, we are in i make—up of course, we are in hollywood and have to have that and heaven forbid you will be documented for the next 100 years and don't have your hair correct. �* ., , ., . , .,

correct. an idea is once you have passed _ correct. an idea is once you have passed away, - correct. an idea is once you have passed away, anyonel correct. an idea is once you - have passed away, anyone with access can ask you anything and you will answer them. tell access can ask you anything and you will answer them.— you will answer them. tell me about your _ you will answer them. tell me about your eyebrows. - you will answer them. tell me about your eyebrows. laughs. j about your eyebrows. laughs. these eyebrows _ about your eyebrows. laughs. these eyebrows are _ about your eyebrows. laughs. these eyebrows are quite - these eyebrows are quite extraordinary.— these eyebrows are quite extraordinary. these eyebrows are quite extraordina . . , extraordinary. the concept has attracted someone _ extraordinary. the concept has attracted someone with - extraordinary. the concept has attracted someone with more. attracted someone with more than their fair share of stories. than theirfair share of stories. an absolute than their fair share of stories. an absolute pleasure and privilege to meet you, sir. you know this place quite well, you've been here before? every nook and cranny. _ you've been here before? every nook and cranny. every - you've been here before? every nook and cranny. every crease i nook and cranny. every crease and crack. i know. just think of what the possibilities are of what the possibilities are of what the possibilities are of what you and i are doing right now. of what you and i are doing right nova— of what you and i are doing riahtnow.~ , right now. why did you record yourself? _ right now. why did you record yourself? i — right now. why did you record yourself? i ask— right now. why did you record yourself? i ask myself- right now. why did you record yourself? i ask myself that i yourself? i ask myself that question — yourself? i ask myself that question day _ yourself? i ask myself that question day in, _ yourself? i ask myself that question day in, day - yourself? i ask myself that question day in, day out. i question day in, day out. artifice of intelligent —— artificial intelligence is fascinating for everyone and the discourse now is coming alive and will it be the equivalent of our human creativity and devilish nurse? or is it stilljust mechanical,

so one would pull the plug? that's why i'm here. do you think that other people using storey file technology even come close to what you can do in the way that you can tell stories? who cares about people who are not william shatner? everybody has got a story. if i were to interview you, i would discover your story. you know what i would do with you? the camera on _ what i would do with you? the camera on him. _ what i would do with you? the camera on him. no, _ what i would do with you? the camera on him. no, don't put it on me! ., ., on me! the camera back on him. you're listening _ on me! the camera back on him. you're listening to _ on me! the camera back on him. you're listening to him? - on me! the camera back on him. you're listening to him? nick. i you're listening to him? nick. when did you start combing your hair that way?— hair that way? that's actually a really good _ hair that way? that's actually a really good question. i hair that way? that's actually a really good question. stop, j a really good question. stop, sto -i a really good question. stop, stop! come _ a really good question. stop, stop! come back _ a really good question. stop, stop! come back on - a really good question. stop, stop! come back on me. i a really good question. stop, l stop! come back on me. that's what i would ask you, that sort of thing. everybody has a story. of thing. everybody has a sto . ~ ., , of thing. everybody has a sto .~ . , , ., , story. whether any questions ou are story. whether any questions you are asked _ story. whether any questions you are asked where - story. whether any questions you are asked where you i you are asked where you thought, i'm not going to answer that, thought, i'm not going to answerthat, i thought, i'm not going to answer that, i don't want to go there. i answer that, i don't want to go there. ., �* there. i don't recall ever sa in: there. i don't recall ever saying "i'm _ there. i don't recall ever saying "i'm not - there. i don't recall ever saying "i'm not going i there. i don't recall ever saying "i'm not going to |

there. i don't recall ever - saying "i'm not going to answer that", because, a lot of this is for publication, once i'm dead, so... laughs . would you reveal secrets? what's a secret. give me an idea of what is a secret. when ou idea of what is a secret. when you were _ idea of what is a secret. when you were alive, _ idea of what is a secret. when you were alive, say _ idea of what is a secret. when you were alive, say you i idea of what is a secret. when you were alive, say you had i idea of what is a secret. when you were alive, say you had a | you were alive, say you had a dark secret... you were alive, say you had a dark secret. . ._ dark secret... what's a dark secret? _ dark secret... what's a dark secret? like _ dark secret... what's a dark secret? like what? - dark secret. .. what's a dark secret? like what? i- dark secret... what's a dark secret? like what? i can't i dark secret... what's a dark i secret? like what? i can't tell ou! secret? like what? i can't tell you! give _ secret? like what? i can't tell you! give me _ secret? like what? i can't tell you! give me one _ secret? like what? i can't tell you! give me one dark- secret? like what? i can't tell| you! give me one dark secret. make no _ you! give me one dark secret. make no a _ you! give me one dark secret. make up a dark— you! give me one dark secret. make up a dark secret. - you! give me one dark secret. make up a dark secret. i i you! give me one dark secret. make up a dark secret. i don'tj make up a dark secret. i don't know, i could _ make up a dark secret. i don't know, i could have _ make up a dark secret. i don't know, i could have stolen i know, i could have stolen something. i know, i could have stolen something.— know, i could have stolen somethina. , ., something. i stole something, i've something. i stole something, we never— something. i stole something, i've never talked _ something. i stole something, i've never talked about - something. i stole something, i've never talked about it, i something. i stole something, i've never talked about it, but| i've never talked about it, but i've never talked about it, but i did, as a kid. istole i've never talked about it, but i did, as a kid. i stole candy from a drug... grocery store. and as i am leaving the grocery store, i am like... and as i am leaving the grocery store, iam like... ten, and i 90, store, iam like... ten, and i go, i hear, and the hand is clapping. what is that! what have you gotten your bag? i got nothing! got nothing! "let me

see what you got under your jacket". a bag of candy. that dark secret is going to die with you. it's gone forever. this with you. it's gone forever. as well as playing back answers straight, for some clients storyfile has put in artificial words into virtual mouths. irate words into virtual mouths. we don't call _ words into virtual mouths. - don't call them deep fakes because they are not a hack�*s identity, they are going unauthorised way oppmann with person's estate where we will recreate the character using their archives, their videos, their archives, their videos, their voice and create an absolutely lifelike version of that individual. so for a museum or a family trust. i5 museum or a family trust. is there a danger that you might misrepresent them or perhaps convey a different side of their personality they never actually had?— their personality they never actually had? their personality they never actuall had? �* ., actually had? are we capable of bein: actually had? are we capable of being able _ actually had? are we capable of being able to — actually had? are we capable of being able to misrepresent i being able to misrepresent somebody? yes. in the same way that any, you know, filmmaker could do that when making a movie or whatever, we have a ai

ethics policy and an ethics committee and advisers, external advisers. it doesn't alwa s external advisers. it doesn't always get _ external advisers. it doesn't always get it _ external advisers. it doesn't always get it right. - external advisers. it doesn't i always get it right. sometimes it struggles to understand what question you are asking. but on the flipside, the ai often puts recorded answers together to reveal surprising details. we reveal surprising details. i've not too reveal surprising details. i've got too many _ reveal surprising details. is: got too many horses. i reveal surprising details. i�*?;a: got too many horses. i love horses. got too many horses. i love horses, , ., , got too many horses. i love horses. , ., , , horses. some people will be watchin: horses. some people will be watching this _ horses. some people will be watching this thinking, i horses. some people will be watching this thinking, oh, i horses. some people will be l watching this thinking, oh, i'm not sure about communicating with a loved one after they have moved on, is that a healthy thing to do? irate have moved on, is that a healthy thing to do? we as technology _ healthy thing to do? we as technology company i healthy thing to do? we as technology company can'ti technology company can't determine how people are going to live our lives when their loved ones have gone anymore than we can with a book or an album or anything else. that's not to say we are not responsible, that is that each of us has different ways of thinking about our loved ones when we are gone, dealing with grief in different ways.- grief in different ways. while the notion — grief in different ways. while the notion of— grief in different ways. while the notion of chatting - grief in different ways. while the notion of chatting with i grief in different ways. while i the notion of chatting with the dead is certainly bewitching, arguably as ai advances and ethical tight red lies ahead. but for bill, this technology

could enable him to boldly go where no—one has gone before. time for a look at this week's tech news. the white house has backed a bill which is given them the power to ban foreign technologies like tiktok if they pose a national security threat. bill has been introduced by a group of bipartisan senators and marks an escalation in us efforts to restrict tiktok over fears it could be used by the chinese government to access user data. that is something tiktok denies would happen. alphabet�*s drone delivery company wing is scaling up operations with an anonymous network of drones. it is helping retailers will be able to use autoloader to preload packages for automatic pickup. preload packages for automatic icku -. , , preload packages for automatic ”icku. , , , pickup. during this we break that timeline _ pickup. during this we break that timeline between i pickup. during this we break that timeline between the l that timeline between the pacher direct —— readiness and aircraft readiness and provides more flexibility. aha, aircraft readiness and provides more flexibility.— more flexibility. a bbc investigation - more flexibility. a bbc investigation has i more flexibility. a bbc| investigation has found

hundreds of accounts recently allowed back on twitter have been spreading abuse or misinformation. the bbc analysed over 1000 previously banned twitter accounts reinstated under new owner elon musk. it found evidence of problematic content posted on twitter in over one—third of them. and finally taz i had cut prices for its electric cars again as it tries to boost sales and compete with rivals. the latest round of reductions are the fifth change tesla has made to prices since the start of the year. let's talk about shoes. all shoes, and the challenge of them being comfortable. i love a air of them being comfortable. i love a pair of heels. _ them being comfortable. i love a pair of heels. they _ them being comfortable. i love a pair of heels. they make i them being comfortable. i love a pair of heels. they make me | a pair of heels. they make me feel kind of more powerful, ready to perform.— feel kind of more powerful, ready to perform. why are you so much shorter _ ready to perform. why are you so much shorter all _ ready to perform. why are you so much shorter all of - ready to perform. why are you so much shorter all of a i so much shorter all of a sudden!— so much shorter all of a sudden! �* ., sudden! and almost the same heiuht sudden! and almost the same hei . ht as sudden! and almost the same height as spencer. _ sudden! and almost the same height as spencer. but - sudden! and almost the same height as spencer. but they i sudden! and almost the same i height as spencer. but they are not without issue. if

height as spencer. but they are not without issue.— not without issue. if you are -auttin not without issue. if you are putting a — not without issue. if you are putting a position _ not without issue. if you are putting a position on - not without issue. if you are putting a position on that i putting a position on that heels _ putting a position on that heels you are pushed into a forward _ heels you are pushed into a forward position, you have to extend — forward position, you have to extend your back. if you look, all the — extend your back. if you look, all the nerves and joints are put under stress when you extend _ put under stress when you extend the back seat. ouch, not aood. extend the back seat. ouch, not good- aside _ extend the back seat. ouch, not good. aside from _ extend the back seat. ouch, not good. aside from the _ extend the back seat. ouch, not good. aside from the potential. good. aside from the potential back or hip pain, they can really hurt yourfeet. back or hip pain, they can really hurt your feet. but maybe there is a solution. foot scanning for custom—made insoles is nothing new, but these carbon fibre titanium and nano material ones go in at the point of manufacture as a base to the shoe. and they aim to make even the glitzy asst of heels feel as comfortable to wear as they come vs trainers. in a normal high heel, only about 20% of your foot is in contact with your shoe, because all of the pressure is built in

and focused on the metatarsal head which is the ball of the foot. so without technology reengineering the structure you get less pressure on the balls of your feet, and get less pressure on the balls of yourfeet, and by loading more on your heels, you are able to decrease the lower back pain that people feel as well as the need stress because they are not trying to overcompensate and regain their centre of balance.— centre of balance. while taryn brinrs centre of balance. while taryn brings her _ centre of balance. while taryn brings her orthopaedic - centre of balance. while tarynj brings her orthopaedic surgery skills to the mix, her co—founder and rico knows a thing or two about shoes fit for the red carpet. brilliant. and rico already has 24 different fits her size available, but he tells me that is not enough.— is not enough. that's right. size really _ is not enough. that's right. size really doesn't - is not enough. that's right. size really doesn't exist i size really doesn't exist because you're lower feet speak a language that is unique. last week i a language that is unique. last weeki sent — a language that is unique. last week i sent you _ a language that is unique. last week i sent you some - a language that is unique. last week i sent you some photos of my feet next to a tape measure so you have an idea of my size, and you have picked out of the

ones that are already made which ones are likely to fit the best. but you don't think they are quite right yet, what is wrong with this fit? it’s is wrong with this fit? it's not enough _ is wrong with this fit? it's not enough tight - is wrong with this fit? it�*s not enough tight because you have a 35, 36 in this area of the foot. have a 35, 36 in this area of the foot-— have a 35, 36 in this area of the foot. ' , ., the foot. so different parts of our feet are _ the foot. so different parts of our feet are different - the foot. so different parts of our feet are different sizes, l our feet are different sizes, but as most people don't have enrico and his tape measure at theirfeet enrico and his tape measure at their feet the enrico and his tape measure at theirfeet the idea here is that a 3d scanning machine will be available at shops to do the analysis. initially this will be for enrico's designs but it is something that other shoe companies could embrace. the device's detailed scans will be used to make custom—made shoes should fit perfectly all over, including the insoles to balance out the pressure. i think it is very important that shoe manufacturers are looking at this. for a start. i think if you talk about reducing pressure on the foot, that will definitely improve some of the biomechanics in the foot, so

we'll definitely improve foot pain. we'll definitely improve foot ain. , we'll definitely improve foot ain. pain. other companies are cominu pain. other companies are coming no _ pain. other companies are coming up with _ pain. other companies are coming up with their i pain. other companies are i coming up with their solutions to the problem as well. these look like a regular pair of heels, right? gait:tech also develops insoles that can be put in at the point of manufacture. although they are not personalised they also aim to redistribute pressure and better biomechanics. so the testis better biomechanics. so the test is coming out they feel? real benefit should be felt when you are wearing them for several hours, but i am going to give them a try now to see how they are when you first put them on. , them on. ok, the first thing i am very conscious _ them on. ok, the first thing i am very conscious of - them on. ok, the first thing i am very conscious of is i them on. ok, the first thing i am very conscious of is there | am very conscious of is there is a little bit more support at the back of my toes then i would normally feel. i thought they were going to support the archers more. but still feels normal. i still think the comfort of shoes is largely dependent on how soft the letter is around them. but that is what i have noticed now as i am only walking up and down in this small space. i would need

to do this for a couple of hours to really get a proper idea. i'm still not sure i am convinced that even though they feel better, heels will ever be as comfortable as flats. but i haven't put the custom—made ones to the test yet, so let's see. �* ., ., ., see. and now we have the grand unveilin: see. and now we have the grand unveiling of _ see. and now we have the grand unveiling of the _ see. and now we have the grand unveiling of the shoes _ see. and now we have the grand unveiling of the shoes because i unveiling of the shoes because they have arrived an hour going on right now. they have arrived an hour going on right now-— on right now. yeah, the most noticeable — on right now. yeah, the most noticeable thing _ on right now. yeah, the most noticeable thing is _ on right now. yeah, the most noticeable thing is they i on right now. yeah, the most noticeable thing is they feel i noticeable thing is they feel quite tight to get on but that is i guess how you find issue actually fitting one cr wearing it. they do fit well and they feel like they have got gel underneath them. the only issue is that at the moment they are available injust is that at the moment they are available in just this is that at the moment they are available injust this brand of shoes so they start at $795, not exactly a solution for everyone. i not exactly a solution for everyone-— not exactly a solution for eve one. i. ., _, everyone. i tell you who could afford them — everyone. i tell you who could afford them is _ everyone. i tell you who could afford them is the _ everyone. i tell you who could afford them is the start i everyone. i tell you who could afford them is the start of- everyone. i tell you who could afford them is the start of our| afford them is the start of our next story, because it is the oscars this weekend and 13 years after the original avatar movie cleaned up at the awards, the sequel is finally here. avatar: the way of water is up forfour avatar: the way of water is up for four oscars including avatar: the way of water is up forfour oscars including best visual effects. so it is time for us to meet the team behind

the scenes. to me the film is all about the characters. i hear ihear her i hear her heartbeat. we are able to bring _ i hear her heartbeat. we are able to bring the _ i hear her heartbeat. we are i able to bring the performance of these great actors onto cd characters and have audiences still react, at the amazing part for me. still react, at the amazing oart for me-_ still react, at the amazing part for me. what does her heartbeat _ part for me. what does her heartbeat sound _ part for me. what does her heartbeat sound like? i and so for that we wrote a whole _ and so for that we wrote a whole new neural network based facial _ whole new neural network based facial system to understand a little — facial system to understand a little better what the actors are doing and give the animators a final level of control— animators a final level of control over their faces. a lot of times— control over their faces. a lot of times you think the fact and you think— of times you think the fact and you think big scale and that is all oart— you think big scale and that is all oart of— you think big scale and that is all part of it as well, but we

also — all part of it as well, but we also like _ all part of it as well, but we also like to make sure that the small— also like to make sure that the small intimate moments work, because — small intimate moments work, because those are really where the audience gets to understand and know— the audience gets to understand and know the character. you the audience gets to understand and know the character.- and know the character. you are very hard _ and know the character. you are very hard on _ and know the character. you are very hard on them. _ and know the character. you are very hard on them. i _ and know the character. you are very hard on them. i am - and know the character. you are very hard on them. i am their. very hard on them. i am their father, very hard on them. i am their father. it's — very hard on them. i am their father, it's my _ very hard on them. i am their father, it's my job. _ very hard on them. i am their father, it's my job. we i very hard on them. i am their father, it's my job. we like i very hard on them. i am theirj father, it's my job. we like to father, it's my 'ob. we like to do a firm — father, it's my 'ob. we like to do a film like i father, it's my job. we like to do a film like this _ father, it's my job. we like to do a film like this that - father, it's my job. we like to do a film like this that has i father, it's my job. we like to do a film like this that has a i do a film like this that has a wide — do a film like this that has a wide range, when you are exploring the world in new ways _ exploring the world in new ways. every day is a school day, — ways. every day is a school day, studying what water looks like at — day, studying what water looks like at different depths, if you — like at different depths, if you are _ like at different depths, if you are one metre under, if you are 50 _ you are one metre under, if you are 50 metres under, what happens _ are 50 metres under, what happens to the light as mac depending on how clear the water— depending on how clear the water is, _ depending on how clear the water is, we look at water from all around — water is, we look at water from all around the world to see which _ all around the world to see which types would play best for the film — which types would play best for the film. obviously we knew we would _ the film. obviously we knew we would go — the film. obviously we knew we would go with something tropical but you still study everything anywayjust so you kind _ everything anywayjust so you kind of— everything anywayjust so you kind of know where you are. of real kind of know where you are. real whales, kind of know where you are. of realwhales, of kind of know where you are. of real whales, of dolphins, kind of know where you are. oi realwhales, of dolphins, of all the different types of

animals under the water, how they swim, how they interact, they swim, how they interact, the way bubbles work around them. , ., , , ., the way bubbles work around them. , ., , i. ., the way bubbles work around them. , ., , ,, ., you them. the sea is your home. you have that — them. the sea is your home. you have that expansive _ them. the sea is your home. you have that expansive canvas i them. the sea is your home. you have that expansive canvas to - have that expansive canvas to work — have that expansive canvas to work with _ have that expansive canvas to work with. but then you also have — work with. but then you also have the _ work with. but then you also have the big dramatic things that— have the big dramatic things that happen, the hunt. the battle _ that happen, the hunt. the battle scenes. you have all of that_ battle scenes. you have all of that on— battle scenes. you have all of that on one side and then you have — that on one side and then you have families understanding how to live _ have families understanding how to live together, and sometimes working — to live together, and sometimes working and sometimes not. it is all_ working and sometimes not. it is all very— working and sometimes not. it is all very familiar. | working and sometimes not. it is all very familiar.— is all very familiar. i see ou. is all very familiar. i see yom i — is all very familiar. i see you. ithink— is all very familiar. i see you. i think the - is all very familiar. i see you. i think the great. is all very familiar. i see i you. i think the great thing about science _ you. i think the great thing about science fiction - you. i think the great thing about science fiction is - you. i think the great thing about science fiction is it i about science fiction is it lets _ about science fiction is it lets you _ about science fiction is it lets you see what is kind of normal _ lets you see what is kind of normal to us but in a new light _ normal to us but in a new light so _ normal to us but in a new light. so maybe you think about it a little — light. so maybe you think about it a little bit more than you would _ it a little bit more than you would otherwise.— it a little bit more than you would otherwise. is our fortress.

i remember the thing about the first avatar was it was all about the sd, which in the end didn't seem to catchjohn like it was supposed to. but the thing i love aboutjames cameron as a director either he is really hands—on and always willing to push the boundaries. yes, and good luck to all of this weekend's oscar nominees. that's all we have got time for. ., ., �* for. thanks for watching, we'll see ou for. thanks for watching, we'll see you soon. _ for. thanks for watching, we'll see you soon. bye-bye. -

this is bbc news. i'm vishala sri—pathma. our top stories — us regulators have shut down silicon valley bank. it's the biggest banking failure since the 2008 financial crisis. the bbc�*s star football presenter gary lineker has been suspended over social media comments he made criticising the british government's asylum policy. as editor—in—chief of the bbc, i think one of our founding principles is impartiality, and that's what we're delivering on. asylum policy was centre stage at a leaders' summit in paris, where the uk promises france hundreds of millions of dollars to deal with illegal channel crossings. one of the strongest storms ever recorded in the southern

hemisphere ripped through madagascar twice and now